hard.heavy.1vcalic,
Iz naziva teme jasno se vidi na šta se odnosi. Metalci, headbangeri
i ostali - ovo je mesto za vas.
Vlada
hard.heavy.2mikis,
Sretno otvaranje konferencije i teme uz, naravno:
rz
B00000000000000
_-/~~~\-_ ____________________ /~~~~~~~~~~~\
/ \ | ---------------- | { \
/ _/-\_| | |R:\>co | | \__\ \ \ |
| / | | |CONF:MUZIKA>> | | /~~~~~~\ |
| / | | | | | / | |
\ / ~.\ | |______________| | | __--~ _ \ |
\ / @ _\ |__________________|~| /.> @) \_/
\ _-w\ |________________|_-~ /_o) _ /
\ \_ /==================\ _)____/> |
| _/ Whoa! )______ |
_|__|_ Beavis, Yeah, Yeah _\__|_
/ \ Check this out! H-Heh, computers / \
| | |AC| are cool. |ica| | |
| |_|__|____-,- ,-____|___|_| |
| '----n----~' '~----n-----' |
:)
hard.heavy.3mikis,
-> #2, mikis .------.. _------__--___.__.
/ \_ / ` ` \
/ \ |. \
/ \ \ |
/ .--._ .---. | \ |
| / -__- \ | ~-/--`-`-`-\ |
| | | | | \ |
|| || | | |
|| ,_ _. || | | |
|| e e || Hey Beavis, | _-- | |
|| _ |_ || pull my finger! _| =-. |.-. |
@| (o\_/o) |@ Heh,Heh!!! o|/o/ _. |
| _____ | / ~ \ |
\ ( /uuuuu\ ) / No way! (/___@) ___~ |
\ `=====' / Ass wipe!! |_===~~~.` |
\ -___- / _______.--~ |
| | // \________ |
/-_____-\ . _//_ \ |
/ \ \\///// __/-___-- -__
/ \ \ / / __\
/__| AC / DC |__\ / / -| Metallica|| |
| || |\ \ / / || || |
| || | \ \/ / || || |
| || | \__/ / | / /
hard.heavy.4mikis,
Za sve prave, heavy fanove: Budimpeša, 1.XII 1994. Olimpia Hale. Najveći
Speed metal bend svih vremena:
S L A Y E R !
Predgrupa: Machine Head. Ovo treba videti! (novi album Slayera, Divine
Intervention, definitivno 'kicks ass'! Prava spidačina, dostojan naslednik
Reign In Blood-a!)
Za death metalce: isto Budimpešta, sredinom novembra (između 11. i 17.,
moram da proverim) - Obituary; predgrupe Pitchshifter i I Hate Gun! Spremajte
se za put... :)
hard.heavy.5mdave,
-> #1, vcalicSubject: Re: čiveli!
MD> Iz naziva teme jasno se vidi na šta se odnosi. Metalci,
MD> headbangeri i ostali - ovo je mesto za vas.
YES! YES! YES! YES! YES! YES! YES! YES! YES! YES! YES! YES!
Pa da proslavimo !!!
--------
Metallica: ONE (from the album ...And Justice For All)
begins with gunfires and battlefield sound for a few seconds..
Bm Gmaj7(no3rd) Bm Gmaj7(no3rd)
|--------------|--------------|--------------|-------------------|
|--------------|--------------|--------------|-------------------|
|--------------|--------------|--------------|----------------0--|
|-----4-----0--|-----4-----0--|-----4-----0--|-----4-----0-------|
|--2-----2-----|--------------|--2-----2-----|-------------------|
|--------------|--3-----3-----|--------------|--3-----3----------|
D/A Gmaj7(no3rd)
|--------------|--------------|--------------|---------------|
|--------------|--------------|--------------|---------------|
|-(0)----------|--------------|--------------|---------------|
|-----4-----0--|-----4-----0--|-----4-----0--|---------------|
|--2-----2-----|--0-----0-----|--------------|-----2-----2---|
|--------------|--------------|--3-----3-----|--0-----2------|
Bm Gmaj7(no3rd) Bm
|---------------|--------------|--------------|-----------------|
|---------------|--------------|--------------|-----------------|
|*--------------|--------------|--------------|--------------0--|
|*-----4-----0--|-----4-----0--|-----4-----0--|-----4-----0-----|
|---2-----2-----|--------------|--2-----2-----|-----------------|
|---------------|--3-----3-----|--------------|--3-----3--------|
D/A Gmaj7(no3rd) [1. N.C ]
|--------------|--------------|--------------|---------------|
|--------------|--------------|--------------|---------------|
|--------------|--------------|--------------|--------------*|
|-----4-----0--|-----4-----0--|-----4-----0--|--------------*|
|--2-----2-----|--0-----0-----|--------------|-----2-----2---|
|--------------|--------------|--3-----3-----|--0-----2------|
[2. N.C ] Bm Gmaj7(no3rd)
|----------------------------|-----------------------|-----------------------|
|----------------------------|-----------------------|-----------------------|
|----------------------------|-----------------------|-----------------------|
|----------------------------|-----4-----0--0--4-----|-----4-----0--4--4--0--|
|-----2-----2-----2--2h4--2--|--2-----2-----------0--|-----------------------|
|--0-----2-----0-------------|-----------------------|--3-----3--------------|
Bm Gamj7 Bm
|-----------------------|-----------------------|-----------------------|
|-----------------------|-----------------------|-----------------------|
|-----------------------|-----------------------|-----------------------|
|-----4-----0--0--4-----|-----4-----0--4--4--0--|-----4-----0--0--4--0--|
|--2-----2-----------0--|-----------------------|--2-----2--------------|
|-----------------------|--3-----3--------------|-----------------------|
D/A Gamj7 (Em)
|-----------------------|-----------------------|-------------------|
|-----------------------|-----------------------|-------------------|
|--------------------0--|-(0)-------------------|-------------------|
|-----4-----0--4--4-----|-----4-----0--0--4--0--|-----2h4--2--------|
|--0-----0--------------|-----------------------|----------------4--|
|-----------------------|--3-----3--------------|--0----------2-----|
G5 A5 (D) Riff A (G)
|---------------------|---------------------|------------------------|
|---------------------|---------------------|-----0h3p0----0h3p0-----|
|---------------------|*--------0--7-----0--|------------4--------0--|
|---------0-----------|*-----7--------7-----|--5---------------------|
|-----5------------7--|---5-----------------|------------------------|
|--3---------3--5-----|---------------------|------------------------|
(F) [1. (Em) ] [2.(Em) N.C end Riff A
|--------1--------|--------------0------|------------------|
|-----------1-----|-----------0-----0---|-----0------------|
|-----0--------0--|-----4--0-----------*|--------0--4------|
|--3--------------|--2-----------------*|--2---------------|
|-----------------|---------------------|-------------/3---|
|-----------------|---------------------|------------------|
hard.heavy.6mdave,
-> #4, mikisSubject: Re: SLAYER
MD> S L A Y E R !
MD>
MD> Predgrupa: Machine Head. Ovo treba videti! (novi album Slayera,
MD> Divine Intervention, definitivno 'kicks ass'! Prava spidačina,
MD> dostojan naslednik Reign In Blood-a!)
Slušao sam nešto malo i mogu ti reći da si u pravu. :)
< Necrophobic - can't control the paranoya >
hard.heavy.7mdave,
Subject: Iron Maiden
BTW, kući imam tablature za prva tri albuma Maiden-a pa ako
nešto treba - vičite ! :)
< "He's walking like a small child..." >
hard.heavy.8mdave,
Subject: Metallica
Predivno !!! Chords by Dave Mustaine (MDave ;) )
--------
By popular demand, some bits and pieces of CALL OF THE KTULU.
Most of it was written by Dave Mustaine, by the way.
About the tab, the vertical lines don't represent bar lines, but little
"sections", I guess that's as good as I can explain it.
Intro....play each part twice....
---5---------5---|---6---------6---|---8----------8---|---5---------5---
-------6-------6-|-------6-------6-|-------8--------8-|-------6-------6-
-----7-----7-----|-----7-----7-----|-----9------9-----|-----7-----7-----
-0-------7-------|-0-------7-------|-0-------10-------|-0-------7-------
-----------------|-----------------|------------------|-----------------
-----------------|-----------------|------------------|-----------------
The next part....play it a few times....
---------0------|---------0-------
-------0---0----|-------0---0-----
-----5------5---|-----5-------5---
---7------------|---7-----------7-
-0------------7-|-6---------------
----------------|-----------------
The next part....Dave Mustaine used this again in the intro to Hangar 18
-------1-|-------1-|-------1-|-------5-
-----3---|-----3---|-----3---|-----3---
---2-----|---3-----|---4-----|---5-----
-0-------|-0-------|-0-------|-0-------
---------|---------|---------|---------
---------|---------|---------|---------
hard.heavy.9mdave,
Subject: Helloween
Hajde nek neko (mikise?) da jednu recenziju "Master of the
Rings". :)
hard.heavy.10mdave,
Subject: Plush
Jeste li primetili kako ovi akordi dobro zvuče, čak i na
akustičnoj gitari ? :)
--------
Intro and exit (play 4 times on intro and 4 times on exit):
E ||---3---3---3---3---3---3---3---3---3---------------------|
B ||---3---3---2---1---1---0---0---1---2---------------------|
G ||---0---0---3---2---2---0---------------------------------|
D ||---0---0---0---0---0---0---------------------------------|
A ||---------------------------------------------------------|
E ||---------------------------------------------------------|
Chords:
E A D G B E
GM 3 2 0 0 3 3
F# 2 0 0 2 3 x
F 1 3 3 2 1 1
C1 3 3 2 0 1 x
G? 3 6 5 3 3 3
D x x 0 2 3 x
C2 x 3 x 0 3 x
B x 2 x 0 3 x
fill in (/ = slide up; \ = slide down):
GM GM F# F# F F C1 C1 G? G?
And I feel that time's a wasted go
And I feel that so much depends on the weather
So where ya goin' to tomorrow
So is it raining in your bedroom
And I feel that these are the lies to come
And I feel that these are the eyes of disarray
G? G? F D C2 B C2
Or would you even care
Or would you even care
D C2 B C2 D C2 B C2
she feels it
hard.heavy.11mdave,
Subject: Ozzie :)
Ima li neko nešto od tablatura od Ozzija ? Malo da se prouši
kako to radi dZAKic na gitari... :)
hard.heavy.12paki,
-> #10, mdave> G? 3 6 5 3 3 3
D#maj7 (G bass)
hard.heavy.13nkrgovic,
Zivela nova conf ( je je je )
Zivela najjaca tema u njoj ( URaaaaaaaaaa Ziveo Drug Tile ;>>>> )
Ovo je mozda trebalo u tekstovi ali:
Ima li neko tekstove za album powerslave od Maiden.
Posebno me intereuje pesma aces high.
tnx unapred.
nk.
hard.heavy.14crncic,
-> #1, vcalic >> Iz naziva teme jasno se vidi na šta se odnosi. Metalci, headbangeri
>> i ostali - ovo je mesto za vas.
Hvala, pozdravljam.
Dave je bacio One, evo od mene Creep.
Creeping Death
As performed by Metallica
From "Ride the Lightning"
Copyright (c) 1984 Creeping Death Music
Words & Music By : James Hetfield, Lars Ulrich, Cliff Burton, & Kirk Hammett
Musical Definitions at the end of file.
Typed by : Christopher Sean Forgeron
Spread this around all you want.
Tempo = Fast Rock = 184 bpm
Intro
(Ryth Fig 1) (end Ryth Fig 1)
&-#---||----------------|---|-----------------|----||
&-----||----------------|---|-----------------|----||
&---4-||o-----------%---|---|-----------%-----|---o||
&---4-||o-----------%-9-|-9-|-----------%-9-7-|-7-o||
&-----||--------------9-|-9-|-------------9-7-|-7--||
&-----||--0-0-0-0-0---7-|-7-|-0-0-0-0-0---7-5-|-5--||
~~~~~ ~~~~~
w/Ryth Fig 1 (once)
||-------------------|-----------|------------------|----------||---------|
||-------------------|-----------|------------------|----------||---------|
||o-------------%----|-------%-}-|------------------|-----%-}-o||-}-------|
||o-------------%-9--|-9--9--%-}-|-----------%-9--7-|-7-7-%-}-o||-}-------|
||----------------10-|-10-10-----|-----------%-10-9-|-9-9------||---7-5-5-|
||--0-0-0-0-0-0------|-----------|-0-0-0-0-0--------|----------||---5-3-2-|
~~~~~~~ ~~~~~
(Ryth Fig 3) (end Ryt Fig 3)(Ryth Fig 4) (end Ryth Fig 4)
x8 x4
||------------------|----------------------||-------------|------------------||
||------------------|----------------------||-------------|------------------||
||o-----------------|---------------------o||o------------|-----------------o||
||o-----2-----2---2-|-----2---------------o||o------------|-----------------o||
||------2-----2---2-|-----2---2-3-2-3-2-0--||-----5-----5-|------------------||
||--0-0---0-0---0---|-0-0---0--------------||-0-0-3-0-0-3-|-0-0-2-2-2-2-2-2--||
H P P
You then play Ryth Fig 3 four times, and then continue.
|---|---|---|---------|
|---|---|---|---------| The singing starts. Keep playing Ryth Fig 3
|---|---|---|---4-6---| until the singing stops (16 bars later) then
|-2-|-2-|-2-|-2-4-6-4-| start playing Ryth Fig 4 four times.
|-2-|-2-|-2-|-2-2-4-4-|
|-0-|-0-|-0-|-0-----2-|
~~~~~~~~~~~~~
Chorus
E5 C5 D5 F5 G5 @
||---|-------------|---|------|---|-------------|---------|---|-------------|
||---|-------------|---|------|---|-------------|---------|---|-------------|
||-9-|-9-------5-7-|-7-|-7/10-|-9-|-9-------5-7-|-/10-12\-|-7-|-7-------5-7-|
||-9-|-9-------5-7-|-7-|-7/10-|-9-|-9-------5-7-|-/10-12\-|-7-|-7-------5-7-|
||-7-|-7-------3-5-|-5-|-5/8--|-7-|-7-------3-5-|-/8--10\-|-5-|-9-------3-5-|
||---|---0-0-0-----|---|------|---|---0-0-0-----|---------|---|---0-0-0-----|
~~~~~ ~~~~~~~~~ ~~~~~ ~~~~~ ~~~~~~~~~~ ~~~
w/Ryth Fig 3 (twice)
---|------|---|-------------|---|---------|---||
---|------|---|-------------|---|---------|---|| Go back up to the part where
-7-|-7/10-|-9-|-9-------5-7-|-7-|-7-4-6-4-|-4-|| the singing starts
-7-|-7/10-|-9-|-9-------5-7-|-7-|-7-4-6-4-|-4-||
-5-|-5/8--|-7-|-7-------3-5-|-5-|-5-2-4-2-|-2-||
---|------|---|---0-0-0-----|---|---------|---||
~~~~~~ ~~~~~ ~~~~~~~~~ ~~~~~
Lotsa solo stuff. Damned fast, but not hard. Usual pentatonic minor soloing.
Bridge
(Half Time Feel)
(This is the "Die, by my hands..." part)
Each chord is a half note, except the E which is 4 quarter notes using only
the bottom string. The progression is like this:
E5 E E E E F5 D5 E5 E E E E G5 F5 (x3)
Then it's Ryth Fig 3 for 6 bars. On the sixth bar, another gutair plays the
following:
|-----------|
|-----------| Go back to where the singing originally started. Play it
|-[~3~]-7\--| through with the third verse, and when you hit the @ sign,
|-2-3-5-7\\-| go to this next part.
|-2-3-5-5\\-|
|-0-1-3---\-|
Ryth Fig 9
-----------------|-------|-------------------|-------||
-----------------|-------|-------------------|-------||
-----------------|-------|-------------------|-------||
-----2-----2---2-|-2-2-2-|-----2-----2-----3-|-3-0-0-||
-----2-----2---2-|-2-2-2-|-----2-----2-----3-|-3-0-0-||
-0-0---0-0---0---|-------|-0-0---0-0---0-0---|-------||
~~~~~ ~~~~~
(Following Can be played by 2 guitars, one high, one low, but one can do it)
w/Ryth Fig 9
/\ x3
||---/--\--------|----|------/\---------|------||
||--15--15-13-12-|-12-|-12-12--12----13-|-13---||
||o-14--14-12-11-|-11-|-11-11--11-14-12-|-12--o||
||o--------------|----|-----------14----|-----o||
||---------------|----|-----------------|------||
||---------------|----|-----------------|------||
~~~~~~~~~~~~ ~~~~~~~
x3
--------------|---|-----------|---||------------|---|-----------|----||
--------------|---|-----------|---||------------|---|-----------|----||
-----9--7-5-4-|-4-|-4-5-4---5-|-5-||o-5-9-5-7-4-|-4-|-4-5-4---4-|-4-o||
-----9--7-5-4-|-4-|-4-5-4---5-|-5-||o-5-9-5-7-4-|-4-|-4-5-4---4-|-4-o||
-----7--5-3-2-|-2-|-2-3-2-0-3-|-3-||--3-7-3-5-2-|-2-|-2-3-2-0-2-|-2--||
-0-0----------|---|-----------|---||------------|---|-----------|----||
~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~ ~~~~~
Something for 4 bars... Probably one of the above riffs.
Ryth Fig 2 (twice) Then it's free time.
Then it's 4 chords, with a slight retard:
-----|-----|---|
-----|-----|---|
-*---|-----|---|
-*---|-----|-2-|
---7-|-5-5-|-2-|
---5-|-3-2-|-0-|
Trill
Now, in the Exact same bar where the E5 Trill starts, this scale starts, with
two guitars.
|-------------|-------------|-14-15--14----|-------------|----------|----|
|-------------|-------16-17-|--7--8---7-17-|-16----------|----------|----|
|----------14-|-16-17--8--9-|------------9-|--8-17-16-14-|----------|----|
|-14-16-17--7-|--9-10-------|--------------|----10--9--7-|-17-16-14-|-14-|
|--7--9-10----|-------------|--------------|-------------|-10--9--7-|--7-|
|-------------|-------------|--------------|-------------|----------|----|
~~~~~ ~~~~~ ~~~~~~~~~~~~
H H P P
And of course, it ends with 2 hard E5 chords, and a slide to nothing.
% = Quarter Rest O = Whole Note / = Quarter Note \ = Thirty-Second
} = Full Rest o = Half Note | = Sixteenth
-||-- --||- ---|---
-||-- --||- This is the repeat ---|--- A tied note. You only
-||o- -o||- loop. It is repeated ---|--- play it once, and hold
-||o- -o||- 1 time (x1) unless -2-|-2- it.
-||-- --||- otherwise marked at -2-|-2-
-||-- --||- the top. -0-|-0-
begin end ~~~~~
--- --- --- --- ---/\---
--- --- --- --- --/--\-- Bend up
-%- Quarter -}- Full -*- 1 Beat -*- 2 Beat -12--12- a full note
-%- Rest -}- Rest --- Rest -*- Rest --------
--- --- --- --- --------
--- --- --- --- --------
--------
---/\--- Bend up
-12--12- a half note
--------
--------
--------
hard.heavy.15mikis,
-> #6, mdave+> Slušao sam nešto malo i mogu ti reći da si u pravu. :)
Jašta sam u pravu :) Uzgred, na Akademiji je u subotu bila
ludnica... Baš su svašta od muzike puštali - od B(C) 52's, R.E.M. do
klasične Seattle postave (Alice In Chains, Pearl Jam, Nirvana)... Pa
onda House of Pain, Prodigy, RHCP, FNM, Senser... Ipak, najcrnje je bilo
oko dvojke, kad je tip zaređao - Metallica, Wherever I May Roam; pa
Slayer/Ice T - War; taman pomislismo, toliko od 'teže' muzike, kad tip
opali - Sepultura, "Refuse/Resist", pa opet Slayer, "Dittohead" (najbrža
stvar na novom albumu, negde u klasi "Necrophobica" - ultra
brza/*ebitačna). Kuku, kakav je to pokolj bio ;) Našlo se tu i par
skinsa, čisto da začine atmosferu... Ma, ludnica :)
hard.heavy.16mikis,
-> #9, mdave+> Hajde nek neko (mikise?) da jednu recenziju "Master of the
+> Rings". :)
Eh, otkad ja nisam slušao Helloween... :) Zapravo, pomenuti album
nisam ni čuo; prošli (Pink Bubbles...) sam imao, ali sam ga nekome dao,
i nije mi uopšte žao (zapravo, nije mi žao albuma, žao mi je TDK SA
kasete ;) ). Po mom mišljenju, kad je Hansen otišao, to više nije bilo
to (mada se meni, za razliku od nekih, više sviđa Kiske nego Hansen kao
pevač :) ), ali sada, kada je i Kisske otišao, zaista nemam želju da ih
čujem :(
hard.heavy.17cane,
-> #13, nkrgovic - Ima li neko tekstove za album powerslave od Maiden.
Imam ceo album na kom su ljudi kulturno napisali i reci :). Daj mi samo
par dana za prekucavanje.
- Posebno me intereuje pesma aces high.
Ok, ona je kratka, a i znam je napamet :). Stize veceras ili sutra. No,
nemam zapisan onaj recital sa pocetka pesme, ali to mozes i sam da skines.
hard.heavy.18marshall,
-> #13, nkrgovic*> Ovo je mozda trebalo u tekstovi ali:
*> Ima li neko tekstove za album powerslave od Maiden.
*> Posebno me intereuje pesma aces high.
Prvo : nije trebalo u tekstove - to je read only :)
Drugo : Evo ide Aces High, a i ostatak albuma uz poruku...
Aces high(Harris)4:31
There goes the siren that warns of the air raid
Then comes the sound of the guns sending flak
Out for the scramble we've got to get airborne
Got to get up for the coming attack
Jump in the cockpit and start up the engine
Remove all the wheelblocks
there's no time to waste
Gathering speed as we head down the runway
Gotta get airborne before it's too late
Running,scrambling,flying
Rolling,turning,diving,going in again
Run,live to fly,fly to live,do or die
Run,live to fly,fly to live,Aces high
Move in to fire at the mainstream of bombers
Let off a sharp burst and then turn away
Roll over,spin round and come in behind them
Move to their blindsides and firing again
Bandits at 8 O'clock move in behind us
Ten ME-109's out of the sun
Acsending and turning our spitfires to face them
Heading straight for them I press down my guns
Rolling,turning,diving
Rolling,turning,diving,going in again
Run,live to fly,fly to live,do or die
Run,live to fly,fly to live,Aces high
-Marshall
powersla.lhahard.heavy.19marshall,
Da i ja prosledim ovde jedan zahtev... Potrebne reci AC/DC (po
sistemu daj sta das, a ja to nemam :), jer kao sto je poznato oni bas i
nemaju obicaj da stavljaju reci na albume, a Bon i Brian mrse ko sta
stigne... Da napomenem da se kod mene skupila vec prilicna kolicina
tekstova doticne grupe (kao i dosta drugih), pa ce razmena biti bogata
(nadam se)...
-Marshall
hard.heavy.20marshall,
Bese ovde zahtev za Walk This Way ? Dakle...
Walk This Way (Steven Tyler and Joe Perry)
Backstroke lover always hidin' 'neath the covers
"Gonna talk to you" my daddy say
said "you ain't seen nothin' till youre down on a muffin
and you're sure to be achangein' your ways"
I met a cheerleader
was a real young bleeder all the times I could reminisce
'cause the best things in lovin' with a sister and a cousin
only started with a little kiss alike this!
Seesaw swingin' with the boys in the school
and your feet flyin{ up in the air
I sing "Hey diddle diddle"
with your kitty in the middle of the swing
like you didn't care
took a big chance at the high school dance
with a missy who was ready to play
was a me she was foolin'
'cause she knew what she was doin'
and I know'd love was here to stay
when she told me to
CHORUS walk this way, walk this way, walk this way
walk this way, walk this way
Uh, just gimme a kiss!
School girl skinny with a classy kinda sassy
little skirt's climbin' way up her knee,
there was three young ladies in the school gym locker
when I noticed they was lookin' at me.
I was a high school loser, never made it with a lady
till the boys told me somethin' I missed,
then my next door neighbor with a daughter had a favor
so I gave her just a little kiss alike this!
CHORUS
seesaw swingin' with the boys in the school
and your feet flyin' up in the air,
I sing "Hey diddle diddle"
with your kitty in the middle of the swing
like you didn't care.
So I took a big chance at the high school dance
with a missy who was ready to play,
was a me she was foolin'
'cause she knew what she was doin'
when she told me how to walk this way.
She told me to
CHORUS
-Marshall
hard.heavy.21marco,
Da li neko ima textove od Pearl Jam? Unapred hvala.
hard.heavy.22vitez.koja,
-> #15, mikis#=> Slayer/Ice T - War
Pesma se zove "Disorder".
#=> brza/*ebitačna). Kuku, kakav je to pokolj bio ;)
#=> Našlo se tu i par skinsa, čisto da začine atmosferu...
#=> Ma, ludnica :)
'Pokolj' na Akademiji ? :))) Među onolikim narkomanima ? Ma hajde
;) Meni su šutke na akademiji oduvek delovale tužno ;)
BTW. čuo sam od jednog tipa koji ima suštinski suprotan ukus od
tebe (i mene) da je subota na akademiji bila sjajna... Da li je
moguće ? :)
hard.heavy.23crncic,
-> #20, marshall >> Bese ovde zahtev za Walk This Way ? Dakle...
>> Walk This Way (Steven Tyler and Joe Perry)
Ooo, napokon se neko smilovao :) Tnx Marshall !
Usput, nadao sam se da ću na CDu AC/DC naći tekstove, pogledam ja
ali nema :((
hard.heavy.24zurzul,
-> #7, mdave##> BTW, kući imam tablature za prva tri albuma Maiden-a pa ako
##> nešto treba - vičite ! :)
EVO JA VIžžžžžžžžEM!!
hard.heavy.25inferno,
-> #13, nkrgovicŮ│ ˙ Ovo je mozda trebalo u tekstovi ali:
Ů│ ˙ Ima li neko tekstove za album powerslave od Maiden.
Ů│ ˙ Posebno me intereuje pesma aces high.
Knight, jel ti poznato? ;)
hard.heavy.26madcat,
-> #18, marshall=> *> Ovo je mozda trebalo u tekstovi ali:
=> *> Ima li neko tekstove za album powerslave od Maiden.
=> *> Posebno me intereuje pesma aces high.
=>
=> Prvo : nije trebalo u tekstove - to je read only :)
=> Drugo : Evo ide Aces High, a i ostatak albuma uz poruku...
A jeli ti pokvarenstino jedna !! A ne kazes da sam ja to sve prekucavao ??
;)))))))))))
Tako je to kad ti niko ne priznaje mukotrpan rad.. Trebalo je da naplatim ;>
(inace, ako marshall nije prepravio, ima par greskica u kucanju, pa to sam
prepravi..)
hard.heavy.27crncic,
* SEEK & DESTROY *
M e t a ll i c a
G5 A5 C5 D5 F#5 F5
e|--------| e|-------| e|-------| e|-------| e|-------| e|-------|
B|--------| B|-------| B|-------| B|-------| B|-------| B|-------|
G|--------| G|-------| G|---5---| G|---7---| G|----6--| G|----5--|
D|----5---| D|---7---| D|---5---| D|---7---| D|--4----| D|--3----|
A|----5---| A|---7---| A|-------| A|-------| A|-------| A|-------|
E|--------| E|-------| E|-------| E|-------| E|-------| E|-------|
G5(V) A
e|-------| e|-------|
B|-------| B|-------|
G|----7--| G|---2---|
D|--5----| D|---2---|
A|-------| A|---0---|
E|-------| E|-------|
Riff A. (Play 8 times)
e|| ---------------------------------|--------------------------------- ||
B|| ---------------------------------|--------------------------------- ||
G||.----------7h8-7------------------|-----------------------5---------.||
D||.--------------------------7h8-7--|--------------5-------------7----.||
A|| -0---0-----------------0---------|--0---8---7--------7------------- ||
E|| ---------------------------------|--------------------------------- ||
^ ^ ^ ^ ^ ^ ^
P.M. P.M. P.M. P.M.
Riff B.
e||---------------------------------||
B||---------------------------------||
G||-9---7-------7-------------------||
D||---------9-------9---8---7sl5----||
A||---------------------------------||
E||---------------------------------||
Rhy. Fig. 1 (Play three times)
G5 A5 G5 A5
e|| -----------------------------|---------------------------- ||
B|| -----------------------------|---------------------------- ||
G||.-----------------------------|----------------------------.||
D||.---------------5--7--5--7----|----------------------------.||
A|| ---------------5--7--5--7----|---------------7--5--------- ||
E|| -0--0--0--0------------------|--0--0--0--0----------7--6-- ||
^ ^ ^ ^ ^ ^ ^ ^
P.M. P.M.
Riff C. (Play twice)
e|| ---------------------------------|--------------------------------- ||
B|| ---------------------------------|--------------------------------- ||
G||.---------------------------------|---------------------------------.||
D||.---------------------------------|-------------------------5-------.||
A|| ---------------------------------|-----------------------------7--- ||
E|| -0---0---0---0---0---0---0---0---|-0---0---0---0---7---6----------- ||
1st, 2nd, 3rd verses with Riff. C
1st : Scanning the scene in the city tonight,
We're looking for you to start up a fight.
There's an evil feeling in our brains,
but it's nothing new. You know it drives us insane.
Pre-Chorus : Running. On our way. Hiding. You will pay. Dying 1000 deaths.
Chorus : Searching....... Seek and destroy
2nd : There is no escape and that's for sure.
This is the end we won't take anymore.
Say goodbye to the world you live in
You've always been taking, but now you're giving.
3rd : Our brains are on fire with the feeling to kill
And it wont go away until our dreams are fulfilled,
there is only one thing on our minds.
Don't try running away 'cause youre the one we will find.
Rhy. Fig. 2
C5 A C5 D5 C5
----------- -----
| | | | | | |
| | | | | | |
| | | | | | |
/ / / / / / /
Rhy. Fig. 3 (Played during chorus)
G5(V) F#5 F5
Fill 1
e|| ---------------------------------|
B|| ---------------------------------|
G|| ---7--5--------------------------|
D|| ---------7--6--5-----------------|
A|| ------------------7--6--5--------|
E|| ---------------------------------|
Rythm Fill 1
e|| ---------------------------------|
B|| ---------------------------------|
G||.---------------------------------|
D||.--5--------7---------7-----------|
A|| -----0--0------0--0------0-------|
E|| ---------------------------------|
Substitute Rhythm Fill 1 (2nd 3rd and 4th times)
e||
--------------------------|-------------------------|----------------------|
B||
--------------------------|-------------------------|----------------------|
G||.--------------------------|-5-----------------------|-4--------------------
|
D||.-5---7------7--------7----|-5--------7--------7-----|-4-------7--------7---
|
A||
-0---0---0-----0--0-----0-|----0--0-----0--0------0-|----0--0----0--0---\--|
E||
--------------------------|-------------------------|------------------sl\-|
^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^
P.M. (all the marked notes)
e| ------------------------------ ||
B| ------------------------------ ||
G| ------------------------------.||
D| ----------3--2--0-------------.||
A| -3--2--0-----------3--0------- ||
E| ------------------------------ ||
^ ^ ^
P.M.
Rhythm Fig. 4
e|------------------|--------------------|------------------|------------------
|
B|------------------|--------------------|------------------|------------------
|
G|------------------|--------------------|------------------|------------------
|
D|------------------|-5------------------|-4----------------|------------------
|
A|-5h7---7------7---|-5-------7------7---|-4------7------7--|-------3-2-0------
|
E|-----0---0--0---0-|---0--0----0--0---0-|---0--0----0-0--\-|-3-2-0-------3-0--
|
sl\
Rhythm Fill 2 Rhythm Fill 3
e|-----------------|------------------------------|
B|-----------------|------------------------------|
G|-----------------|------------------------------|
D|-9---------------|-4-----------------7sl5-------|
A|-7-----------7---|-4-----------------7sl5-------|
E|---0-0-0-0-0--\--|-2--0--0--0--0--0--5sl3--0--0-|
sl\
Notation : P.M. = palm mute, sl = slide, h = hammer on, p = pull-off
hard.heavy.28mdave,
Subject: Master of Puppets
MASTER OF PUPPETS
Written and performed by Metallica
Tab symbols used:
p - pull off
h - hammer on ) )\
/ or \ - slide / - bend / \ - bend and release
vib - vibrato
x - rake
E5 D5 Db5 C N.C.(Em)
PM..............
e |----------------|---------------|---------------|----------------|
B |----------------|---------------|---------------|----------------|
G |9---------------|7---6---5------|---------------|.---------------|
D |9---------------|7---6---5------|---------------|.---------------|
A |7---------------|5---4---3------|---------------|-----7-----6----|
E |0---------------|---------------|---------------|-0-0---0-0---0-0|
D Db C N.C.(Em) Play 4 times
PM.............................
e |-----------------|---------------|-----------------|
B |7---6---5--------|---------------|-----------------|
G |7---6---5--------|---------------|----------------.|
D |7---6---5--------|---------------|----------------.|
A |5---4---3--------|---------------|-----------------|
E |-----------------|0-0-7-0-0-6-0-0|5-0-4-0-3-0-2-0--|
N.C.
PM...............................................
e |-----------------|----------------|----------------|-----------------|
B |-----------------|----------------|----------------|-----------------|
G |.----------------|----------------|----------------|----------------.|
D |.----------------|----------------|----------------|----------------.|
A |-----2-----3-----|4-----3-----2-2-|----2-----3-----|5\4---5\4---5\4--|
E |-0-1---0-1---0-1-|--0-1---0-1-----|0-1---0-1---1-0-|3\2-0-3\2-0-3\2--|
RhyFig0
N.C. B5
PM.............................................................
e |-----------------|----------------|----------------|----------------|
B |-----------------|----------------|----------------|----------------|
G |.----------------|----------------|----------------|------------4---|
D |.----------------|----------------|----------------|------------4---|
A |-----2-----3-----|4-----3-----2-2-|----2-----3-----|4-----3-----2---|
E |-0-1---0-1---0-1-|--0-1---0-1-----|0-1---0-1---0-1-|--0-1---1-0-----|
N.C.
PM...............................................
e |----------------|----------------|----------------|-----------------|
B |----------------|----------------|----------------|-----------------|
G |----------------|----------------|----------------|----------------.|
D |----------------|----------------|----------------|----------------.|
A |----2-----3-----|4-----3-----2-2-|----2-----3-----|5\4---5\4---5\4--|
E |0-1---0-1---0-1-|--0-1---0-1-----|0-1---0-1---1-0-|3\2-0-3\2-0-3\2--|
end
RhyFig0 RhyFig1
E5 N.C.(Em)
w/ Fill 1 PM..............
e |----------------|---------------|---------------|-----------------|
B |----------------|---------------|---------------|-----------------|
G |----------------|---------------|---------------|.----------------|
D |----------------|2--------------|---------------|.----------------|
A |5\4---5\4---5\4-|2--------------|---------------|-----------------|
E |3\2-0-3\2-0-3\2-|0--------------|---------------|-0-0-0-0-0-0-0-0-|
end RhyFig1
PM PM.................
e |----------------|----------------|-----------|
B |----------------|----------------|-----------|
G |----------------|----------------|----------.|
D |----------------|----------------|----------.|
A |--5/7---8\7-5/7-|----------------|--5/7-5/7--|
E |0-3/5-0-6\5-3/5-|0-0-0-0-0-0-0-0-|0-3/5-3/5--|
/
Fill 1
PM...........................vib
e |----------------|----------------|----|
B |----------------|----------------|----|
G |----------------|----------------|----|
D |----8-----8-----|8-----8-----8===|====|
A |--7-----7-----7-|----7-----7-----|----|
E |0-----0-----0---|--0-----0-------|----|
\
**** 1st,2nd,3rd verses: Repeat RhyFig1 4 times, then ->
RhyFig1A
N.C.(F#m)
PM................. PM.................
e |-----------------|----------------|----------------|-----------|
B |-----------------|----------------|----------------|-----------|
G |.----------------|----------------|----------------|----------.|
D |.----------------|--4-4---5\4-4-4-|----------------|--4---4---.|
A |-----------------|--0-2---3\2-0-2-|----------------|--0h2-0h2--|
E |-2-2-2-2-2-2-2-2-|2---------------|2-2-2-2-2-2-2-2-|2----------|
end RhyFig1A
PM........
e |----------------|
B |----------------|
G |4-4-4-4-4-4-4-4-|
D |4-4-4-4-4-4-4-4-|
A |2-2-2-2-2-2-2-2-|
E |----------------|
Repeat
3.75 times
E5 D5 E5 C5 B5 D#5 B5
PM...... PM....... vib PM...... PM......
e |-----------------|------------------|-----------------|-----------------|
B |-----------------|------------------|-----------------|-----------------|
G |.9-------7---9---|------------------|-----------------|--------8-------.|
D |.9-------7---9---|----9-------------|--------10---9---|--------8---9---.|
A |-7-------5---7---|7-9---10-9h10=====|--------10---9---|--------6---9----|
E |-0-0-0-0---------|------------------|8-8-8-8-8----7---|8-8-8-8-----7----|
N.C.(B) E5 F E5
2 gtrs........ PM..
e |----------------|----------------|----------------|----------------|
B |----------------|----------------|----------------|----------------|
G |----------------|4---4-----------|2---2-----------|4---------------|
D |7-5-4---4-------|2---2-----------|3---3-----------|2---------------|
A |9-7-6---6-7-6---|2---2-----------|3---3-----------|2---------------|
E |----------8-7---|0---0-----------|1---1-----------|0---------0-0-0-|
G C5 B5
PM.. PM.... PM....
e |--------|----------------|----------------|----------------|--------|
B |--------|0---------------|----------------|----------------|--------|
G |--------|0---------------|----------------|5---------------|--------|
D |--------|0---------------|----------------|5---------------|4-------|
A |--------|----------------|----------------|3---------0-0-0-|2-0-0-0-|
E |2p0-0-0-|3---------------|----------------|----------------|--------|
A5 D C5 B
PM.... PM....
e |---------------|---------------|2---------------|--------|---------------|
B |---------------|---------------|3---------------|--------|4--------------|
G |2--------------|---------------|2---------------|--------|4--------------|
D |2--------------|---------------|0---------------|5-------|4--------------|
A |0--------------|---------------|----------------|3-------|2--------------|
E |---------------|---------------|----------3-3-3-|--3-3-3-|---------------|
E5 D5 C E5
PM.... PM..
e |----------------|--------|----------------|--------|----------------|
B |----------------|--------|5---------------|--------|----------------|
G |9---------------|7-------|5---------------|--------|4---4-----------|
D |9---------------|7-------|5---------------|--------|2---2-----------|
A |7---------------|5-------|3---------------|--------|2---2-----------|
E |0---------0-0-0-|----0-0-|----------------|--------|0---0-----------|
F E5 C
PM.............
e |----------------|----------------|--------|----------------|
B |----------------|----------------|--------|5---------------|
G |2---2-----------|4---------------|--------|5---------------|
D |3---3-----------|2---------------|--------|5---------------|
A |3---3-----------|2---------------|--------|3---------------|
E |1---1-----------|0---------0-0-0-|2p0-0-0-|----------------|
(C) E5 F
e |----------------|----------------|----------------|
B |(5)-------------|----------------|----------------|
G |(5)-------------|4---4-----------|2---2-----------|
D |(5)-------------|2---2-----------|3---3-----------|
A |(3)-------------|2---2-----------|3---3-----------|
E |----------------|0---0-----------|1---1-----------|
After verse 1, play RhyFig0, then go back and play verse 2
After verse 2, pause for vocal (Master, Master...), then go to Coda 1
After verse 3, go to Coda 2
Coda 1:
RhyFig2
Em D Cadd9 Amsus2 B7
/3\
e |--------|--------0h2p0----3-|------------------|-----------------|
B |--------|----3--------3-----|------3---3-----0-|(0)--0-------0---|
G |------0-|--2---2--------2p0-|(0)-0---0---0-----|---2-------2-----|
D |----2---|0------------------|--------------2---|-----------------|
A |--2-----|-------------------|-3----------------|-0-----0-2-----2-|
E |0-------|-------------------|------------------|-----------------|
end
RhyFig2 w/RhyFig2 (0vol<<< = volume swell from vol off)
B7/D# Em
0vol<<<< 0vol<<<<<<<<<< 0vol<<<<<<<<<< 0vol<< 0vol<<< 0vol<<<<
e |---------||--------|--------------|--------------|--------------|--------|
B |(0)--0---||--------|--------------|--------------|--------------|--------|
G |---2-----||--------|--------------|--------------|2------4------|8-------|
D |-1-------||2-------|4-------------|5-------------|--------------|--------|
A |---------||--------|--------------|--------------|--------------|--------|
E |-------3-||--------|--------------|--------------|--------------|--------|
Rhyfig2a
w/ RhyFig2 2 times
Em D
2gtrs
e |-----19/22--19--------|20---17-------------------20---17--------|
B |-20---------20---20---|22---19---19---19-19-19---22---19---19---|
G |-21--------------21---|----------19---19-19-19-------------19---|
D |----------------------|-----------------------------------------|
A |----------------------|-----------------------------------------|
E |----------------------|-----------------------------------------|
Cadd9 Amsus2
e |19---15-------------------19---15--------|17---15h17p15-14--------|
B |20---17---17---17-17-17---20---17---17---|19---17h19p17-16---17---|
G |----------17---17-17-17-------------17---|-------------------17---|
D |-----------------------------------------|------------------------|
A |-----------------------------------------|------------------------|
E |-----------------------------------------|------------------------|
end
B7 B7/D# RhyFig2a
e |----------14--------|14---16---17---19----|
B |16---17--------17---|16---17---19---20----|
G |16---17--/19---17---|---------------------|
D |--------------------|---------------------|
A |--------------------|---------------------|
E |--------------------|---------------------|
Repeat RhyFig2a
w/ RhyFig2 2 times & Fill 1 full full
Em D /----3----\ Cadd9 )\ )\
vib /--3--\ / /--3--\ vib / \/ \
e |----------------|15------15-17-15----19-15-12h15p12|----------------|
B |17---------17-19|------19---------19---------------|13-----15-------|
G |----------------|----------------------------------|----------------|
D |----------------|----------------------------------|----------------|
A |----------------|----------------------------------|----------------|
E |----------------|----------------------------------|----------------|
all full bends of G string only
Amsus2 B7 B7/D# Em
) ) )
vib / \/ \/ \ vib
e |15-14------15-14---------------------|-------------------|-------------|
B |------12---------12h15p12------------|15-----------------|-------------|
G |-------------------------------12-14-|14-------p12----12-|-------------|
D |-------------------------------------|-------------14----|14--------12-|
A |-------------------------------------|-------------------|-------------|
E |-------------------------------------|-------------------|-------------|
D Cadd9
/--3--\ vib
e |------------------------------------------|------------------------------|
B |------------------------------------------|------------------------------|
G |12----14-12---11--------14---12---11h12p11|------------------------------|
D |-------------------12---------------------|10------------9-10--------9-10|
A |------------------------------------------|-----------12-----------------|
E |------------------------------------------|------------------------------|
Amsus2 B7 B7/D#
/---3---\ /---3---\ /--3--\
e |----------------------------------15---14--|11h12p11-----------/19--|
B |------------------------12-----------------|---------12---10--------|
G |----------------11--12-------12------------|------------------------|
D |12--10--12--14-----------------------------|------------------------|
A |-------------------------------------------|------------------------|
E |-------------------------------------------|------------------------|
/
Fill 2 Fill 3 Fill 4
vib
e |15------------| e |--------------| e |15-----------|-14---------|
B |17------------| B |17------------| B |17-----------|(17)--------|
G |--------------| G |--------------| G |-------------|------------|
D |--------------| D |--------------| D |-------------|------------|
A |--------------| A |--------------| A |-------------|------------|
E |--------------| E |--------------| E |-------------|------------|
\
Play RhyFig2a twice, with Fill 3 first time
Play RhyFig2 twice, with distortion, and
chord progression: E5,D5,C5,A5,B5,D#5
end
RhyFig3 RhyFig3
E5 F#5 G5 F#5 G5 F#5 G5 F#5 G5 C#5
PM......................... PM................................
e |----------------|----------------|-----------------|----------------|
B |----------------|----------------|-----------------|----------------|
G |4-4-4-4-4-4-4-4-|4-4-4-4-4-4-4-4-|-----------------|----------------|
D |2-2-2-2-2-2-2-2-|2-2-2-2-2-2-2-2-|-----------------|--------------6-|
A |2-2-2-2-2-2-2-2-|2-2-2-2-2-2-2-2-|4-4-5-4-4-4-5-4-4|4-4-5-4-4-4-5-4-|
E |0-0-0-0-0-0-0-0-|0-0-0-0-0-0-0-0-|2-2-3-2-2-2-3----|2-2-3-2-2-2-3---|
Repeat RhyFig3 once alone, then 4 times with vocals.
G F3 pick
slide slide
e |----------------|----------------|----------------|----------------|
B |----------------|----------------|----------------|----------------|
G |4---------------|(4)-------------|3---------------|----------------|
D |5---------------|(5)-------------|4---------------|----------------|
A |5---------------|(5)-------------|4---------------|----------------|
E |3---------------|(3)-------------|2---------------|X\\\\\\-17\\\\\-|
w/ RhyFig1 4 times
N.C. (Em)
/--3--\ /--3--\ /--3--\ /--3--\ /--3--\ /--3--\ /--3--\ /--3--\
e |17p12----------12-17p12----------12-|17p12----------12-15p12----------12-|
B |------13-12-13----------13-12-13----|------13-12-13----------13-12-13----|
G |------------------------------------|------------------------------------|
D |------------------------------------|------------------------------------|
A |------------------------------------|------------------------------------|
E |------------------------------------|------------------------------------|
/--3--\ /--3--\ /--3--\ /--3--\ /--3--\
e |17p12----------12-17p12----------12-|17p12-------12-12-15p12----|
B |------13-13-12----------13-12-13----|------13-12-------------13-|
G |------------------------------------|---------------------------|
D |------------------------------------|---------------------------|
A |------------------------------------|---------------------------|
E |------------------------------------|---------------------------|
/--3--\ /--3--\ /--3--\
e |----19-19-17-17-17-17-15-15-15-14-14-14-14-|17-17-17-15-15-15-14-|
B |/17----------------------------------------|---------------------|
G |-------------------------------------------|---------------------|
D |-------------------------------------------|---------------------|
A |-------------------------------------------|---------------------|
E |-------------------------------------------|---------------------|
f u l l
) ) )
/ \/ \/ /--3--\ /--3--\ sl
e |14-14-14-14------------|-------------------17h19\\---|-----------------|
B |------------15---15-17-|17--------17p15p14-------\\17|15p14------------|
G |-----------------------|-----------------------------|------16-14\\\\--|
D |-----------------------|-----------------------------|-----------------|
A |-----------------------|-----------------------------|-----------------|
E |-----------------------|-----------------------------|-----------------|
trem bar
/-1-\ /---2---\
\ /\ / \ / \ /\ /\
* \3/ \1.5/ \/ \1.5/ \1.5/ \1.5
e |X--------------------------|------------------------------------|
B |---------------------------|------------------------------------|
G |---------------------------|------------------------------2--4--|
D |---------------------------|------------------------------------|
A |---------------------------|------------------------------------|
E |---------------------------|------------------------------------|
* This note produced by pulling string off edge of fretboard and
"fretting" it against pickup.
full
)
/ gr vib
e |------------------------|--------------|--------------------------------|
B |------------------------|--------------|/15--13--12------13--12------12-|
G |2--4--3--2-0h2----------|--------------|-------------14----------14-----|
D |----------------4--2----|2-h4----------|--------------------------------|
A |---------------------(2)|--------------|--------------------------------|
E |------------------------|--------------|--------------------------------|
/--3--\
e |---------------------------------|------------------------|
B |------------12----12-12-12-12-12-|12-15-13-12-15-13-12-13-|
G |11--12--14-----------------------|------------------------|
D |---------------------------------|------------------------|
A |---------------------------------|------------------------|
E |---------------------------------|------------------------|
gr
e |12----------12-------------|14-------14-------15-15-------|
B |---15-15-13----15-13h15-15-|---17-15----15-17-------17/19-|
G |---------------------------|------------------------------|
D |---------------------------|------------------------------|
A |---------------------------|------------------------------|
E |---------------------------|------------------------------|
w/ RhyFig1A
N.C. (F#m)
/--3--\
e |17-------19-17-------17----------19-17-------|17----------19-17-------|
B |---20-19-------19-19----21-19-19-------19-19-|---21-19-19-------19-19-|
G |---------------------------------------------|------------------------|
D |---------------------------------------------|------------------------|
A |---------------------------------------------|------------------------|
E |---------------------------------------------|------------------------|
all bends in next 2 ---> full full full 1.5
measures on B string only ) ) ) )
/ / / /
e |17----------19-17-------|14--14------14--------------14--|
B |---21-19-19-------19-19-|17------17------17-(17)\17------|
G |------------------------|--------------------------------|
D |------------------------|--------------------------------|
A |------------------------|--------------------------------|
E |------------------------|--------------------------------|
half full
) ) full full full full
/ / ) ) ) )
/---3--\ /---3--\ / / / /--3--\ /
e |19-p14------19-p14--14------|----14------14------14-14-14------14-14-|
B |--------17----------17------|17------17------17------------17--------|
G |----------------------------|----------------------------------------|
D |----------------------------|----------------------------------------|
A |----------------------------|----------------------------------------|
E |----------------------------|----------------------------------------|
full full full full full full full full
) ) ) ) ) ) ) )
/ / / / / / / /
e |----15------15------15------15--|----17------17------18------18--|
B |18------18------18------18------|20------20------21------21------|
G |--------------------------------|--------------------------------|
D |--------------------------------|--------------------------------|
A |--------------------------------|--------------------------------|
E |--------------------------------|--------------------------------|
full 2 1.5 trem bar depress & vibrate
) ) ) bar simultaneously
/ / / /\/\/\/\/\/\/\/\
e |----19------19--22--|(22)--------------\/\/\--------------|
B |22------22----------|-----------------------\/\/\---------|
G |--------------------|----------------------------\/\/\----|
D |--------------------|---------------------------------\/\-|
A |--------------------|-------------------------------------|
E |--------------------|-------------------------------------|
N.C. B5
PM........................... PM...........................
e |-----------------|----------------|----------------|-----------------|
B |-----------------|----------------|----------------|-----------------|
G |.----------------|----------------|----------------|----------------.|
D |.----3-----3-----|3-----3---------|----3-----3-----|3-----3-----4---.|
A |-----3-----3-----|3-----3-----2-2-|----3-----3-----|3-----3-----2----|
E |-0-0-1-0-0-1-0-0-|1-0-0-1-0-0-----|0-0-1-0-0-1-0-0-|1-0-0-1-0-0------|
E5 N.C.
PM.............. PM................... PM..................
e |----------------|-----------------|----------------|----------------|
B |----------------|-----------------|----------------|----------------|
G |----------------|.----------------|----------------|----------------|
D |----------------|.--------------2-|4-5-------------|----------------|
A |2-2-2-2-2-2-2-2-|---------2-3-5---|----3--------3-3|3-2-3-5-3-2-----|
E |0-0-0-0-0-0-0-0-|-0-2-3-5---------|----------------|------------3-2-|
2 gtrs
PM.............. PM..................... PM..................
e |-----------------|------------------|----------------|----------------|
B |-----------------|------------------|----------------|----------------|
G |----------------.|------------------|2-4-------------|----------------|
D |----------------.|------------4-2/5-|4-5-2--------2-2|2-0-2-4-2-0-----|
A |-----------------|--------2-3-5-----|----3--------3-3|3-2-3-5-3-2-3-2-|
E |0-0-0-0-0-0-0-00-|0-2-3-5-----------|----------------|------------3-2-|
C
PM...................................... PM..................
e |----------------|------------------|----------------|----------------|
B |----------------|------------------|----5-----------|----------------|
G |----------------|------------------|2-4-5-----------|----------------|
D |----------------|------------4-2/5-|4-5-5-----------|----------------|
A |----------------|--------2-3-5-----|----3--------3-3|3-2-3-5-3-2-----|
E |0-0-0-0-0-0-0-00|0-2-3-5-----------|----------------|------------3-2-|
E5
e |----------------|----------------|
B |----------------|----------------| Go back
G |4---------------|------2---------| and play
D |2------------5-5|5-4-5---5-4-2-4-| verse 3
A |2------------3-3|3-2-3-5-3-2-----|
E |0---------------|------------3-2-|
Coda 2:
Play RhyFig1 4 times
E5
w/ Laughter.....
e |----------------|----------------|----------------|
B |Ha!-Ha!-Ha!-Ha!-|----------------|----------------|
G |----------------|----------------|4---------------|
D |----------------|----------------|2---------------|
A |----------------|5\4---5\4---5\4-|2---------------|
E |----------------|3\2-0-3\2-0-3\2-|0---------------|
hard.heavy.31mikis,
Ej, proverio sam... Obituary (+Pitch Shifter) u Budimpešti sviraju
11. novembra. Slayer (sa Machine Head) ostaje 1.XII. Btw, igrom slučaja
znam čoveka koji organizuje put na oba koncerta, pa ako ima
interesenata... :)
hard.heavy.30mikis,
-> #22, vitez.koja+> #=> Slayer/Ice T - War
+>
+> Pesma se zove "Disorder".
Baš ta :)
+> 'Pokolj' na Akademiji ? :))) Među onolikim narkomanima ? Ma hajde
+> ;) Meni su šutke na akademiji oduvek delovale tužno ;)
Kažem ti :) Ekipa nas desetak 'teškaša', plus oni skinsi, plus par
lokalnih 'padavičara' ;) ... Sramota nas bilo kad smo izašli, svi
blatnjavi do kolena ;)
+> BTW. čuo sam od jednog tipa koji ima suštinski suprotan ukus od
+> tebe (i mene) da je subota na akademiji bila sjajna... Da li je
+> moguće ? :)
_Veruj mi_ da jeste :) Bilo je muzike za gotovo svačiji ukus, i sve
što su puštali bilo je prilično cool :) Pogotovu ako si anti-straight ;)
hard.heavy.29mikis,
-> #21, marco+> Da li neko ima textove od Pearl Jam? Unapred hvala.
Imaš ih sve na Osmehu (ja sam ih imao dok nisu stradali, zajedno sa
svim ostalim što sam imao na hardu :( ). Nadam se da znaš kako se dolazi
do Osmeha? :)
hard.heavy.32jovca.car,
Molio bih za naziv i spisak pesama novog albuma Suicidal Tendencies.
hard.heavy.33vlador,
-> #5, mdave> |--------------|--------------|--------------|-------------------|
> |--------------|--------------|--------------|-------------------|
> |--------------|--------------|--------------|----------------0--|
> |-----4-----0--|-----4-----0--|-----4-----0--|-----4-----0-------|
> |--2-----2-----|--------------|--2-----2-----|-------------------|
> |--------------|--3-----3-----|--------------|--3-----3----------|
Izvinjavam se što smetam, :) ali... šta znače ovi brojevi? Trajanje? Ako je
trajanje šta označava broj 4? žetvrtinu (bilo bi logično ako se uzme u
obzir trajanje takta)? A 0 pretpostavlljam da je pauza? Negde sam video
oznaku /3, šta je sad pa to? I negde sam video nešto u stilu 0h3p4, uats
det?
Hvala unapred onome ko mi sve ovo objasni. :)
hard.heavy.34marshall,
-> #23, crncic*> Usput, nadao sam se da cu na CDu AC/DC naci tekstove, pogledam ja
*> ali nema :((
Nema, nema... Nema to nigde (sto se ploca i CD ova tice - znam,
imam sve ploce :), izuzetak je Dirty Deeds... gde su se smilovali da napisu
reci :) Ja sam se sa ovim sto imam patio prekucavajuci razne tablature,
onda provaljivao (sto jako tesko pada, ali je uvek zabavno kad nadjes posle
original tekst :) ! Dakle, poziv jos vazi...
-Marshall
hard.heavy.35marshall,
-> #23, crncic*> Usput, nadao sam se da cu na CDu AC/DC naci tekstove, pogledam ja
*> ali nema :((
Nema, nema... Nema to nigde (sto se ploca i CD ova tice - znam,
imam sve ploce :), izuzetak je Dirty Deeds... gde su se smilovali da napisu
reci :) Ja sam se sa ovim sto imam patio prekucavajuci razne tablature,
onda provaljivao (sto jako tesko pada, ali je uvek zabavno kad nadjes posle
original tekst :) ! Dakle, poziv jos vazi...
-Marshall
hard.heavy.36marshall,
IRON MAIDEN
FEAR OF THE DARK
Harris
I am a man who walks alone
And when I'm walking a dark road
At night or strolling through the park
When the light begins to change
I sometimes feel a little strange
A little anxious when it's dark
Fear of the dark, fear of the dark
I have a constant fear that something's
always near
I have a phobia that someone's
always there
Have you run your fingers down
the wall
And have you felt your neck skin crawl
When you're scarching for the light?
Sometimes when you're scared
to take a look
At the corner of the room
You've sensed that something's
watching you.
Have you ever been alone at night
Thought you heard footsteps behind
And turned around and no-one's there?
And as you quicken up your pace
You find it hard to look again
Because you're sure there's
someone there
Watching horror films at night before
Debating witches and folklore
The unknown troubles on your mind
Maybe your mind is playing tricks
You sense, and suddenly eyes fix
On dancing shadows from behind.
Fear of the dark, fear of the dark
I have a constant fear that something's
always near
I have a phobia that someone's
always there
When I'm walking a dark road
I am a man who walks alone.
-Marshall
hard.heavy.37marshall,
IRON MAIDEN
BE QUICK OR BE DEAD
Dickinson / Gers
Covered in sinners and dripping
with gilt
Making you money from slime
and from flith
Parading your bellies in ivory towers
Investing our lives in your schemes
and your powers
You got to watch them - Be quick
or be dead
Snake eyes in heaven - The thief
in your head
You┤ve got to watch them - Be quick
or be dead
Snake eyes in heaven - The thief
in your head...
Be quick !
Or be dead !
Be quick !
Or be dead
See... What┤s ruling all our lives
See... Who┤s pulling the strings...
I bet you won┤t fall on your face...
Your belly will hold you in place
The serpent is crawling insige of
your car
He says you must vote for what you
want to hear
Don┤t matter what┤s wrong as long as
you┤re always right
So pull yourself stupid and rob
yourself blind
-Marshall
hard.heavy.38marshall,
IRON MAIDEN
FROM HERE TO ETERNITY
Harris
She fell in love with his crasy machine
She leaned overwiped his
kickstart clean
She┤d never seen the beast before
But she left there wanting
more more more
But when she was walking on
down the road
She heard a sound that made
her heart explode
He whispered to her to get on the back
"I┤ll take you on a ride
from here to eternity"
Hell ain┤t a bad place
Hell is from here to eternity
Hell ain┤t a bad place
Hell is from here to eternity
She must be having one of her
crasy dreams
She┤d never sat on a piece so mean
It made her feel like┤s she┤s on cloud nine
She even thought she heard the
engine sigh
But like all dreams that come to an end
The took a trumble at the devil┤s bend
The beast and Charlotte the were
two of a kind
They┤d always take a line...
from here to eternity
Hell ain┤t a bad place
Hell is from here to eternity
Hell ain┤t a bad place
Hell is from here to eternity
-Marshall
hard.heavy.39mdave,
-> #33, vladorSubject: Re: Legenda
MD> Izvinjavam se što smetam, :) ali... šta znače ovi brojevi?
MD> Trajanje? Ako je trajanje šta označava broj 4? žetvrtinu (bilo bi
MD> logično ako se uzme u obzir trajanje takta)? A 0 pretpostavlljam
MD> da je pauza? Negde sam video oznaku /3, šta je sad pa to? I negde
MD> sam video nešto u stilu 0h3p4, uats det?
MD>
MD> |----------- ... -|-------------------| E
MD> |----------- ... -|-------------------| H
MD> |----------- ... -|-------------------| G
MD> |----------- ... -|----------------0--| D
MD> |-----4----- ... -|-----4-----0-------| A
MD> |--2-----2-- ... -|-------------------| E žica
Brojevi označavaju pragove. Trajanja nema, svira se po sluhu.
:)
/3 je slide do 3. praga.
0h3p0 je prazna žica, pa hammer na 3. prag, pa pull-off na
praznu.
hard.heavy.40z.velj,
-> #39, mdave
|>>> Izvinjavam se što smetam, :) ali... šta znače ovi brojevi?
|>>> Trajanje? Ako je trajanje šta označava broj 4? žetvrtinu (bilo bi
|>>> logično ako se uzme u obzir trajanje takta)? A 0 pretpostavlljam
|>>> da je pauza? Negde sam video oznaku /3, šta je sad pa to? I negde
|>>> sam video nešto u stilu 0h3p4, uats det?
|
|MD> |----------- ... -|-------------------| E
|MD> |----------- ... -|-------------------| H
|MD> |----------- ... -|-------------------| G
|MD> |----------- ... -|----------------0--| D
|MD> |-----4----- ... -|-----4-----0-------| A
|MD> |--2-----2-- ... -|-------------------| E žica
|
| Brojevi označavaju pragove. Trajanja nema, svira se po sluhu.
| :)
|
| /3 je slide do 3. praga.
|
| 0h3p0 je prazna žica, pa hammer na 3. prag, pa pull-off na
| praznu.
????????????????????????????...
Ako si već rad slati nam zapis neke muzike, a vidim da jesi, onda to
čini na zadovoljstvo svih nas ili barem većine. Naime, kao što vidiš,
mnogima su tvoje tablature u najmanju ruku teško razumljive, nepregledne
i nečitke, pa otuda moj savet da ubuduće zapis praviš u nekom notografskom
programu (postoje vrlo dobri za sve com.platforme) a zatim ih konvertuješ
i nama pošalješ u formi MIDI fajla. Na taj način omogućavaš većini da
učita MIDI fajl u svoj notografski program, konvertuje u notni zapis ili
tablaturu (neki i to omogućavaju) i po želji presluša na sintu ili zv.
kartici. Eventualne ekstremne situacije gde se bitne informacije muzike
pri konverziji gube (recimo specijalni prstoredi ili neka preštimavanja)
rešavaš ili propratnim komentarom ili fajlom u grafičkom formatu (neki
notografski programi exportuju i u nekom poznatom grafičkom formatu radi
dalje dtp obrade), ali uvek izaberi onaj format koji je mašinski što manje
zavisan. Na taj način ćeš svoj trud sigurno učiniti daleko svrsishodnijim.
Nadam se da će se i drugi složiti sa ovom mojom napomenom.
Pozdrav, Zoran
hard.heavy.41drpr,
-> #40, z.velj-> čini na zadovoljstvo svih nas ili barem većine. Naime, kao
-> što vidiš, mnogima su tvoje tablature u najmanju ruku teško
-> razumljive, nepregledne i nečitke, pa otuda moj savet da
-> ubuduće zapis praviš u nekom notografskom
Pa sad mislim da nisi u pravu. Običaj ne samo ovde nego i u
svetu je da se gitarske deonice u pesmama zapisuju tablaturama
jer mnoge stvari ne mogu da se zapišu notnim zapisom (kako bi
zapisao pull off hemmer on slide itd.). Drugo to je forma
na koju smo mnogi mi koji iz zabave sviramo gitaru naučili da
sviramo neka sola iz omiljenih pesama. Znači ovo je opšte
prihvaćen način za slanje delova pesama i nije za slušanje već
da bi se naučilo sviranje. Kad smo već kod tablatura ima li
neko solo deonicu iz Hey Joe od Jimmy M. Hendrix-a. Ne mislim
na uvod već na onu moćnu u sredini. Bio bih zahvalan nekom da
je baci ovde.
cope
hard.heavy.42eburanj,
METTALICA - Master Of Puppets
W E L C O M E H O M E
Da li bi neko mogao da mi pomogne da 'skinem' pesmu?
Evo, pokuđao sam početak. Mislim da ide ovako nekako:
|--12--------------------|--12-------12--------14--------12-12-------|
|-----12-----------------|-----12--------12-------14-----------12----|
|--------11--11--12--11--|-----------------------------------------12|
|------------------------|-------------------------------------------|
|------------------------|-------------------------------------------|
|-0---------------------0|---------0---------0--------0--------------|
pa zatim:
|------------------------------| Pomozite mi!
|------------------------------|
|-------0------0------0------0-| MILAN KOSANOVIĆ
|-----4------5------7------5---|
|---2------3------5------3-----|
|-0----------------------------|
P.S. Zahvalan sam za sve što je ovde bilo o mojoj omiljenoj grupi
hard.heavy.45eburanj,
I ovo je od Djape:
***************
* ATHEIST RAP *
***************
VARBURG LIMUZINA
Uvod: G Em
Basa 4x sama
Basa Ritam Solo 4x
Basa Ritam Gitara 8x
G Em
Pre godinu dana imali smo kola
Ali su ih svinje pojele do pola
Posto volimo suludu brzinu
Kupili smo sebi varburg limuzinu
C Hm Am G Hm Em C
G Hm Em C
G Hm
Varburg limuzina, ima pet brzina
Em C
Pravi dosta dima, i tocak joj se klima
A gde ima dima, i vatra postoji
Jao bog te jeb'o pa to motor gori
Jest da motor gori ali zato pici
Pa se svaki sofer, sa Varburgom dici
Sasija mu cvrsta, debela dva prsta
'mortizeri tvrdi stradala mi krsta
G Hm
Ref: /: Varburg limuzina, najduza masina
Em C
Cetir' metra lima, i pet meteri dima :/
Varburg limuzina, pokorna masina
Pravio je Pera iz bivseg DDR-a
I ne da ga je napravio nego svaka cast
Stalno mu iz auspuha curi neka mast
Ima branik od betona, mozes ubit' slona
A sedista mu meka ko' kita poneka
Sve uplate prima moga sina, deda
Nece dobit' kola taj ko mito ne da !
Ref: Solo:
Varburg limuzina stoji u garazi
Garaza kraj svinjca pa sam ja na strazi
Da mi svinje opet ne pozderu kola
K'o sto su mi Trabanta pojele do pola
I odem da se odmorim i popijem par piva
Kad ne lezi vraze svinje hranu traze
Ali Varburg nije, kao trabant truba
Zbog Varburga su svinje ostale bez zuba
Ref: x3
hard.heavy.43eburanj,
MKOSANOVIĆ po zahtevu:
Uzeto sa VNet-a. Akorde dopisao DJAPA:
*************
* A C / D C *
*************
HELL'S BELLS
A D C,G
I'm rolling Thunder, pour-in' rain
A D C,G
I'm comin' on, like a hur-ri-cane
A D C,G
My light eing's flashing, a cross the sky
A D C,G
You're only young, but you're gonna die
D C G,D
Won't take no prisoners, wont's spare no lives
D C,G
Nobody's puting up a fight
E D A
I _ got my bell, I'm gonna take you to hell
E
I'm gonna get you, Satan get ya.
A
Hell's Bells
Yeah Hell's Bells
You got me ring Hell's Bells
My temperature's high Hell's Bells
I'll give you blac sensations up and down your spine
If you're into evel, you're friend of mine
See my white light flashing, as I split at night
'Couse if goods on the left, then I'm sticking to the
right
I won't take no prisoners, wont's spare no lives
Nobody's puting up a fight
I've got my bell, I'm gonna take you to hell
I'm gonna get you, Stan get ya
Hell's BellsBells
Yeah Hell's Bells
You got me ring Hell's Bells
My temperature's high Hell's Bells
SOLO:
Hell's Bells
an's comin to you Bells
He's ringing them now Hell's Bells
The temperature's high Hell's Bells
A cross the sky Hell's Bells
They're taking you down Hell's Bells
They're taking you down Hell's Bells
Gonna split tonight Hell's Bells
There's no way to fight year
Ah. Ah-Ah. Ah. Hell's Bells
hard.heavy.44eburanj,
Tražili ste:
+ + + + + + + + + + +
+ + + +
************* + D/Fis -> E6 drugi
prag
* A C / D C * + G drugi
prag
************* + H treci
prag
+ G -> E6 treci
prag
+ H treci
prag
+ G cetvrti
prag
+ Ne svira se A zica,
a D
+ se svira prazna..
HIGHWAY TO HELL + + + + + + + + + + +
+ + + +
D/Fis, G D/Fis, G
Livin' easy, livin' free
D/Fis G D/Fis A
Seasons ticket on a one way ride
D/Fis G D/Fis, G
Askin' nothin', leave me be
D/Fis G D/Fis A
Takin' everything in my stride
D/Fis,G D/Fis,G
Don't need a reason, don't need rhyme
Ain't nothing I'd rather do
Go in Town - party Time
.... . .... E
My friends are gonna be there too
A D G
I'm on the Highway to Hell
D A D G D
on the Highway to Hell
A D G
Highway to Hell
D A D
I'm on the Highway to Hell
No more Stop Signes, Speed limit
Nobody's gonna slow me down
Like a wheel gonna spinit
Nobody's gonna mees me around
Hey Satan, paid my dues
Plauin' in a rockin' Band
Hey Mama look at me
I'm on a Way to the promised Land
I on the Highway to Hell
Highway to Hell
I on the Highway to Hell
I on the Highway to Hell
Mm DON'T STOP ME.
Solo:
Ref./
And I'm going down, all the way
on the Highway to Hell
hard.heavy.46spale,
-> #7, mdave>> BTW, kući imam tablature za prva tri albuma Maiden-a pa ako
>> nešto treba - vičite ! :)
Treba, naravno! :) Jel imaš možda i tekstove sa prva dva albuma?
Nikola
hard.heavy.47eburanj,
IMAM TEKSTOVE SA SVIH ALBUMA U EL.FORMATU, AKO NEšTO TREBA VIžITE.
***********************
* M E T A L L I C A *
**********************************************
* The $9.98 C.D. -- Garage Days Re-Revisited *
* Not very produced by Metallica *
* "Larz" - "Krk" - "Jaymz" - "Jasun" *
**********************************************
*-------------------*
| Helpless | 6:36 |
*-------------------------------------------------*
| Metallica, originally performed by Diamond Head |
*-------------------------------------------------*
I gotta see you moving fast
See you come my way
See the dreams, I hope they last
Never fade away.
Gotta see the lights above
Make it loud tonight
Gotta set it all a-fire
Set it all a-light
See the flashing lights
Hear the thunder roar
I am gonna set you all a-light
Gotta make it man
I ain't got a choice
Gotta fill this hall tonight
Helpless
Helpless
Helpless
Helpless
I don't what I'm gonna do
Maybe not tonight
Gotta set you all a-fire
Gotta treat you right.
I can see the flashing lights
Lit before your love, ohh
Gotta hear the thunder roar
Coming from above.
See the flashing lights
Hear the thunder roar
I'm gonna set you all alight
Gotta make it man
I ain't got no choice
Gotta fill this hall tonight
Helpless
Helpless
Helpless
Helpless
I can see the stars
I can see what's going on
Every night alone
I sing my song just for fun.
Only time will tell
If I'll make it myself someday
This stage is mine
Music is my destiny.
Cannot squeeze the life from me!
I can see the lights
But I can see what's going on
Every night alone
I sing my song just for fun.
Business in collapse
Some men don't like it so
Helpless maybe babe,
But you can leave or join the show.
Cannot squeeze the life from me!
*--------------------------*
| The Small Hours | 6:39 |
*----------------------------------------------*
| Metallica, originally performed by Holocaust |
*----------------------------------------------*
Look out at the darkness,
And you will see,
Just call my name and I'll be there.
You cannot touch me,
You would not dare,
I am the chill that's in the air.
(chorus)
And I try to get through to you,
In my own special way,
As the barriers crumble,
At the end of the day.
Dark rivers are flowing,
Back into the past,
You are the fish for which I cast.
And what of the future,
What is to be,
As the rivers flow into the sea.
(chorus)
Do not take for granted,
Powers out there,
Don't step into the demon's lair.
Time is an illusion,
Rising from time,
Steep is the mountain which we climb.
*----------*--------*
| The Wait | 4:55 |
*-------------------------------------------------*
| Metallica, originally performed by Killing Joke |
*-------------------------------------------------*
Motives changing
Day to day
The fire increases
Masks decay
I look at the river
White foam floats down
The body's poisoned
Got to sit tight
The wait
The wait
The wait
The wait
After awakening
The silence grows
The screams subside
Distortion shows
Mutant thoughts
Of bad mouthed news
Just another birth
Of distorted views
The wait
The wait
The wait
The wait
*-------------------------------*--------*
| Crash Course in Brain Surgery | 3:10 |
*--------------------------------------------------*
| Metallica, originally performed by Budgie |
| Words and music by Shelley, Bourge and Phillips |
*--------------------------------------------------*
Look inside and you will see
The words are cutting deep inside my brain
Thunder burnin' quickly burning
Knife of words is driving me insane, insane yeah
Raven black is on my track
He shows me how to neutralize the knife
Show to me in surgery
The art of fighting words to conquer life, conquer life yeah
Now the wicked lance of fear
Is driven from my heady moutain brain
Crash course in brain surgery
Has stopped the bloody knife of words again yeah, yeah, yeah
*--------------------------*--------*
| Last Caress / Green Hell | 3:28 |
*---------------------------------------------*
| Metallica, originally performed by Misfits |
| Words and music by Glenn Danzig |
*---------------------------------------------*
--- ( Last Caress ) ---
I've got somethin' to say
I killed your baby today and it
Doesn't matter much to me
As long as it's dead
I've got somethin' to say
I raped your mother today and it
Doesn't matter much to me
As long as she spread
Chorus:
These lovely dead
I'm waiting for your breath
'Cause sweet Death wants Last Caress.
Repeat verse 1
Repeat chorus 2 times
One Last Caress today,
Ohhh Ohhh Ohhh (repeat)
--- ( Green Hell ) ---
Here in this place lies the key to your death
Touch it, see it
Here in this place is the means to your end
Touch it, feel it
Green hell
You did your best as someone could
I bet you never knew you would
Did you run away from it?
I bet you thought you were really good
We're gonna burn in hell
Green Hell Green Hell
Like every hell but kind of green
Green Hell Green Hell
Try let me get back up there
Green Hell Green Hell
Feel it burning in your cereal
Green Hell Green Hell
Throw our fuckin' friends inside
Green Hell Green Hell
Gotta fuckin' pay and you must stay
Green Hell Green Hell
Cannot forget about the best
Green Hell Green Hell
Hell is reigning in your blood
Green Hell Green Hell
Gotta burn it all
Green hell
You did your best as someone could
hard.heavy.49eburanj,
Odavno sam čekao ovu konferenciju (i ovu temu) na SEZAM-u!
Sada ste stvarno gotovi, jer nameravam ovamo da šaljem megabajte
poruka.
P.S. Većina ovoga što sam slao je by Djapa sa VNet-a
hard.heavy.48eburanj,
Neko je spominjao da ima nešto sa drugog albuma MAIDEN-a?
hard.heavy.50mdimitrijevic,
Evo tekstova Morbid Angel -Blessed are the sick
blessed.arjhard.heavy.52mdave,
-> #46, spaleSubject: Re: IM
MD> >> BTW, kući imam tablature za prva tri albuma Maiden-a pa ako
MD> >> nešto treba - vičite ! :)
MD>
MD> Treba, naravno! :) Jel imaš možda i tekstove sa prva dva albuma?
Narafski. :)
Uf, moraću da nagovorim alkosa da mi ponese kad se bude vraćao
u Beograd. :)
hard.heavy.51mdave,
-> #40, z.veljSubject: Re: Tablature
MD> Ako si već rad slati nam zapis neke muzike, a vidim da jesi, onda
MD> to čini na zadovoljstvo svih nas ili barem većine. Naime, kao što
MD> vidiš, mnogima su tvoje tablature u najmanju ruku teško
MD> razumljive, nepregledne i nečitke, pa otuda moj savet da ubuduće
MD> zapis praviš u nekom notografskom
:))))
Sorry, ali ovo su poruke skinute sa Interneta. :)
Probaću da im prenesem tvoju zamerku, pa možda i promene način
pisanja, ko zna. ;)
hard.heavy.53mdave,
-> #42, eburanjSubject: Re: Welcome Home
MD> METTALICA - Master Of Puppets
MD> W E L C O M E H O M E
MD>
MD>
MD> Da li bi neko mogao da mi pomogne da 'skinem' pesmu?
MD> Evo, pokuđao sam početak. Mislim da ide ovako nekako:
WELCOME HOME (SANITARIUM) - METALLICA
Copyright Cherry Lane Music Company, Inc.
Tabbed by Vassilis Tzerpos
Legend:
<> = Natural Harmonics s = slide
~ = Cue notes p = pull-off
__3__ = Triads h = hammer-on
^ = bend r = release bend
x = dumped string % = pick continuously and rapidly
/ = slide up to the note indicated from a few frets below
\ = slide back a few frets from the note indicated
+ = rapid hammer and pull e.g. 8 = 8 h 10 p 8
+
The song is in exact timing.
Intro, chorus and rhythm figures 8th = ---- (except else indicated).
Solos 8th = -------- (except solo 1)
Blank columns do not count in timing. They are just used to separate
adjacent fret numbers.
_3_
-------<12>---------3---353-2---|-------<12>---------2---2-----3-|
-----------<12>-----------------|-----------<12>---------0-------|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
0-------------------------------|0-------------------------------|
0------<12>---------------------|-------<12>---------------------|
-----------<12>-----------------|-----------<12>-----------------|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
0-------------------------------|0-------------------------------|
-------<12>---------------------|-------<12>---------------------|
-----------<12>-----------------|-----------<12>-----------------|
--------------------------------|---------------<12>-------------|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
0-------------------------------|0-------------------------------|
Rhy. Fig. 1 (8th=--)
----------------|----------------|--------| Repeat this figure 4 times
----------------|----------------|--------| alone, then 4 times under
------0-------0-|------0---------|--------| the solo and 6 times under
----4-------5---|----7-------0---|--0-----| the verse. The notes with
--2-------3-----|--5-------4-----|2-----0-| a ~ under them are cue notes.
0-------0-------|0-------5---5s3-|--3s5---| They hardly take time to sound
~ ~
Now comes solo 1. Timing isn't always exact but is close.
------------------------------|--------10-s12--15-s17--17----|----------------|
------------------------------|10-s12------------------------|----------------|
--------11--12--9---------12--|------------------------------|----------------|
----9-------------------------|------------------------------|----------------|
7-----------------------------|------------------------------|----------------|
------------------------------|------------------------------|----------------|
--15--15--12--12s14---12^-r---|---12---------------__3___----|----------------|
------------------------------|15-----15--13--13---121312----|----------------|
------------------------------|--------------------------14--|12-s11----------|
------------------------------|------------------------------|--------12------|
------------------------------|------------------------------|------------14--|
------------------------------|------------------------------|----------------|
------------------------------|----19-----19-------------17--|171514----------|
------------------------------|--17---------17---------------|------171514----|
12s14-------------------------|16-------------16-s14-14------|------------1614|
------------------------------|------------------------------|----------------|
------------------------------|------------------------------|----------------|
------------------------------|------------------------------|----------------|
__3___
----------------------------12|101210----------------5-------|----3-----------|
--------------------------13--|------13--12------------------|----------------|
12^-----r---------------14----|------------------6-----------|4-----------6---|
----------------------14------|-------------/7----------/5---|-------/7-------|
------------------------------|------------------------------|----------------|
------------------------------|------------------------------|----------------|
Verses: (with Rhy. Fig. 1)
1. Welcome to where time stands still, noone lives and noone will
Moon is full never seems to change, just labeled mentally deranged
Dream the sane thing every night, I see our freedom in my sight
No locked doors, no windows barred , no things to make my brain seem scared
2. Build my fear of what's out there, cannot breath the open air
Whisper things into my brain, assuring me that I'm insane
They think our heads are in their hands, but violent use brings violent plans
Keep him tied, it makes him well, he's getting better can't you tell?
1.Sleep my friend and you will see that dream is my reality
2.No more can they keep us in, listen damn it we will win
----------------|----------------|--------|
----------------|----------------|--------|
----------------|----------------|--------| 8th=--
----------------|----------------|--------|
----2-2-----3-3-|----5-5---------|--------|
0-0-----0-0-----|0-0-----5-5-5-3-|3-3-5-3-|
1.Keep me locked up in this cage, can't they see it's why my brain says rage?
2.They see it right, they see it well, but they think this saves from our hell
----------------|----------------|--------|
----------------|----------------|--------|
----------------|----------------|--------|8th=--
----------------|----------------|--------|
----2-2-----3-3-|----5-5---------|--------|
0-0-----0-0-----|0-0-----5-5-5-3-|3-3-5-3-|
CHORUS
Sa - ni -
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------5s4-----5s4-|----------------_3_-------------|
------------5s4-----5s4-----5s4-|----------------020-------------|
------------5s4-----3s2-----3s2-|--------------------3-2---------|
0-------x-x-3s2-x-x-----x-x-----|------------------------5-3-2-3-|
tarium leave me
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------5s4-----5s4-|--------------------------------|
------------5s4-----5s4-----5s4-|--------------------------------|
------------5s4-----3s2-----3s2-|----2-2-2-2-2-2-3-2-------x-3---|
0-------x-x-3s2-x-x-----x-x-----|--------------------3-----x-1---|
be Sa - ni -
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------5s4-----5s4-|----------------_3_-------------|
------------5s4-----5s4-----5s4-|----------------020-------------|
------------5s4-----3s2-----3s2-|--------------------3-2---------|
0-------x-x-3s2-x-x-----x-x-----|------------------------5-3-2-3-|
tarium just leave me alone
--------------------------------|--------------------------------| 1st time
--------------------------------|--------------------------------| go on with
--------------------5s4-----5---|4-------------------------------| the solo
------------5s4-----5s4-----5---|4-------------------------------| 2nd time
------------5s4-----3s2-----3---|2-------------------------------| skip to
0-------x-x-3s2-x-x-----x-x-----|--------------------------------| CODA
Now comes the second solo. The backing guitar plays a B chord for
the next line and then goes on 4 times with the backing rhythm
of solo 1.
----------------------------------------------------------------|
--------------------------------------------------------10------|
----------------------------------------7---7---9--s11----------|
------------------------7---7--s9-------------------------------|
--------5---5---7--s9-------------------------------------------|
/7---------------------------------------------------------------|
For the next two lines we have two guitars soloing together.
For two notes they play on the same string (high E). In this
case the highest note is indicated above the tablature.
22 22
--------15--17--19------19------19------------------------------|
17--19--------------------------17------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
17-h19-p17------15------17-h19--17--------------17--19p17 17------|
19-h20-p19------17------19-h20--19------19------19--20p19 17------|
----------------------------------------19------------ -- --------|
------------------------------------------------------ -- --------|
------------------------------------------------------ -- --------|
------------------------------------------------------ -- --------|
15------------------------------|
--------------------------------|
16------------------------------|
--------------------------------|
--------------------------------|
--------------------------------|
14^---------------------r-------------------------------14--15--|
15^---------------------r-------15------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
___3____
17--15--14--15--14h15p14 ----14---------------- -- --------------------|
-------------------- 17------17--17--14--15p14 16--14--------------|
-------------------- ---------------------- -- --------16--14-s12--|
-------------------- ---------------------- -- --------------------|
-------------------- ---------------------- -- --------------------|
-------------------- ---------------------- -- --------------------|
--------------------------------|
--------------------------------|
14-p12------12------------------|
--------16------16--14--12------|
----------------------------16--|
--------------------------------|
--------------------------------------------------------17------|
------------------------------------------------17-s15------15-s|
----------------------------------------------------------------|
12-h14----------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----15----------14----------12----------10----------7-----------|
14------14-s12------12-s10------10-s8-------8-s-7-------7-------|
------------------------------------------------------------7---|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
--------------------------------|
--------------------------------|
----7---9-----9s11------9-------|
9-------------~-----------------|
--------------------------------|
--------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
9---------------------------------------9---9---9-------9-------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
------------------------------------------------5---------------|
----------------------------------------------------------------|
9-------7-------------------------------6-----------------------|
----------------5--------------/7----------------------/5-------|
----------------------------------------------------------------|
----------------------------------------------------------------|
--------3-----------------------|
--------------------------------|
4-----------------------6-------| Now go back and play verse 2.
---------------/7---------------|
--------------------------------|
--------------------------------|
CODA
----------------|--------------------------------|
----------------|--------------------------------|
_3_-------------|--------------------5s4-----5---|
020-------------|------------5s4-----5s4-----5---|
----3-2---------|------------5s4-----3s2-----3---|
--------5-3-2-3-|0-------x-x-3s2-x-x-----x-x-----|
--------------------------------|----------------|----------
--------------------------------|----------------|----------
4-------------------------------|_3_-------------|----------
4-------------------------------|020-------------|2---------
2-------------------------------|----3-2---------|2---------
--------------------------------|--------5-3-2-3-|0---------
This last E chord lasts rather long for Metallica, while the song
doubles its tempo and the lyrics go "Just leave me alone".
Then you make a pick slide down the neck and you go:
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
0-0-0-0-0-0-0-0-|0-0-0-0-0-0-0-0-|0-0-0-0-0-0-0-0-|0-0-0-0-0-0-0-0-|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
0h2---0h2-------|----------------|0h1---0h1---0h1-|--0h2-----------|
0h2---0h2-------|----------------|0h1---0h1---0h1-|--0h2-----------|
----------0-0-0-|0-0-0-0-0-0-0-0-|----------------|------0-0-0-0-0-|
Rhy. Fig. 2 (end Rhy.Fig. 2)
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------| Repeat
----------------|----------------|----------------|----------------| this
0h1---0h1-------|----------------|0h1---0h1---0h1-|--0h2-----------| line
0h1---0h1-------|----------------|0h1---0h1---0h1-|--0h2-----------| 3 times
----------0-0-0-|0-0-0-0-0-0-0-0-|----------------|------0-0-0-0-0-|
Fear of living on Natives getting rest-
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|------7-7-----------------------|
0-2---2-2-----------------------|0-2---7-7-----------------------|
0-2---2-2-----------------------|0-2---5-5-----------------------|
------0-0-----------------------|--------------------------------|
less now mutiny in the air got some death to do
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|------5-5-------------4-4-------|
0-2---3-3-----------------------|0-2---5-5-------5-4---4-4-------|
0-2---3-3-----------------------|0-2---3-3-------3-2---2-2-------|
------1-1-----------------------|--------------------------------|
Mirror stares back hard "Kill" it's such a friend-
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|------7-7-----------------------|
0-2---2-2-----------------------|0-2---7-7-----------------------|
0-2---2-2-----------------------|0-2---5-5-----------------------|
------0-0-----------------------|--------------------------------|
ly word Seems the only way for reaching out again
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|------5-5-------------4-4-------|
0-2---3-3-----------------------|0-2---5-5-------5-4---4-4-------|
0-2---3-3-----------------------|0-2---3-3-------3-2---2-2-------|
------1-1-----------------------|--------------------------------|
--------------------------------|
--------------------------------|
--------------------------------|
--------------------------------|
--------------------------------|
0-0-0-0-0-0-0-0-0-0-0-0-12\-----|
Now we have another solo played over Rhy. Fig. 2 (4 times)
----------------------------------------------------------------|
----------------------------------------------------------------|
12--12--12--12--12--12--12--12--12--12--12--12--12--12--12--12--|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
16--12--12--12--12--12--12--12--12--12--12--12--12--12--12--12--|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
------------------------------------------------------------12--|
--------------------------------13--12--12--12--15--12--12------|
14--12--12--12--16--12--12--12----------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
______3_______
13--12--12--12--15----12----12--17\---------------------12------|
-----------------------------------------------/12--------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
17-p15-p12--------------12------17-p15-p12----------------------|
----------------17-p15--------------------------17-p15-p12------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
17-p15-p12--------------12------17-p15-p12--------------12------|
----------------17-p15--------------------------15-p12----------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
______3_______
17^---------------------r-------^---------------------17----15--|
------------------------------------------------17--------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
14--------------14----------------------------------------------|
--------15--------------15--------------------------------------|
------------------------------------------------2---------------|
--------------------------------------------------------4-------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------4-------2---------------2-------4---2-----------|
4^------------------------------4-----------------------4-------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
--------------------------------------------------------4-------|
3-------2---------------2^--------------------------------------|
----------------5-----------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------5-----------------------5---------------5-------|
7^----------------------7^----------------------7^--------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
--------5---------------5-------------------------------12------|
7^--------------7^--------------7\--------------14--------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
____________3__________ ___________3___________
--------------------------------15^--------15--------14---------|
15^--------15--------12-----------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
____________3__________
12-------------------12-----------------------------------------|
-----------15-------------------15^---------------------17--17--|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
15----------15--17--15------15--19--17-(15)--s--21------19--22--|
----17--18--------------19--------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
22--19------22--22^-------------22^-----------------------------|
--------x-------------------------------------------------------|
-------------------------------------------End of solo 3--------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------R-----------|------7-7-------7---R-----------|
0-2---2-2-------2---E-----------|0-2---7-7-------7---E-----------|
0-2---2-2-------2---S-----------|0-2---5-5-------5---S-----------|
------0-0-------0---T-----------|--------------------T-----------|
For the next part of the song there are 4 guitars playing from time
to time. We are going to use the following:
Rhy. Fig. 3
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|------7-7-----------------------|
0-2---2-2-----------------------|0-2---7-7-----------------------|
0-2---2-2-----------------------|0-2---5-5-----------------------|
------0-0-----------------------|--------------------------------|
(end Rhy. Fig. 3)
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|------5-5-------------4-4-------|
0-2---3-3-----------------------|0-2---5-5-------5-4---4-4-------|
0-2---3-3-----------------------|0-2---3-3-------3-2---2-2-------|
------1-1-----------------------|--------------------------------|
Riff 1
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|2---------------2-2-2-----2-----|
(5)-------------5-5-5-4---5-----|----------------------5---------|
(7)-------------7-7-7-6---7-----|9---------------9-9-9-7---9-----|
--------------------------------|--------------------------------|
(end Riff 1)
--------------------------------|--------------------------------|
--------------------------+-----|--------------------------------|
----4-5---------5-5-5-7---5-----|--------------------------4-----|
5-----------------------------5-|----------------4-4-4-5-------5-|
10--9-8---------8-8-8-10--8---7-|----------------6-6-6-7---9---7-|
--------------------------+-----|--------------------------------|
Until the end of solo 4 one guitar plays Rhy. Fig. 3, another one
plays the following line...
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
------------5-s-7-7-7-5---7-----|9---------------9-9-9-7---9-----|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
10--9-8---------8-8-8-10--8---7-|----------------6-6-6-7---9-----|
--------------------------+-----|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
7---------------7-7-7-5---7-----|9---------------9-9-9-7---9---9-|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|--------------------------------|
--------------------------------|------------------------------5-|
10--9-8---------8-8-8-10--8---7-|----------------6-6-6-7---9---7-|
--------------------------+-----|--------------------------------|
This last note on 5th fret of D string belongs to another guitar
whose line is tabbed in the upper part of Riff 1. All three
guitars play together Rhy. Fig. 3 and Riff 1 for 2 times, and then
continue for 2 times under the following solo 4.
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
-------------------------------7---7---7---6-------7------------|
/7---------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
9-------10--12------------------12--12--12--10------12----------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
--------12--------------12------14^---------14^---------14^-----|
------------14------14------------------------------------------|
12-s14----------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
--------------------------------12----------12------------------|
12------------------------------12----------12------------------|
----14------------------14--14------14--14--------------14--14--|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
12----------12------------------__3___------------------12------|
12----------12----------12--14--14^r12--14--14------14----------|
----14--14----------14------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
___3____
----12----------------------12--15^---------r-----------12h15p12|
--------12--15^---------15--------------------------------------|
14^-------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
___3____
15p12h15-------------------------------- ------------ ------------|
--------12------------------------------ ------------ ------------|
------------14--12------12--14^-r----p12 14--14^-rp12 14--14^-rp12|
--------------------14------------------ ------------ ------------|
---------------------------------------- ------------ ------------|
---------------------------------------- ------------ ------------|
----------------------------------------------------------------|
----------------------------------------------------------------|
14--14^-rp1214--14^-------
hard.heavy.54mdave,
-> #47, eburanjSubject: Re: Helpless
MD> *-------------------*
MD> | Helpless | 6:36 |
MD> *-------------------------------------------------*
MD> | Metallica, originally performed by Diamond Head |
MD> *-------------------------------------------------*
Helpless ( off the $5.98 Lp - Garage Days Revisited )
as played by Metallica
Rythmn Fig 1. Bridge into chorus
|| Hold These chords
A B F# Repeat|| A B F# D E F# D E F#
e|------------------------------||----------------------------------|
B|------------------------------||----------------------------------|
G|-2-4--(4)--------------------*||-2-4--(4)------7-9---11-7-9-------|
D|-2-4--(4)-----4-----4-----4--*||-2-4--(4)---4--7-9-4-11-7-9-4-----|
A|-0-2-0h2p0----4-----4-----4---||-0-2-0h2p0--4--5-7-4- 9-5-7-4-----|
E|------------2-2-0-2-2-0-2-2-0-||------------2------2--------2--2--|
|
|
Pick real Fast and alot
By this ( ) I mean hold the B chord with your ring finger and just perform the
hammer and pull-offs with your index finger. Repeat This rythmn figure until
you hit the bridge to the chorus. The Bridge into the chorus has a bunch of
power chords which are held. Listen to the tune and you'll get the picture....
Chorus (Lyrics go 'HELPLESS....!')
Part 1 Part 2 Part 3
A repeat 3x| A G | A G A
e|---------------------------------|------------------|-----------------
B|---------------------------------|------------------|-----------------
G|--------------------------------*|-----------------*|-----------------
D|------------------7p5---------5-*|-----------5-5-5-*|-----------5-5-7-
A|----------------------7-6-7-6----|-----------5-5-5--|-----------5-5-7-
E|--5-5-5-5-5-5-5-5----------------|-5-5-5-5-5-3-3-3--|-5-5-5-5-5-3-3-5-
By this I mean play Part 1 three times, then play Part 2. Then you play Part 1
three times again and finish the chorus with Part 3. Work with me on this
one... I'm not sure about the part 1 section... but this is close....
Now return to ryth. Fig 1 amd play it till you hit the chorus a second
time... do the chorus again and then play rythmn Fig 1 again until you hit the
little Newstead bass solo, after which you hit a second bridge. I prefer to
enter into this section with a jumping, banging pick slide. In other words I
bounce the pick off the low E, A and D while sliding the edge down the
fretboard... Anyway it sounds real cool...
Bridge 2
|<-------Repeat 4x |<------Repeat 4x|<------Repeat 4x|<------Repeat 4x|
e|------------------|----------------|----------------|----------------|
B|------------------|----------------|----------------|----------------|
G|-----------------*|---------------*|---------------*|---------------*|
D|-----------------*|---------------*|---------------*|---------------*|
A|----0-2----0h2p0--|---2-4---2h4p2--|---3-5---3h5p3--|---5-7---5h7p5--|
E|--2------2--------|-4-----4--------|-5-----5--------|-7-----7--------|
|<-------Repeat 2x|<------Repeat 2x|
e|-----------------|----------------|-----------------------------------
B|-----------------|----------------|-----------------------------------
G|----------------*|---------------*|-----------------------------------
D|----------------*|---------------*|---------------7-9---5-7---3-5-----
A|----3-5---3h5p3--|---5-7---5h7p5--|---3-5---5-7-9-----7-----5---------
E|--5-----5--------|-7-----7--------|-5-----7---------------------------
| | Rythmn Fig 2. || End ryth. Fig 2
| | ||
End bridge2| |<----Repeat 3x| ||
e|----------| |--------------|--------||--------------------------------
B|----------| |--------------|--------||--------------------------------
G|-4---2-4--| |---4p2---2-4-*|-7---9--||--------------------------------
D|-4-5-2-4--| |---4p2-4-2-4-*|-7-7-9--||--------------------------------
A|-2-5-0-2--| |-------4------|-5-7-7--||--------------------------------
E|---3------| |--------------|---5----||--------------------------------
Rythmn Fig 3.
| F#A B D C#A F#A B E F#A B D C#A F#A B D C#B |<--------Repeat 2x |
e|-------------------------------------------------|-------------------|
B|-------------------------------------------------|-------------------|
G|---2-4-7-6-2---2-4---------2-4-7-6-2---2-4-7-6-4-|6-----------7-9-7-*|
D|-4-2-4-7-6-2-4-2-4-2-2-2-4-2-4-7-6-2-4-2-4-7-6-4-|6-----------7-9-7-*|
A|-4-0-2-5-4-0-4-0-2-2-2-2-4-0-2-5-4-0-4-0-2-5-4-2-|4-4-4-4-4-4-5-7-5--|
E|-2-----------2-----0-0-0-2-----------2-----------|-------------------|
Rythmn Fig 3a. |
| End Ryth. Fig 3
C# D E F F# E C#C B A |
e|-------------------------------------------------|--------------------
B|-------------------------------------------------|--------------------
G|-6-sl.\---7-sl.\---9-sl.\--10-sl.\--11-9-6-5-4-2-|--------------------
D|-6-sl.\---7-sl.\---9-sl.\--10-sl.\--11-9-6-5-4-2-|--------------------
A|-4-sl.\---5-sl.\---7-sl.\-- 8-sl.\-- 9-7-4-3-2-0-|--------------------
E|-------------------------------------------------|--------------------
Ok, Lots of explaining to do... first of all the bridge: play each section
marked for repetition and then proceed to the next bar... do not go back to
the beginning of the bridge each time... I just was lazy and didn't want to
write it all up... listen to the song and then try to figure it out...The
bridge ends with four power chords: B, G, A, B. Then the song heads into
rythmn figure 2.
Rythmn Fig. 2 is played FAST! Repeat it a bunch of times until you hit the
second set of lyrics. Then break into Rythmn Fig 3 followed by Rythmn Fig 3a.
After the lyrics then back to Rythmn Fig. 2. This entire thing is repeated
twice (I think.... Check out the song).
Now we head towards the guitar solo. Rythmn fig 2 is played once and followed
by rythmn Figure 1. Ryth. Fig 1 repeats a bunch of times and the intro to
the solo starts with an E power chord on 0th fret. Rythmn Fig 1. is played
behind the solo until near the end of the solo the Rythmn changes to rythmn
figure 4.
Rythmn Fig 4.
|<-----repeat 3x| |<---------repeat 2x |
e|---------------|-------------|--------------------|-------------------
B|---------------|-------------|--------------------|-------------------
G|----2-4-------*|---2-4-7-6-4-|-6-----------7-9-7-*|-------------------
D|--4-2-4-2-2-2-*|-4-2-4-7-6-4-|-6-----------7-9-7-*|-------------------
A|--4-0-2-2-2-2--|-4-0-2-5-4-2-|-4-4-4-4-4-4-5-7-5--|-------------------
E|--2-----0-0-0--|-2-----------|--------------------|-------------------
Now finish the solo off with Rythmn Fig. 3a....
The lead for the solo is basically a blues based Hammet solo in F#.
Most of it is played on 14th fret, and Kirk does his standard drop down to F#
on the 2nd fret.
Well I'm almost done.... Now the song finishes with Rythmn Figure 1 being
played a couple of times and then a slowed down, slightly varied version
ends the song....
Well as ususal, this is by no means perfect... I am still kinda busy with
midterms and shit so this is the best I could do for now...
If anyone has any questions relating to this tab please don't hesitate to
e-mail me. Please inform me of any errors or typos so that I can correct them.
Small Hours is in the works... should be out soon (the day just ain't long
enough :-Q )
Well have a ball, and play till ya bleed!
hard.heavy.55mdave,
-> #48, eburanjSubject: Re: IM
MD> Neko je spominjao da ima nešto sa drugog albuma MAIDEN-a?
Biće. :)
hard.heavy.56mdave,
-> #53, mdavehm, izgleda da nije stao ceo sanitarium...
hard.heavy.57vitez.koja,
-> #46, spale#=> Treba, naravno! :) Jel imaš možda i tekstove sa prva dva
#=> albuma?
Nemoj da nam mučiš mdaveta ;) Tekstovi _svih_ albuma postoje u
elektronski čitljivoj formi (tkz. fajlovima;).
Za početak...
iron.ziphard.heavy.58maksa,
-> #21, marco>> Da li neko ima textove od Pearl Jam? Unapred hvala.
Ima, a čini mi se da ih ima još na osmehu. Ovo je valjda
sa SH-a.
pearl.ziphard.heavy.59ljubisha,
-> #53, mdave> mdave, 30.10.Ned 01:26, 31744 chr
^^^^^
Da provocira zna ali da veže fajl uz poruku to još nije savladao! :((
hard.heavy.60madcat,
-> #46, spale=> >> BTW, kuci imam tablature za prva tri albuma Maiden-a pa ako
=> >> nesto treba - vicite ! :)
=> Treba, naravno! :) Jel imas mozda i tekstove sa prva dva albuma?
A Number of the Beast 'el imas ?
hard.heavy.61madcat,
-> #36, marshall=>
=> IRON MAIDEN
=>
=> FEAR OF THE DARK
=> Harris
=> -Marshall
Bunimmmm seeeee !!! Sve ovo sam ja prekucavaoooo !! Ne vaziii !!
:((
A mene nigde nema :(( ?
hard.heavy.62vlador,
-> #39, mdave> Subject: Re: Legenda
^^^^^^^?
> Brojevi označavaju pragove. Trajanja nema, svira se po sluhu.
Hvala na objašnjenju i razumevanju mog nerazumevanja.
hard.heavy.64mdave,
Subject: Enter Sandman
Enter Sandman - Metallica
[intro]
-------------------------------------------------
-------------------------------------------------
------------------------------------------------- repeat 4 times
---------5----------------------5----------------
------7--------------7-------7--------------7----
---0--------6--5----------0--------6--5----------
[destortion]
E5 / / F5 E5 / / F5 E5 / / F5 repeat several times
E5 / / F5 E5 / / A#5 E5 / / F5 repeat several times
E5 / / A#5 A5 E5 / / A#5 A5
E5 / / A#5 A5 G5 E! F#5 E! F#5 G5 F#5
Note : E! is just an open E played on the lower E string
or you can play it like this
---3--0--2--0--2--3--2--0---------
[end intro]
[couplet]
E5 / / / / / / F5 E5 / / / / / / F5
E5 / / / / / / G5 E! F#5 E! F#5 G5 F#5
E5 / / / / / / F5 E5 / / / / / / F5
E5 / / / / / / G5 E! F#5 E! F#5 G5 F#5
-------------------------------------------------
-------------------------------------------------
---------2----------------------2----------------
------4--------------4-------4-------------4-----
------------3--2-------------------3--2----------
---2----------------------2----------------------
-------------------------------------------------
-------------------------------------------------
---------2---------------------------------------
------4--------------4---------------------------
------------3--2---------------------------------
---2--------------------------0------------------
-------------------------------------------------
-------------------------------------------------
---------2---------------------------------------
------4--------------4---------------------------
------------3--2---------------------------------
---2--------------------------0------------------
-------------------------------------------------
-------------------------------------------------
-------------------------------------------------
---5-----4-----4--5--4--2------------------------
---5-----4-----4--5--4--2------------------------
---3--0--2--0--2--3--2--0------------------------
E5 / / A#5 A5 E5 / / A#5 A5
E5 / / A#5 A5 G5 E! F#5 E! F#5 G5 F#5
E5 / / A#5 A5 E5 / / A#5 A5
E5 / / A#5 A5 G5 E! F#5 E! F#5 G5 F#5
^^^^^^^^^^^^^^^^^^^^^^^
Solo while playing ^^^^ :
------------------------------------B--15S\\\------
-12----------------P--------------14B--15S\\\------
-12--------12-14-14-12----12-14---14---------------
--------14-------------14--------------------------
---------------------------------------------------
---------------------------------------------------
note : P := 14 pull off 12
B := use your tremelo to bend them both slowly up
S := slowly slide both down.
I hope I was a little helpful.
C.W.G.M.ENDERS@KUB.NL
hard.heavy.63mdave,
-> #59, ljubishaSubject: Re: HM
MD> > mdave, 30.10.Ned 01:26, 31744 chr
MD> ^^^^^
MD>
MD> Da provocira zna ali da veže fajl uz poruku to još nije savladao!
MD> :((
Šta da ti kažem, čist heavy metal. :)
PS. A nije ni cela tablatura stala. :(
hard.heavy.65z.velj,
-> #51, mdave
*-> :))))
*->
*-> Sorry, ali ovo su poruke skinute sa Interneta. :)
Uh...! dobro je...! uplaših se za tvoje zdravlje. :)
*-> Probaću da im prenesem tvoju zamerku, pa možda i promene način
*-> pisanja, ko zna. ;)
Super! :) Ceniš li da ima šanse? :))))))))
Pozdrav, Zoran
P.S. Ako već izlaziš na Internet skini nam onda barem nešto suvislo,
recimo...MIDI-files. ;)
hard.heavy.66z.velj,
-> #41, drpr
*-> Pa sad mislim da nisi u pravu. Običaj ne samo ovde nego i u
*-> svetu je da se gitarske deonice u pesmama zapisuju tablaturama
*-> jer mnoge stvari ne mogu da se zapišu notnim zapisom (kako bi
*-> zapisao pull off hemmer on slide itd.).
Nažalost, univerzalnih rešenja nema, ali zato postoje principi
na osnovu kojih merimo uspešnost primenjenih metoda. Iznoseći
predlog, pre svega sam na umu imao sledeće principe:
Prenosivost - MIDI je industriski standard, komunikacioni protokol
u osnovi kreiran za potrebe međusobnog povezivanja
sintesajzera i drugih elektronskih muzičkih instrumenata
ali je vremenom evoulirao u 'komunikacioni kanal' koji
povezuje praktično svu opremu audio - video produkcije.
Njegova implementacija je nezavisna od hardvera, jasno
definisanih formata fajlova čini ga najboljim (mada ne i
savršenim) izborom za razmenu muzičkih zapisa između
raznorodnih comp.platformi.
Univerzalnost - Uneseni fajl se može transformisati (naravno uz pomoć
notografskog programa) bilo u notni zapis, tablature,
ili pak preslušati (po želji ubrzavati ili usporavati
bez promene visine tona), što ga čini upotrebljivim i
onima koji čitaju note kao i onima koji se bolje snalaze
sa tablaturama. Dakle postoji mogućnost izbora formata
prema sopstvenim sklonostima.
Dostupnost - Notografski programi postoje za sve računare i to po tzv.
'popularnim' cenama, većina podržava gorenavedeno a rad
sa njima je relativno lak.
Naravno postoje i određene mane ovog rešenja ali, nadam se, složićeš se,
daleko manje nego neka druga (ASCII tablatura). Uostalom Sezam raste,
pojavljuje se sve više ljudi iz ne računarskih profesija koji ne žele
da izmišljaju 'toplu vodu', i kojima bi, kao i svima nama uostalom,
bilo korisnije da su formati datoteka u opšte prihvaćenim standardima.
*-> Drugo to je forma na koju smo mnogi mi koji iz zabave sviramo
*-> gitaru naučili da sviramo neka sola iz omiljenih pesama.
Po mome mišljenju MIDI fajl + Notatorski program je daleko bolji
način za učenje većine muzike. Naravno neki aspekti, pre svega
gitarske muzike, se ne mogu preneti MIDI-jem ali sa stanovišta
op
hard.heavy.67z.velj,
-> #41, drpr
*-> Pa sad mislim da nisi u pravu. Običaj ne samo ovde nego i u
*-> svetu je da se gitarske deonice u pesmama zapisuju tablaturama
*-> jer mnoge stvari ne mogu da se zapišu notnim zapisom (kako bi
*-> zapisao pull off hemmer on slide itd.).
Nažalost, univerzalnih rešenja nema, ali zato postoje principi
na osnovu kojih merimo uspešnost primenjenih metoda. Iznoseći
predlog, pre svega sam na umu imao sledeće principe:
Prenosivost - MIDI je industriski standard, komunikacioni protokol
u osnovi kreiran za potrebe međusobnog povezivanja
sintesajzera i drugih elektronskih muzičkih instrumenata
ali je vremenom evoulirao u 'komunikacioni kanal' koji
povezuje praktično svu opremu audio - video produkcije.
Njegova implementacija je nezavisna od hardvera, jasno
definisanih formata fajlova čini ga najboljim (mada ne i
savršenim) izborom za razmenu muzičkih zapisa između
raznorodnih comp.platformi.
Univerzalnost - Uneseni fajl se može transformisati (naravno uz pomoć
notografskog programa) bilo u notni zapis, tablature,
ili pak preslušati (po želji ubrzavati ili usporavati
bez promene visine tona), što ga čini upotrebljivim i
onima koji čitaju note kao i onima koji se bolje snalaze
sa tablaturama. Dakle postoji mogućnost izbora formata
prema sopstvenim sklonostima.
Dostupnost - Notografski programi postoje za sve računare i to po tzv.
'popularnim' cenama, većina podržava gorenavedeno a rad
sa njima je relativno lak.
Naravno postoje i određene mane ovog rešenja ali, nadam se, složićeš se,
daleko manje nego neka druga (ASCII tablatura). Uostalom Sezam raste,
pojavljuje se sve više ljudi iz ne računarskih profesija koji ne žele
da izmišljaju 'toplu vodu', i kojima bi, kao i svima nama uostalom,
bilo korisnije da su formati datoteka u opšte prihvaćenim standardima.
*-> Drugo to je forma na koju smo mnogi mi koji iz zabave sviramo
*-> gitaru naučili da sviramo neka sola iz omiljenih pesama.
Po mome mišljenju MIDI fajl + Notatorski program je daleko bolji
način za učenje većine muzike. Naravno neki aspekti, pre svega
gitarske muzike, se ne mogu preneti MIDI-jem ali sa stanovišta
opšte muzičkih kriterijuma oni su zanemarljivi jer se uglavnom
zvesne
korekcije u samom notografskom programu ne mogu, bar u većini
slučaja, korigovati.
I da rezimiram. Namera čitave priče je da 'ubedim' potencijalne
pošaljioce muz.kompozicja da koriste MIDI fajl kao standardni format
jer će na taj način nihov trud sigurno biti svrsishodniji.
Pozdrav, Zoran
hard.heavy.68z.velj,
Name: Capriccio No.5
Music: Nicolo Paganini
Transc: Eliot Fisk for solo guitar
Tempo: 160
capr_no5.ziphard.heavy.69vcalic,
-> #66, z.veljPoruka 8.66 je obrisana jer je nedovršena verzija poruke 8.67
Vlada
hard.heavy.70z.velj,
-> #41, drpr
*-> Pa sad mislim da nisi u pravu. Običaj ne samo ovde nego i u
*-> svetu je da se gitarske deonice u pesmama zapisuju tablaturama
*-> jer mnoge stvari ne mogu da se zapišu notnim zapisom (kako bi
*-> zapisao pull off hemmer on slide itd.).
Nažalost, univerzalnih rešenja nema, ali zato postoje principi
na osnovu kojih merimo uspešnost primenjenih metoda. Iznoseći
predlog, pre svega sam na umu imao sledeće principe:
Prenosivost - MIDI je industriski standard, komunikacioni protokol
u osnovi kreiran za potrebe međusobnog povezivanja
sintesajzera i drugih elektronskih muzičkih instrumenata
ali je vremenom evoulirao u 'komunikacioni kanal' koji
povezuje praktično svu opremu audio - video produkcije.
Njegova implementacija je nezavisna od hardvera, jasno
definisanih formata fajlova čini ga najboljim (mada ne i
savršenim) izborom za razmenu muzičkih zapisa između
raznorodnih comp.platformi.
Univerzalnost - Uneseni fajl se može transformisati (naravno uz pomoć
notografskog programa) bilo u notni zapis, tablature,
ili pak preslušati (po želji ubrzavati ili usporavati
bez promene visine tona), što ga čini upotrebljivim i
onima koji čitaju note kao i onima koji se bolje snalaze
sa tablaturama. Dakle postoji mogućnost izbora formata
prema sopstvenim sklonostima.
Dostupnost - Notografski programi postoje za sve računare i to po tzv.
'popularnim' cenama, većina podržava gorenavedeno a rad
sa njima je relativno lak.
Naravno postoje i određene mane ovog rešenja ali, nadam se, složićeš se,
daleko manje nego neka druga (ASCII tablatura). Uostalom Sezam raste,
pojavljuje se sve više ljudi iz ne računarskih profesija koji ne žele
da izmišljaju 'toplu vodu', i kojima bi, kao i svima nama uostalom,
bilo korisnije da su formati datoteka u opšte prihvaćenim standardima.
*-> Drugo to je forma nda sviramo neka sola iz omiljenih pesama.
Po mome mišljenju MIDI fajl + Notatorski program je daleko bolji
način za učenje većine muzike. Naravno neki aspekti, pre svega
gitarske muzike, se ne mogu preneti MIDI-jem ali sa stanovišta
opš
I da rezimiram. Namera čitave priče je da 'ubedim' potencijalne
pošaljioce muz.kompozicja da koriste MIDI fajl kao standardni format
jer će na taj način nihov trud sigurno biti svrsishodniji.
Pozdrav, Zoran
hard.heavy.71z.velj,
-> #41, drpr
*-> Pa sad mislim da nisi u pravu. Običaj ne samo ovde nego i u
*-> svetu je da se gitarske deonice u pesmama zapisuju tablaturama
*-> jer mnoge stvari ne mogu da se zapišu notnim zapisom (kako bi
*-> zapisao pull off hemmer on slide itd.).
Nažalost, univerzalnih rešenja nema, ali zato postoje principi
na osnovu kojih merimo uspešnost primenjenih metoda. Iznoseći
predlog, pre svega sam na umu imao sledeće principe:
Prenosivost - MIDI je industriski standard, komunikacioni protokol
u osnovi kreiran za potrebe međusobnog povezivanja
sintesajzera i drugih elektronskih muzičkih instrumenata
ali je vremenom evoulirao u 'komunikacioni kanal' koji
povezuje praktično svu opremu audio - video produkcije.
Njegova implementacija je nezavisna od hardvera, jasno
definisanih formata fajlova čini ga najboljim (mada ne i
savršenim) izborom za razmenu muzičkih zapisa između
raznorodnih comp.platformi.
Univerzalnost - Uneseni fajl se može transformisati (naravno uz pomoć
notografskog programa) bilo u notni zapis, tablature,
ili pak preslušati (po želji ubrzavati ili usporavati
bez promene visine tona), što ga čini upotrebljivim i
onima koji čitaju note kao i onima koji se bolje snalaze
sa tablaturama. Dakle postoji mogućnost izbora formata
prema sopstvenim sklonostima.
Dostupnost - Notografski programi postoje za sve računare i to po tzv.
'popularnim' cenama, većina podržava gorenavedeno a rad
sa njima je relativno lak.
Naravno postoje i određene mane ovog rešenja ali, nadam se, složićeš se,
daleko manje nego neka druga (ASCII tablatura). Uostalom Sezam raste,
pojavljuje se sve više ljudi iz ne računarskih profesija koji ne žele
da izmišljaju 'toplu vodu', i kojima bi, kao i svima nama uostalom,
bilo korisnije da su formati datoteka u opšte prihvaćenim standardima.
*-> Drugo to je forma na koju smo mnogi mi koji iz zabave sviramo
*-> gitaru naučili da sviramo neka sola iz omiljenih pesama.
Po mome mišljenju MIDI fajl + Notatorski program je daleko bolji
način za učenje većine muzike. Naravno neki aspekti, pre svega
gitarske muzike, se ne mogu preneti MIDI-jem ali sa stanovišta
opšte muzičkih kriterijuma oni su zanemarljivi jer se uglavnom
radi o nekim artikulacionim elementima koji se na gitari izvode
'specijalnim tehnikama' ali daleko od toga da se uz izvesne
korekcije u samom notografskom programu ne mogu, bar u većini
slučaja, korigovati.
I da rezimiram. Namera čitave priče je da 'ubedim' potencijalne
pošaljioce muz.kompozicja da koriste MIDI fajl kao standardni format
jer će na taj način nihov trud sigurno biti svrsishodniji.
Pozdrav, Zoran
hard.heavy.72mikis,
-> #40, z.velj+> Ako si već rad slati nam zapis neke muzike, a vidim da jesi, onda to
+> čini na zadovoljstvo svih nas ili barem većine.
Tabulature se sasvim uobičajen način zapisivanja muzike, za gitaru i
njoj slične instrumente. Pre par meseci je neko, u civ.x:muzika, okačio
jedan FAQ o tabulaturama.
hard.heavy.73mdave,
-> #72, mikisSubject: Re: Tablature
MD> +> Ako si već rad slati nam zapis neke muzike, a vidim da
MD> +> jesi, onda to čini na zadovoljstvo svih nas ili barem većine.
MD>
MD> Tabulature se sasvim uobičajen način zapisivanja muzike, za gitaru
MD> i njoj slične instrumente. Pre par meseci je neko, u
MD> civ.x:muzika, okačio jedan FAQ o tabulaturama.
I to i u časopisima, a ne samo u kompjuterskom svetu.
hard.heavy.74mdave,
-> #68, z.veljSubject: Re: Konvertor?
MD> Name: Capriccio No.5
MD> Music: Nicolo Paganini
MD> Transc: Eliot Fisk for solo guitar
MD> Tempo: 160
Hajde sad, pošto je taj MIDI univerzalan, reci ti meni kako ja
ovo da vidim i probam da odsviram ???
hard.heavy.75pyc.guy,
-> #61, madcat~~~ Bunimmmm seeeee !!! Sve ovo sam ja prekucavaoooo !! Ne vaziii !!
~~~ :((
~~~ A mene nigde nema :(( ?
Pa sto nemas ti to kod sebe kada si prekucavao? :)
Pyc
hard.heavy.76mdave,
Subject: Sramota!
Jel' videste sramotu ?!?!
Malopre uključih MTV kad ono tamo neki Salt'n'Pepa Metal Mix !
Ccccc.....
PS. A i bolja je 100x gitara u pesmi "Koka kola, maLboro, suzuki".
:) Jeste vala dobro zvuči. :)
hard.heavy.77vcalic,
-> #76, mdave>> PS. A i bolja je 100x gitara u pesmi "Koka kola, maLboro, suzuki".
Istine radi, ta pesma se zove "Nikom nije lepše nego nama" i može se
slobodno reći da predstavlja proglas novih narodnjačkih stremljenja ;))
Vlada
hard.heavy.78drpr,
-> #71, z.velj-> I da rezimiram. Namera čitave priče je da 'ubedim'
-> potencijalne pošaljioce muz.kompozicja da koriste MIDI fajl
-> kao standardni format jer će na taj način nihov trud sigurno
-> biti svrsishodniji.
Ok to je tvoje mišljenje ali mislim da je i dalje na labavim
nogama. Prvo ja nemam midi pa ne mogu to da čujem a mislim da i
bar 60% populacije na Sezamu nema to isto ne bavi se time i ne
zna kako bi Midi fajl upotrebio. Drugo tablature su namenjene
samo za gitaru (ja bar nisam video druge) tako da je namenjena
baš onima koji se time zanimaju.
cope
hard.heavy.79bulaja,
-> #53, mdave│8.53 MUZIKA:hard.heavy ┌─────┐
│ mdave, 30.10.94. 01:26,│31744│chr
└─── └─────┘
NO COMMENTS. :(
hard.heavy.80mdave,
-> #79, bulajaMD> │8.53 MUZIKA:hard.heavy ┌─────┐
MD> │ mdave, 30.10.94. 01:26,│31744│chr
MD> └─── └─────┘
MD> NO COMMENTS. :(
E blago mdaveu vrati se ti u yu.folk, ovde je suviše hard&heavu
za tebe.
hard.heavy.81mdave,
Subject: Wherever I May Roam
WHEREVER I MAY ROAM - METALLICA
Intro (Sitar arranged for guitar)
----------------|------------ ----|----------------|----------------|
------5-5s6-5---|------8-8s10 6---|5-----5-5s6-5---|(5)-------------| Repeat
----------------|------------ ----|----------------|----------------| this
------2-2s3-2---|------5-5s7- 3---|2-----2-2s3-2---|(2)-------------| line
----------------|------------ ----|----------------|----------------| once
0---------------|0----------- ---0|----------------|----------------|
----------------|------------ ----|------------------------| ------|
------5-5s6-5---|------8-8s10 10s6---|5-----------------------| ------|
----------------|------------ ----|------------------------| ------|
------2-2s3-2---|------5-5s7- 7s3---|2-----------------------| ------|
----------------|------------ ----|------------------------| ------|
0---------------|0----------- ----|0-----------------------| 5s20\-|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------| Repeat
----------------|----------------|----------------|----------------| this
----------------|------5-5s7-----|----------------|----------------| line
------7-7h8-7---|------------8---|7-----7-7h8-7---|(7)-------------| once
0---------------|----------------|0---------------|----------------|
--------|----------------|
--------|----------------|
--------|----------------|
--------|----------------|
(7)-----|7---8---9---10\-|
--------|5---6---7---8-\-|
Rhy. Fig.1 (end Rhy. Fig. 1)
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------| Repeat
----------------|----------------|----------------|----------------| this
-------------tr-|------5-5s7-----|9------------tr-|----------------| line
2-----7-7h8-7(8)|7-----------8---|7-----7-7h8-7(8)|7---8---9---10--| once
0---0-----------|0---0-----------|0---0-----------|5---6---7---8---|
Rhy. Fig.2 (end Rhy. Fig. 2)
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
-------------tr-|------5-5s7-----|9------------tr-|----------------|
5-6-7-8-7h8-7(8)|7-----------8---|7-----7-7h8-7(8)|7---8---9---10--|
----------------|0---0-----------|0---0-----------|5---6---7---8---|
--------|----------------|----------------|----------------|------------------|
--------|----------------|----------------|----------------|------------------|
--------|----------------|----------------|----------------|------------------|
--------|2---------------|----------------|----3-----------|------------------|
5-6-7-8-|2---------------|----------------|--3-------------|------------------|
--------|0---------------|----------------|1---------------|------------------|
And the road becomes my bride And the road becomes my bride
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
------0---------|----------------|----------------|----------------|
----2-----------|----------------|----3-----------|----------------|
--2-------------|----------------|--3-------------|----------------|
0---------------|----------------|1---------------|----------3s10\-|
E5--------------|----------------|Bb5-------------|----------------|
I have stripped of all but pride, so in her I do con-
A5--------------|----------------|Bb5-------------|------------E-E-|
fide, and she keeps me satis- fied Gives me all I need
E5--------------|----------------|Bb5-------------|----------------|
And with dust in throne I crave, only knowledge will I save
--------0-------|--------0-------|----------------|----------------|
------------0---|------------0---|--------3-------|--------3-------|
----------------|----------------|------------3---|------------3---|
----------------|----------------|----3-----------|----3-----------|
----2-----------|----2-----------|1---------------|1---------------|
0---------------|0---------------|----------------|----------------|
G5--------------|----------------|Bb5-------------|----------------|
To the game you stay a slave rover, wanderer
----------------|----------------|----------------|----------------|
--------3-------|--------3-------|--------3-------|--------3-------|
------------3---|------------3---|------------3---|------------3---|
----------------|----------------|----3-----------|----3-----------|
----1-----------|----1-----------|1---------------|1---------------|
3---------------|3---------------|----------------|----------------|
nomad, vagabond call me what you will
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|------5-5s7-----|9------------tr-|
1---1---2---3---|5-6-7-8-7h8-7---|7-----------8---|7-----7-7h8-7(8)|
----------------|----------------|0---0-----------|0---0-----------|
Oh But I'll take my time anywhere free to
----------------|----------------|----------------|----------------|
----------------|----------------|----------------|----------------|
----------------|----------------|-------------tr-|----------------|
----------------|3---3-------3---|----3---2h3-2(3)|2---2-------2---|
7---8---9---10--|3---3-------3---|----3-----------|2---2-------2---|
5---6---7---8---|1---1---1-1-1---|1-1-1-----------|0---0---0-0-0---|
speak my mind anywhere And I'll redefine anywhere
----------------|----------------|----------------|
----------------|----------------|----------------|
-------------tr-|3---3-------3---|----3--------tr-|
----2---2h3-2(3)|3---3-------3---|----3---2h3-2(3)|
----2-----------|1---1---1-1-1---|1-1-1-----------|
0-0-0-----------|----------------|----------------|
A5--------------|----------------|G5--------------|------------D-\-|
Anywhere I roam Where I lay my head is home, yeah
First time play Rhy.Fig. 1 and continue as follows,
second time skip to CODA
And the earth becomes my throne And the earth becomes my throne
--------|----------------|----------------|----------------|------------------|
--------|----------------|----------------|----------------|------------------|
--------|----------------|----------------|----------------|------------------|
--------|2---------------|----------------|----3-----------|------------------|
5-6-7-8-|2---------------|----------------|--3-------------|------------------|
--------|0---------------|----------------|1---------------|------------3s10\-|
Continue with Verse 2
CODA
----------------|-------- --------|----------------|---------- -- ----|
----------------|-------- --------|----------------|---------- -- ----|
----------------|-----tr- ----9---|----------------|----8-9-11s12 8---|
-------------tr-|6-7-6(7) 9-10----|------------6-7-|9-10------ -- ----|
2----/7-7-8-7(8)|-------- --------|2-------7-8-----|---------- -- ----|
0---0-----------|-------- --------|0---0-0---------|---------- -- ----|
For the next line you have two guitars notated one above the other.
----------------|-------- --------|----------------|---------- -- ----|
----------------|-----tr- ----8---|----------------|----7-8-10 12 7---|
-------------tr-|4-5-4(5) 8-9-9---|------------4-5-|8-9-8-9-11 12 8---|
--------6-7-6(7)|6-7-6(7) 9-10----|--------6-7-6-7-|9-10------ -- ----|
2---2---7-8-7(8)|-------- --------|2---2---7-8-----|---------- -- ----|
0---0-0---------|-------- --------|0---0-0---------|---------- -- ----|
Play prechorus and chorus again
Solo 1
Play prechorus and last chorus which goes:
A5--------------|----------------|G5--------------|----------------|
Anywhere I roam Where I lay my head is home
C5--------------|----------------|B5--------------|Bb5-------E-G-F#|
Carved upon my stone my body lie, but still I roam yeah yeah
Rhy.fig.1
Rhy.fig.2 until end over solo 2
hard.heavy.82acid,
-> #32, jovca.car>>
>> Molio bih za naziv i spisak pesama novog albuma Suicidal Tendencies.
Evo ovako:
Suicidals for life - Suicidal Tendencies
A Side
1.Invocation
2.Don't gove a fuck
3.No fuckin' problem
4.Fucked up just right
5.No bullshit
6.What else could I do
7.What You need is a friend
B Side
1.Suicyco Mothafucka
2.I wouldn't mind
3.Depression and anguish
4.Evil
5.Love vs. Loneliness
6.Benediction
hard.heavy.83madcat,
-> #75, pyc.guy=> ~~~ Bunimmmm seeeee !!! Sve ovo sam ja prekucavaoooo !! Ne vaziii !!
=> ~~~ :((
=> ~~~ A mene nigde nema :(( ?
=>
=> Pa sto nemas ti to kod sebe kada si prekucavao? :)
Ko t' kaze da nemam ? Imam Iron Maiden, Killers (dobro, ova dva nisam ja)
Piece of Mind
Powerslave
Fear of The Dark
Seventh Son of the Seventh Son
Somewhere in Time..
Pa ti vidi..
A ostalima kojima to treba.. Xmmm.. Pa obratite se marshall-u O;)))))))))))
hard.heavy.84z.velj,
Name: Moto Perpetuo
Music: Nicolo Paganini
Tempo: 180
moto_per.ziphard.heavy.85z.velj,
-> #72, mikis
*-> Tabulature se sasvim uobičajen način zapisivanja muzike, za gitaru i
*-> njoj slične instrumente. Pre par meseci je neko, u civ.x:muzika, okačio
*-> jedan FAQ o tabulaturama.
Da se razumemo, tabulature su uobičajeno POMOĆNO sredstvo zapisivanja
muzike za gitaru i njoj sličnih instrumenata. Inače tabulatura je nastala
u početnoj fazi evropske instrumentalne muzike i to za orgulje, lautu i
gitaru, međutim prestaje da se upotrebljava posle 18.veka i danas se
koristi najčešće kao jedna od pedagoških metoda.
Inače nemam ništa protiv tabulatura ali smatram da je neadekvatan
način muzičkog zapisa a posebno kao format razmene muzičkih kompozicija
elektronskim medijem.
Zarad potpunog razumevanja pročitaj poruku 8.71. :)
Pozdrav, Zoran
hard.heavy.86z.velj,
-> #78, drpr
*-> Prvo ja nemam midi pa ne mogu to da čujem a mislim da i
*-> bar 60% populacije na Sezamu nema to isto ne bavi se time i ne
*-> zna kako bi Midi fajl upotrebio. Drugo tablature su namenjene
*-> samo za gitaru (ja bar nisam video druge) tako da je namenjena
*-> baš onima koji se time zanimaju.
Cenim da su ti neke stvari u vezi MIDI-ja generalno ne jasne. Prvo
ti verovatno misliš da ti je potreban MIDI-interfejs (hardware), ali
nije. On bi ti poslužio u slučaju da svoj kompjuter želiš da povežeš
sa nekim elektronskim muzičkim instrumentima i preko njega ih kontrolišeš
putem nekog muzičkog programa (obično sequencera), međutim to nije
neophodno u našoj priči, recimo da je to samo jedna lepa opcija.
Ono što je zaista bitno, to je da nabaviš neki notografski program (software)
koji je zapravo funkcionalno ekvivalentan text procesoru, a zatim u njemu
unosiš muz.kompozicije. Kao što ti je poznato, svaki proizvođač text
procesora poseduje neki sopstveni format zapisa datoteka, međutim zarad
kompatibilnosti, svaki podržava i ASCII inport-export. Identična je stvar i
sa notografskim ili nekim drugim muzičkim programima, samo što u njihovom
slučaju ulogu ASCII-a preuzima standardizovani MIDI fajl. Naravno prednosti
uvođenja takvog standarda su očigledne, datoteku urađenu u jednom programu
dorađuješ u drugom opcijama koje nisu postojale u prvom, što znači da taj
isti MIDI-file možeš predstaviti kao note, kao tabulaturu ili u nekom
drugom, tebi pogodnom vizuelnom obliku.
Da bi preslušao MIDI-file dovoljna ti je neka od mnogobrojnih zv.
kartica SB, Ad Lib...(pretpostavljam da imaš PC-a) i neki od muzičkih
programa koji podržava MIDI-file (a to je većina), ali kao što rekoh,
neka to bude samo opcija, jer i bez toga prednosti MIDI-fajla su očigledne.
Pozdrav, Zoran
hard.heavy.87z.velj,
-> #74, mdave
*-> Hajde sad, pošto je taj MIDI univerzalan, reci ti meni kako ja
*-> ovo da vidim i probam da odsviram ???
Cenim da imaš PC-a? U tom slučaju kontaktiraj vpudar-a. On će ti
reći koji su programi najbolji iz te oblasti. U slučaju da imaš
ATARI-ja (malo verovatno), poslaću ti na mail.
Pozdrav, Zoran
hard.heavy.88z.velj,
Name: Etude No.8 (Allegro non troppo)
Music: R.Kreutzer
Tempo: 160
etud_no8.ziphard.heavy.90mdave,
Subject: Hallowed Be Thy Name
Hallowed Be Thy Name
(Harris)
I'm waiting in my cold cell when the bell begins to chime
Reflecting on my past life and it doesn't have much time
Cos at 5 o'clock they take me to the Gallows Pole
The sands of time for me are running low
When the priest comes to read me the last rites
I take a look through the bars at the last sights
Of a world that has gone very wrong for me
Can it be there's some sort of error
Hard to stop the surmounting terror
Is it really the end not some crazy dream
Somebody please tell me that I'm dreaming
It's not so easy to stop from screaming
But words escape me when I try to speak
Tears they flow but why am I crying
After all I am not afraid of dying
Don't believe that there is never an end
As the guards march me out to the courtyard
Someone calls from a cell "God be with you"
If there's a God then why has he let me die?
As I walk all my life drifts before me
And though the end is near I'm not sorry
Catch my soul cos it's willing to fly away
Mark my words please believe my soul lives on
Please don't worry now that I have gone
I've gone beyond to see the truth
When you know that your time is close at hand
maybe then you'll begin to understand
Life down there is just a strange illusion.
hard.heavy.89mdave,
Subject: Definicija
Neko je tražio definiciju heavy metala :
@SONG: HEAVY METAL (IS THE LAW)
(Weikath/Hansen)
Fight hard
Live fast
Play loud
Step out of the crowd
Iron
Rulin'
Steel bent
Forever the faith will live on in our hearts
There's nothing else in all the world
That will bring it down
We will play our wildest step to all around
We need it as a liquid in our veins instead of blood
Power
Burnin'
Brains out
United metallians ready to strike
White heat
Red hot
Mayhem
If you don't feel it you won't understand
There's nothing else in all the world
That will bring it down
We will play our wildest step to all around
We need it as a liquid in our veins instead of blood
Chorus Heavy Metal is the law that keeps us all united free
A law that shatters earth and hell
Heavy Metal can't be beaten by any dynasty
We're all wizards fightin' with our spell
Solo: M/both
Chorus
hard.heavy.94mdave,
Subject: Sea of Madness
@SONG: SEA OF MADNESS
(Smith) 5:42
Out in the street somebody's crying,
Out in the night the fires burn,
Maybe tonight somebody's crying,
Reached the point of no return.
Oh - my eyes they see but I can't believe,
Oh - my heart is heavy as I turn my back and leave.
Chorus:
Like the eagle and the dove,
Fly so high on wings above,
When all you see can only bring you sadness,
Like a river we will flow,
On towards the sea we go,
When all you do can only bring you sadness,
Out on the sea of madness.
Somewhere I hear a voice that's calling,
Out in the dark there burns a dream,
You got to hope when you are falling,
To find the world that you have seen.
Oh - my eyes they see but I can't believe,
Oh - my heart is heavy as I turn my back and leave.
Chorus:
Like the eagle and the dove,
Fly so high on wings above,
When all you see can only bring you sadness,
Like a river we will flow,
On towards the sea we go,
When all you do can only bring you sadness,
Out on the sea of madness.
It's madness,
The sun don't shine
On the sea of madness,
There ain't no wind to fill your sails,
Madness,
When all you see can only bring you sadness
On towards the sea we go...
hard.heavy.95mdave,
Subject: HARVESTER OF SORROW
HARVESTER OF SORROW
---------------------
(HETFIELD/ULRICH)
MY LIFE SUFFOCATES
PLANTING SEEDS OF HATE
I'VE LOVED, TURNED TO HATE
TRAPPED FAR BEYOND MY FATE
I GIVE
YOU TAKE
THIS LIFE THAT I FORSAKE
BEEN CHEATED OF MY YOUTH
YOU TURNED THIS LIE TO TRUTH
ANGER
MISERY
YOU'LL SUFFER UNTO ME
HARVESTER OF SORROW
LANGUAGE OF THE MAD
HARVESTER OF SORROW
PURE BLACK LOOKING CLEAR
MY WORK IS DONE SOON HERE
TRY GETTING BACK TO ME
GET BACK WHICH USED TO BE
DRINK UP
SHOOT IN
LET THE BEATINGS BEGIN
DISTRIBUTOR OF PAIN
YOUR LOSS BECOMES MY GAIN
ANGER
MISERY
YOU'LL SUFFER UNTO ME
HARVESTER OF SORROW
LANGUAGE OF THE MAD
HARVESTER OF SORROW
ALL HAVE SAID THEIR PRAYERS
INVADE THEIR NIGHTMARES
SEE INTO MY EYES
YOU'LL FIND WHERE MURDER LIES
INFANTICIDE
HARVESTER OF SORROW
LANGUAGE OF THE MAD
HARVESTER OF SORROW
LANGUAGE OF THE MAD
HARVESTER OF SORROW
hard.heavy.93mdave,
Subject: Prisoner
@SONG: The Prisoner
(Smith/Harris)
On the run kill to eat
You're starving now you're dead on your feet
Going all the way nature's beast
Do what I want as I please
Run fight to breathe it's tough
Now you see me now you don't
Break the walls I'm coming out
Not a prisoner I'm a free man
And my blood is my own now
Don't care where the past was
I know where I'm going ... out
If you kill me it's self defence
If I kill you then I call it vengeance
Spit in your eye I will defy
You'll be afraid when I call out your name
I'm not a number I'm a free man
I'll live my life how I want to
You'd better scratch me frgm your black book
Cos I'll run rings round you
hard.heavy.92mdave,
Subject: Hell Awaits
@SONG: "Hell Awaits"
(Lyrics King; Music Hanneman/King)
[Backwards: "Join us" x times]
[Welcome back]
Existing on damnation's edge
The priest had never known
To witness such a violent show
Of power overthrown
Angels fighting aimlessly
Still dying by the sword
Our legions killing all in sight
To get the one called Lord
The Gates of Hell lie waiting as you see
There's no price to pay just follow me
I can take your lost soul from the grave
Jesus knows your soul can not be saved
Crucify the so called Lord
He soon shall fall to me
Your souls are damned your God has fell
To slave for me eternally
Hell awaits...
The Reaper guard's the darkened Gates
That Satan calls has home
Demons feed the furnace where
The Dead are free to roam
Lonely children of the night
There's seven ways to go
Each leading to the burning hole
The Lucifer controls
Priests of Hades seek the sacred star
Satan sees the answer lies not far
Zombies screaming souls cry out to you
Satanic laws prevail your life is through
Pray to the moon... when it is round
Death with you shall then abound
What you seek... for can't be found
In sea or sky or underground
(Lead - Hanneman)
Now I have you deep inside my everlasting grasp
The seven bloody Gates of Hell
Is where you'll live your last
Warriors from Hell's Domain
Will bring you to your Death
The flames of Hades burning strong
Your soul shall never rest
The Gates of Hell lie waiting as you see
There's no price to pay just follow me
I can take your lost soul from the grave
Jesus knows your soul can not be saved
Sacrifice the lives of all I know they
Soon shall die
Their souls are damned to rot in Hell
and keep the fire growing deep inside
Hell awaits...
(Lead - King)
hard.heavy.91mdave,
Subject: ...AND JUSTICE FOR ALL
...AND JUSTICE FOR ALL
------------------------
(HETFIELD,ULRICH,HAMMETT)
HALLS OF JUSTICE PAINTED GREEN
MONEY TALKING
POWER WOLVES BESET YOUR DOOR
HEAR THEM STALKING
SOON YOU'LL PLEASE THEIR APPETITE
THEY DEVOUR
HAMMER OF JUSTICE CRUSHES YOU
OVERPOWER
THE ULTIMATE IN VANITY
EXPLOITING THEIR SUPREMACY
I CAN'T BELIEVE THE THINGS YOU SAY
I CAN'T BELIEVE
I CAN'T BELIEVE THE PRICE YOU PAY
NOTHING CAN SAVE YOU
JUSTICE IS LOST
JUSTICE IS RAPED
JUSTICE IS GONE
PULLING YOUR STRINGS
JUSTICE IS DONE
SEEKING NO TRUTH
WINNING IS ALL
FIND IT SO GRIM
SO TRUE
SO REAL
APATHY THEIR STEPPING STONE
SO UNFEELING
HIDDEN DEEP ANIMOSITY
SO DECEIVING
THROUGH YOUR EYES THEIR LIGHT BURNS
HOPING TO FIND
INQUISITION SINKING YOU
WITH PRYING MINDS
THE ULTIMATE IN VANITY
EXPLOITING THEIR SUPREMACY
I CAN'T BELIEVE THE THINGS YOU SAY
I CAN'T BELIEVE
I CAN'T BELIEVE THE PRICE YOU PAY
NOTHING CAN SAVE YOU
JUSTICE IS LOST
JUSTICE IS RAPED
JUSTICE IS GONE
PULLING YOUR STRINGS
JUSTICE IS DONE
SEEKING NO TRUTH
WINNING IS ALL
FIND IT SO GRIM
SO TRUE
SO REAL
LADY JUSTICE HAS BEEN RAPED
TRUTH ASSASSIN
ROLLS OF RED TAPE SEAL YOUR LIPS
NOW YOU'RE DONE IN
THEIR MONEY TIPS HER SCALES AGAIN
MAKE YOUR DEAL
JUST WHAT IS TRUTH?I CANNOT TELL
CANNOT FEEL
THE ULTIMATE IN VANITY
EXPLOITING THEIR SUPREMACY
I CAN'T BELIEVE THE THINGS YOU SAY
I CAN'T BELIEVE
I CAN'T BELIEVE THE PRICE WE PAY
NOTHING CAN SAVE YOU
JUSTICE IS LOST
JUSTICE IS RAPED
JUSTICE IS GONE
PULLING YOUR STRINGS
JUSTICE IS DONE
SEEKING NO TRUTH
WINNING IS ALL
FIND IT SO GRIM
SO TRUE
SO REAL
SEEKING NO TRUTH
WINNING IS ALL
FIND IT SO GRIM
SO TRUE
SO REAL
hard.heavy.96mdave,
-> #87, z.veljSubject: Re: Tablatura
MD> *-> Hajde sad, pošto je taj MIDI univerzalan, reci ti meni kako ja
MD> *-> ovo da vidim i probam da odsviram ???
MD>
MD> Cenim da imaš PC-a? U tom slučaju kontaktiraj vpudar-a. On će ti
MD> reći koji su programi najbolji iz te oblasti. U slučaju da imaš
MD> ATARI-ja (malo verovatno), poslaću ti na mail.
I to sve zbog kompozicije koju mogu da pročitam i sa
tablature?
hard.heavy.97vitez.koja,
Iron Maiden: A REAL LIVE ONE
real.ziphard.heavy.98kcurcic,
-> #81, mdave
> Subject: Wherever I May Roam
E, jel' ovo tesko spakovati pa prikaciti uz poruku ?
hard.heavy.99pyc.guy,
-> #76, mdave~~~ Malopre ukljucih MTV kad ono tamo neki Salt'n'Pepa Metal Mix !
Na prvo slusanje - pesma je super. Prava DZdzara!
Bas je zanimljiva obrada. Moze se ladno reci da je
tvrdje od Body Count-a.
Pyc
hard.heavy.100dcolak,
-> #82, acid│ Suicidals for life - Suicidal Tendencies
Može li neka da prismrdi Join The Army-? ;)
Jel se može naći kod SKC-a?
Sledge DAMMIR!