MUZIKA.1

24 Oct 1994 - 22 Jan 1996

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Messages - hard.heavy

hard.heavy.1 vcalic,
Iz naziva teme jasno se vidi na šta se odnosi. Metalci, headbangeri i ostali - ovo je mesto za vas. Vlada
hard.heavy.2 mikis,
Sretno otvaranje konferencije i teme uz, naravno: rz B00000000000000 _-/~~~\-_ ____________________ /~~~~~~~~~~~\ / \ | ---------------- | { \ / _/-\_| | |R:\>co | | \__\ \ \ | | / | | |CONF:MUZIKA>> | | /~~~~~~\ | | / | | | | | / | | \ / ~.\ | |______________| | | __--~ _ \ | \ / @ _\ |__________________|~| /.> @) \_/ \ _-w\ |________________|_-~ /_o) _ / \ \_ /==================\ _)____/> | | _/ Whoa! )______ | _|__|_ Beavis, Yeah, Yeah _\__|_ / \ Check this out! H-Heh, computers / \ | | |AC| are cool. |ica| | | | |_|__|____-,- ,-____|___|_| | | '----n----~' '~----n-----' | :)
hard.heavy.3 mikis,
.------.. _------__--___.__. / \_ / ` ` \ / \ |. \ / \ \ | / .--._ .---. | \ | | / -__- \ | ~-/--`-`-`-\ | | | | | | \ | || || | | | || ,_ _. || | | | || e e || Hey Beavis, | _-- | | || _ |_ || pull my finger! _| =-. |.-. | @| (o\_/o) |@ Heh,Heh!!! o|/o/ _. | | _____ | / ~ \ | \ ( /uuuuu\ ) / No way! (/___@) ___~ | \ `=====' / Ass wipe!! |_===~~~.` | \ -___- / _______.--~ | | | // \________ | /-_____-\ . _//_ \ | / \ \\///// __/-___-- -__ / \ \ / / __\ /__| AC / DC |__\ / / -| Metallica|| | | || |\ \ / / || || | | || | \ \/ / || || | | || | \__/ / | / /
hard.heavy.4 mikis,
Za sve prave, heavy fanove: Budimpeša, 1.XII 1994. Olimpia Hale. Najveći Speed metal bend svih vremena: S L A Y E R ! Predgrupa: Machine Head. Ovo treba videti! (novi album Slayera, Divine Intervention, definitivno 'kicks ass'! Prava spidačina, dostojan naslednik Reign In Blood-a!) Za death metalce: isto Budimpešta, sredinom novembra (između 11. i 17., moram da proverim) - Obituary; predgrupe Pitchshifter i I Hate Gun! Spremajte se za put... :)
hard.heavy.5 mdave,
Subject: Re: čiveli! MD> Iz naziva teme jasno se vidi na šta se odnosi. Metalci, MD> headbangeri i ostali - ovo je mesto za vas. YES! YES! YES! YES! YES! YES! YES! YES! YES! YES! YES! YES! Pa da proslavimo !!! -------- Metallica: ONE (from the album ...And Justice For All) begins with gunfires and battlefield sound for a few seconds.. Bm Gmaj7(no3rd) Bm Gmaj7(no3rd) |--------------|--------------|--------------|-------------------| |--------------|--------------|--------------|-------------------| |--------------|--------------|--------------|----------------0--| |-----4-----0--|-----4-----0--|-----4-----0--|-----4-----0-------| |--2-----2-----|--------------|--2-----2-----|-------------------| |--------------|--3-----3-----|--------------|--3-----3----------| D/A Gmaj7(no3rd) |--------------|--------------|--------------|---------------| |--------------|--------------|--------------|---------------| |-(0)----------|--------------|--------------|---------------| |-----4-----0--|-----4-----0--|-----4-----0--|---------------| |--2-----2-----|--0-----0-----|--------------|-----2-----2---| |--------------|--------------|--3-----3-----|--0-----2------| Bm Gmaj7(no3rd) Bm |---------------|--------------|--------------|-----------------| |---------------|--------------|--------------|-----------------| |*--------------|--------------|--------------|--------------0--| |*-----4-----0--|-----4-----0--|-----4-----0--|-----4-----0-----| |---2-----2-----|--------------|--2-----2-----|-----------------| |---------------|--3-----3-----|--------------|--3-----3--------| D/A Gmaj7(no3rd) [1. N.C ] |--------------|--------------|--------------|---------------| |--------------|--------------|--------------|---------------| |--------------|--------------|--------------|--------------*| |-----4-----0--|-----4-----0--|-----4-----0--|--------------*| |--2-----2-----|--0-----0-----|--------------|-----2-----2---| |--------------|--------------|--3-----3-----|--0-----2------| [2. N.C ] Bm Gmaj7(no3rd) |----------------------------|-----------------------|-----------------------| |----------------------------|-----------------------|-----------------------| |----------------------------|-----------------------|-----------------------| |----------------------------|-----4-----0--0--4-----|-----4-----0--4--4--0--| |-----2-----2-----2--2h4--2--|--2-----2-----------0--|-----------------------| |--0-----2-----0-------------|-----------------------|--3-----3--------------| Bm Gamj7 Bm |-----------------------|-----------------------|-----------------------| |-----------------------|-----------------------|-----------------------| |-----------------------|-----------------------|-----------------------| |-----4-----0--0--4-----|-----4-----0--4--4--0--|-----4-----0--0--4--0--| |--2-----2-----------0--|-----------------------|--2-----2--------------| |-----------------------|--3-----3--------------|-----------------------| D/A Gamj7 (Em) |-----------------------|-----------------------|-------------------| |-----------------------|-----------------------|-------------------| |--------------------0--|-(0)-------------------|-------------------| |-----4-----0--4--4-----|-----4-----0--0--4--0--|-----2h4--2--------| |--0-----0--------------|-----------------------|----------------4--| |-----------------------|--3-----3--------------|--0----------2-----| G5 A5 (D) Riff A (G) |---------------------|---------------------|------------------------| |---------------------|---------------------|-----0h3p0----0h3p0-----| |---------------------|*--------0--7-----0--|------------4--------0--| |---------0-----------|*-----7--------7-----|--5---------------------| |-----5------------7--|---5-----------------|------------------------| |--3---------3--5-----|---------------------|------------------------| (F) [1. (Em) ] [2.(Em) N.C end Riff A |--------1--------|--------------0------|------------------| |-----------1-----|-----------0-----0---|-----0------------| |-----0--------0--|-----4--0-----------*|--------0--4------| |--3--------------|--2-----------------*|--2---------------| |-----------------|---------------------|-------------/3---| |-----------------|---------------------|------------------|
hard.heavy.6 mdave,
Subject: Re: SLAYER MD> S L A Y E R ! MD> MD> Predgrupa: Machine Head. Ovo treba videti! (novi album Slayera, MD> Divine Intervention, definitivno 'kicks ass'! Prava spidačina, MD> dostojan naslednik Reign In Blood-a!) Slušao sam nešto malo i mogu ti reći da si u pravu. :) < Necrophobic - can't control the paranoya >
hard.heavy.7 mdave,
Subject: Iron Maiden BTW, kući imam tablature za prva tri albuma Maiden-a pa ako nešto treba - vičite ! :) < "He's walking like a small child..." >
hard.heavy.8 mdave,
Subject: Metallica Predivno !!! Chords by Dave Mustaine (MDave ;) ) -------- By popular demand, some bits and pieces of CALL OF THE KTULU. Most of it was written by Dave Mustaine, by the way. About the tab, the vertical lines don't represent bar lines, but little "sections", I guess that's as good as I can explain it. Intro....play each part twice.... ---5---------5---|---6---------6---|---8----------8---|---5---------5--- -------6-------6-|-------6-------6-|-------8--------8-|-------6-------6- -----7-----7-----|-----7-----7-----|-----9------9-----|-----7-----7----- -0-------7-------|-0-------7-------|-0-------10-------|-0-------7------- -----------------|-----------------|------------------|----------------- -----------------|-----------------|------------------|----------------- The next part....play it a few times.... ---------0------|---------0------- -------0---0----|-------0---0----- -----5------5---|-----5-------5--- ---7------------|---7-----------7- -0------------7-|-6--------------- ----------------|----------------- The next part....Dave Mustaine used this again in the intro to Hangar 18 -------1-|-------1-|-------1-|-------5- -----3---|-----3---|-----3---|-----3--- ---2-----|---3-----|---4-----|---5----- -0-------|-0-------|-0-------|-0------- ---------|---------|---------|--------- ---------|---------|---------|---------
hard.heavy.9 mdave,
Subject: Helloween Hajde nek neko (mikise?) da jednu recenziju "Master of the Rings". :)
hard.heavy.10 mdave,
Subject: Plush Jeste li primetili kako ovi akordi dobro zvuče, čak i na akustičnoj gitari ? :) -------- Intro and exit (play 4 times on intro and 4 times on exit): E ||---3---3---3---3---3---3---3---3---3---------------------| B ||---3---3---2---1---1---0---0---1---2---------------------| G ||---0---0---3---2---2---0---------------------------------| D ||---0---0---0---0---0---0---------------------------------| A ||---------------------------------------------------------| E ||---------------------------------------------------------| Chords: E A D G B E GM 3 2 0 0 3 3 F# 2 0 0 2 3 x F 1 3 3 2 1 1 C1 3 3 2 0 1 x G? 3 6 5 3 3 3 D x x 0 2 3 x C2 x 3 x 0 3 x B x 2 x 0 3 x fill in (/ = slide up; \ = slide down): GM GM F# F# F F C1 C1 G? G? And I feel that time's a wasted go And I feel that so much depends on the weather So where ya goin' to tomorrow So is it raining in your bedroom And I feel that these are the lies to come And I feel that these are the eyes of disarray G? G? F D C2 B C2 Or would you even care Or would you even care D C2 B C2 D C2 B C2 she feels it
hard.heavy.11 mdave,
Subject: Ozzie :) Ima li neko nešto od tablatura od Ozzija ? Malo da se prouši kako to radi dZAKic na gitari... :)
hard.heavy.12 paki,
­> G? 3 6 5 3 3 3 D#maj7 (G bass)
hard.heavy.13 nkrgovic,
Zivela nova conf ( je je je ) Zivela najjaca tema u njoj ( URaaaaaaaaaa Ziveo Drug Tile ;>>>> ) Ovo je mozda trebalo u tekstovi ali: Ima li neko tekstove za album powerslave od Maiden. Posebno me intereuje pesma aces high. tnx unapred. nk.
hard.heavy.14 crncic,
>> Iz naziva teme jasno se vidi na šta se odnosi. Metalci, headbangeri >> i ostali - ovo je mesto za vas. Hvala, pozdravljam. Dave je bacio One, evo od mene Creep. Creeping Death As performed by Metallica From "Ride the Lightning" Copyright (c) 1984 Creeping Death Music Words & Music By : James Hetfield, Lars Ulrich, Cliff Burton, & Kirk Hammett Musical Definitions at the end of file. Typed by : Christopher Sean Forgeron Spread this around all you want. Tempo = Fast Rock = 184 bpm Intro (Ryth Fig 1) (end Ryth Fig 1) &-#---||----------------|---|-----------------|----|| &-----||----------------|---|-----------------|----|| &---4-||o-----------%---|---|-----------%-----|---o|| &---4-||o-----------%-9-|-9-|-----------%-9-7-|-7-o|| &-----||--------------9-|-9-|-------------9-7-|-7--|| &-----||--0-0-0-0-0---7-|-7-|-0-0-0-0-0---7-5-|-5--|| ~~~~~ ~~~~~ w/Ryth Fig 1 (once) ||-------------------|-----------|------------------|----------||---------| ||-------------------|-----------|------------------|----------||---------| ||o-------------%----|-------%-}-|------------------|-----%-}-o||-}-------| ||o-------------%-9--|-9--9--%-}-|-----------%-9--7-|-7-7-%-}-o||-}-------| ||----------------10-|-10-10-----|-----------%-10-9-|-9-9------||---7-5-5-| ||--0-0-0-0-0-0------|-----------|-0-0-0-0-0--------|----------||---5-3-2-| ~~~~~~~ ~~~~~ (Ryth Fig 3) (end Ryt Fig 3)(Ryth Fig 4) (end Ryth Fig 4) x8 x4 ||------------------|----------------------||-------------|------------------|| ||------------------|----------------------||-------------|------------------|| ||o-----------------|---------------------o||o------------|-----------------o|| ||o-----2-----2---2-|-----2---------------o||o------------|-----------------o|| ||------2-----2---2-|-----2---2-3-2-3-2-0--||-----5-----5-|------------------|| ||--0-0---0-0---0---|-0-0---0--------------||-0-0-3-0-0-3-|-0-0-2-2-2-2-2-2--|| H P P You then play Ryth Fig 3 four times, and then continue. |---|---|---|---------| |---|---|---|---------| The singing starts. Keep playing Ryth Fig 3 |---|---|---|---4-6---| until the singing stops (16 bars later) then |-2-|-2-|-2-|-2-4-6-4-| start playing Ryth Fig 4 four times. |-2-|-2-|-2-|-2-2-4-4-| |-0-|-0-|-0-|-0-----2-| ~~~~~~~~~~~~~ Chorus E5 C5 D5 F5 G5 @ ||---|-------------|---|------|---|-------------|---------|---|-------------| ||---|-------------|---|------|---|-------------|---------|---|-------------| ||-9-|-9-------5-7-|-7-|-7/10-|-9-|-9-------5-7-|-/10-12\-|-7-|-7-------5-7-| ||-9-|-9-------5-7-|-7-|-7/10-|-9-|-9-------5-7-|-/10-12\-|-7-|-7-------5-7-| ||-7-|-7-------3-5-|-5-|-5/8--|-7-|-7-------3-5-|-/8--10\-|-5-|-9-------3-5-| ||---|---0-0-0-----|---|------|---|---0-0-0-----|---------|---|---0-0-0-----| ~~~~~ ~~~~~~~~~ ~~~~~ ~~~~~ ~~~~~~~~~~ ~~~ w/Ryth Fig 3 (twice) ---|------|---|-------------|---|---------|---|| ---|------|---|-------------|---|---------|---|| Go back up to the part where -7-|-7/10-|-9-|-9-------5-7-|-7-|-7-4-6-4-|-4-|| the singing starts -7-|-7/10-|-9-|-9-------5-7-|-7-|-7-4-6-4-|-4-|| -5-|-5/8--|-7-|-7-------3-5-|-5-|-5-2-4-2-|-2-|| ---|------|---|---0-0-0-----|---|---------|---|| ~~~~~~ ~~~~~ ~~~~~~~~~ ~~~~~ Lotsa solo stuff. Damned fast, but not hard. Usual pentatonic minor soloing. Bridge (Half Time Feel) (This is the "Die, by my hands..." part) Each chord is a half note, except the E which is 4 quarter notes using only the bottom string. The progression is like this: E5 E E E E F5 D5 E5 E E E E G5 F5 (x3) Then it's Ryth Fig 3 for 6 bars. On the sixth bar, another gutair plays the following: |-----------| |-----------| Go back to where the singing originally started. Play it |-[~3~]-7\--| through with the third verse, and when you hit the @ sign, |-2-3-5-7\\-| go to this next part. |-2-3-5-5\\-| |-0-1-3---\-| Ryth Fig 9 -----------------|-------|-------------------|-------|| -----------------|-------|-------------------|-------|| -----------------|-------|-------------------|-------|| -----2-----2---2-|-2-2-2-|-----2-----2-----3-|-3-0-0-|| -----2-----2---2-|-2-2-2-|-----2-----2-----3-|-3-0-0-|| -0-0---0-0---0---|-------|-0-0---0-0---0-0---|-------|| ~~~~~ ~~~~~ (Following Can be played by 2 guitars, one high, one low, but one can do it) w/Ryth Fig 9 /\ x3 ||---/--\--------|----|------/\---------|------|| ||--15--15-13-12-|-12-|-12-12--12----13-|-13---|| ||o-14--14-12-11-|-11-|-11-11--11-14-12-|-12--o|| ||o--------------|----|-----------14----|-----o|| ||---------------|----|-----------------|------|| ||---------------|----|-----------------|------|| ~~~~~~~~~~~~ ~~~~~~~ x3 --------------|---|-----------|---||------------|---|-----------|----|| --------------|---|-----------|---||------------|---|-----------|----|| -----9--7-5-4-|-4-|-4-5-4---5-|-5-||o-5-9-5-7-4-|-4-|-4-5-4---4-|-4-o|| -----9--7-5-4-|-4-|-4-5-4---5-|-5-||o-5-9-5-7-4-|-4-|-4-5-4---4-|-4-o|| -----7--5-3-2-|-2-|-2-3-2-0-3-|-3-||--3-7-3-5-2-|-2-|-2-3-2-0-2-|-2--|| -0-0----------|---|-----------|---||------------|---|-----------|----|| ~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~ ~~~~~ Something for 4 bars... Probably one of the above riffs. Ryth Fig 2 (twice) Then it's free time. Then it's 4 chords, with a slight retard: -----|-----|---| -----|-----|---| -*---|-----|---| -*---|-----|-2-| ---7-|-5-5-|-2-| ---5-|-3-2-|-0-| Trill Now, in the Exact same bar where the E5 Trill starts, this scale starts, with two guitars. |-------------|-------------|-14-15--14----|-------------|----------|----| |-------------|-------16-17-|--7--8---7-17-|-16----------|----------|----| |----------14-|-16-17--8--9-|------------9-|--8-17-16-14-|----------|----| |-14-16-17--7-|--9-10-------|--------------|----10--9--7-|-17-16-14-|-14-| |--7--9-10----|-------------|--------------|-------------|-10--9--7-|--7-| |-------------|-------------|--------------|-------------|----------|----| ~~~~~ ~~~~~ ~~~~~~~~~~~~ H H P P And of course, it ends with 2 hard E5 chords, and a slide to nothing. % = Quarter Rest O = Whole Note / = Quarter Note \ = Thirty-Second } = Full Rest o = Half Note | = Sixteenth -||-- --||- ---|--- -||-- --||- This is the repeat ---|--- A tied note. You only -||o- -o||- loop. It is repeated ---|--- play it once, and hold -||o- -o||- 1 time (x1) unless -2-|-2- it. -||-- --||- otherwise marked at -2-|-2- -||-- --||- the top. -0-|-0- begin end ~~~~~ --- --- --- --- ---/\--- --- --- --- --- --/--\-- Bend up -%- Quarter -}- Full -*- 1 Beat -*- 2 Beat -12--12- a full note -%- Rest -}- Rest --- Rest -*- Rest -------- --- --- --- --- -------- --- --- --- --- -------- -------- ---/\--- Bend up -12--12- a half note -------- -------- --------
hard.heavy.15 mikis,
+> Slušao sam nešto malo i mogu ti reći da si u pravu. :) Jašta sam u pravu :) Uzgred, na Akademiji je u subotu bila ludnica... Baš su svašta od muzike puštali - od B(C) 52's, R.E.M. do klasične Seattle postave (Alice In Chains, Pearl Jam, Nirvana)... Pa onda House of Pain, Prodigy, RHCP, FNM, Senser... Ipak, najcrnje je bilo oko dvojke, kad je tip zaređao - Metallica, Wherever I May Roam; pa Slayer/Ice T - War; taman pomislismo, toliko od 'teže' muzike, kad tip opali - Sepultura, "Refuse/Resist", pa opet Slayer, "Dittohead" (najbrža stvar na novom albumu, negde u klasi "Necrophobica" - ultra brza/*ebitačna). Kuku, kakav je to pokolj bio ;) Našlo se tu i par skinsa, čisto da začine atmosferu... Ma, ludnica :)
hard.heavy.16 mikis,
+> Hajde nek neko (mikise?) da jednu recenziju "Master of the +> Rings". :) Eh, otkad ja nisam slušao Helloween... :) Zapravo, pomenuti album nisam ni čuo; prošli (Pink Bubbles...) sam imao, ali sam ga nekome dao, i nije mi uopšte žao (zapravo, nije mi žao albuma, žao mi je TDK SA kasete ;) ). Po mom mišljenju, kad je Hansen otišao, to više nije bilo to (mada se meni, za razliku od nekih, više sviđa Kiske nego Hansen kao pevač :) ), ali sada, kada je i Kisske otišao, zaista nemam želju da ih čujem :(
hard.heavy.17 cane,
- Ima li neko tekstove za album powerslave od Maiden. Imam ceo album na kom su ljudi kulturno napisali i reci :). Daj mi samo par dana za prekucavanje. - Posebno me intereuje pesma aces high. Ok, ona je kratka, a i znam je napamet :). Stize veceras ili sutra. No, nemam zapisan onaj recital sa pocetka pesme, ali to mozes i sam da skines.
hard.heavy.18 marshall,
*> Ovo je mozda trebalo u tekstovi ali: *> Ima li neko tekstove za album powerslave od Maiden. *> Posebno me intereuje pesma aces high. Prvo : nije trebalo u tekstove - to je read only :) Drugo : Evo ide Aces High, a i ostatak albuma uz poruku... Aces high(Harris)4:31 There goes the siren that warns of the air raid Then comes the sound of the guns sending flak Out for the scramble we've got to get airborne Got to get up for the coming attack Jump in the cockpit and start up the engine Remove all the wheelblocks there's no time to waste Gathering speed as we head down the runway Gotta get airborne before it's too late Running,scrambling,flying Rolling,turning,diving,going in again Run,live to fly,fly to live,do or die Run,live to fly,fly to live,Aces high Move in to fire at the mainstream of bombers Let off a sharp burst and then turn away Roll over,spin round and come in behind them Move to their blindsides and firing again Bandits at 8 O'clock move in behind us Ten ME-109's out of the sun Acsending and turning our spitfires to face them Heading straight for them I press down my guns Rolling,turning,diving Rolling,turning,diving,going in again Run,live to fly,fly to live,do or die Run,live to fly,fly to live,Aces high -Marshall powersla.lha
hard.heavy.19 marshall,
Da i ja prosledim ovde jedan zahtev... Potrebne reci AC/DC (po sistemu daj sta das, a ja to nemam :), jer kao sto je poznato oni bas i nemaju obicaj da stavljaju reci na albume, a Bon i Brian mrse ko sta stigne... Da napomenem da se kod mene skupila vec prilicna kolicina tekstova doticne grupe (kao i dosta drugih), pa ce razmena biti bogata (nadam se)... -Marshall
hard.heavy.20 marshall,
Bese ovde zahtev za Walk This Way ? Dakle... Walk This Way (Steven Tyler and Joe Perry) Backstroke lover always hidin' 'neath the covers "Gonna talk to you" my daddy say said "you ain't seen nothin' till youre down on a muffin and you're sure to be achangein' your ways" I met a cheerleader was a real young bleeder all the times I could reminisce 'cause the best things in lovin' with a sister and a cousin only started with a little kiss alike this! Seesaw swingin' with the boys in the school and your feet flyin{ up in the air I sing "Hey diddle diddle" with your kitty in the middle of the swing like you didn't care took a big chance at the high school dance with a missy who was ready to play was a me she was foolin' 'cause she knew what she was doin' and I know'd love was here to stay when she told me to CHORUS walk this way, walk this way, walk this way walk this way, walk this way Uh, just gimme a kiss! School girl skinny with a classy kinda sassy little skirt's climbin' way up her knee, there was three young ladies in the school gym locker when I noticed they was lookin' at me. I was a high school loser, never made it with a lady till the boys told me somethin' I missed, then my next door neighbor with a daughter had a favor so I gave her just a little kiss alike this! CHORUS seesaw swingin' with the boys in the school and your feet flyin' up in the air, I sing "Hey diddle diddle" with your kitty in the middle of the swing like you didn't care. So I took a big chance at the high school dance with a missy who was ready to play, was a me she was foolin' 'cause she knew what she was doin' when she told me how to walk this way. She told me to CHORUS -Marshall
hard.heavy.21 marco,
Da li neko ima textove od Pearl Jam? Unapred hvala.
hard.heavy.22 vitez.koja,
#=> Slayer/Ice T - War Pesma se zove "Disorder". #=> brza/*ebitačna). Kuku, kakav je to pokolj bio ;) #=> Našlo se tu i par skinsa, čisto da začine atmosferu... #=> Ma, ludnica :) 'Pokolj' na Akademiji ? :))) Među onolikim narkomanima ? Ma hajde ;) Meni su šutke na akademiji oduvek delovale tužno ;) BTW. čuo sam od jednog tipa koji ima suštinski suprotan ukus od tebe (i mene) da je subota na akademiji bila sjajna... Da li je moguće ? :)
hard.heavy.23 crncic,
>> Bese ovde zahtev za Walk This Way ? Dakle... >> Walk This Way (Steven Tyler and Joe Perry) Ooo, napokon se neko smilovao :) Tnx Marshall ! Usput, nadao sam se da ću na CDu AC/DC naći tekstove, pogledam ja ali nema :((
hard.heavy.24 zurzul,
##> BTW, kući imam tablature za prva tri albuma Maiden-a pa ako ##> nešto treba - vičite ! :) EVO JA VIžžžžžžžžEM!!
hard.heavy.25 inferno,
Ů│ ˙ Ovo je mozda trebalo u tekstovi ali: Ů│ ˙ Ima li neko tekstove za album powerslave od Maiden. Ů│ ˙ Posebno me intereuje pesma aces high. Knight, jel ti poznato? ;)
hard.heavy.26 madcat,
=> *> Ovo je mozda trebalo u tekstovi ali: => *> Ima li neko tekstove za album powerslave od Maiden. => *> Posebno me intereuje pesma aces high. => => Prvo : nije trebalo u tekstove - to je read only :) => Drugo : Evo ide Aces High, a i ostatak albuma uz poruku... A jeli ti pokvarenstino jedna !! A ne kazes da sam ja to sve prekucavao ?? ;))))))))))) Tako je to kad ti niko ne priznaje mukotrpan rad.. Trebalo je da naplatim ;> (inace, ako marshall nije prepravio, ima par greskica u kucanju, pa to sam prepravi..)
hard.heavy.27 crncic,
* SEEK & DESTROY * M e t a ll i c a G5 A5 C5 D5 F#5 F5 e|--------| e|-------| e|-------| e|-------| e|-------| e|-------| B|--------| B|-------| B|-------| B|-------| B|-------| B|-------| G|--------| G|-------| G|---5---| G|---7---| G|----6--| G|----5--| D|----5---| D|---7---| D|---5---| D|---7---| D|--4----| D|--3----| A|----5---| A|---7---| A|-------| A|-------| A|-------| A|-------| E|--------| E|-------| E|-------| E|-------| E|-------| E|-------| G5(V) A e|-------| e|-------| B|-------| B|-------| G|----7--| G|---2---| D|--5----| D|---2---| A|-------| A|---0---| E|-------| E|-------| Riff A. (Play 8 times) e|| ---------------------------------|--------------------------------- || B|| ---------------------------------|--------------------------------- || G||.----------7h8-7------------------|-----------------------5---------.|| D||.--------------------------7h8-7--|--------------5-------------7----.|| A|| -0---0-----------------0---------|--0---8---7--------7------------- || E|| ---------------------------------|--------------------------------- || ^ ^ ^ ^ ^ ^ ^ P.M. P.M. P.M. P.M. Riff B. e||---------------------------------|| B||---------------------------------|| G||-9---7-------7-------------------|| D||---------9-------9---8---7sl5----|| A||---------------------------------|| E||---------------------------------|| Rhy. Fig. 1 (Play three times) G5 A5 G5 A5 e|| -----------------------------|---------------------------- || B|| -----------------------------|---------------------------- || G||.-----------------------------|----------------------------.|| D||.---------------5--7--5--7----|----------------------------.|| A|| ---------------5--7--5--7----|---------------7--5--------- || E|| -0--0--0--0------------------|--0--0--0--0----------7--6-- || ^ ^ ^ ^ ^ ^ ^ ^ P.M. P.M. Riff C. (Play twice) e|| ---------------------------------|--------------------------------- || B|| ---------------------------------|--------------------------------- || G||.---------------------------------|---------------------------------.|| D||.---------------------------------|-------------------------5-------.|| A|| ---------------------------------|-----------------------------7--- || E|| -0---0---0---0---0---0---0---0---|-0---0---0---0---7---6----------- || 1st, 2nd, 3rd verses with Riff. C 1st : Scanning the scene in the city tonight, We're looking for you to start up a fight. There's an evil feeling in our brains, but it's nothing new. You know it drives us insane. Pre-Chorus : Running. On our way. Hiding. You will pay. Dying 1000 deaths. Chorus : Searching....... Seek and destroy 2nd : There is no escape and that's for sure. This is the end we won't take anymore. Say goodbye to the world you live in You've always been taking, but now you're giving. 3rd : Our brains are on fire with the feeling to kill And it wont go away until our dreams are fulfilled, there is only one thing on our minds. Don't try running away 'cause youre the one we will find. Rhy. Fig. 2 C5 A C5 D5 C5 ----------- ----- | | | | | | | | | | | | | | | | | | | | | / / / / / / / Rhy. Fig. 3 (Played during chorus) G5(V) F#5 F5 Fill 1 e|| ---------------------------------| B|| ---------------------------------| G|| ---7--5--------------------------| D|| ---------7--6--5-----------------| A|| ------------------7--6--5--------| E|| ---------------------------------| Rythm Fill 1 e|| ---------------------------------| B|| ---------------------------------| G||.---------------------------------| D||.--5--------7---------7-----------| A|| -----0--0------0--0------0-------| E|| ---------------------------------| Substitute Rhythm Fill 1 (2nd 3rd and 4th times) e|| --------------------------|-------------------------|----------------------| B|| --------------------------|-------------------------|----------------------| G||.--------------------------|-5-----------------------|-4-------------------- | D||.-5---7------7--------7----|-5--------7--------7-----|-4-------7--------7--- | A|| -0---0---0-----0--0-----0-|----0--0-----0--0------0-|----0--0----0--0---\--| E|| --------------------------|-------------------------|------------------sl\-| ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ P.M. (all the marked notes) e| ------------------------------ || B| ------------------------------ || G| ------------------------------.|| D| ----------3--2--0-------------.|| A| -3--2--0-----------3--0------- || E| ------------------------------ || ^ ^ ^ P.M. Rhythm Fig. 4 e|------------------|--------------------|------------------|------------------ | B|------------------|--------------------|------------------|------------------ | G|------------------|--------------------|------------------|------------------ | D|------------------|-5------------------|-4----------------|------------------ | A|-5h7---7------7---|-5-------7------7---|-4------7------7--|-------3-2-0------ | E|-----0---0--0---0-|---0--0----0--0---0-|---0--0----0-0--\-|-3-2-0-------3-0-- | sl\ Rhythm Fill 2 Rhythm Fill 3 e|-----------------|------------------------------| B|-----------------|------------------------------| G|-----------------|------------------------------| D|-9---------------|-4-----------------7sl5-------| A|-7-----------7---|-4-----------------7sl5-------| E|---0-0-0-0-0--\--|-2--0--0--0--0--0--5sl3--0--0-| sl\ Notation : P.M. = palm mute, sl = slide, h = hammer on, p = pull-off
hard.heavy.28 mdave,
Subject: Master of Puppets MASTER OF PUPPETS Written and performed by Metallica Tab symbols used: p - pull off h - hammer on ) )\ / or \ - slide / - bend / \ - bend and release vib - vibrato x - rake E5 D5 Db5 C N.C.(Em) PM.............. e |----------------|---------------|---------------|----------------| B |----------------|---------------|---------------|----------------| G |9---------------|7---6---5------|---------------|.---------------| D |9---------------|7---6---5------|---------------|.---------------| A |7---------------|5---4---3------|---------------|-----7-----6----| E |0---------------|---------------|---------------|-0-0---0-0---0-0| D Db C N.C.(Em) Play 4 times PM............................. e |-----------------|---------------|-----------------| B |7---6---5--------|---------------|-----------------| G |7---6---5--------|---------------|----------------.| D |7---6---5--------|---------------|----------------.| A |5---4---3--------|---------------|-----------------| E |-----------------|0-0-7-0-0-6-0-0|5-0-4-0-3-0-2-0--| N.C. PM............................................... e |-----------------|----------------|----------------|-----------------| B |-----------------|----------------|----------------|-----------------| G |.----------------|----------------|----------------|----------------.| D |.----------------|----------------|----------------|----------------.| A |-----2-----3-----|4-----3-----2-2-|----2-----3-----|5\4---5\4---5\4--| E |-0-1---0-1---0-1-|--0-1---0-1-----|0-1---0-1---1-0-|3\2-0-3\2-0-3\2--| RhyFig0 N.C. B5 PM............................................................. e |-----------------|----------------|----------------|----------------| B |-----------------|----------------|----------------|----------------| G |.----------------|----------------|----------------|------------4---| D |.----------------|----------------|----------------|------------4---| A |-----2-----3-----|4-----3-----2-2-|----2-----3-----|4-----3-----2---| E |-0-1---0-1---0-1-|--0-1---0-1-----|0-1---0-1---0-1-|--0-1---1-0-----| N.C. PM............................................... e |----------------|----------------|----------------|-----------------| B |----------------|----------------|----------------|-----------------| G |----------------|----------------|----------------|----------------.| D |----------------|----------------|----------------|----------------.| A |----2-----3-----|4-----3-----2-2-|----2-----3-----|5\4---5\4---5\4--| E |0-1---0-1---0-1-|--0-1---0-1-----|0-1---0-1---1-0-|3\2-0-3\2-0-3\2--| end RhyFig0 RhyFig1 E5 N.C.(Em) w/ Fill 1 PM.............. e |----------------|---------------|---------------|-----------------| B |----------------|---------------|---------------|-----------------| G |----------------|---------------|---------------|.----------------| D |----------------|2--------------|---------------|.----------------| A |5\4---5\4---5\4-|2--------------|---------------|-----------------| E |3\2-0-3\2-0-3\2-|0--------------|---------------|-0-0-0-0-0-0-0-0-| end RhyFig1 PM PM................. e |----------------|----------------|-----------| B |----------------|----------------|-----------| G |----------------|----------------|----------.| D |----------------|----------------|----------.| A |--5/7---8\7-5/7-|----------------|--5/7-5/7--| E |0-3/5-0-6\5-3/5-|0-0-0-0-0-0-0-0-|0-3/5-3/5--| / Fill 1 PM...........................vib e |----------------|----------------|----| B |----------------|----------------|----| G |----------------|----------------|----| D |----8-----8-----|8-----8-----8===|====| A |--7-----7-----7-|----7-----7-----|----| E |0-----0-----0---|--0-----0-------|----| \ **** 1st,2nd,3rd verses: Repeat RhyFig1 4 times, then -> RhyFig1A N.C.(F#m) PM................. PM................. e |-----------------|----------------|----------------|-----------| B |-----------------|----------------|----------------|-----------| G |.----------------|----------------|----------------|----------.| D |.----------------|--4-4---5\4-4-4-|----------------|--4---4---.| A |-----------------|--0-2---3\2-0-2-|----------------|--0h2-0h2--| E |-2-2-2-2-2-2-2-2-|2---------------|2-2-2-2-2-2-2-2-|2----------| end RhyFig1A PM........ e |----------------| B |----------------| G |4-4-4-4-4-4-4-4-| D |4-4-4-4-4-4-4-4-| A |2-2-2-2-2-2-2-2-| E |----------------| Repeat 3.75 times E5 D5 E5 C5 B5 D#5 B5 PM...... PM....... vib PM...... PM...... e |-----------------|------------------|-----------------|-----------------| B |-----------------|------------------|-----------------|-----------------| G |.9-------7---9---|------------------|-----------------|--------8-------.| D |.9-------7---9---|----9-------------|--------10---9---|--------8---9---.| A |-7-------5---7---|7-9---10-9h10=====|--------10---9---|--------6---9----| E |-0-0-0-0---------|------------------|8-8-8-8-8----7---|8-8-8-8-----7----| N.C.(B) E5 F E5 2 gtrs........ PM.. e |----------------|----------------|----------------|----------------| B |----------------|----------------|----------------|----------------| G |----------------|4---4-----------|2---2-----------|4---------------| D |7-5-4---4-------|2---2-----------|3---3-----------|2---------------| A |9-7-6---6-7-6---|2---2-----------|3---3-----------|2---------------| E |----------8-7---|0---0-----------|1---1-----------|0---------0-0-0-| G C5 B5 PM.. PM.... PM.... e |--------|----------------|----------------|----------------|--------| B |--------|0---------------|----------------|----------------|--------| G |--------|0---------------|----------------|5---------------|--------| D |--------|0---------------|----------------|5---------------|4-------| A |--------|----------------|----------------|3---------0-0-0-|2-0-0-0-| E |2p0-0-0-|3---------------|----------------|----------------|--------| A5 D C5 B PM.... PM.... e |---------------|---------------|2---------------|--------|---------------| B |---------------|---------------|3---------------|--------|4--------------| G |2--------------|---------------|2---------------|--------|4--------------| D |2--------------|---------------|0---------------|5-------|4--------------| A |0--------------|---------------|----------------|3-------|2--------------| E |---------------|---------------|----------3-3-3-|--3-3-3-|---------------| E5 D5 C E5 PM.... PM.. e |----------------|--------|----------------|--------|----------------| B |----------------|--------|5---------------|--------|----------------| G |9---------------|7-------|5---------------|--------|4---4-----------| D |9---------------|7-------|5---------------|--------|2---2-----------| A |7---------------|5-------|3---------------|--------|2---2-----------| E |0---------0-0-0-|----0-0-|----------------|--------|0---0-----------| F E5 C PM............. e |----------------|----------------|--------|----------------| B |----------------|----------------|--------|5---------------| G |2---2-----------|4---------------|--------|5---------------| D |3---3-----------|2---------------|--------|5---------------| A |3---3-----------|2---------------|--------|3---------------| E |1---1-----------|0---------0-0-0-|2p0-0-0-|----------------| (C) E5 F e |----------------|----------------|----------------| B |(5)-------------|----------------|----------------| G |(5)-------------|4---4-----------|2---2-----------| D |(5)-------------|2---2-----------|3---3-----------| A |(3)-------------|2---2-----------|3---3-----------| E |----------------|0---0-----------|1---1-----------| After verse 1, play RhyFig0, then go back and play verse 2 After verse 2, pause for vocal (Master, Master...), then go to Coda 1 After verse 3, go to Coda 2 Coda 1: RhyFig2 Em D Cadd9 Amsus2 B7 /3\ e |--------|--------0h2p0----3-|------------------|-----------------| B |--------|----3--------3-----|------3---3-----0-|(0)--0-------0---| G |------0-|--2---2--------2p0-|(0)-0---0---0-----|---2-------2-----| D |----2---|0------------------|--------------2---|-----------------| A |--2-----|-------------------|-3----------------|-0-----0-2-----2-| E |0-------|-------------------|------------------|-----------------| end RhyFig2 w/RhyFig2 (0vol<<< = volume swell from vol off) B7/D# Em 0vol<<<< 0vol<<<<<<<<<< 0vol<<<<<<<<<< 0vol<< 0vol<<< 0vol<<<< e |---------||--------|--------------|--------------|--------------|--------| B |(0)--0---||--------|--------------|--------------|--------------|--------| G |---2-----||--------|--------------|--------------|2------4------|8-------| D |-1-------||2-------|4-------------|5-------------|--------------|--------| A |---------||--------|--------------|--------------|--------------|--------| E |-------3-||--------|--------------|--------------|--------------|--------| Rhyfig2a w/ RhyFig2 2 times Em D 2gtrs e |-----19/22--19--------|20---17-------------------20---17--------| B |-20---------20---20---|22---19---19---19-19-19---22---19---19---| G |-21--------------21---|----------19---19-19-19-------------19---| D |----------------------|-----------------------------------------| A |----------------------|-----------------------------------------| E |----------------------|-----------------------------------------| Cadd9 Amsus2 e |19---15-------------------19---15--------|17---15h17p15-14--------| B |20---17---17---17-17-17---20---17---17---|19---17h19p17-16---17---| G |----------17---17-17-17-------------17---|-------------------17---| D |-----------------------------------------|------------------------| A |-----------------------------------------|------------------------| E |-----------------------------------------|------------------------| end B7 B7/D# RhyFig2a e |----------14--------|14---16---17---19----| B |16---17--------17---|16---17---19---20----| G |16---17--/19---17---|---------------------| D |--------------------|---------------------| A |--------------------|---------------------| E |--------------------|---------------------| Repeat RhyFig2a w/ RhyFig2 2 times & Fill 1 full full Em D /----3----\ Cadd9 )\ )\ vib /--3--\ / /--3--\ vib / \/ \ e |----------------|15------15-17-15----19-15-12h15p12|----------------| B |17---------17-19|------19---------19---------------|13-----15-------| G |----------------|----------------------------------|----------------| D |----------------|----------------------------------|----------------| A |----------------|----------------------------------|----------------| E |----------------|----------------------------------|----------------| all full bends of G string only Amsus2 B7 B7/D# Em ) ) ) vib / \/ \/ \ vib e |15-14------15-14---------------------|-------------------|-------------| B |------12---------12h15p12------------|15-----------------|-------------| G |-------------------------------12-14-|14-------p12----12-|-------------| D |-------------------------------------|-------------14----|14--------12-| A |-------------------------------------|-------------------|-------------| E |-------------------------------------|-------------------|-------------| D Cadd9 /--3--\ vib e |------------------------------------------|------------------------------| B |------------------------------------------|------------------------------| G |12----14-12---11--------14---12---11h12p11|------------------------------| D |-------------------12---------------------|10------------9-10--------9-10| A |------------------------------------------|-----------12-----------------| E |------------------------------------------|------------------------------| Amsus2 B7 B7/D# /---3---\ /---3---\ /--3--\ e |----------------------------------15---14--|11h12p11-----------/19--| B |------------------------12-----------------|---------12---10--------| G |----------------11--12-------12------------|------------------------| D |12--10--12--14-----------------------------|------------------------| A |-------------------------------------------|------------------------| E |-------------------------------------------|------------------------| / Fill 2 Fill 3 Fill 4 vib e |15------------| e |--------------| e |15-----------|-14---------| B |17------------| B |17------------| B |17-----------|(17)--------| G |--------------| G |--------------| G |-------------|------------| D |--------------| D |--------------| D |-------------|------------| A |--------------| A |--------------| A |-------------|------------| E |--------------| E |--------------| E |-------------|------------| \ Play RhyFig2a twice, with Fill 3 first time Play RhyFig2 twice, with distortion, and chord progression: E5,D5,C5,A5,B5,D#5 end RhyFig3 RhyFig3 E5 F#5 G5 F#5 G5 F#5 G5 F#5 G5 C#5 PM......................... PM................................ e |----------------|----------------|-----------------|----------------| B |----------------|----------------|-----------------|----------------| G |4-4-4-4-4-4-4-4-|4-4-4-4-4-4-4-4-|-----------------|----------------| D |2-2-2-2-2-2-2-2-|2-2-2-2-2-2-2-2-|-----------------|--------------6-| A |2-2-2-2-2-2-2-2-|2-2-2-2-2-2-2-2-|4-4-5-4-4-4-5-4-4|4-4-5-4-4-4-5-4-| E |0-0-0-0-0-0-0-0-|0-0-0-0-0-0-0-0-|2-2-3-2-2-2-3----|2-2-3-2-2-2-3---| Repeat RhyFig3 once alone, then 4 times with vocals. G F3 pick slide slide e |----------------|----------------|----------------|----------------| B |----------------|----------------|----------------|----------------| G |4---------------|(4)-------------|3---------------|----------------| D |5---------------|(5)-------------|4---------------|----------------| A |5---------------|(5)-------------|4---------------|----------------| E |3---------------|(3)-------------|2---------------|X\\\\\\-17\\\\\-| w/ RhyFig1 4 times N.C. (Em) /--3--\ /--3--\ /--3--\ /--3--\ /--3--\ /--3--\ /--3--\ /--3--\ e |17p12----------12-17p12----------12-|17p12----------12-15p12----------12-| B |------13-12-13----------13-12-13----|------13-12-13----------13-12-13----| G |------------------------------------|------------------------------------| D |------------------------------------|------------------------------------| A |------------------------------------|------------------------------------| E |------------------------------------|------------------------------------| /--3--\ /--3--\ /--3--\ /--3--\ /--3--\ e |17p12----------12-17p12----------12-|17p12-------12-12-15p12----| B |------13-13-12----------13-12-13----|------13-12-------------13-| G |------------------------------------|---------------------------| D |------------------------------------|---------------------------| A |------------------------------------|---------------------------| E |------------------------------------|---------------------------| /--3--\ /--3--\ /--3--\ e |----19-19-17-17-17-17-15-15-15-14-14-14-14-|17-17-17-15-15-15-14-| B |/17----------------------------------------|---------------------| G |-------------------------------------------|---------------------| D |-------------------------------------------|---------------------| A |-------------------------------------------|---------------------| E |-------------------------------------------|---------------------| f u l l ) ) ) / \/ \/ /--3--\ /--3--\ sl e |14-14-14-14------------|-------------------17h19\\---|-----------------| B |------------15---15-17-|17--------17p15p14-------\\17|15p14------------| G |-----------------------|-----------------------------|------16-14\\\\--| D |-----------------------|-----------------------------|-----------------| A |-----------------------|-----------------------------|-----------------| E |-----------------------|-----------------------------|-----------------| trem bar /-1-\ /---2---\ \ /\ / \ / \ /\ /\ * \3/ \1.5/ \/ \1.5/ \1.5/ \1.5 e |X--------------------------|------------------------------------| B |---------------------------|------------------------------------| G |---------------------------|------------------------------2--4--| D |---------------------------|------------------------------------| A |---------------------------|------------------------------------| E |---------------------------|------------------------------------| * This note produced by pulling string off edge of fretboard and "fretting" it against pickup. full ) / gr vib e |------------------------|--------------|--------------------------------| B |------------------------|--------------|/15--13--12------13--12------12-| G |2--4--3--2-0h2----------|--------------|-------------14----------14-----| D |----------------4--2----|2-h4----------|--------------------------------| A |---------------------(2)|--------------|--------------------------------| E |------------------------|--------------|--------------------------------| /--3--\ e |---------------------------------|------------------------| B |------------12----12-12-12-12-12-|12-15-13-12-15-13-12-13-| G |11--12--14-----------------------|------------------------| D |---------------------------------|------------------------| A |---------------------------------|------------------------| E |---------------------------------|------------------------| gr e |12----------12-------------|14-------14-------15-15-------| B |---15-15-13----15-13h15-15-|---17-15----15-17-------17/19-| G |---------------------------|------------------------------| D |---------------------------|------------------------------| A |---------------------------|------------------------------| E |---------------------------|------------------------------| w/ RhyFig1A N.C. (F#m) /--3--\ e |17-------19-17-------17----------19-17-------|17----------19-17-------| B |---20-19-------19-19----21-19-19-------19-19-|---21-19-19-------19-19-| G |---------------------------------------------|------------------------| D |---------------------------------------------|------------------------| A |---------------------------------------------|------------------------| E |---------------------------------------------|------------------------| all bends in next 2 ---> full full full 1.5 measures on B string only ) ) ) ) / / / / e |17----------19-17-------|14--14------14--------------14--| B |---21-19-19-------19-19-|17------17------17-(17)\17------| G |------------------------|--------------------------------| D |------------------------|--------------------------------| A |------------------------|--------------------------------| E |------------------------|--------------------------------| half full ) ) full full full full / / ) ) ) ) /---3--\ /---3--\ / / / /--3--\ / e |19-p14------19-p14--14------|----14------14------14-14-14------14-14-| B |--------17----------17------|17------17------17------------17--------| G |----------------------------|----------------------------------------| D |----------------------------|----------------------------------------| A |----------------------------|----------------------------------------| E |----------------------------|----------------------------------------| full full full full full full full full ) ) ) ) ) ) ) ) / / / / / / / / e |----15------15------15------15--|----17------17------18------18--| B |18------18------18------18------|20------20------21------21------| G |--------------------------------|--------------------------------| D |--------------------------------|--------------------------------| A |--------------------------------|--------------------------------| E |--------------------------------|--------------------------------| full 2 1.5 trem bar depress & vibrate ) ) ) bar simultaneously / / / /\/\/\/\/\/\/\/\ e |----19------19--22--|(22)--------------\/\/\--------------| B |22------22----------|-----------------------\/\/\---------| G |--------------------|----------------------------\/\/\----| D |--------------------|---------------------------------\/\-| A |--------------------|-------------------------------------| E |--------------------|-------------------------------------| N.C. B5 PM........................... PM........................... e |-----------------|----------------|----------------|-----------------| B |-----------------|----------------|----------------|-----------------| G |.----------------|----------------|----------------|----------------.| D |.----3-----3-----|3-----3---------|----3-----3-----|3-----3-----4---.| A |-----3-----3-----|3-----3-----2-2-|----3-----3-----|3-----3-----2----| E |-0-0-1-0-0-1-0-0-|1-0-0-1-0-0-----|0-0-1-0-0-1-0-0-|1-0-0-1-0-0------| E5 N.C. PM.............. PM................... PM.................. e |----------------|-----------------|----------------|----------------| B |----------------|-----------------|----------------|----------------| G |----------------|.----------------|----------------|----------------| D |----------------|.--------------2-|4-5-------------|----------------| A |2-2-2-2-2-2-2-2-|---------2-3-5---|----3--------3-3|3-2-3-5-3-2-----| E |0-0-0-0-0-0-0-0-|-0-2-3-5---------|----------------|------------3-2-| 2 gtrs PM.............. PM..................... PM.................. e |-----------------|------------------|----------------|----------------| B |-----------------|------------------|----------------|----------------| G |----------------.|------------------|2-4-------------|----------------| D |----------------.|------------4-2/5-|4-5-2--------2-2|2-0-2-4-2-0-----| A |-----------------|--------2-3-5-----|----3--------3-3|3-2-3-5-3-2-3-2-| E |0-0-0-0-0-0-0-00-|0-2-3-5-----------|----------------|------------3-2-| C PM...................................... PM.................. e |----------------|------------------|----------------|----------------| B |----------------|------------------|----5-----------|----------------| G |----------------|------------------|2-4-5-----------|----------------| D |----------------|------------4-2/5-|4-5-5-----------|----------------| A |----------------|--------2-3-5-----|----3--------3-3|3-2-3-5-3-2-----| E |0-0-0-0-0-0-0-00|0-2-3-5-----------|----------------|------------3-2-| E5 e |----------------|----------------| B |----------------|----------------| Go back G |4---------------|------2---------| and play D |2------------5-5|5-4-5---5-4-2-4-| verse 3 A |2------------3-3|3-2-3-5-3-2-----| E |0---------------|------------3-2-| Coda 2: Play RhyFig1 4 times E5 w/ Laughter..... e |----------------|----------------|----------------| B |Ha!-Ha!-Ha!-Ha!-|----------------|----------------| G |----------------|----------------|4---------------| D |----------------|----------------|2---------------| A |----------------|5\4---5\4---5\4-|2---------------| E |----------------|3\2-0-3\2-0-3\2-|0---------------|
hard.heavy.29 mikis,
+> Da li neko ima textove od Pearl Jam? Unapred hvala. Imaš ih sve na Osmehu (ja sam ih imao dok nisu stradali, zajedno sa svim ostalim što sam imao na hardu :( ). Nadam se da znaš kako se dolazi do Osmeha? :)
hard.heavy.30 mikis,
+> #=> Slayer/Ice T - War +> +> Pesma se zove "Disorder". Baš ta :) +> 'Pokolj' na Akademiji ? :))) Među onolikim narkomanima ? Ma hajde +> ;) Meni su šutke na akademiji oduvek delovale tužno ;) Kažem ti :) Ekipa nas desetak 'teškaša', plus oni skinsi, plus par lokalnih 'padavičara' ;) ... Sramota nas bilo kad smo izašli, svi blatnjavi do kolena ;) +> BTW. čuo sam od jednog tipa koji ima suštinski suprotan ukus od +> tebe (i mene) da je subota na akademiji bila sjajna... Da li je +> moguće ? :) _Veruj mi_ da jeste :) Bilo je muzike za gotovo svačiji ukus, i sve što su puštali bilo je prilično cool :) Pogotovu ako si anti-straight ;)
hard.heavy.31 mikis,
Ej, proverio sam... Obituary (+Pitch Shifter) u Budimpešti sviraju 11. novembra. Slayer (sa Machine Head) ostaje 1.XII. Btw, igrom slučaja znam čoveka koji organizuje put na oba koncerta, pa ako ima interesenata... :)
hard.heavy.32 jovca.car,
Molio bih za naziv i spisak pesama novog albuma Suicidal Tendencies.
hard.heavy.33 vlador,
> |--------------|--------------|--------------|-------------------| > |--------------|--------------|--------------|-------------------| > |--------------|--------------|--------------|----------------0--| > |-----4-----0--|-----4-----0--|-----4-----0--|-----4-----0-------| > |--2-----2-----|--------------|--2-----2-----|-------------------| > |--------------|--3-----3-----|--------------|--3-----3----------| Izvinjavam se što smetam, :) ali... šta znače ovi brojevi? Trajanje? Ako je trajanje šta označava broj 4? žetvrtinu (bilo bi logično ako se uzme u obzir trajanje takta)? A 0 pretpostavlljam da je pauza? Negde sam video oznaku /3, šta je sad pa to? I negde sam video nešto u stilu 0h3p4, uats det? Hvala unapred onome ko mi sve ovo objasni. :)
hard.heavy.34 marshall,
*> Usput, nadao sam se da cu na CDu AC/DC naci tekstove, pogledam ja *> ali nema :(( Nema, nema... Nema to nigde (sto se ploca i CD ova tice - znam, imam sve ploce :), izuzetak je Dirty Deeds... gde su se smilovali da napisu reci :) Ja sam se sa ovim sto imam patio prekucavajuci razne tablature, onda provaljivao (sto jako tesko pada, ali je uvek zabavno kad nadjes posle original tekst :) ! Dakle, poziv jos vazi... -Marshall
hard.heavy.35 marshall,
*> Usput, nadao sam se da cu na CDu AC/DC naci tekstove, pogledam ja *> ali nema :(( Nema, nema... Nema to nigde (sto se ploca i CD ova tice - znam, imam sve ploce :), izuzetak je Dirty Deeds... gde su se smilovali da napisu reci :) Ja sam se sa ovim sto imam patio prekucavajuci razne tablature, onda provaljivao (sto jako tesko pada, ali je uvek zabavno kad nadjes posle original tekst :) ! Dakle, poziv jos vazi... -Marshall
hard.heavy.36 marshall,
IRON MAIDEN FEAR OF THE DARK Harris I am a man who walks alone And when I'm walking a dark road At night or strolling through the park When the light begins to change I sometimes feel a little strange A little anxious when it's dark Fear of the dark, fear of the dark I have a constant fear that something's always near I have a phobia that someone's always there Have you run your fingers down the wall And have you felt your neck skin crawl When you're scarching for the light? Sometimes when you're scared to take a look At the corner of the room You've sensed that something's watching you. Have you ever been alone at night Thought you heard footsteps behind And turned around and no-one's there? And as you quicken up your pace You find it hard to look again Because you're sure there's someone there Watching horror films at night before Debating witches and folklore The unknown troubles on your mind Maybe your mind is playing tricks You sense, and suddenly eyes fix On dancing shadows from behind. Fear of the dark, fear of the dark I have a constant fear that something's always near I have a phobia that someone's always there When I'm walking a dark road I am a man who walks alone. -Marshall
hard.heavy.37 marshall,
IRON MAIDEN BE QUICK OR BE DEAD Dickinson / Gers Covered in sinners and dripping with gilt Making you money from slime and from flith Parading your bellies in ivory towers Investing our lives in your schemes and your powers You got to watch them - Be quick or be dead Snake eyes in heaven - The thief in your head You┤ve got to watch them - Be quick or be dead Snake eyes in heaven - The thief in your head... Be quick ! Or be dead ! Be quick ! Or be dead See... What┤s ruling all our lives See... Who┤s pulling the strings... I bet you won┤t fall on your face... Your belly will hold you in place The serpent is crawling insige of your car He says you must vote for what you want to hear Don┤t matter what┤s wrong as long as you┤re always right So pull yourself stupid and rob yourself blind -Marshall
hard.heavy.38 marshall,
IRON MAIDEN FROM HERE TO ETERNITY Harris She fell in love with his crasy machine She leaned overwiped his kickstart clean She┤d never seen the beast before But she left there wanting more more more But when she was walking on down the road She heard a sound that made her heart explode He whispered to her to get on the back "I┤ll take you on a ride from here to eternity" Hell ain┤t a bad place Hell is from here to eternity Hell ain┤t a bad place Hell is from here to eternity She must be having one of her crasy dreams She┤d never sat on a piece so mean It made her feel like┤s she┤s on cloud nine She even thought she heard the engine sigh But like all dreams that come to an end The took a trumble at the devil┤s bend The beast and Charlotte the were two of a kind They┤d always take a line... from here to eternity Hell ain┤t a bad place Hell is from here to eternity Hell ain┤t a bad place Hell is from here to eternity -Marshall
hard.heavy.39 mdave,
Subject: Re: Legenda MD> Izvinjavam se što smetam, :) ali... šta znače ovi brojevi? MD> Trajanje? Ako je trajanje šta označava broj 4? žetvrtinu (bilo bi MD> logično ako se uzme u obzir trajanje takta)? A 0 pretpostavlljam MD> da je pauza? Negde sam video oznaku /3, šta je sad pa to? I negde MD> sam video nešto u stilu 0h3p4, uats det? MD> MD> |----------- ... -|-------------------| E MD> |----------- ... -|-------------------| H MD> |----------- ... -|-------------------| G MD> |----------- ... -|----------------0--| D MD> |-----4----- ... -|-----4-----0-------| A MD> |--2-----2-- ... -|-------------------| E žica Brojevi označavaju pragove. Trajanja nema, svira se po sluhu. :) /3 je slide do 3. praga. 0h3p0 je prazna žica, pa hammer na 3. prag, pa pull-off na praznu.
hard.heavy.40 z.velj,
|>>> Izvinjavam se što smetam, :) ali... šta znače ovi brojevi? |>>> Trajanje? Ako je trajanje šta označava broj 4? žetvrtinu (bilo bi |>>> logično ako se uzme u obzir trajanje takta)? A 0 pretpostavlljam |>>> da je pauza? Negde sam video oznaku /3, šta je sad pa to? I negde |>>> sam video nešto u stilu 0h3p4, uats det? | |MD> |----------- ... -|-------------------| E |MD> |----------- ... -|-------------------| H |MD> |----------- ... -|-------------------| G |MD> |----------- ... -|----------------0--| D |MD> |-----4----- ... -|-----4-----0-------| A |MD> |--2-----2-- ... -|-------------------| E žica | | Brojevi označavaju pragove. Trajanja nema, svira se po sluhu. | :) | | /3 je slide do 3. praga. | | 0h3p0 je prazna žica, pa hammer na 3. prag, pa pull-off na | praznu. ????????????????????????????... Ako si već rad slati nam zapis neke muzike, a vidim da jesi, onda to čini na zadovoljstvo svih nas ili barem većine. Naime, kao što vidiš, mnogima su tvoje tablature u najmanju ruku teško razumljive, nepregledne i nečitke, pa otuda moj savet da ubuduće zapis praviš u nekom notografskom programu (postoje vrlo dobri za sve com.platforme) a zatim ih konvertuješ i nama pošalješ u formi MIDI fajla. Na taj način omogućavaš većini da učita MIDI fajl u svoj notografski program, konvertuje u notni zapis ili tablaturu (neki i to omogućavaju) i po želji presluša na sintu ili zv. kartici. Eventualne ekstremne situacije gde se bitne informacije muzike pri konverziji gube (recimo specijalni prstoredi ili neka preštimavanja) rešavaš ili propratnim komentarom ili fajlom u grafičkom formatu (neki notografski programi exportuju i u nekom poznatom grafičkom formatu radi dalje dtp obrade), ali uvek izaberi onaj format koji je mašinski što manje zavisan. Na taj način ćeš svoj trud sigurno učiniti daleko svrsishodnijim. Nadam se da će se i drugi složiti sa ovom mojom napomenom. Pozdrav, Zoran
hard.heavy.41 drpr,
-> čini na zadovoljstvo svih nas ili barem većine. Naime, kao -> što vidiš, mnogima su tvoje tablature u najmanju ruku teško -> razumljive, nepregledne i nečitke, pa otuda moj savet da -> ubuduće zapis praviš u nekom notografskom Pa sad mislim da nisi u pravu. Običaj ne samo ovde nego i u svetu je da se gitarske deonice u pesmama zapisuju tablaturama jer mnoge stvari ne mogu da se zapišu notnim zapisom (kako bi zapisao pull off hemmer on slide itd.). Drugo to je forma na koju smo mnogi mi koji iz zabave sviramo gitaru naučili da sviramo neka sola iz omiljenih pesama. Znači ovo je opšte prihvaćen način za slanje delova pesama i nije za slušanje već da bi se naučilo sviranje. Kad smo već kod tablatura ima li neko solo deonicu iz Hey Joe od Jimmy M. Hendrix-a. Ne mislim na uvod već na onu moćnu u sredini. Bio bih zahvalan nekom da je baci ovde. cope
hard.heavy.42 eburanj,
METTALICA - Master Of Puppets W E L C O M E H O M E Da li bi neko mogao da mi pomogne da 'skinem' pesmu? Evo, pokuđao sam početak. Mislim da ide ovako nekako: |--12--------------------|--12-------12--------14--------12-12-------| |-----12-----------------|-----12--------12-------14-----------12----| |--------11--11--12--11--|-----------------------------------------12| |------------------------|-------------------------------------------| |------------------------|-------------------------------------------| |-0---------------------0|---------0---------0--------0--------------| pa zatim: |------------------------------| Pomozite mi! |------------------------------| |-------0------0------0------0-| MILAN KOSANOVIĆ |-----4------5------7------5---| |---2------3------5------3-----| |-0----------------------------| P.S. Zahvalan sam za sve što je ovde bilo o mojoj omiljenoj grupi
hard.heavy.43 eburanj,
MKOSANOVIĆ po zahtevu: Uzeto sa VNet-a. Akorde dopisao DJAPA: ************* * A C / D C * ************* HELL'S BELLS A D C,G I'm rolling Thunder, pour-in' rain A D C,G I'm comin' on, like a hur-ri-cane A D C,G My light eing's flashing, a cross the sky A D C,G You're only young, but you're gonna die D C G,D Won't take no prisoners, wont's spare no lives D C,G Nobody's puting up a fight E D A I _ got my bell, I'm gonna take you to hell E I'm gonna get you, Satan get ya. A Hell's Bells Yeah Hell's Bells You got me ring Hell's Bells My temperature's high Hell's Bells I'll give you blac sensations up and down your spine If you're into evel, you're friend of mine See my white light flashing, as I split at night 'Couse if goods on the left, then I'm sticking to the right I won't take no prisoners, wont's spare no lives Nobody's puting up a fight I've got my bell, I'm gonna take you to hell I'm gonna get you, Stan get ya Hell's BellsBells Yeah Hell's Bells You got me ring Hell's Bells My temperature's high Hell's Bells SOLO: Hell's Bells an's comin to you Bells He's ringing them now Hell's Bells The temperature's high Hell's Bells A cross the sky Hell's Bells They're taking you down Hell's Bells They're taking you down Hell's Bells Gonna split tonight Hell's Bells There's no way to fight year Ah. Ah-Ah. Ah. Hell's Bells
hard.heavy.44 eburanj,
Tražili ste: + + + + + + + + + + + + + + + ************* + D/Fis -> E6 drugi prag * A C / D C * + G drugi prag ************* + H treci prag + G -> E6 treci prag + H treci prag + G cetvrti prag + Ne svira se A zica, a D + se svira prazna.. HIGHWAY TO HELL + + + + + + + + + + + + + + + D/Fis, G D/Fis, G Livin' easy, livin' free D/Fis G D/Fis A Seasons ticket on a one way ride D/Fis G D/Fis, G Askin' nothin', leave me be D/Fis G D/Fis A Takin' everything in my stride D/Fis,G D/Fis,G Don't need a reason, don't need rhyme Ain't nothing I'd rather do Go in Town - party Time .... . .... E My friends are gonna be there too A D G I'm on the Highway to Hell D A D G D on the Highway to Hell A D G Highway to Hell D A D I'm on the Highway to Hell No more Stop Signes, Speed limit Nobody's gonna slow me down Like a wheel gonna spinit Nobody's gonna mees me around Hey Satan, paid my dues Plauin' in a rockin' Band Hey Mama look at me I'm on a Way to the promised Land I on the Highway to Hell Highway to Hell I on the Highway to Hell I on the Highway to Hell Mm DON'T STOP ME. Solo: Ref./ And I'm going down, all the way on the Highway to Hell
hard.heavy.45 eburanj,
I ovo je od Djape: *************** * ATHEIST RAP * *************** VARBURG LIMUZINA Uvod: G Em Basa 4x sama Basa Ritam Solo 4x Basa Ritam Gitara 8x G Em Pre godinu dana imali smo kola Ali su ih svinje pojele do pola Posto volimo suludu brzinu Kupili smo sebi varburg limuzinu C Hm Am G Hm Em C G Hm Em C G Hm Varburg limuzina, ima pet brzina Em C Pravi dosta dima, i tocak joj se klima A gde ima dima, i vatra postoji Jao bog te jeb'o pa to motor gori Jest da motor gori ali zato pici Pa se svaki sofer, sa Varburgom dici Sasija mu cvrsta, debela dva prsta 'mortizeri tvrdi stradala mi krsta G Hm Ref: /: Varburg limuzina, najduza masina Em C Cetir' metra lima, i pet meteri dima :/ Varburg limuzina, pokorna masina Pravio je Pera iz bivseg DDR-a I ne da ga je napravio nego svaka cast Stalno mu iz auspuha curi neka mast Ima branik od betona, mozes ubit' slona A sedista mu meka ko' kita poneka Sve uplate prima moga sina, deda Nece dobit' kola taj ko mito ne da ! Ref: Solo: Varburg limuzina stoji u garazi Garaza kraj svinjca pa sam ja na strazi Da mi svinje opet ne pozderu kola K'o sto su mi Trabanta pojele do pola I odem da se odmorim i popijem par piva Kad ne lezi vraze svinje hranu traze Ali Varburg nije, kao trabant truba Zbog Varburga su svinje ostale bez zuba Ref: x3
hard.heavy.46 spale,
>> BTW, kući imam tablature za prva tri albuma Maiden-a pa ako >> nešto treba - vičite ! :) Treba, naravno! :) Jel imaš možda i tekstove sa prva dva albuma? Nikola
hard.heavy.47 eburanj,
IMAM TEKSTOVE SA SVIH ALBUMA U EL.FORMATU, AKO NEšTO TREBA VIžITE. *********************** * M E T A L L I C A * ********************************************** * The $9.98 C.D. -- Garage Days Re-Revisited * * Not very produced by Metallica * * "Larz" - "Krk" - "Jaymz" - "Jasun" * ********************************************** *-------------------* | Helpless | 6:36 | *-------------------------------------------------* | Metallica, originally performed by Diamond Head | *-------------------------------------------------* I gotta see you moving fast See you come my way See the dreams, I hope they last Never fade away. Gotta see the lights above Make it loud tonight Gotta set it all a-fire Set it all a-light See the flashing lights Hear the thunder roar I am gonna set you all a-light Gotta make it man I ain't got a choice Gotta fill this hall tonight Helpless Helpless Helpless Helpless I don't what I'm gonna do Maybe not tonight Gotta set you all a-fire Gotta treat you right. I can see the flashing lights Lit before your love, ohh Gotta hear the thunder roar Coming from above. See the flashing lights Hear the thunder roar I'm gonna set you all alight Gotta make it man I ain't got no choice Gotta fill this hall tonight Helpless Helpless Helpless Helpless I can see the stars I can see what's going on Every night alone I sing my song just for fun. Only time will tell If I'll make it myself someday This stage is mine Music is my destiny. Cannot squeeze the life from me! I can see the lights But I can see what's going on Every night alone I sing my song just for fun. Business in collapse Some men don't like it so Helpless maybe babe, But you can leave or join the show. Cannot squeeze the life from me! *--------------------------* | The Small Hours | 6:39 | *----------------------------------------------* | Metallica, originally performed by Holocaust | *----------------------------------------------* Look out at the darkness, And you will see, Just call my name and I'll be there. You cannot touch me, You would not dare, I am the chill that's in the air. (chorus) And I try to get through to you, In my own special way, As the barriers crumble, At the end of the day. Dark rivers are flowing, Back into the past, You are the fish for which I cast. And what of the future, What is to be, As the rivers flow into the sea. (chorus) Do not take for granted, Powers out there, Don't step into the demon's lair. Time is an illusion, Rising from time, Steep is the mountain which we climb. *----------*--------* | The Wait | 4:55 | *-------------------------------------------------* | Metallica, originally performed by Killing Joke | *-------------------------------------------------* Motives changing Day to day The fire increases Masks decay I look at the river White foam floats down The body's poisoned Got to sit tight The wait The wait The wait The wait After awakening The silence grows The screams subside Distortion shows Mutant thoughts Of bad mouthed news Just another birth Of distorted views The wait The wait The wait The wait *-------------------------------*--------* | Crash Course in Brain Surgery | 3:10 | *--------------------------------------------------* | Metallica, originally performed by Budgie | | Words and music by Shelley, Bourge and Phillips | *--------------------------------------------------* Look inside and you will see The words are cutting deep inside my brain Thunder burnin' quickly burning Knife of words is driving me insane, insane yeah Raven black is on my track He shows me how to neutralize the knife Show to me in surgery The art of fighting words to conquer life, conquer life yeah Now the wicked lance of fear Is driven from my heady moutain brain Crash course in brain surgery Has stopped the bloody knife of words again yeah, yeah, yeah *--------------------------*--------* | Last Caress / Green Hell | 3:28 | *---------------------------------------------* | Metallica, originally performed by Misfits | | Words and music by Glenn Danzig | *---------------------------------------------* --- ( Last Caress ) --- I've got somethin' to say I killed your baby today and it Doesn't matter much to me As long as it's dead I've got somethin' to say I raped your mother today and it Doesn't matter much to me As long as she spread Chorus: These lovely dead I'm waiting for your breath 'Cause sweet Death wants Last Caress. Repeat verse 1 Repeat chorus 2 times One Last Caress today, Ohhh Ohhh Ohhh (repeat) --- ( Green Hell ) --- Here in this place lies the key to your death Touch it, see it Here in this place is the means to your end Touch it, feel it Green hell You did your best as someone could I bet you never knew you would Did you run away from it? I bet you thought you were really good We're gonna burn in hell Green Hell Green Hell Like every hell but kind of green Green Hell Green Hell Try let me get back up there Green Hell Green Hell Feel it burning in your cereal Green Hell Green Hell Throw our fuckin' friends inside Green Hell Green Hell Gotta fuckin' pay and you must stay Green Hell Green Hell Cannot forget about the best Green Hell Green Hell Hell is reigning in your blood Green Hell Green Hell Gotta burn it all Green hell You did your best as someone could
hard.heavy.48 eburanj,
Neko je spominjao da ima nešto sa drugog albuma MAIDEN-a?
hard.heavy.49 eburanj,
Odavno sam čekao ovu konferenciju (i ovu temu) na SEZAM-u! Sada ste stvarno gotovi, jer nameravam ovamo da šaljem megabajte poruka. P.S. Većina ovoga što sam slao je by Djapa sa VNet-a
hard.heavy.50 mdimitrijevic,
Evo tekstova Morbid Angel -Blessed are the sick blessed.arj
hard.heavy.51 mdave,
Subject: Re: Tablature MD> Ako si već rad slati nam zapis neke muzike, a vidim da jesi, onda MD> to čini na zadovoljstvo svih nas ili barem većine. Naime, kao što MD> vidiš, mnogima su tvoje tablature u najmanju ruku teško MD> razumljive, nepregledne i nečitke, pa otuda moj savet da ubuduće MD> zapis praviš u nekom notografskom :)))) Sorry, ali ovo su poruke skinute sa Interneta. :) Probaću da im prenesem tvoju zamerku, pa možda i promene način pisanja, ko zna. ;)
hard.heavy.52 mdave,
Subject: Re: IM MD> >> BTW, kući imam tablature za prva tri albuma Maiden-a pa ako MD> >> nešto treba - vičite ! :) MD> MD> Treba, naravno! :) Jel imaš možda i tekstove sa prva dva albuma? Narafski. :) Uf, moraću da nagovorim alkosa da mi ponese kad se bude vraćao u Beograd. :)
hard.heavy.53 mdave,
Subject: Re: Welcome Home MD> METTALICA - Master Of Puppets MD> W E L C O M E H O M E MD> MD> MD> Da li bi neko mogao da mi pomogne da 'skinem' pesmu? MD> Evo, pokuđao sam početak. Mislim da ide ovako nekako: WELCOME HOME (SANITARIUM) - METALLICA Copyright Cherry Lane Music Company, Inc. Tabbed by Vassilis Tzerpos Legend: <> = Natural Harmonics s = slide ~ = Cue notes p = pull-off __3__ = Triads h = hammer-on ^ = bend r = release bend x = dumped string % = pick continuously and rapidly / = slide up to the note indicated from a few frets below \ = slide back a few frets from the note indicated + = rapid hammer and pull e.g. 8 = 8 h 10 p 8 + The song is in exact timing. Intro, chorus and rhythm figures 8th = ---- (except else indicated). Solos 8th = -------- (except solo 1) Blank columns do not count in timing. They are just used to separate adjacent fret numbers. _3_ -------<12>---------3---353-2---|-------<12>---------2---2-----3-| -----------<12>-----------------|-----------<12>---------0-------| --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|--------------------------------| 0-------------------------------|0-------------------------------| 0------<12>---------------------|-------<12>---------------------| -----------<12>-----------------|-----------<12>-----------------| --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|--------------------------------| 0-------------------------------|0-------------------------------| -------<12>---------------------|-------<12>---------------------| -----------<12>-----------------|-----------<12>-----------------| --------------------------------|---------------<12>-------------| --------------------------------|--------------------------------| --------------------------------|--------------------------------| 0-------------------------------|0-------------------------------| Rhy. Fig. 1 (8th=--) ----------------|----------------|--------| Repeat this figure 4 times ----------------|----------------|--------| alone, then 4 times under ------0-------0-|------0---------|--------| the solo and 6 times under ----4-------5---|----7-------0---|--0-----| the verse. The notes with --2-------3-----|--5-------4-----|2-----0-| a ~ under them are cue notes. 0-------0-------|0-------5---5s3-|--3s5---| They hardly take time to sound ~ ~ Now comes solo 1. Timing isn't always exact but is close. ------------------------------|--------10-s12--15-s17--17----|----------------| ------------------------------|10-s12------------------------|----------------| --------11--12--9---------12--|------------------------------|----------------| ----9-------------------------|------------------------------|----------------| 7-----------------------------|------------------------------|----------------| ------------------------------|------------------------------|----------------| --15--15--12--12s14---12^-r---|---12---------------__3___----|----------------| ------------------------------|15-----15--13--13---121312----|----------------| ------------------------------|--------------------------14--|12-s11----------| ------------------------------|------------------------------|--------12------| ------------------------------|------------------------------|------------14--| ------------------------------|------------------------------|----------------| ------------------------------|----19-----19-------------17--|171514----------| ------------------------------|--17---------17---------------|------171514----| 12s14-------------------------|16-------------16-s14-14------|------------1614| ------------------------------|------------------------------|----------------| ------------------------------|------------------------------|----------------| ------------------------------|------------------------------|----------------| __3___ ----------------------------12|101210----------------5-------|----3-----------| --------------------------13--|------13--12------------------|----------------| 12^-----r---------------14----|------------------6-----------|4-----------6---| ----------------------14------|-------------/7----------/5---|-------/7-------| ------------------------------|------------------------------|----------------| ------------------------------|------------------------------|----------------| Verses: (with Rhy. Fig. 1) 1. Welcome to where time stands still, noone lives and noone will Moon is full never seems to change, just labeled mentally deranged Dream the sane thing every night, I see our freedom in my sight No locked doors, no windows barred , no things to make my brain seem scared 2. Build my fear of what's out there, cannot breath the open air Whisper things into my brain, assuring me that I'm insane They think our heads are in their hands, but violent use brings violent plans Keep him tied, it makes him well, he's getting better can't you tell? 1.Sleep my friend and you will see that dream is my reality 2.No more can they keep us in, listen damn it we will win ----------------|----------------|--------| ----------------|----------------|--------| ----------------|----------------|--------| 8th=-- ----------------|----------------|--------| ----2-2-----3-3-|----5-5---------|--------| 0-0-----0-0-----|0-0-----5-5-5-3-|3-3-5-3-| 1.Keep me locked up in this cage, can't they see it's why my brain says rage? 2.They see it right, they see it well, but they think this saves from our hell ----------------|----------------|--------| ----------------|----------------|--------| ----------------|----------------|--------|8th=-- ----------------|----------------|--------| ----2-2-----3-3-|----5-5---------|--------| 0-0-----0-0-----|0-0-----5-5-5-3-|3-3-5-3-| CHORUS Sa - ni - --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------5s4-----5s4-|----------------_3_-------------| ------------5s4-----5s4-----5s4-|----------------020-------------| ------------5s4-----3s2-----3s2-|--------------------3-2---------| 0-------x-x-3s2-x-x-----x-x-----|------------------------5-3-2-3-| tarium leave me --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------5s4-----5s4-|--------------------------------| ------------5s4-----5s4-----5s4-|--------------------------------| ------------5s4-----3s2-----3s2-|----2-2-2-2-2-2-3-2-------x-3---| 0-------x-x-3s2-x-x-----x-x-----|--------------------3-----x-1---| be Sa - ni - --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------5s4-----5s4-|----------------_3_-------------| ------------5s4-----5s4-----5s4-|----------------020-------------| ------------5s4-----3s2-----3s2-|--------------------3-2---------| 0-------x-x-3s2-x-x-----x-x-----|------------------------5-3-2-3-| tarium just leave me alone --------------------------------|--------------------------------| 1st time --------------------------------|--------------------------------| go on with --------------------5s4-----5---|4-------------------------------| the solo ------------5s4-----5s4-----5---|4-------------------------------| 2nd time ------------5s4-----3s2-----3---|2-------------------------------| skip to 0-------x-x-3s2-x-x-----x-x-----|--------------------------------| CODA Now comes the second solo. The backing guitar plays a B chord for the next line and then goes on 4 times with the backing rhythm of solo 1. ----------------------------------------------------------------| --------------------------------------------------------10------| ----------------------------------------7---7---9--s11----------| ------------------------7---7--s9-------------------------------| --------5---5---7--s9-------------------------------------------| /7---------------------------------------------------------------| For the next two lines we have two guitars soloing together. For two notes they play on the same string (high E). In this case the highest note is indicated above the tablature. 22 22 --------15--17--19------19------19------------------------------| 17--19--------------------------17------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| 17-h19-p17------15------17-h19--17--------------17--19p17 17------| 19-h20-p19------17------19-h20--19------19------19--20p19 17------| ----------------------------------------19------------ -- --------| ------------------------------------------------------ -- --------| ------------------------------------------------------ -- --------| ------------------------------------------------------ -- --------| 15------------------------------| --------------------------------| 16------------------------------| --------------------------------| --------------------------------| --------------------------------| 14^---------------------r-------------------------------14--15--| 15^---------------------r-------15------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ___3____ 17--15--14--15--14h15p14 ----14---------------- -- --------------------| -------------------- 17------17--17--14--15p14 16--14--------------| -------------------- ---------------------- -- --------16--14-s12--| -------------------- ---------------------- -- --------------------| -------------------- ---------------------- -- --------------------| -------------------- ---------------------- -- --------------------| --------------------------------| --------------------------------| 14-p12------12------------------| --------16------16--14--12------| ----------------------------16--| --------------------------------| --------------------------------------------------------17------| ------------------------------------------------17-s15------15-s| ----------------------------------------------------------------| 12-h14----------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----15----------14----------12----------10----------7-----------| 14------14-s12------12-s10------10-s8-------8-s-7-------7-------| ------------------------------------------------------------7---| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| --------------------------------| --------------------------------| ----7---9-----9s11------9-------| 9-------------~-----------------| --------------------------------| --------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| 9---------------------------------------9---9---9-------9-------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ------------------------------------------------5---------------| ----------------------------------------------------------------| 9-------7-------------------------------6-----------------------| ----------------5--------------/7----------------------/5-------| ----------------------------------------------------------------| ----------------------------------------------------------------| --------3-----------------------| --------------------------------| 4-----------------------6-------| Now go back and play verse 2. ---------------/7---------------| --------------------------------| --------------------------------| CODA ----------------|--------------------------------| ----------------|--------------------------------| _3_-------------|--------------------5s4-----5---| 020-------------|------------5s4-----5s4-----5---| ----3-2---------|------------5s4-----3s2-----3---| --------5-3-2-3-|0-------x-x-3s2-x-x-----x-x-----| --------------------------------|----------------|---------- --------------------------------|----------------|---------- 4-------------------------------|_3_-------------|---------- 4-------------------------------|020-------------|2--------- 2-------------------------------|----3-2---------|2--------- --------------------------------|--------5-3-2-3-|0--------- This last E chord lasts rather long for Metallica, while the song doubles its tempo and the lyrics go "Just leave me alone". Then you make a pick slide down the neck and you go: ----------------|----------------|----------------|----------------| ----------------|----------------|----------------|----------------| ----------------|----------------|----------------|----------------| ----------------|----------------|----------------|----------------| ----------------|----------------|----------------|----------------| 0-0-0-0-0-0-0-0-|0-0-0-0-0-0-0-0-|0-0-0-0-0-0-0-0-|0-0-0-0-0-0-0-0-| ----------------|----------------|----------------|----------------| ----------------|----------------|----------------|----------------| ----------------|----------------|----------------|----------------| 0h2---0h2-------|----------------|0h1---0h1---0h1-|--0h2-----------| 0h2---0h2-------|----------------|0h1---0h1---0h1-|--0h2-----------| ----------0-0-0-|0-0-0-0-0-0-0-0-|----------------|------0-0-0-0-0-| Rhy. Fig. 2 (end Rhy.Fig. 2) ----------------|----------------|----------------|----------------| ----------------|----------------|----------------|----------------| Repeat ----------------|----------------|----------------|----------------| this 0h1---0h1-------|----------------|0h1---0h1---0h1-|--0h2-----------| line 0h1---0h1-------|----------------|0h1---0h1---0h1-|--0h2-----------| 3 times ----------0-0-0-|0-0-0-0-0-0-0-0-|----------------|------0-0-0-0-0-| Fear of living on Natives getting rest- --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|------7-7-----------------------| 0-2---2-2-----------------------|0-2---7-7-----------------------| 0-2---2-2-----------------------|0-2---5-5-----------------------| ------0-0-----------------------|--------------------------------| less now mutiny in the air got some death to do --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|------5-5-------------4-4-------| 0-2---3-3-----------------------|0-2---5-5-------5-4---4-4-------| 0-2---3-3-----------------------|0-2---3-3-------3-2---2-2-------| ------1-1-----------------------|--------------------------------| Mirror stares back hard "Kill" it's such a friend- --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|------7-7-----------------------| 0-2---2-2-----------------------|0-2---7-7-----------------------| 0-2---2-2-----------------------|0-2---5-5-----------------------| ------0-0-----------------------|--------------------------------| ly word Seems the only way for reaching out again --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|------5-5-------------4-4-------| 0-2---3-3-----------------------|0-2---5-5-------5-4---4-4-------| 0-2---3-3-----------------------|0-2---3-3-------3-2---2-2-------| ------1-1-----------------------|--------------------------------| --------------------------------| --------------------------------| --------------------------------| --------------------------------| --------------------------------| 0-0-0-0-0-0-0-0-0-0-0-0-12\-----| Now we have another solo played over Rhy. Fig. 2 (4 times) ----------------------------------------------------------------| ----------------------------------------------------------------| 12--12--12--12--12--12--12--12--12--12--12--12--12--12--12--12--| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| 16--12--12--12--12--12--12--12--12--12--12--12--12--12--12--12--| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ------------------------------------------------------------12--| --------------------------------13--12--12--12--15--12--12------| 14--12--12--12--16--12--12--12----------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ______3_______ 13--12--12--12--15----12----12--17\---------------------12------| -----------------------------------------------/12--------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| 17-p15-p12--------------12------17-p15-p12----------------------| ----------------17-p15--------------------------17-p15-p12------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| 17-p15-p12--------------12------17-p15-p12--------------12------| ----------------17-p15--------------------------15-p12----------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ______3_______ 17^---------------------r-------^---------------------17----15--| ------------------------------------------------17--------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| 14--------------14----------------------------------------------| --------15--------------15--------------------------------------| ------------------------------------------------2---------------| --------------------------------------------------------4-------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------4-------2---------------2-------4---2-----------| 4^------------------------------4-----------------------4-------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| --------------------------------------------------------4-------| 3-------2---------------2^--------------------------------------| ----------------5-----------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------5-----------------------5---------------5-------| 7^----------------------7^----------------------7^--------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| --------5---------------5-------------------------------12------| 7^--------------7^--------------7\--------------14--------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ____________3__________ ___________3___________ --------------------------------15^--------15--------14---------| 15^--------15--------12-----------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ____________3__________ 12-------------------12-----------------------------------------| -----------15-------------------15^---------------------17--17--| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| 15----------15--17--15------15--19--17-(15)--s--21------19--22--| ----17--18--------------19--------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| 22--19------22--22^-------------22^-----------------------------| --------x-------------------------------------------------------| -------------------------------------------End of solo 3--------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------R-----------|------7-7-------7---R-----------| 0-2---2-2-------2---E-----------|0-2---7-7-------7---E-----------| 0-2---2-2-------2---S-----------|0-2---5-5-------5---S-----------| ------0-0-------0---T-----------|--------------------T-----------| For the next part of the song there are 4 guitars playing from time to time. We are going to use the following: Rhy. Fig. 3 --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|------7-7-----------------------| 0-2---2-2-----------------------|0-2---7-7-----------------------| 0-2---2-2-----------------------|0-2---5-5-----------------------| ------0-0-----------------------|--------------------------------| (end Rhy. Fig. 3) --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|------5-5-------------4-4-------| 0-2---3-3-----------------------|0-2---5-5-------5-4---4-4-------| 0-2---3-3-----------------------|0-2---3-3-------3-2---2-2-------| ------1-1-----------------------|--------------------------------| Riff 1 --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|2---------------2-2-2-----2-----| (5)-------------5-5-5-4---5-----|----------------------5---------| (7)-------------7-7-7-6---7-----|9---------------9-9-9-7---9-----| --------------------------------|--------------------------------| (end Riff 1) --------------------------------|--------------------------------| --------------------------+-----|--------------------------------| ----4-5---------5-5-5-7---5-----|--------------------------4-----| 5-----------------------------5-|----------------4-4-4-5-------5-| 10--9-8---------8-8-8-10--8---7-|----------------6-6-6-7---9---7-| --------------------------+-----|--------------------------------| Until the end of solo 4 one guitar plays Rhy. Fig. 3, another one plays the following line... --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|--------------------------------| ------------5-s-7-7-7-5---7-----|9---------------9-9-9-7---9-----| --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|--------------------------------| 10--9-8---------8-8-8-10--8---7-|----------------6-6-6-7---9-----| --------------------------+-----|--------------------------------| --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|--------------------------------| 7---------------7-7-7-5---7-----|9---------------9-9-9-7---9---9-| --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|--------------------------------| --------------------------------|------------------------------5-| 10--9-8---------8-8-8-10--8---7-|----------------6-6-6-7---9---7-| --------------------------+-----|--------------------------------| This last note on 5th fret of D string belongs to another guitar whose line is tabbed in the upper part of Riff 1. All three guitars play together Rhy. Fig. 3 and Riff 1 for 2 times, and then continue for 2 times under the following solo 4. ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| -------------------------------7---7---7---6-------7------------| /7---------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| 9-------10--12------------------12--12--12--10------12----------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| --------12--------------12------14^---------14^---------14^-----| ------------14------14------------------------------------------| 12-s14----------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| --------------------------------12----------12------------------| 12------------------------------12----------12------------------| ----14------------------14--14------14--14--------------14--14--| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| 12----------12------------------__3___------------------12------| 12----------12----------12--14--14^r12--14--14------14----------| ----14--14----------14------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ___3____ ----12----------------------12--15^---------r-----------12h15p12| --------12--15^---------15--------------------------------------| 14^-------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ----------------------------------------------------------------| ___3____ 15p12h15-------------------------------- ------------ ------------| --------12------------------------------ ------------ ------------| ------------14--12------12--14^-r----p12 14--14^-rp12 14--14^-rp12| --------------------14------------------ ------------ ------------| ---------------------------------------- ------------ ------------| ---------------------------------------- ------------ ------------| ----------------------------------------------------------------| ----------------------------------------------------------------| 14--14^-rp1214--14^-------
hard.heavy.54 mdave,
Subject: Re: Helpless MD> *-------------------* MD> | Helpless | 6:36 | MD> *-------------------------------------------------* MD> | Metallica, originally performed by Diamond Head | MD> *-------------------------------------------------* Helpless ( off the $5.98 Lp - Garage Days Revisited ) as played by Metallica Rythmn Fig 1. Bridge into chorus || Hold These chords A B F# Repeat|| A B F# D E F# D E F# e|------------------------------||----------------------------------| B|------------------------------||----------------------------------| G|-2-4--(4)--------------------*||-2-4--(4)------7-9---11-7-9-------| D|-2-4--(4)-----4-----4-----4--*||-2-4--(4)---4--7-9-4-11-7-9-4-----| A|-0-2-0h2p0----4-----4-----4---||-0-2-0h2p0--4--5-7-4- 9-5-7-4-----| E|------------2-2-0-2-2-0-2-2-0-||------------2------2--------2--2--| | | Pick real Fast and alot By this ( ) I mean hold the B chord with your ring finger and just perform the hammer and pull-offs with your index finger. Repeat This rythmn figure until you hit the bridge to the chorus. The Bridge into the chorus has a bunch of power chords which are held. Listen to the tune and you'll get the picture.... Chorus (Lyrics go 'HELPLESS....!') Part 1 Part 2 Part 3 A repeat 3x| A G | A G A e|---------------------------------|------------------|----------------- B|---------------------------------|------------------|----------------- G|--------------------------------*|-----------------*|----------------- D|------------------7p5---------5-*|-----------5-5-5-*|-----------5-5-7- A|----------------------7-6-7-6----|-----------5-5-5--|-----------5-5-7- E|--5-5-5-5-5-5-5-5----------------|-5-5-5-5-5-3-3-3--|-5-5-5-5-5-3-3-5- By this I mean play Part 1 three times, then play Part 2. Then you play Part 1 three times again and finish the chorus with Part 3. Work with me on this one... I'm not sure about the part 1 section... but this is close.... Now return to ryth. Fig 1 amd play it till you hit the chorus a second time... do the chorus again and then play rythmn Fig 1 again until you hit the little Newstead bass solo, after which you hit a second bridge. I prefer to enter into this section with a jumping, banging pick slide. In other words I bounce the pick off the low E, A and D while sliding the edge down the fretboard... Anyway it sounds real cool... Bridge 2 |<-------Repeat 4x |<------Repeat 4x|<------Repeat 4x|<------Repeat 4x| e|------------------|----------------|----------------|----------------| B|------------------|----------------|----------------|----------------| G|-----------------*|---------------*|---------------*|---------------*| D|-----------------*|---------------*|---------------*|---------------*| A|----0-2----0h2p0--|---2-4---2h4p2--|---3-5---3h5p3--|---5-7---5h7p5--| E|--2------2--------|-4-----4--------|-5-----5--------|-7-----7--------| |<-------Repeat 2x|<------Repeat 2x| e|-----------------|----------------|----------------------------------- B|-----------------|----------------|----------------------------------- G|----------------*|---------------*|----------------------------------- D|----------------*|---------------*|---------------7-9---5-7---3-5----- A|----3-5---3h5p3--|---5-7---5h7p5--|---3-5---5-7-9-----7-----5--------- E|--5-----5--------|-7-----7--------|-5-----7--------------------------- | | Rythmn Fig 2. || End ryth. Fig 2 | | || End bridge2| |<----Repeat 3x| || e|----------| |--------------|--------||-------------------------------- B|----------| |--------------|--------||-------------------------------- G|-4---2-4--| |---4p2---2-4-*|-7---9--||-------------------------------- D|-4-5-2-4--| |---4p2-4-2-4-*|-7-7-9--||-------------------------------- A|-2-5-0-2--| |-------4------|-5-7-7--||-------------------------------- E|---3------| |--------------|---5----||-------------------------------- Rythmn Fig 3. | F#A B D C#A F#A B E F#A B D C#A F#A B D C#B |<--------Repeat 2x | e|-------------------------------------------------|-------------------| B|-------------------------------------------------|-------------------| G|---2-4-7-6-2---2-4---------2-4-7-6-2---2-4-7-6-4-|6-----------7-9-7-*| D|-4-2-4-7-6-2-4-2-4-2-2-2-4-2-4-7-6-2-4-2-4-7-6-4-|6-----------7-9-7-*| A|-4-0-2-5-4-0-4-0-2-2-2-2-4-0-2-5-4-0-4-0-2-5-4-2-|4-4-4-4-4-4-5-7-5--| E|-2-----------2-----0-0-0-2-----------2-----------|-------------------| Rythmn Fig 3a. | | End Ryth. Fig 3 C# D E F F# E C#C B A | e|-------------------------------------------------|-------------------- B|-------------------------------------------------|-------------------- G|-6-sl.\---7-sl.\---9-sl.\--10-sl.\--11-9-6-5-4-2-|-------------------- D|-6-sl.\---7-sl.\---9-sl.\--10-sl.\--11-9-6-5-4-2-|-------------------- A|-4-sl.\---5-sl.\---7-sl.\-- 8-sl.\-- 9-7-4-3-2-0-|-------------------- E|-------------------------------------------------|-------------------- Ok, Lots of explaining to do... first of all the bridge: play each section marked for repetition and then proceed to the next bar... do not go back to the beginning of the bridge each time... I just was lazy and didn't want to write it all up... listen to the song and then try to figure it out...The bridge ends with four power chords: B, G, A, B. Then the song heads into rythmn figure 2. Rythmn Fig. 2 is played FAST! Repeat it a bunch of times until you hit the second set of lyrics. Then break into Rythmn Fig 3 followed by Rythmn Fig 3a. After the lyrics then back to Rythmn Fig. 2. This entire thing is repeated twice (I think.... Check out the song). Now we head towards the guitar solo. Rythmn fig 2 is played once and followed by rythmn Figure 1. Ryth. Fig 1 repeats a bunch of times and the intro to the solo starts with an E power chord on 0th fret. Rythmn Fig 1. is played behind the solo until near the end of the solo the Rythmn changes to rythmn figure 4. Rythmn Fig 4. |<-----repeat 3x| |<---------repeat 2x | e|---------------|-------------|--------------------|------------------- B|---------------|-------------|--------------------|------------------- G|----2-4-------*|---2-4-7-6-4-|-6-----------7-9-7-*|------------------- D|--4-2-4-2-2-2-*|-4-2-4-7-6-4-|-6-----------7-9-7-*|------------------- A|--4-0-2-2-2-2--|-4-0-2-5-4-2-|-4-4-4-4-4-4-5-7-5--|------------------- E|--2-----0-0-0--|-2-----------|--------------------|------------------- Now finish the solo off with Rythmn Fig. 3a.... The lead for the solo is basically a blues based Hammet solo in F#. Most of it is played on 14th fret, and Kirk does his standard drop down to F# on the 2nd fret. Well I'm almost done.... Now the song finishes with Rythmn Figure 1 being played a couple of times and then a slowed down, slightly varied version ends the song.... Well as ususal, this is by no means perfect... I am still kinda busy with midterms and shit so this is the best I could do for now... If anyone has any questions relating to this tab please don't hesitate to e-mail me. Please inform me of any errors or typos so that I can correct them. Small Hours is in the works... should be out soon (the day just ain't long enough :-Q ) Well have a ball, and play till ya bleed!
hard.heavy.55 mdave,
Subject: Re: IM MD> Neko je spominjao da ima nešto sa drugog albuma MAIDEN-a? Biće. :)
hard.heavy.56 mdave,
hm, izgleda da nije stao ceo sanitarium...
hard.heavy.57 vitez.koja,
#=> Treba, naravno! :) Jel imaš možda i tekstove sa prva dva #=> albuma? Nemoj da nam mučiš mdaveta ;) Tekstovi _svih_ albuma postoje u elektronski čitljivoj formi (tkz. fajlovima;). Za početak... iron.zip
hard.heavy.58 maksa,
>> Da li neko ima textove od Pearl Jam? Unapred hvala. Ima, a čini mi se da ih ima još na osmehu. Ovo je valjda sa SH-a. pearl.zip
hard.heavy.59 ljubisha,
> mdave, 30.10.Ned 01:26, 31744 chr ^^^^^ Da provocira zna ali da veže fajl uz poruku to još nije savladao! :((
hard.heavy.60 madcat,
=> >> BTW, kuci imam tablature za prva tri albuma Maiden-a pa ako => >> nesto treba - vicite ! :) => Treba, naravno! :) Jel imas mozda i tekstove sa prva dva albuma? A Number of the Beast 'el imas ?
hard.heavy.61 madcat,
=> => IRON MAIDEN => => FEAR OF THE DARK => Harris => -Marshall Bunimmmm seeeee !!! Sve ovo sam ja prekucavaoooo !! Ne vaziii !! :(( A mene nigde nema :(( ?
hard.heavy.62 vlador,
> Subject: Re: Legenda ^^^^^^^? > Brojevi označavaju pragove. Trajanja nema, svira se po sluhu. Hvala na objašnjenju i razumevanju mog nerazumevanja.
hard.heavy.63 mdave,
Subject: Re: HM MD> > mdave, 30.10.Ned 01:26, 31744 chr MD> ^^^^^ MD> MD> Da provocira zna ali da veže fajl uz poruku to još nije savladao! MD> :(( Šta da ti kažem, čist heavy metal. :) PS. A nije ni cela tablatura stala. :(
hard.heavy.64 mdave,
Subject: Enter Sandman Enter Sandman - Metallica [intro] ------------------------------------------------- ------------------------------------------------- ------------------------------------------------- repeat 4 times ---------5----------------------5---------------- ------7--------------7-------7--------------7---- ---0--------6--5----------0--------6--5---------- [destortion] E5 / / F5 E5 / / F5 E5 / / F5 repeat several times E5 / / F5 E5 / / A#5 E5 / / F5 repeat several times E5 / / A#5 A5 E5 / / A#5 A5 E5 / / A#5 A5 G5 E! F#5 E! F#5 G5 F#5 Note : E! is just an open E played on the lower E string or you can play it like this ---3--0--2--0--2--3--2--0--------- [end intro] [couplet] E5 / / / / / / F5 E5 / / / / / / F5 E5 / / / / / / G5 E! F#5 E! F#5 G5 F#5 E5 / / / / / / F5 E5 / / / / / / F5 E5 / / / / / / G5 E! F#5 E! F#5 G5 F#5 ------------------------------------------------- ------------------------------------------------- ---------2----------------------2---------------- ------4--------------4-------4-------------4----- ------------3--2-------------------3--2---------- ---2----------------------2---------------------- ------------------------------------------------- ------------------------------------------------- ---------2--------------------------------------- ------4--------------4--------------------------- ------------3--2--------------------------------- ---2--------------------------0------------------ ------------------------------------------------- ------------------------------------------------- ---------2--------------------------------------- ------4--------------4--------------------------- ------------3--2--------------------------------- ---2--------------------------0------------------ ------------------------------------------------- ------------------------------------------------- ------------------------------------------------- ---5-----4-----4--5--4--2------------------------ ---5-----4-----4--5--4--2------------------------ ---3--0--2--0--2--3--2--0------------------------ E5 / / A#5 A5 E5 / / A#5 A5 E5 / / A#5 A5 G5 E! F#5 E! F#5 G5 F#5 E5 / / A#5 A5 E5 / / A#5 A5 E5 / / A#5 A5 G5 E! F#5 E! F#5 G5 F#5 ^^^^^^^^^^^^^^^^^^^^^^^ Solo while playing ^^^^ : ------------------------------------B--15S\\\------ -12----------------P--------------14B--15S\\\------ -12--------12-14-14-12----12-14---14--------------- --------14-------------14-------------------------- --------------------------------------------------- --------------------------------------------------- note : P := 14 pull off 12 B := use your tremelo to bend them both slowly up S := slowly slide both down. I hope I was a little helpful. C.W.G.M.ENDERS@KUB.NL
hard.heavy.65 z.velj,
*-> :)))) *-> *-> Sorry, ali ovo su poruke skinute sa Interneta. :) Uh...! dobro je...! uplaših se za tvoje zdravlje. :) *-> Probaću da im prenesem tvoju zamerku, pa možda i promene način *-> pisanja, ko zna. ;) Super! :) Ceniš li da ima šanse? :)))))))) Pozdrav, Zoran P.S. Ako već izlaziš na Internet skini nam onda barem nešto suvislo, recimo...MIDI-files. ;)
hard.heavy.66 z.velj,
*-> Pa sad mislim da nisi u pravu. Običaj ne samo ovde nego i u *-> svetu je da se gitarske deonice u pesmama zapisuju tablaturama *-> jer mnoge stvari ne mogu da se zapišu notnim zapisom (kako bi *-> zapisao pull off hemmer on slide itd.). Nažalost, univerzalnih rešenja nema, ali zato postoje principi na osnovu kojih merimo uspešnost primenjenih metoda. Iznoseći predlog, pre svega sam na umu imao sledeće principe: Prenosivost - MIDI je industriski standard, komunikacioni protokol u osnovi kreiran za potrebe međusobnog povezivanja sintesajzera i drugih elektronskih muzičkih instrumenata ali je vremenom evoulirao u 'komunikacioni kanal' koji povezuje praktično svu opremu audio - video produkcije. Njegova implementacija je nezavisna od hardvera, jasno definisanih formata fajlova čini ga najboljim (mada ne i savršenim) izborom za razmenu muzičkih zapisa između raznorodnih comp.platformi. Univerzalnost - Uneseni fajl se može transformisati (naravno uz pomoć notografskog programa) bilo u notni zapis, tablature, ili pak preslušati (po želji ubrzavati ili usporavati bez promene visine tona), što ga čini upotrebljivim i onima koji čitaju note kao i onima koji se bolje snalaze sa tablaturama. Dakle postoji mogućnost izbora formata prema sopstvenim sklonostima. Dostupnost - Notografski programi postoje za sve računare i to po tzv. 'popularnim' cenama, većina podržava gorenavedeno a rad sa njima je relativno lak. Naravno postoje i određene mane ovog rešenja ali, nadam se, složićeš se, daleko manje nego neka druga (ASCII tablatura). Uostalom Sezam raste, pojavljuje se sve više ljudi iz ne računarskih profesija koji ne žele da izmišljaju 'toplu vodu', i kojima bi, kao i svima nama uostalom, bilo korisnije da su formati datoteka u opšte prihvaćenim standardima. *-> Drugo to je forma na koju smo mnogi mi koji iz zabave sviramo *-> gitaru naučili da sviramo neka sola iz omiljenih pesama. Po mome mišljenju MIDI fajl + Notatorski program je daleko bolji način za učenje većine muzike. Naravno neki aspekti, pre svega gitarske muzike, se ne mogu preneti MIDI-jem ali sa stanovišta op
hard.heavy.67 z.velj,
*-> Pa sad mislim da nisi u pravu. Običaj ne samo ovde nego i u *-> svetu je da se gitarske deonice u pesmama zapisuju tablaturama *-> jer mnoge stvari ne mogu da se zapišu notnim zapisom (kako bi *-> zapisao pull off hemmer on slide itd.). Nažalost, univerzalnih rešenja nema, ali zato postoje principi na osnovu kojih merimo uspešnost primenjenih metoda. Iznoseći predlog, pre svega sam na umu imao sledeće principe: Prenosivost - MIDI je industriski standard, komunikacioni protokol u osnovi kreiran za potrebe međusobnog povezivanja sintesajzera i drugih elektronskih muzičkih instrumenata ali je vremenom evoulirao u 'komunikacioni kanal' koji povezuje praktično svu opremu audio - video produkcije. Njegova implementacija je nezavisna od hardvera, jasno definisanih formata fajlova čini ga najboljim (mada ne i savršenim) izborom za razmenu muzičkih zapisa između raznorodnih comp.platformi. Univerzalnost - Uneseni fajl se može transformisati (naravno uz pomoć notografskog programa) bilo u notni zapis, tablature, ili pak preslušati (po želji ubrzavati ili usporavati bez promene visine tona), što ga čini upotrebljivim i onima koji čitaju note kao i onima koji se bolje snalaze sa tablaturama. Dakle postoji mogućnost izbora formata prema sopstvenim sklonostima. Dostupnost - Notografski programi postoje za sve računare i to po tzv. 'popularnim' cenama, većina podržava gorenavedeno a rad sa njima je relativno lak. Naravno postoje i određene mane ovog rešenja ali, nadam se, složićeš se, daleko manje nego neka druga (ASCII tablatura). Uostalom Sezam raste, pojavljuje se sve više ljudi iz ne računarskih profesija koji ne žele da izmišljaju 'toplu vodu', i kojima bi, kao i svima nama uostalom, bilo korisnije da su formati datoteka u opšte prihvaćenim standardima. *-> Drugo to je forma na koju smo mnogi mi koji iz zabave sviramo *-> gitaru naučili da sviramo neka sola iz omiljenih pesama. Po mome mišljenju MIDI fajl + Notatorski program je daleko bolji način za učenje većine muzike. Naravno neki aspekti, pre svega gitarske muzike, se ne mogu preneti MIDI-jem ali sa stanovišta opšte muzičkih kriterijuma oni su zanemarljivi jer se uglavnom zvesne korekcije u samom notografskom programu ne mogu, bar u većini slučaja, korigovati. I da rezimiram. Namera čitave priče je da 'ubedim' potencijalne pošaljioce muz.kompozicja da koriste MIDI fajl kao standardni format jer će na taj način nihov trud sigurno biti svrsishodniji. Pozdrav, Zoran
hard.heavy.68 z.velj,
Name: Capriccio No.5 Music: Nicolo Paganini Transc: Eliot Fisk for solo guitar Tempo: 160 capr_no5.zip
hard.heavy.69 vcalic,
Poruka 8.66 je obrisana jer je nedovršena verzija poruke 8.67 Vlada
hard.heavy.70 z.velj,
*-> Pa sad mislim da nisi u pravu. Običaj ne samo ovde nego i u *-> svetu je da se gitarske deonice u pesmama zapisuju tablaturama *-> jer mnoge stvari ne mogu da se zapišu notnim zapisom (kako bi *-> zapisao pull off hemmer on slide itd.). Nažalost, univerzalnih rešenja nema, ali zato postoje principi na osnovu kojih merimo uspešnost primenjenih metoda. Iznoseći predlog, pre svega sam na umu imao sledeće principe: Prenosivost - MIDI je industriski standard, komunikacioni protokol u osnovi kreiran za potrebe međusobnog povezivanja sintesajzera i drugih elektronskih muzičkih instrumenata ali je vremenom evoulirao u 'komunikacioni kanal' koji povezuje praktično svu opremu audio - video produkcije. Njegova implementacija je nezavisna od hardvera, jasno definisanih formata fajlova čini ga najboljim (mada ne i savršenim) izborom za razmenu muzičkih zapisa između raznorodnih comp.platformi. Univerzalnost - Uneseni fajl se može transformisati (naravno uz pomoć notografskog programa) bilo u notni zapis, tablature, ili pak preslušati (po želji ubrzavati ili usporavati bez promene visine tona), što ga čini upotrebljivim i onima koji čitaju note kao i onima koji se bolje snalaze sa tablaturama. Dakle postoji mogućnost izbora formata prema sopstvenim sklonostima. Dostupnost - Notografski programi postoje za sve računare i to po tzv. 'popularnim' cenama, većina podržava gorenavedeno a rad sa njima je relativno lak. Naravno postoje i određene mane ovog rešenja ali, nadam se, složićeš se, daleko manje nego neka druga (ASCII tablatura). Uostalom Sezam raste, pojavljuje se sve više ljudi iz ne računarskih profesija koji ne žele da izmišljaju 'toplu vodu', i kojima bi, kao i svima nama uostalom, bilo korisnije da su formati datoteka u opšte prihvaćenim standardima. *-> Drugo to je forma nda sviramo neka sola iz omiljenih pesama. Po mome mišljenju MIDI fajl + Notatorski program je daleko bolji način za učenje većine muzike. Naravno neki aspekti, pre svega gitarske muzike, se ne mogu preneti MIDI-jem ali sa stanovišta opš I da rezimiram. Namera čitave priče je da 'ubedim' potencijalne pošaljioce muz.kompozicja da koriste MIDI fajl kao standardni format jer će na taj način nihov trud sigurno biti svrsishodniji. Pozdrav, Zoran
hard.heavy.71 z.velj,
*-> Pa sad mislim da nisi u pravu. Običaj ne samo ovde nego i u *-> svetu je da se gitarske deonice u pesmama zapisuju tablaturama *-> jer mnoge stvari ne mogu da se zapišu notnim zapisom (kako bi *-> zapisao pull off hemmer on slide itd.). Nažalost, univerzalnih rešenja nema, ali zato postoje principi na osnovu kojih merimo uspešnost primenjenih metoda. Iznoseći predlog, pre svega sam na umu imao sledeće principe: Prenosivost - MIDI je industriski standard, komunikacioni protokol u osnovi kreiran za potrebe međusobnog povezivanja sintesajzera i drugih elektronskih muzičkih instrumenata ali je vremenom evoulirao u 'komunikacioni kanal' koji povezuje praktično svu opremu audio - video produkcije. Njegova implementacija je nezavisna od hardvera, jasno definisanih formata fajlova čini ga najboljim (mada ne i savršenim) izborom za razmenu muzičkih zapisa između raznorodnih comp.platformi. Univerzalnost - Uneseni fajl se može transformisati (naravno uz pomoć notografskog programa) bilo u notni zapis, tablature, ili pak preslušati (po želji ubrzavati ili usporavati bez promene visine tona), što ga čini upotrebljivim i onima koji čitaju note kao i onima koji se bolje snalaze sa tablaturama. Dakle postoji mogućnost izbora formata prema sopstvenim sklonostima. Dostupnost - Notografski programi postoje za sve računare i to po tzv. 'popularnim' cenama, većina podržava gorenavedeno a rad sa njima je relativno lak. Naravno postoje i određene mane ovog rešenja ali, nadam se, složićeš se, daleko manje nego neka druga (ASCII tablatura). Uostalom Sezam raste, pojavljuje se sve više ljudi iz ne računarskih profesija koji ne žele da izmišljaju 'toplu vodu', i kojima bi, kao i svima nama uostalom, bilo korisnije da su formati datoteka u opšte prihvaćenim standardima. *-> Drugo to je forma na koju smo mnogi mi koji iz zabave sviramo *-> gitaru naučili da sviramo neka sola iz omiljenih pesama. Po mome mišljenju MIDI fajl + Notatorski program je daleko bolji način za učenje većine muzike. Naravno neki aspekti, pre svega gitarske muzike, se ne mogu preneti MIDI-jem ali sa stanovišta opšte muzičkih kriterijuma oni su zanemarljivi jer se uglavnom radi o nekim artikulacionim elementima koji se na gitari izvode 'specijalnim tehnikama' ali daleko od toga da se uz izvesne korekcije u samom notografskom programu ne mogu, bar u većini slučaja, korigovati. I da rezimiram. Namera čitave priče je da 'ubedim' potencijalne pošaljioce muz.kompozicja da koriste MIDI fajl kao standardni format jer će na taj način nihov trud sigurno biti svrsishodniji. Pozdrav, Zoran
hard.heavy.72 mikis,
+> Ako si već rad slati nam zapis neke muzike, a vidim da jesi, onda to +> čini na zadovoljstvo svih nas ili barem većine. Tabulature se sasvim uobičajen način zapisivanja muzike, za gitaru i njoj slične instrumente. Pre par meseci je neko, u civ.x:muzika, okačio jedan FAQ o tabulaturama.
hard.heavy.73 mdave,
Subject: Re: Tablature MD> +> Ako si već rad slati nam zapis neke muzike, a vidim da MD> +> jesi, onda to čini na zadovoljstvo svih nas ili barem većine. MD> MD> Tabulature se sasvim uobičajen način zapisivanja muzike, za gitaru MD> i njoj slične instrumente. Pre par meseci je neko, u MD> civ.x:muzika, okačio jedan FAQ o tabulaturama. I to i u časopisima, a ne samo u kompjuterskom svetu.
hard.heavy.74 mdave,
Subject: Re: Konvertor? MD> Name: Capriccio No.5 MD> Music: Nicolo Paganini MD> Transc: Eliot Fisk for solo guitar MD> Tempo: 160 Hajde sad, pošto je taj MIDI univerzalan, reci ti meni kako ja ovo da vidim i probam da odsviram ???
hard.heavy.75 pyc.guy,
~~~ Bunimmmm seeeee !!! Sve ovo sam ja prekucavaoooo !! Ne vaziii !! ~~~ :(( ~~~ A mene nigde nema :(( ? Pa sto nemas ti to kod sebe kada si prekucavao? :) Pyc
hard.heavy.76 mdave,
Subject: Sramota! Jel' videste sramotu ?!?! Malopre uključih MTV kad ono tamo neki Salt'n'Pepa Metal Mix ! Ccccc..... PS. A i bolja je 100x gitara u pesmi "Koka kola, maLboro, suzuki". :) Jeste vala dobro zvuči. :)
hard.heavy.77 vcalic,
>> PS. A i bolja je 100x gitara u pesmi "Koka kola, maLboro, suzuki". Istine radi, ta pesma se zove "Nikom nije lepše nego nama" i može se slobodno reći da predstavlja proglas novih narodnjačkih stremljenja ;)) Vlada
hard.heavy.78 drpr,
-> I da rezimiram. Namera čitave priče je da 'ubedim' -> potencijalne pošaljioce muz.kompozicja da koriste MIDI fajl -> kao standardni format jer će na taj način nihov trud sigurno -> biti svrsishodniji. Ok to je tvoje mišljenje ali mislim da je i dalje na labavim nogama. Prvo ja nemam midi pa ne mogu to da čujem a mislim da i bar 60% populacije na Sezamu nema to isto ne bavi se time i ne zna kako bi Midi fajl upotrebio. Drugo tablature su namenjene samo za gitaru (ja bar nisam video druge) tako da je namenjena baš onima koji se time zanimaju. cope
hard.heavy.79 bulaja,
│8.53 MUZIKA:hard.heavy ┌─────┐ │ mdave, 30.10.94. 01:26,│31744│chr └─── └─────┘ NO COMMENTS. :(
hard.heavy.80 mdave,
MD> │8.53 MUZIKA:hard.heavy ┌─────┐ MD> │ mdave, 30.10.94. 01:26,│31744│chr MD> └─── └─────┘ MD> NO COMMENTS. :( E blago mdaveu vrati se ti u yu.folk, ovde je suviše hard&heavu za tebe.
hard.heavy.81 mdave,
Subject: Wherever I May Roam WHEREVER I MAY ROAM - METALLICA Intro (Sitar arranged for guitar) ----------------|------------ ----|----------------|----------------| ------5-5s6-5---|------8-8s10 6---|5-----5-5s6-5---|(5)-------------| Repeat ----------------|------------ ----|----------------|----------------| this ------2-2s3-2---|------5-5s7- 3---|2-----2-2s3-2---|(2)-------------| line ----------------|------------ ----|----------------|----------------| once 0---------------|0----------- ---0|----------------|----------------| ----------------|------------ ----|------------------------| ------| ------5-5s6-5---|------8-8s10 10s6---|5-----------------------| ------| ----------------|------------ ----|------------------------| ------| ------2-2s3-2---|------5-5s7- 7s3---|2-----------------------| ------| ----------------|------------ ----|------------------------| ------| 0---------------|0----------- ----|0-----------------------| 5s20\-| ----------------|----------------|----------------|----------------| ----------------|----------------|----------------|----------------| Repeat ----------------|----------------|----------------|----------------| this ----------------|------5-5s7-----|----------------|----------------| line ------7-7h8-7---|------------8---|7-----7-7h8-7---|(7)-------------| once 0---------------|----------------|0---------------|----------------| --------|----------------| --------|----------------| --------|----------------| --------|----------------| (7)-----|7---8---9---10\-| --------|5---6---7---8-\-| Rhy. Fig.1 (end Rhy. Fig. 1) ----------------|----------------|----------------|----------------| ----------------|----------------|----------------|----------------| Repeat ----------------|----------------|----------------|----------------| this -------------tr-|------5-5s7-----|9------------tr-|----------------| line 2-----7-7h8-7(8)|7-----------8---|7-----7-7h8-7(8)|7---8---9---10--| once 0---0-----------|0---0-----------|0---0-----------|5---6---7---8---| Rhy. Fig.2 (end Rhy. Fig. 2) ----------------|----------------|----------------|----------------| ----------------|----------------|----------------|----------------| ----------------|----------------|----------------|----------------| -------------tr-|------5-5s7-----|9------------tr-|----------------| 5-6-7-8-7h8-7(8)|7-----------8---|7-----7-7h8-7(8)|7---8---9---10--| ----------------|0---0-----------|0---0-----------|5---6---7---8---| --------|----------------|----------------|----------------|------------------| --------|----------------|----------------|----------------|------------------| --------|----------------|----------------|----------------|------------------| --------|2---------------|----------------|----3-----------|------------------| 5-6-7-8-|2---------------|----------------|--3-------------|------------------| --------|0---------------|----------------|1---------------|------------------| And the road becomes my bride And the road becomes my bride ----------------|----------------|----------------|----------------| ----------------|----------------|----------------|----------------| ------0---------|----------------|----------------|----------------| ----2-----------|----------------|----3-----------|----------------| --2-------------|----------------|--3-------------|----------------| 0---------------|----------------|1---------------|----------3s10\-| E5--------------|----------------|Bb5-------------|----------------| I have stripped of all but pride, so in her I do con- A5--------------|----------------|Bb5-------------|------------E-E-| fide, and she keeps me satis- fied Gives me all I need E5--------------|----------------|Bb5-------------|----------------| And with dust in throne I crave, only knowledge will I save --------0-------|--------0-------|----------------|----------------| ------------0---|------------0---|--------3-------|--------3-------| ----------------|----------------|------------3---|------------3---| ----------------|----------------|----3-----------|----3-----------| ----2-----------|----2-----------|1---------------|1---------------| 0---------------|0---------------|----------------|----------------| G5--------------|----------------|Bb5-------------|----------------| To the game you stay a slave rover, wanderer ----------------|----------------|----------------|----------------| --------3-------|--------3-------|--------3-------|--------3-------| ------------3---|------------3---|------------3---|------------3---| ----------------|----------------|----3-----------|----3-----------| ----1-----------|----1-----------|1---------------|1---------------| 3---------------|3---------------|----------------|----------------| nomad, vagabond call me what you will ----------------|----------------|----------------|----------------| ----------------|----------------|----------------|----------------| ----------------|----------------|----------------|----------------| ----------------|----------------|------5-5s7-----|9------------tr-| 1---1---2---3---|5-6-7-8-7h8-7---|7-----------8---|7-----7-7h8-7(8)| ----------------|----------------|0---0-----------|0---0-----------| Oh But I'll take my time anywhere free to ----------------|----------------|----------------|----------------| ----------------|----------------|----------------|----------------| ----------------|----------------|-------------tr-|----------------| ----------------|3---3-------3---|----3---2h3-2(3)|2---2-------2---| 7---8---9---10--|3---3-------3---|----3-----------|2---2-------2---| 5---6---7---8---|1---1---1-1-1---|1-1-1-----------|0---0---0-0-0---| speak my mind anywhere And I'll redefine anywhere ----------------|----------------|----------------| ----------------|----------------|----------------| -------------tr-|3---3-------3---|----3--------tr-| ----2---2h3-2(3)|3---3-------3---|----3---2h3-2(3)| ----2-----------|1---1---1-1-1---|1-1-1-----------| 0-0-0-----------|----------------|----------------| A5--------------|----------------|G5--------------|------------D-\-| Anywhere I roam Where I lay my head is home, yeah First time play Rhy.Fig. 1 and continue as follows, second time skip to CODA And the earth becomes my throne And the earth becomes my throne --------|----------------|----------------|----------------|------------------| --------|----------------|----------------|----------------|------------------| --------|----------------|----------------|----------------|------------------| --------|2---------------|----------------|----3-----------|------------------| 5-6-7-8-|2---------------|----------------|--3-------------|------------------| --------|0---------------|----------------|1---------------|------------3s10\-| Continue with Verse 2 CODA ----------------|-------- --------|----------------|---------- -- ----| ----------------|-------- --------|----------------|---------- -- ----| ----------------|-----tr- ----9---|----------------|----8-9-11s12 8---| -------------tr-|6-7-6(7) 9-10----|------------6-7-|9-10------ -- ----| 2----/7-7-8-7(8)|-------- --------|2-------7-8-----|---------- -- ----| 0---0-----------|-------- --------|0---0-0---------|---------- -- ----| For the next line you have two guitars notated one above the other. ----------------|-------- --------|----------------|---------- -- ----| ----------------|-----tr- ----8---|----------------|----7-8-10 12 7---| -------------tr-|4-5-4(5) 8-9-9---|------------4-5-|8-9-8-9-11 12 8---| --------6-7-6(7)|6-7-6(7) 9-10----|--------6-7-6-7-|9-10------ -- ----| 2---2---7-8-7(8)|-------- --------|2---2---7-8-----|---------- -- ----| 0---0-0---------|-------- --------|0---0-0---------|---------- -- ----| Play prechorus and chorus again Solo 1 Play prechorus and last chorus which goes: A5--------------|----------------|G5--------------|----------------| Anywhere I roam Where I lay my head is home C5--------------|----------------|B5--------------|Bb5-------E-G-F#| Carved upon my stone my body lie, but still I roam yeah yeah Rhy.fig.1 Rhy.fig.2 until end over solo 2
hard.heavy.82 acid,
>> >> Molio bih za naziv i spisak pesama novog albuma Suicidal Tendencies. Evo ovako: Suicidals for life - Suicidal Tendencies A Side 1.Invocation 2.Don't gove a fuck 3.No fuckin' problem 4.Fucked up just right 5.No bullshit 6.What else could I do 7.What You need is a friend B Side 1.Suicyco Mothafucka 2.I wouldn't mind 3.Depression and anguish 4.Evil 5.Love vs. Loneliness 6.Benediction
hard.heavy.83 madcat,
=> ~~~ Bunimmmm seeeee !!! Sve ovo sam ja prekucavaoooo !! Ne vaziii !! => ~~~ :(( => ~~~ A mene nigde nema :(( ? => => Pa sto nemas ti to kod sebe kada si prekucavao? :) Ko t' kaze da nemam ? Imam Iron Maiden, Killers (dobro, ova dva nisam ja) Piece of Mind Powerslave Fear of The Dark Seventh Son of the Seventh Son Somewhere in Time.. Pa ti vidi.. A ostalima kojima to treba.. Xmmm.. Pa obratite se marshall-u O;)))))))))))
hard.heavy.84 z.velj,
Name: Moto Perpetuo Music: Nicolo Paganini Tempo: 180 moto_per.zip
hard.heavy.85 z.velj,
*-> Tabulature se sasvim uobičajen način zapisivanja muzike, za gitaru i *-> njoj slične instrumente. Pre par meseci je neko, u civ.x:muzika, okačio *-> jedan FAQ o tabulaturama. Da se razumemo, tabulature su uobičajeno POMOĆNO sredstvo zapisivanja muzike za gitaru i njoj sličnih instrumenata. Inače tabulatura je nastala u početnoj fazi evropske instrumentalne muzike i to za orgulje, lautu i gitaru, međutim prestaje da se upotrebljava posle 18.veka i danas se koristi najčešće kao jedna od pedagoških metoda. Inače nemam ništa protiv tabulatura ali smatram da je neadekvatan način muzičkog zapisa a posebno kao format razmene muzičkih kompozicija elektronskim medijem. Zarad potpunog razumevanja pročitaj poruku 8.71. :) Pozdrav, Zoran
hard.heavy.86 z.velj,
*-> Prvo ja nemam midi pa ne mogu to da čujem a mislim da i *-> bar 60% populacije na Sezamu nema to isto ne bavi se time i ne *-> zna kako bi Midi fajl upotrebio. Drugo tablature su namenjene *-> samo za gitaru (ja bar nisam video druge) tako da je namenjena *-> baš onima koji se time zanimaju. Cenim da su ti neke stvari u vezi MIDI-ja generalno ne jasne. Prvo ti verovatno misliš da ti je potreban MIDI-interfejs (hardware), ali nije. On bi ti poslužio u slučaju da svoj kompjuter želiš da povežeš sa nekim elektronskim muzičkim instrumentima i preko njega ih kontrolišeš putem nekog muzičkog programa (obično sequencera), međutim to nije neophodno u našoj priči, recimo da je to samo jedna lepa opcija. Ono što je zaista bitno, to je da nabaviš neki notografski program (software) koji je zapravo funkcionalno ekvivalentan text procesoru, a zatim u njemu unosiš muz.kompozicije. Kao što ti je poznato, svaki proizvođač text procesora poseduje neki sopstveni format zapisa datoteka, međutim zarad kompatibilnosti, svaki podržava i ASCII inport-export. Identična je stvar i sa notografskim ili nekim drugim muzičkim programima, samo što u njihovom slučaju ulogu ASCII-a preuzima standardizovani MIDI fajl. Naravno prednosti uvođenja takvog standarda su očigledne, datoteku urađenu u jednom programu dorađuješ u drugom opcijama koje nisu postojale u prvom, što znači da taj isti MIDI-file možeš predstaviti kao note, kao tabulaturu ili u nekom drugom, tebi pogodnom vizuelnom obliku. Da bi preslušao MIDI-file dovoljna ti je neka od mnogobrojnih zv. kartica SB, Ad Lib...(pretpostavljam da imaš PC-a) i neki od muzičkih programa koji podržava MIDI-file (a to je većina), ali kao što rekoh, neka to bude samo opcija, jer i bez toga prednosti MIDI-fajla su očigledne. Pozdrav, Zoran
hard.heavy.87 z.velj,
*-> Hajde sad, pošto je taj MIDI univerzalan, reci ti meni kako ja *-> ovo da vidim i probam da odsviram ??? Cenim da imaš PC-a? U tom slučaju kontaktiraj vpudar-a. On će ti reći koji su programi najbolji iz te oblasti. U slučaju da imaš ATARI-ja (malo verovatno), poslaću ti na mail. Pozdrav, Zoran
hard.heavy.88 z.velj,
Name: Etude No.8 (Allegro non troppo) Music: R.Kreutzer Tempo: 160 etud_no8.zip
hard.heavy.89 mdave,
Subject: Definicija Neko je tražio definiciju heavy metala : @SONG: HEAVY METAL (IS THE LAW) (Weikath/Hansen) Fight hard Live fast Play loud Step out of the crowd Iron Rulin' Steel bent Forever the faith will live on in our hearts There's nothing else in all the world That will bring it down We will play our wildest step to all around We need it as a liquid in our veins instead of blood Power Burnin' Brains out United metallians ready to strike White heat Red hot Mayhem If you don't feel it you won't understand There's nothing else in all the world That will bring it down We will play our wildest step to all around We need it as a liquid in our veins instead of blood Chorus Heavy Metal is the law that keeps us all united free A law that shatters earth and hell Heavy Metal can't be beaten by any dynasty We're all wizards fightin' with our spell Solo: M/both Chorus
hard.heavy.90 mdave,
Subject: Hallowed Be Thy Name Hallowed Be Thy Name (Harris) I'm waiting in my cold cell when the bell begins to chime Reflecting on my past life and it doesn't have much time Cos at 5 o'clock they take me to the Gallows Pole The sands of time for me are running low When the priest comes to read me the last rites I take a look through the bars at the last sights Of a world that has gone very wrong for me Can it be there's some sort of error Hard to stop the surmounting terror Is it really the end not some crazy dream Somebody please tell me that I'm dreaming It's not so easy to stop from screaming But words escape me when I try to speak Tears they flow but why am I crying After all I am not afraid of dying Don't believe that there is never an end As the guards march me out to the courtyard Someone calls from a cell "God be with you" If there's a God then why has he let me die? As I walk all my life drifts before me And though the end is near I'm not sorry Catch my soul cos it's willing to fly away Mark my words please believe my soul lives on Please don't worry now that I have gone I've gone beyond to see the truth When you know that your time is close at hand maybe then you'll begin to understand Life down there is just a strange illusion.
hard.heavy.91 mdave,
Subject: ...AND JUSTICE FOR ALL ...AND JUSTICE FOR ALL ------------------------ (HETFIELD,ULRICH,HAMMETT) HALLS OF JUSTICE PAINTED GREEN MONEY TALKING POWER WOLVES BESET YOUR DOOR HEAR THEM STALKING SOON YOU'LL PLEASE THEIR APPETITE THEY DEVOUR HAMMER OF JUSTICE CRUSHES YOU OVERPOWER THE ULTIMATE IN VANITY EXPLOITING THEIR SUPREMACY I CAN'T BELIEVE THE THINGS YOU SAY I CAN'T BELIEVE I CAN'T BELIEVE THE PRICE YOU PAY NOTHING CAN SAVE YOU JUSTICE IS LOST JUSTICE IS RAPED JUSTICE IS GONE PULLING YOUR STRINGS JUSTICE IS DONE SEEKING NO TRUTH WINNING IS ALL FIND IT SO GRIM SO TRUE SO REAL APATHY THEIR STEPPING STONE SO UNFEELING HIDDEN DEEP ANIMOSITY SO DECEIVING THROUGH YOUR EYES THEIR LIGHT BURNS HOPING TO FIND INQUISITION SINKING YOU WITH PRYING MINDS THE ULTIMATE IN VANITY EXPLOITING THEIR SUPREMACY I CAN'T BELIEVE THE THINGS YOU SAY I CAN'T BELIEVE I CAN'T BELIEVE THE PRICE YOU PAY NOTHING CAN SAVE YOU JUSTICE IS LOST JUSTICE IS RAPED JUSTICE IS GONE PULLING YOUR STRINGS JUSTICE IS DONE SEEKING NO TRUTH WINNING IS ALL FIND IT SO GRIM SO TRUE SO REAL LADY JUSTICE HAS BEEN RAPED TRUTH ASSASSIN ROLLS OF RED TAPE SEAL YOUR LIPS NOW YOU'RE DONE IN THEIR MONEY TIPS HER SCALES AGAIN MAKE YOUR DEAL JUST WHAT IS TRUTH?I CANNOT TELL CANNOT FEEL THE ULTIMATE IN VANITY EXPLOITING THEIR SUPREMACY I CAN'T BELIEVE THE THINGS YOU SAY I CAN'T BELIEVE I CAN'T BELIEVE THE PRICE WE PAY NOTHING CAN SAVE YOU JUSTICE IS LOST JUSTICE IS RAPED JUSTICE IS GONE PULLING YOUR STRINGS JUSTICE IS DONE SEEKING NO TRUTH WINNING IS ALL FIND IT SO GRIM SO TRUE SO REAL SEEKING NO TRUTH WINNING IS ALL FIND IT SO GRIM SO TRUE SO REAL
hard.heavy.92 mdave,
Subject: Hell Awaits @SONG: "Hell Awaits" (Lyrics King; Music Hanneman/King) [Backwards: "Join us" x times] [Welcome back] Existing on damnation's edge The priest had never known To witness such a violent show Of power overthrown Angels fighting aimlessly Still dying by the sword Our legions killing all in sight To get the one called Lord The Gates of Hell lie waiting as you see There's no price to pay just follow me I can take your lost soul from the grave Jesus knows your soul can not be saved Crucify the so called Lord He soon shall fall to me Your souls are damned your God has fell To slave for me eternally Hell awaits... The Reaper guard's the darkened Gates That Satan calls has home Demons feed the furnace where The Dead are free to roam Lonely children of the night There's seven ways to go Each leading to the burning hole The Lucifer controls Priests of Hades seek the sacred star Satan sees the answer lies not far Zombies screaming souls cry out to you Satanic laws prevail your life is through Pray to the moon... when it is round Death with you shall then abound What you seek... for can't be found In sea or sky or underground (Lead - Hanneman) Now I have you deep inside my everlasting grasp The seven bloody Gates of Hell Is where you'll live your last Warriors from Hell's Domain Will bring you to your Death The flames of Hades burning strong Your soul shall never rest The Gates of Hell lie waiting as you see There's no price to pay just follow me I can take your lost soul from the grave Jesus knows your soul can not be saved Sacrifice the lives of all I know they Soon shall die Their souls are damned to rot in Hell and keep the fire growing deep inside Hell awaits... (Lead - King)
hard.heavy.93 mdave,
Subject: Prisoner @SONG: The Prisoner (Smith/Harris) On the run kill to eat You're starving now you're dead on your feet Going all the way nature's beast Do what I want as I please Run fight to breathe it's tough Now you see me now you don't Break the walls I'm coming out Not a prisoner I'm a free man And my blood is my own now Don't care where the past was I know where I'm going ... out If you kill me it's self defence If I kill you then I call it vengeance Spit in your eye I will defy You'll be afraid when I call out your name I'm not a number I'm a free man I'll live my life how I want to You'd better scratch me frgm your black book Cos I'll run rings round you
hard.heavy.94 mdave,
Subject: Sea of Madness @SONG: SEA OF MADNESS (Smith) 5:42 Out in the street somebody's crying, Out in the night the fires burn, Maybe tonight somebody's crying, Reached the point of no return. Oh - my eyes they see but I can't believe, Oh - my heart is heavy as I turn my back and leave. Chorus: Like the eagle and the dove, Fly so high on wings above, When all you see can only bring you sadness, Like a river we will flow, On towards the sea we go, When all you do can only bring you sadness, Out on the sea of madness. Somewhere I hear a voice that's calling, Out in the dark there burns a dream, You got to hope when you are falling, To find the world that you have seen. Oh - my eyes they see but I can't believe, Oh - my heart is heavy as I turn my back and leave. Chorus: Like the eagle and the dove, Fly so high on wings above, When all you see can only bring you sadness, Like a river we will flow, On towards the sea we go, When all you do can only bring you sadness, Out on the sea of madness. It's madness, The sun don't shine On the sea of madness, There ain't no wind to fill your sails, Madness, When all you see can only bring you sadness On towards the sea we go...
hard.heavy.95 mdave,
Subject: HARVESTER OF SORROW HARVESTER OF SORROW --------------------- (HETFIELD/ULRICH) MY LIFE SUFFOCATES PLANTING SEEDS OF HATE I'VE LOVED, TURNED TO HATE TRAPPED FAR BEYOND MY FATE I GIVE YOU TAKE THIS LIFE THAT I FORSAKE BEEN CHEATED OF MY YOUTH YOU TURNED THIS LIE TO TRUTH ANGER MISERY YOU'LL SUFFER UNTO ME HARVESTER OF SORROW LANGUAGE OF THE MAD HARVESTER OF SORROW PURE BLACK LOOKING CLEAR MY WORK IS DONE SOON HERE TRY GETTING BACK TO ME GET BACK WHICH USED TO BE DRINK UP SHOOT IN LET THE BEATINGS BEGIN DISTRIBUTOR OF PAIN YOUR LOSS BECOMES MY GAIN ANGER MISERY YOU'LL SUFFER UNTO ME HARVESTER OF SORROW LANGUAGE OF THE MAD HARVESTER OF SORROW ALL HAVE SAID THEIR PRAYERS INVADE THEIR NIGHTMARES SEE INTO MY EYES YOU'LL FIND WHERE MURDER LIES INFANTICIDE HARVESTER OF SORROW LANGUAGE OF THE MAD HARVESTER OF SORROW LANGUAGE OF THE MAD HARVESTER OF SORROW
hard.heavy.96 mdave,
Subject: Re: Tablatura MD> *-> Hajde sad, pošto je taj MIDI univerzalan, reci ti meni kako ja MD> *-> ovo da vidim i probam da odsviram ??? MD> MD> Cenim da imaš PC-a? U tom slučaju kontaktiraj vpudar-a. On će ti MD> reći koji su programi najbolji iz te oblasti. U slučaju da imaš MD> ATARI-ja (malo verovatno), poslaću ti na mail. I to sve zbog kompozicije koju mogu da pročitam i sa tablature?
hard.heavy.97 vitez.koja,
Iron Maiden: A REAL LIVE ONE real.zip
hard.heavy.98 kcurcic,
> Subject: Wherever I May Roam E, jel' ovo tesko spakovati pa prikaciti uz poruku ?
hard.heavy.99 pyc.guy,
~~~ Malopre ukljucih MTV kad ono tamo neki Salt'n'Pepa Metal Mix ! Na prvo slusanje - pesma je super. Prava DZdzara! Bas je zanimljiva obrada. Moze se ladno reci da je tvrdje od Body Count-a. Pyc
hard.heavy.100 dcolak,
│ Suicidals for life - Suicidal Tendencies Može li neka da prismrdi Join The Army-? ;) Jel se može naći kod SKC-a? Sledge DAMMIR!
hard.heavy.101 spale,
>> [intro] >> ------------------------------------------------- >> ------------------------------------------------- >> ------------------------------------------------- repeat 4 times >> ---------5----------------------5---------------- >> ------7--------------7-------7--------------7---- >> ---0--------6--5----------0--------6--5---------- Rekao bih da je lakše ovako: ------------------------------------------------- ------------------------------------------------- ---------0-----------------------0--------------- ------2-------------2---------2-------------2---- ------------1--0--------------------1--0--------- ---0-----------------------0--------------------- Nikola
hard.heavy.102 mdave,
Subject: Re: Enter Sandman MD> >> [intro] MD> >> ------------------------------------------------- MD> >> ------------------------------------------------- MD> >> ------------------------------------------------- repeat 4 MD> times >> ---------5----------------------5---------------- MD> >> ------7--------------7-------7--------------7---- MD> >> ---0--------6--5----------0--------6--5---------- MD> MD> Rekao bih da je lakše ovako: MD> MD> ------------------------------------------------- MD> ------------------------------------------------- MD> ---------0-----------------------0--------------- MD> ------2-------------2---------2-------------2---- MD> ------------1--0--------------------1--0--------- MD> ---0-----------------------0--------------------- :) Mislim da jedna gitara svira ono prvo a druga ono drugo. Bar smo tako mi uvek svirali. :)
hard.heavy.103 mikis,
+> MD> |-----4----- ... -|-----4-----0-------| A +> MD> |--2-----2-- ... -|-------------------| E žica +> +> Brojevi označavaju pragove. Trajanja nema, svira se po sluhu. Wrong, trajanja (obično) ima, predstavljaju ga one 'crtice' između tonova (npr. svaka crtica označava 1/16; ovo sam lupio, ali obično je navedeno na početku tabulature). Inače, ovo je slučaj uglavnom kod tabulatura u elektronskom obliku, kod oni na papiru najčešće postoje i note kojima je obeležena ritmika :)
hard.heavy.104 mikis,
+> Zarad potpunog razumevanja pročitaj poruku 8.71. :) Pročitao. I još uvek nisam promenio mišljenje. Bez obzira na sve što si naveo u korist MIDI-ja, ostaje glavna zamerka: suviše komplikovano. Zašto bih se ja zezao sa konvertovanjem u 2-3 smera, zašto bih učio da radim sa nekim MIDI programom, kada je ovako mnooogo jednostavnije - čim vidim tabulaturu mogu da uzmem gitaru u ruke i počnem da sviram :) Ono za slušanje muzike možda stoji - ali kod nekih drugih vrsta muzike; ovako, mogu ili da uzmem gitaru, pa pokušam da odsviram, ili lepo pustim kasetu dotične grupe i čujem kako bi to trebalo da zvuči u originalu :) (priznaćeš da bi Metallica u MIDIju malko čudno zvučala ;) ). Sem toga, tabulature su mnogo pogodnije za distribuciju (elektronsku) - čist ASCII, veoma su pristupačne čak i početnicima (bez muzičkog obrazovanja), a osim toga, tabulature su toliko rasprostranjen način zapisivanja (pogotovu) hard&heavy muzike da je razvijeno veoma mnogo oznaka razno-raznih efekata koji bi se jako teško mogli zapisati notama. I da rezimiramo: klasika može u MIDI-ju (štaviše, poželjno je :) ), ali rock i ostala savremena 'glazba' - tabulature i akordi :)
hard.heavy.105 mikis,
+> Rekao bih da je lakše ovako: 'beš ga, i meni je lakše tako, samo đejms & co. iz nekih (samo njima poznatih razloga ;) ) ne sviraju tako nego 'onako' :)
hard.heavy.106 bulaja,
│E blago mdaveu vrati se ti u yu.folk, ovde je suviše hard&heavu za tebe. └─── E pa blago meni, hedbengovao se ti ili ne (ne znam kolike posledice ostaju posle toga:) ipak bi trebao da imaš osećaj da uopšte nije kulturno (ili kako već hoćeš) puniti padove celom Sezamu sa 32 Kb koje ogromnoj većini korisnika apsolutno netreba. Sledeći put lepo spakuj takvo nešto, pa okači kao datoteku. Meni nepada napamet da stavljam resign na neku temu ovde (pa čak ni hard&heavu ili yu.folk:) sve u nadi da ću ipak i tu jednog dana pročitati nešto korisno. :)
hard.heavy.107 mdave,
Subject: Re: Napast MD> │E blago mdaveu vrati se ti u yu.folk, ovde je suviše hard&heavu MD> │za tebe. MD> └─── MD> E pa blago meni, hedbengovao se ti ili ne (ne znam kolike MD> posledice ostaju posle toga:) Ex, opet to neznanje. Uvek se ispreči kad ne treba. MD> ipak bi trebao da imaš osećaj da uopšte nije kulturno (ili kako već MD> hoćeš) puniti padove celom Sezamu sa 32 Kb koje ogromnoj većini MD> korisnika apsolutno netreba. ko si bre ti da odredjujes nekom sta ce pisati...kriticar, filozof....? mediokritetu!!! (*) MD> Sledeći put lepo spakuj takvo nešto, pa okači kao datoteku. Onda najbolje da spakujem sve što imam i pošaljem odjednom. Gde je tu stil ? Lepota ? Umetnost ? Kreativnost ? MD> Meni nepada napamet da stavljam resign na neku temu ovde (pa čak MD> ni hard&heavu ili yu.folk:) sve u nadi da ću ipak i tu jednog dana MD> pročitati nešto korisno. :) So, ćuti i ... PS. Moglo bi, bar s' vremena na vreme, da ti padne na pamet da odvajaš "ne". (Da, da, nemam argumente pa zadajem niske udarce) (*) (c) princess '94.
hard.heavy.108 marshall,
*> A Number of the Beast 'el imas ? Evo, imam ja ... :) -Marshall number.lha
hard.heavy.109 marshall,
*> Bunimmmm seeeee !!! Sve ovo sam ja prekucavaoooo !! Ne vaziii !! *> :(( *> A mene nigde nema :(( ? Ma buni se ti koliko oces :))) Salim se.. Evo ovom prilikom te kreditujem za sve one prekucane textove ! Ali bi mogao i ti nesto da saljnes od toga... -Marshall
hard.heavy.110 evlad,
>> MD> ipak bi trebao da imas osecaj da uopste nije kulturno (ili kako vec >> MD> hoces) puniti padove celom Sezamu sa 32 Kb koje ogromnoj vecini >> MD> korisnika apsolutno netreba. >> >> ko si bre ti da odredjujes nekom sta ce pisati...kriticar, filozof....? >> mediokritetu!!! (*) Sve se placa ! Narocito ako nisi iz Beograda. Bulajina varijanta je 'jeftinija' za one van Beograda i zato je toplo pozdravljam ! MD nastavi sa salnjem, ali ako je poruka duza cca 3-4 kb onda je lepo zapakuj i prikaci je uz kratku poruku. Na ovaj nacin je i lakse pratiti conf ... Drugarski pozdrav na obe starne !!
hard.heavy.111 z.velj,
*-> Pročitao. I još uvek nisam promenio mišljenje. *-> Bez obzira na sve što si naveo u korist MIDI-ja, ostaje glavna *-> zamerka: suviše komplikovano. Zašto bih se ja zezao sa konvertovanjem u *-> 2-3 smera, zašto bih učio da radim sa nekim MIDI programom, kada je *-> ovako mnooogo jednostavnije - čim vidim tabulaturu mogu da uzmem gitaru *-> u ruke i počnem da sviram :) Moja namera se odnosila na uvođenje MIDI-fajla kao standarnog formata za razmenu muzičkih kompozicija, inače nastale na pretpostavci da na Sezamu postoje i oni korisnici, koji sviraju neke muzičke instrumente, dakle potencijalno zainteresovanu populaciju. Međutim, sudeći po odzivu, osim vas nekoliko HM-aca, očigledno nema zainteresovanih, a kako pretpo- stavljam da najbolje znate da procenite u kojoj formi vam najviše odgovara pisani muz.text, nemam nameru da vam namećem svoje mišljenje, koje se pretpostavljam, zasniva na drugačijim potrebama. Pozdrav, Zoran
hard.heavy.112 jovca.car,
/* Može li neka da prismrdi Join The Army-? ;) Ni u ludilu. ;)
hard.heavy.113 mdave,
Subject: Re: Napast MD> MD nastavi sa salnjem, ali ako je poruka duza cca 3-4 kb onda je MD> lepo zapakuj i prikaci je uz kratku poruku. OK. Ljubazno-konstruktivna kritika primljena k' znanju. Obećavam da neću više. :)
hard.heavy.114 dcolak,
│ Na prvo slusanje - pesma je super. Prava DZdzara! │ Bas je zanimljiva obrada. Moze se ladno reci da je │ tvrdje od Body Count-a. BC tvrd? :)) Hahaha :)) Svačega ću se ja ovde načitati :)) Sledge DAMMIR!
hard.heavy.115 pyc.guy,
~~~ │ Na prvo slusanje - pesma je super. Prava DZdzara! ~~~ │ Bas je zanimljiva obrada. Moze se ladno reci da je ~~~ │ tvrdje od Body Count-a. ~~~ ~~~ BC tvrd? :)) Hahaha :)) Svacega cu se ja ovde nacitati :)) Da li sam ja igde rekao da je BC tvrd??? Ja sam samo rekao da je ona pesma tvrdja od BC zbog toga sto BC, generalno gledano, jeste tvrdji bend od Salt 'n' Pepa. To ti dodje kao jedna zanimljiva konstatacija. A zasto bas BC? Zato sto i oni furaju neki rap-metal fazon. Jel ti sada jasno? Pyc
hard.heavy.116 marshall,
IRON MAIDEN JUDAS BE MY GUIDE Dickinson/Murray Lights out - We live in a world of darkness No doubt - Everything's up for sale We sleep - All the world is burning We pray - To god for a better deal Nothing is sacred - Back then or now Everything's wasted... Is that all there is? Can I go now? Judas my Guide Whispers in the night Judas my Guide Fight wars - Die in a blaze of glory Come home - Meat in a plastic sack Fall down - Better pray to your God for mercy So kneel - and help the blade cut clean Nothing is sacred - Back then or now Everyone's wasted... Is that all there is? Is that it now? I live in the black I have no guiding light I'm whispering in your dreams... Judas my Guide Whispers in the night Judas my Guide Judas my Guide Whispers in the night Judas my Guide -Marshall
hard.heavy.117 marshall,
IRON MAIDEN AFRAID TO SHOOT STRANGERS Harris Lying awake at night I wipe the sweat from my brow But it┤s not the fear ┤cos I┤d rather go now Trying to visualise the horrors that will lay ahead The desert sand mound a burial ground When it comes to the time Are we partners in crime ? When it comes to the time We'll be ready to die God les us go now and finish what's to be done Thy Kingdom Come Thy shall be done... on earth Trying to justify to ourselves the reasons to go Should we live and let live Forget and forgive But how can we let them go on this way ? The reign of terror corruption must end And we know deep down there's no other way No trust, no reasoning, no more to say. Afraid to shoot strangers Afraid to shoot strangers. -Marshall
hard.heavy.118 marshall,
For Whom the Bell Tolls Make his fight on the hill in the early day Constant chill deep inside Shouting gun, on they run through the endless grey On the fight, for they are right, yes, by who's to say? For a hill men would kill, why? They do not know Suffered wounds test there their pride Men of five, still alive through the raging glow Gone insane from the pain that they surely know chorus: For whom the bell tolls Time marches on For whom the bell tolls Take a look to the sky just before you die It is the last time you will Blackened roar massive roar fills the crumbling sky Shattered goal fills his soul with a ruthless cry Stranger now, are his eyes, to this mystery He hears the silence so loud Crack of dawn, all is gone except the will to be Now the will see what will be, blinded eyes to see chorus: -Marshall
hard.heavy.119 marshall,
Fight fire with fire Do unto others as they have done unto you But what in the hell is this world coming to? Blow the universe into nothingness Nuclear warfare shall lay us to rest chorus: Fight fire with fire Ending is near Fight fire with fire Bursting with fear We shall die Time is like a fuse, short and burning fast Armageddon is here, like said in the past chorus: Soon to fill our lungs the hot winds of death The gods are laughing, so take your last breath chorus: -Marshall
hard.heavy.120 marshall,
MIDLIFE CRISIS Go on and wring my neck Like when a rag gets wet A little discipline For my pet genius My head is like lettuce Go on dig your thumbs in I cannot stop giving I'm thirty-something Sense of security Like pockets jingling Midlife crisis Suck ingenuity Down through the family tree You're perfect, yes, it's true But without me you're only you Your menstruating heart It ain't bleedin' enough for two It's a midlife crisis... What an inheritance The salt and the kleenex Morbid self attention Bending my pinky back A little discipline A donor by habit A little discipline Rent an opinion Sense of security Holding blunt instrument I'm a perfectionist And perfect is a skinned knee You're perfect, yes, it's true But without me you're only you Your menstruating heart It ain't bleedin' enough for two It's a midlife crisis... -Marshall
hard.heavy.121 bulaja,
│ Onda najbolje da spakujem sve što imam i pošaljem odjednom. │ Gde je tu stil ? Lepota ? Umetnost ? Kreativnost ? └─── Šteta je što se tvoja kreativnost završava na želji da budeš primećen pisanjem velikog broja poruka bez mnogo sadržaja, ili slanjem desetina kilobajta koje nikome ne trebaju (pošto je Sezam presekao poruku, nije bila korisna čak ni onima kojima te stvari trebaju). Mene slanje takvih poruka ne ugrožava (zovem na 14.400 i imam 800 Mb disk, pa bi moglo da me bude baš briga i za 10 Mb manje-više, a ne običnih 32 Kb:), ali mnoge korisnike je verovatno navelo da daju resign na hard&heavy ili celu konferenciju, a možda i ignore na tebe. To nikome ne ide u prilog, a ponajmanje tebi, prema tome pamet u glavu, Metallicu u CD, ZIP u šake, svi na svoje radne zadatke i srećno drugovi O:).
hard.heavy.122 dcolak,
│/ * Može li neka da prismrdi Join The Army-? ;) │ │ Ni u ludilu. ;) Eh, Join je pesma koja živi još od mašinca... Mada, kada pogledam i Nirvana je još živa ;) JOIN THE ARMY! SHOOTKAAA! :) Sledge DAMMIR!
hard.heavy.123 mdave,
Subject: Re: For Whom the Bell Tolls MD> For Whom the Bell Tolls Pesma sa jednim od najboljih početaka. Zvona, pa bubnjevi, pa gitare. Tablatura prikačena uz poruku. ;) for_whom.zip
hard.heavy.124 .ben,
=> Knight, jel ti poznato? ;) Aces High? Moja najomiljenija. Nego, neko pomenu 'recital' ispred pesme :) ... žerčilov govor. Apropo asovi :), obratite pažnju na The Ace of Spades od Motorhead. Snažna, mnogo. kn.
hard.heavy.125 inferno,
Ů│ ˙ konstatacija. A zasto bas BC? Zato sto i oni Ů│ ˙ furaju neki rap-metal fazon. Jel ti sada jasno? Pre bi se reklo metal-core-rap...
hard.heavy.126 madcat,
*> Bunimmmm seeeee !!! Sve ovo sam ja prekucavaoooo !! Ne vaziii !! *> :(( *> A mene nigde nema :(( ? => Ma buni se ti koliko oces :))) Salim se.. Evo ovom prilikom te => kreditujem za sve one prekucane textove ! Ali bi mogao i ti nesto da => saljnes od toga... A.. Pa nek se neko prvo izjasni da mu trebaju ti textovi, pa cu da sve to vrnem nema frke..
hard.heavy.127 acid,
>> ~~~ │ Na prvo slusanje - pesma je super. Prava DZdzara! >> ~~~ │ Bas je zanimljiva obrada. Moze se ladno reci da je >> ~~~ │ tvrdje od Body Count-a. >> ~~~ >> ~~~ BC tvrd? :)) Hahaha :)) Svacega cu se ja ovde nacitati :)) >> >> Da li sam ja igde rekao da je BC tvrd??? Ja sam >> samo rekao da je ona pesma tvrdja od BC zbog toga >> sto BC, generalno gledano, jeste tvrdji bend od >> Salt 'n' Pepa. To ti dodje kao jedna zanimljiva >> konstatacija. A zasto bas BC? Zato sto i oni >> furaju neki rap-metal fazon. Jel ti sada jasno? >> >> Pyc
hard.heavy.128 pyc.guy,
Ej, Simo. Daj okaci sve te textove koje imas uz jednu poruku. A ne da mucis ljude ovako... Pad se prenosi duze, nikakav efekat se ne postize. Kao da svi vi zelite da neko pocne da slusa tu muziku ako pisete citave textove u poruke. Zasto SVAKI text ne bi isao u fajl? Pyc
hard.heavy.129 .ben,
=> BTW, kući imam tablature za prva tri albuma Maiden-a pa ako => nešto treba - vičite ! :) Prowler. Prvi album, prva strana, prva pesma :). I, ako imaš, solo iz I'm Alive (Helloween, KOtSK I) kn.
hard.heavy.130 evlad,
>> ponajmanje tebi, prema tome pamet u glavu, Metallicu u CD, ZIP u sake, >> svi na svoje radne zadatke i srecno drugovi O:). ...YES...YES...LOUDER...LOUDER.... --> Hint: Spot pevacice Sher i ona dva nacrtana rockera <--
hard.heavy.131 ljubisha,
>poruka ne ugrožava (zovem na 14.400 i imam 800 Mb disk, pa bi moglo da ^^^^^^ Jel to ovde moderatori imaju neke pogodnosti? :)
hard.heavy.132 evlad,
>> ponajmanje tebi, prema tome pamet u glavu, Metallicu u CD, ZIP u sake, >> svi na svoje radne zadatke i srecno drugovi O:). ...YES...YES...LOUDER...LOUDER.... --> Hint: Spot pevacice Sher i ona dva nacrtana rockera <--
hard.heavy.133 vcalic,
>> Jel to ovde moderatori imaju neke pogodnosti? :) NE!!! žovek je file moderator i za njegov posao je VEOMA BITNO da ima pristup Sezamu velikom brzinom. Vlada
hard.heavy.134 eburanj,
Evo jedne male kompilacije koja se odnosi na grupu M E T A L L I C A U ovoj arhivi se nalaze tekstovi sa svih albuma, i tablature za gitaru koje uzete odavde, sa SEZAM-a. NAME NORMAL PACKED -------------------------------- ------- ------- GARAGE.TXT 6046 2071 JUSTICE.TXT 12081 4217 KILL_EM.TXT 9325 3163 MASTER.TXT 9149 3487 METALLIC.TXT 4159 1060 RIDE.TXT 6317 2690 CALL.TAB 1378 513 CREEPING.TAB 8011 2155 HELPLESS.TAB 7688 2330 I_ROAM.TAB 8528 1396 MASTER.TAB 26721 3887 ONE.TAB 4392 636 SANDMAN.TAB 2914 596 SANITARI.TAB 31521 3989 SEEK&DES.TAB 6269 1451 -------------------------------- ------- ------- Total 15 files 144499 33641 MKOSANOVIĆ met.zip
hard.heavy.135 eburanj,
šta je na kraju bilo sa WELCOME HOME. Nije stalo sve uz poruku, a nije kasnije ponovo poslato (prikačeno uz poruku)? Svejedno.....hvala i za ovaj deo. MKOSANOVIĆ
hard.heavy.136 eburanj,
A jel' ima neko tablature za NOTHING ELSE MATTERS. Ako neko ima, i još nekome treba neka šalje, ako niko nema, a nekome treba ja bih pokušao da zapišem ono što sam ja "skinuo". MKOSANOVIĆ
hard.heavy.137 eburanj,
U vezi zapisa MIDI - ASCII TABLATURE: Lepo je zamisljeno da imamo standard za zapis muzike, ali zar bi neko svirao ono sto svira solo ili ritam gitara na nekom drugom instrumentu?
hard.heavy.138 mikis,
+> --> Hint: Spot pevacice Sher i ona dva nacrtana rockera <-- Hm, "dva nacrtana rockera" se zovu Beavis i Butt-head (zar ima neko ko ne zna? :) ) Btw, jel čuo neko za Barnystein, igru u stilu Dooma, u kojoj ste u ulozi pomenute dvojice i ubijate malu decu :)
hard.heavy.139 mdave,
Subject: Re: Prowler MD> Prowler. Prvi album, prva strana, prva pesma :). MD> I, ako imaš, solo iz I'm Alive (Helloween, KOtSK I) Evo zasad samo chords, pošto nisam baš pri slobodnom vremenu. -------- @SONG: Prowler Steve Harris Walking through the city, looking oh so pretty, Em I've just got to find my way. D Em See the ladies flashing. All there legs and lashes. Em I've just got to find my way. D Em Well you see me crawling through the bushes with it open wide. F E G A What you seeing girl? G O.C. E Can't you believe that feeling, can't you believe it, F Can't you believe your eyes? E G A It's the real thing girl. G O.C. E Got me feeling myself and reeling around, C D Em Got me talking but feel like walking around. C D Em Got me feeling myself and reeling a... Em D Got me talking but nothing's with me... C B C D Got me feeling myself and reeling around. Em D C
hard.heavy.140 mdave,
Subject: Re: Welcome Home Hopla ! sanitari.zip
hard.heavy.141 mdave,
Subject: Re: Nothing Else Matters MD> A jel' ima neko tablature za NOTHING ELSE MATTERS. Ako neko ima, i MD> još nekome treba neka šalje, ako niko nema, a nekome treba ja bih MD> pokušao da zapišem ono što sam ja "skinuo". MD> MKOSANOVIĆ Hopla ! nothing.zip
hard.heavy.142 woody,
Pitanja mog brata: Je l' trač ili istina da Sepultura dolazi 17.11. protočne godine kod nas ? Da l' neko ima tekst pesme "BLACK" od PEARL JAM-a ? Best regards, Kale
hard.heavy.143 pyc.guy,
~~~ Je l' trac ili istina da Sepultura dolazi 17.11. protocne ~~~ godine kod nas ? I ja imam pitanju u ovom fazonu...:) Da li je trac ili istina da Faith No More dolazi u Bgd 17.01.1995? Pyc
hard.heavy.144 ddotlic,
Ovom prilikom bih hteo da se zahvalim svim dobronamernim građanima koji su u ovu temu slali tekstove i tablature svima nam poznate grupe METALLICA. Derek
hard.heavy.145 maksa,
>> Da l' neko ima tekst pesme "BLACK" od PEARL JAM-a ? black sheets of empty canvas under sheets of glass were laid spread out before me as her body lay still all five horizons revolved around her soul as the earth with the sun now the air i tasted and breathed has taken a turn ooh and all i taught her was...everything ooh i know she gave me all that she would and now my bitter hands chafe beneath the clouds of what was everything all the pictures said all been washed in black tattooed everything i take a walk outside i'm surrounded by some kids at play i can feel their laughter so why do i see her? and twisted thoughts that spin round my head i'm spinning ... oh i'm spinning high up with the sun can't drop away now my bitter hands grate on broken glass of what was everything all the pictures said all been washed in black tattooed everything all the love gone bad turned my world to black tatooed all i see all that i am all that i'll be yeah i know someday you'll have a beautiful life i know you'll be a star in somebody else's sky but why why why can't it be can't it be mine?
hard.heavy.146 drndi,
>> ~~~ Je l' trac ili istina da Sepultura dolazi 17.11. protocne >> ~~~ godine kod nas ? >> >> Da li je trac ili istina da Faith No More dolazi u >> Bgd 17.01.1995? Ja sam cuo da sredinom novembra dolazi Dr.Alban?!
hard.heavy.147 vitez.koja,
#=> Da li je trac ili istina da Faith No More dolazi u #=> Bgd 17.01.1995? Bogami, ja sam ovu insinuaciju čuo sa najrazličitijih strana... Nažalost, ne verujem :(
hard.heavy.148 acid,
LSD ~~~ Je l' trac ili istina da Sepultura dolazi 17.11. protocne LSD ~~~ godine kod nas ? LSD LSD I ja imam pitanju u ovom fazonu...:) LSD Da li je trac ili istina da Faith No More dolazi u LSD Bgd 17.01.1995? Slicno pitanje za Ice-T-a. Ima li neko informaciju ?
hard.heavy.149 superhik,
=:>>> Da li je trac ili istina da Faith No More dolazi u =:>>> Bgd 17.01.1995? =:> =:> Ja sam cuo da sredinom novembra dolazi Dr.Alban?! Ma to neko pušta buve! Sumnjam u ispravnost podataka! :(
hard.heavy.150 mikis,
+> Je l' trač ili istina da Sepultura dolazi 17.11. protočne +> godine kod nas ? Trač.
hard.heavy.151 mikis,
+> black Odakle ti reči ove pesme (sa SHBBS-a?) Pitam zato što se razlikuju od verzije koju sam skinuo sa Osmeha, npr: +> under sheets of glass +> were laid spread out before me +> as her body lay still untouched sheets of plain her legs spread wide before me as her body holds still +> grate on broken glass cradle broken glass ...itd, itd, ima još par razlika (mada su neke očigledno pogrešne u Osmeh verziji), pa bih voleo da utvrdimo konačan tekst ove pesme :) (ima li neko CD? ima li uopšte reči na CD-u?)
hard.heavy.152 mikis,
+> Slicno pitanje za Ice-T-a. Bojim se da je i ovo trač. Ice-T i Public Enemy sviraju 22. novembra u Budimpešti.
hard.heavy.153 mikis,
Dve vesti iz novog broja "ukusa nestašnih": - Pevač grupe Alice In Chains, Layne Staley napustio je grupu i pridružio se grupi Sun Red Star, bivšeg basiste A.I.C. Mike Starra. - Dave Abrruezze (bubnjar) je napustio Pearl Jam. Po negovim rečima rastanak je bio prijateljski iako on nije imao udela u toj odluci (znači, šutnuli ga ;) - prim. ja) Kao njegova zamena pominje se Dave Grohl (Nirvana). Inače Pearl Jam očekuje izlazak novog CD-a krajem oktobra, naziv albuma je "Vitalogy" (Epic) (btw, album još nije stigao do nas, iako se već dva meseca nalazi na top listi "Vremena zabave", a jedan pirat kod SKC-a mi reče da izlazi tek 28. novembra ?!?)
hard.heavy.154 marshall,
*> Subject: Re: For Whom the Bell Tolls *> *> MD> For Whom the Bell Tolls *> *> Pesma sa jednim od najboljih pocetaka. Zvona, pa bubnjevi, pa *> gitare. Ma, pesma je ubitacna... Kad se prvi put oglase bubnjevi iza zvona, ja obavezno odlepim 100% :)) Zanima me da li cu ja od Metallice ponovo cuti jos nesto slicno ovome (mislim nesto novo)... Iskreno se nadam ! -Marshall
hard.heavy.155 pyc.guy,
~~~ Ja sam cuo da sredinom novembra dolazi Dr.Alban?! To sam i ja cuo.. I cuo sam da ce karta da bude 35 din. Svi govore... Pyc
hard.heavy.156 pyc.guy,
~~~ Bogami, ja sam ovu insinuaciju cuo sa najrazlicitijih strana... ^^^^^^^^^^^^^^^^^^^^^^ ~~~ Nazalost, ne verujem :( Razlog vise da se veruje... Joj.. kad bi dosli.. huh.. bilo bi veselo :) Dao bi 100 DM za koncert. Pyc
hard.heavy.157 stefan,
> ~~~ Ja sam cuo da sredinom novembra dolazi Dr.Alban?! > > To sam i ja cuo.. I cuo sam da ce karta da bude 35 > din. Svi govore... Pa to je bilo objavljeno u programu SC za novembar u Politici.
hard.heavy.158 marshall,
*> *> Bunimmmm seeeee !!! Sve ovo sam ja prekucavaoooo !! Ne vaziii !! *> *> :(( *> *> A mene nigde nema :(( ? *> *> => Ma buni se ti koliko oces :))) Salim se.. Evo ovom prilikom te *> => kreditujem za sve one prekucane textove ! Ali bi mogao i ti nesto da *> => saljnes od toga... *> *> A.. Pa nek se neko prvo izjasni da mu trebaju ti textovi, pa cu da sve to *> vrnem nema frke.. Ma sta ima da se izjasnjavaju... Trebaju im :))) Samo ti salji, a ako se neko buni posteno cemo mu suditi i odmah ga osuditi :))) -Marshall
hard.heavy.159 armitage,
> ...itd, itd, ima još par razlika (mada su neke očigledno pogrešne u > Osmeh verziji), pa bih voleo da utvrdimo konačan tekst ove pesme :) (ima > li neko CD? ima li uopšte reči na CD-u?) Ima, ali ja nemam CD. :) Na kaseti su isprintani samo 'fragmenti' ove pesme. Bilo kako bilo, evo moje verzije, lično sam je preslušao više puta i usaglasio sa 'fragmentima'. Opet, ne tvrdim da je ni ona 100% ok. ;) Black ----- Sheets of empty canvas Untouched sheets of clay Lay spread out before me As her body once did All five horizons Revolved around her soul As the earth to the sun Now the air I tasted and breathed Has taken a turn Oh, and all I taught her was Everything I know she gave me all That she wore And now my bitter hands Shake beneath the clouds Of what was everything All the pictures had All been washed in black Tattooed everything I take a walk outside I'm surrounded by Some kids at play I can feel their laughter, oh So why do I see it And twisted thoughts that spin Round my head I'm spinning, oh, I'm spinning How quick the sun can Drop away And now my bitter hands Grate on broken glass Of what was everything All the pictures had All been washed in black Tattooed everything All the love gone bad Turned my world to black Tattooed all I see All that I am All I'll be Yeah I know someday you'll have a beautiful life I know you'll be a star In somebody else's sky But why Why Why can't it be Can't it be mine Pearl Jam -*- Armitage -*- [ Hey, stay away from that keybo#@!$@=#*+ .... bad kitty, no biscuit! ]
hard.heavy.160 vitez.koja,
#=> Razlog vise da se veruje... Joj.. kad bi dosli.. #=> huh.. bilo bi veselo :) Dao bi 100 DM za koncert. E jadan ne bio, za 60 već možeš da odeš u Budimpeštu, i, pored koncerta, vidiš i sveta.
hard.heavy.161 maksa,
>> Odakle ti reči ove pesme (sa SHBBS-a?) Da. žovek tražio, a ja promptno poslao ono što imam. :) Da kačimo i disclaimere, ubuduće ? ;)
hard.heavy.162 eburanj,
Hej! A ja sam čuo da je Dr.Alban izvršio samoubistvo.
hard.heavy.163 stefan,
>Hej! A ja sam čuo da je Dr.Alban izvršio samoubistvo. Kad je čuo gde mu je menadžer zakazao gostovanje? ;)) ps. a šta će Dr. Alban u hard.heavy? :))
hard.heavy.164 madcat,
*> A.. Pa nek se neko prvo izjasni da mu trebaju ti textovi, pa cu da sve to *> vrnem nema frke.. => Ma sta ima da se izjasnjavaju... Trebaju im :))) Samo ti salji, a => ako se neko buni posteno cemo mu suditi i odmah ga osuditi :))) E, pa evo onda, mislim da nije bilo...
hard.heavy.165 madcat,
*> A.. Pa nek se neko prvo izjasni da mu trebaju ti textovi, pa cu da sve to *> vrnem nema frke.. => Ma sta ima da se izjasnjavaju... Trebaju im :))) Samo ti salji, a => ako se neko buni posteno cemo mu suditi i odmah ga osuditi :))) E, pa evo onda, mislim da nije bilo... seventh.lha
hard.heavy.166 pyc.guy,
~~~ E jadan ne bio, za 60 vec mozes da odes u Budimpestu, i, ~~~ pored koncerta, vidis i sveta. Da, ali kada dolaze u Budapest? Pyc
hard.heavy.167 marshall,
*> >Hej! A ja sam cuo da je Dr.Alban izvrsio samoubistvo. *> *> Kad je cuo gde mu je menadzer zakazao gostovanje? ;)) *> *> ps. a sta ce Dr. Alban u hard.heavy? :)) Pa valjda povodom samoubistva !!! ;>>> -Marshall
hard.heavy.168 mikis,
+> Da, ali kada dolaze u Budapest? žek, izgubio sam se malo, o kome pričate? Sepultura je pre godinu dana bila, a što se FNM-a tiče, najsvežija vest je da je Jim Martin (gitarista) napustio bend. Na njegovo mesto dišao je gitarista grupe Mr. Bungle (projekat M.Patona), a s obzirom da im ni album nije izašao, nerealno je očekivati (evropsku) turneju u skorije vreme. p.s. Info je iz zadnjeg "Headbangers Balla"
hard.heavy.169 mdave,
Pesma sa najnovijeg Maidenovog albuma "Standing in The Front of Death". :) Inače, album se pojavio pre dve nedelje u UK i boli glava koliko je dobar. Do krJaja! @ALBUM: Standing in The Front of Death @GROUP: IRON MAIDEN @SONG: Silver thing Bruce Dickinson Anyway, I went too far I will leave it all behind All the things that seems to me (where are they) to much far to see Silver thing called charm My deeds and sacrifise All my days upon your wish Thousand peaple But just one dream And if I cry And if I die Anything - never mind.
hard.heavy.170 gjoca,
Subject: Re: Iron Maiden :: @ALBUM: Standing in The Front of Death :: @GROUP: IRON MAIDEN :: :: @SONG: Silver thing :: Bruce Dickinson Stan' malo, ovde nešto sux :) Reci ti meni otkud Dickinson u Maidenima??? Kad se vratio itd... Btw. imaš li taj album O:) -=> MM <=-
hard.heavy.171 dcolak,
│ Pesma sa najnovijeg Maidenovog albuma "Standing in The │ Front of Death". :) What'a fuck? Bruce Dickinson singing? Zar nije napustio band? Jeah, Bruce Rides Again :) Sledge DAMMIR!
hard.heavy.172 mdave,
Subject: Re: Iron Maiden MD> Stan' malo, ovde nešto sux :) Reci ti meni otkud Dickinson u MD> Maidenima??? Kad se vratio itd... Pola peva on, a pola Kiske. Inače, prekucavam textove, stižu vrlo brzo. :)
hard.heavy.173 vitez.koja,
#=> Pesma sa najnovijeg Maidenovog albuma "Standing in The #=> Front of Death". :) Novi album ? Turneja ? (: :) (: :) (: :)
hard.heavy.174 inferno,
Ů│ Pesma sa najnovijeg Maidenovog albuma "Standing in The Ů│ Front of Death". :) Ů│ Ů│ Inače, album se pojavio pre dve nedelje u UK i boli glava Ů│ koliko je dobar. Do krJaja! Molim te, čim čujes da ga neko ovde ima diži alarm... please! :))
hard.heavy.175 gjoca,
Subject: Re: Iron Maiden :: Pola peva on, a pola Kiske. Inače, prekucavam textove, stižu :: vrlo brzo. :) E sine, to je kul... Ono što si mi puštao preko telefona je mnogo besno... Jer si konstatovao kako album neodoljivo podseća na 'Piece of Mind', straXota :) -=> MM <=-
hard.heavy.176 mikis,
+> Pesma sa najnovijeg Maidenovog albuma "Standing in The +> Front of Death". :) Kuj peva? Dickinson, ili...? :)
hard.heavy.177 mdave,
Subject: Re: Iron Maiden MD> +> Pesma sa najnovijeg Maidenovog albuma "Standing in The MD> +> Front of Death". :) MD> MD> Kuj peva? Dickinson, ili...? :) Verovali ili ne, pola on, pola Kiske.
hard.heavy.178 mikis,
+> MD> Kuj peva? Dickinson, ili...? :) +> +> Verovali ili ne, pola on, pola Kiske. S*reš :) Ne verujem ti dok sam ne čujem (ne vidim) ;)
hard.heavy.179 mdave,
Subject: Re: Iron Maiden MD> +> MD> Kuj peva? Dickinson, ili...? :) MD> +> MD> +> Verovali ili ne, pola on, pola Kiske. MD> MD> S*reš :) Ne verujem ti dok sam ne čujem (ne vidim) ;) E sad ti ne dam ! ;)
hard.heavy.180 mdave,
Subject: Aktuelnosti Q U E E N S R Y C H E Promissed land Someone else? When I'm fell from grace I've never realised A deep deflore was around me A man whose life was toy 'Cos like a cattle left to boil And water left disguise on me I know now who I am If only for a while I recognize the changes I feel like I did Before the magic warfind And baptism of stains begun They use to say I wad no way man Headding down my destiny But yesterday I sware That was someone else, not me Here I stand on the crossroad edge Afraid to reach out for eternety And what's the thing I looked down I see, someone else not me Looking back, looking back and I see Someone else... All my life they say I was going down But I'm still standing strong and proud And today I know There's so much more I can bee I think I finaly understnand From where I'm stand atthe crossroad's edge There's path leading up to see And from somewhwre deep in my mind Silency of life, strond sudout If only they know how But one plugges back from mass And I see Someone else, not me... I keep loking back... And someone else... ME.
hard.heavy.181 paki,
Steve Vai: "Sisters" (sve tri sestre su tu ;) sisters.zip
hard.heavy.182 eburanj,
Pa da vidimo onda Maidena! Jos ne verujem da bi izaslo novi album, (I jos sa Dickinsinom i Kiskeom!) Aki
hard.heavy.183 vitez.koja,
Obratite pažnju na ovu pesmu... zapravo i nije pesma... MANIFEST FRIDAY, OCTOBER 2ND, 1992 CHAOS HAS DESCENDED IN "CARANDIRU," THE BIGGEST PENITENTIARY COMPLEX IN SOUTH AMERICA OVER A HUNDRED INMATES DEAD AND HUNDREDS INJURED ON THE MASSCARE THE POLICE ARRIVED WITH HELICOPTERS AND OVER TWO HUNDRED ARMED FORCES THEY TOOK THE JAILBLOCK CALLED "PAVIHAO NOVE" AND OPENED FIRE ON THE INMATES IN A HOLOCAUST, METHOD OF ANNIHILATION, THE GOVERMENT OF THE CITY OF SAO PAULO CANNOT CONTROL THE BRUTALITY OF ITS POLICE HOLOCAUST, BODY PILES CONFRONTATION, MULTILATION DISCIPLINE, IGNORANCE CONFLAGRATION, TORTURE OVER EIGHTY PRECENT OF THE INMATES WERE NOT SENTENCED YET, THE BODIES WERE FILLED WITH BULLETS AND BITES FROM THE POLICE DOGS THE POLICE TRY TO HIDE THE MASSACRE SAYING THERE WERE ONLY EIGHT DEATHS THE VIOLENCE OF BRASILIAN COPS IS VERY WELL KNOWN OUTSIDE OF BRAZIL, THIS KIND OF EXTERMINATION IS A METHOD THAT THEY USE TO GET RID OF THE OVER POPULATION IN THE JAILS THE VIOLENCE OF THE COPS LEFT THE WHOLE PAVILLION DESTROYED AFTER THE REBELLION "PAVIHAO NOVE" (PAVIHAO 9) (Sepultura)
hard.heavy.184 spale,
Jel zna neko nešto o informaciji da Metalika dolazi u Beograd u februaru? Nikola
hard.heavy.185 eburanj,
Eh, ovako: Iz decembarskog broja Metal Hammer-a saznajem da Iron Maiden PRIPREMA novu plocu (uglavnom Harris) - sa novim pevacem (ex Wolvesbane), koji je inace imao saobracajnu nesrecu, ali je preziveo. Vec odavno pratim Metal Hammer i u poslednje vreme nije bilo nikakvih vesti o nekakvom albumu Bruce + Kiske. (Sigurno bi nesto pisali o tome, jer to bi bilo onda nesto senzacionalno). Aki.
hard.heavy.186 vitez.koja,
#=> Jel zna neko nešto o informaciji da Metalika dolazi u #=> Beograd u februaru? Priča se da dolazi originalna postava, sa sve Dejvom Mustejnom i Klifom Bartonom ;>
hard.heavy.187 crncic,
>> Prica se da dolazi originalna postava, sa sve Dejvom Mustejnom i >> Klifom Bartonom ;> Dave nece, on dolazi sa svojim bendom ;) ali Klif je u Februaru sigurno tu O:))
hard.heavy.188 mikis,
+> Jel zna neko nešto o informaciji da Metalika dolazi u Beograd u februaru? 99,99% najobičnija buva. Da bi krenuli na turneju, moraju prethodno da izdaju album, a o tome još uvek niko ništa ne priča. Nego, može se ispostaviti da ono za FNM ipak nije buva. Naime, i ja sam čuo, navodno sada iz malo pouzdanijeg izvora - moj ortak je čuo od Tome, urednika "Ukusa nestašnih", kome je opet rekao neki iz Sava Centra, da je stvar već skoro rešena, i da pomenuti dolaze 14. januara, u Sava centar. čivi bili pa videli. p.s. Ja i dalje ne verujem ;)
hard.heavy.189 inferno,
Ů│ ˙ Priča se da dolazi originalna postava, sa sve Dejvom Mustejnom i Ů│ ˙ Klifom Bartonom ;> I Nirvana sa Kurt Kobejnom? Yeah! :)) Night of the Zombies? ;)) ili podzemne vode.. ;)
hard.heavy.190 dcolak,
│ Nego, može se ispostaviti da ono za FNM ipak nije buva. Naime, i ja │ sam čuo, navodno sada iz malo pouzdanijeg izvora - moj ortak je čuo od │ Tome, urednika "Ukusa nestašnih", kome je opet rekao neki iz Sava │ Centra, da je stvar već skoro rešena, i da pomenuti dolaze 14. januara, │ u Sava centar. Znaš li šta to znači? :) To znači da ću skijanje odložiti samo da bih ih gledao :) Kakvo će tu krljanje da padne :)) │ p.s. Ja i dalje ne verujem ;) Pozitivno razmišljanje, pozitivno, cveće, ljubičice, biće FNM, biće FNM :) Sledge DAMMIR!
hard.heavy.191 spale,
>> 99,99% najobičnija buva. Da bi krenuli na turneju, moraju prethodno >> da izdaju album, a o tome još uvek niko ništa ne priča. Znam, zato sam i pitao. :) Nikola
hard.heavy.192 armitage,
> Znaš li šta to znači? :) To znači da ću skijanje odložiti samo da > bih ih gledao :) Kakvo će tu krljanje da padne :)) Nije mi jasno kako misle da reše problem stolica, ali ajde, živi bili pa videli. -*- Armitage -*- P.S.: Ne volim šutke.
hard.heavy.193 jovca.car,
/* Nije mi jasno kako misle da reše problem stolica, ali ajde, živi bili pa /* videli. K'o u Dadovu. ;)
hard.heavy.194 vitez.koja,
#=>> Znaš li šta to znači? :) To znači da ću skijanje #=>> odložiti samo da bih ih gledao :) Kakvo će tu krljanje #=> da padne :)) #=> #=> Nije mi jasno kako misle da reše problem stolica, ali #=> ajde, živi bili pa videli. Zanima me kako su taj problem rešavali u svetu... video sam puno koncertnih snimaka gde, kao uvodni deo, puštaju deliće tonskih proba i sl. pred praznom halom, i dobro se vide redovi stolica... #=> P.S.: Ne volim šutke. Ma, ne voli ih ni Damir. Pod 'krljanje' on podrazumeva kada stojiš sam ispred zvučnika, i tako sam od sebe padneš na srču - skrljaš se ;)
hard.heavy.195 vitez.koja,
WALK Can't you see I'm easily bothered by persistance one step from lashing out at you... You want in to get under my skin and call yourself a friend. I've got more friends like You what do I do? Is there no standard any more? what it takes, who I am, where I've been, belong. You can't be something you're not Be Yourself, by yourself, stay away from me. A lesson learned in life, known from the dawn of time Respect, WALK. Run your mouth when I'm not around, it's easy to achieve. You cry to weak friends that sympatize. Can you hear the violins playing your song? Those same friends tell me your every word Is there no standard any more? what it takes, who I am, where I've been, belong. You can't be something you're not Be Yourself, by yourself, stay away from me. A lesson learned in life, known from the dawn of time Respect, WALK. Are you talking to me? No way punk. (Pantera)
hard.heavy.196 dcolak,
│ Ma, ne voli ih ni Damir. Pod 'krljanje' on podrazumeva kada │ stojiš sam ispred zvučnika, i tako sam od sebe padneš na │ srču - skrljaš se ;) Pod uslovom da to nije JOIN THE ARMY, ili BRING THE NOISE, ili BEASTIE BOYZ ili FAITH NO MORE ili CLAWFINGER ;) Sledge DAMMIR!
hard.heavy.197 marshall,
> Prica se da dolazi originalna postava, sa sve Dejvom Mustejnom i > Klifom Bartonom ;> PA ovaj prvi bi i mogao da svrati, da nas malo uveseljava i podize opste-narodni moral :)) Doduse, da nije sprecen, ne bi bilo lose ni ovaj drugi da navrne tu i tamo :) E, sad ozbiljno... Jel se zna nesto - planira li Mustain sa ortacima neku turneju, i da li ona obuhvata nasu bratsku zemlju Madjarsku ??? -Marshall
hard.heavy.198 marshall,
> Jel zna neko nesto o informaciji da Metalika dolazi u Beograd u februaru? E, ja stvarno ne znam odakle sve poticu te informacije, ali sa ovakvim protokom bendova mogli bi i Ameri da budu zadovoljni :) Sta sve nije "najavljeno" ... Pearl Jam, Sepultura, FNM, pa sad i Metallica... Mozda sam nesto ispustio (ah, da - Nirvanu ;)... PS.: Sto se mene tice, mogu oni svi zajedno da dodju :) -Marshall
hard.heavy.199 eburanj,
Evo me opet posle duže pauze.... Nabavio sam KOMPLETNE tablature (na papiru) za neke pesme od grupe METALLICA ╗▀Š (ONE, EYE OF THE BEHOLDER, BLACKENED) Mozda nekom treba?  ű Milan Kosanović
hard.heavy.200 armitage,
> Nabavio sam KOMPLETNE tablature (na papiru) za neke pesme od > grupe METALLICA ╗▀Š (ONE, EYE OF THE BEHOLDER, BLACKENED) > Mozda nekom treba? Naravno! Daj najpre za "One", pa onda sve stalo. -*- Armitage -*-
hard.heavy.201 eburanj,
žim■˛ nađem slobodnog vremena (sledeće nedelje) Mkosanović (ako se nekom žuri može dobiti da iskopira) ű  █ű
hard.heavy.202 fancy,
Menjam duplikat CD Aerosmith - Livin' on the best, ili prodajem za 10 DEM.
hard.heavy.203 alexr,
AC / DC THUNDERSTRUCK Words and music by Angus Young & Malcom Young I was caught in the middle of a railroad track, (Thunder !) I looked 'round, and I knew there was no turnin' back. (Thunder !) My mind raced and I thought what could I do, (Thunder !) And I knew there was no help, no help from you. (Thunder !) Sound of the drums, Beatin' in my heart, The thunder of drums, yeah, Tore me apart. You've been thunderstruck! Rode down the highway, broke the limit, we hit the town, Went through to Texas, yeah Texas, and we had some fun We met some girls, some dancers who gave a good time, Broke all the rules, Played all the fools, yeah, yeah, they, they, they blew our minds. I was shakin' at the knees, Could I come again, please ? Yeah, the ladies were too kind. You've been thuderstruck! Yeah, yeah, yeah, thunderstruck. Yeah ,yeah, yeah, said Yeah, it's alright, We're doing fine, fine, fine, thunderstruck. Whoa, baby, baby, thunderstruck. You've been thunderstruck ! P.S. Imam i tabulature za ovo ali me mrzi da prekucavam. Ako nekome treba može da ih dobije da kopira. P.S.2 Ima li neko reči od MAIDEN-a: Piece of mind, Caught somewhere in time, No prayer for dying (a i ostalih albuma koji nisu već bili ovde) ?
hard.heavy.204 inferno,
Ů│ ˙ P.S.2 Ima li neko reči od MAIDEN-a: Piece of mind, Caught somewhere in Ů│ ˙ time, No prayer for dying (a i ostalih albuma koji nisu već bili ovde) ? kaži mi koji su albumi bili ovde..
hard.heavy.205 alexr,
> Ů│ ˙ P.S.2 Ima li neko reči od MAIDEN-a: Piece of mind, Caught somewhere in > Ů│ ˙ time, No prayer for dying (a i ostalih albuma koji nisu već bili ovde) > ? > kaži mi koji su albumi bili ovde.. Od onih koje sam ja našao : 7th Son of the 7th Son Iron Maiden A Real Live One Powerslave Number of the Beast i većina pesama sa Fear of the dark AlexR
hard.heavy.206 mdave,
Subject: Re: Iron Maiden MD> > Ů│ ˙ P.S.2 Ima li neko reči od MAIDEN-a: Piece of mind, Caught MD> somewhere in > Ů│ ˙ time, No prayer for dying (a i ostalih albuma MD> koji nisu već bili ovde) > ? MD> > kaži mi koji su albumi bili ovde.. MD> MD> Od onih koje sam ja našao : MD> 7th Son of the 7th Son MD> Iron Maiden Ja sam sredio sve tekstove i poslao Vladi. Biće uskoro na Sezamu u pristupačnijoj formi.
hard.heavy.207 inferno,
Ů│ ˙ 7th Son of the 7th Son Ů│ ˙ Iron Maiden Ů│ ˙ A Real Live One Ů│ ˙ Powerslave Ů│ ˙ Number of the Beast Evo sad će da nas časti mdave.. :))
hard.heavy.208 nkrgovic,
Gde gde gde gde gde!!! Daj nam pointere na sve poruke koje sadrze albume od maiden,please?!!! tnx nk.
hard.heavy.209 vlador,
Aman ljudi pomagajte. ;) Vec duže vreme tragam za rečima pesme Nothing else matters (doduše tiho), a nikako da im uđem u trag. :) A nekoliko stihova BAŠ nikako ne mogu da razumem. :) Šaljite. --- ■ VLADOR ■ Na ulazu u samostan: "Ne diraj nindzu!"
hard.heavy.210 mdimitrijevic,
Evo ako nekome trebaju tekstovi Paradise Lost - Icon pozdrav Mdimitrijevic
hard.heavy.211 ognjen,
)-> Aman ljudi pomagajte. ;) Vec duže vreme tragam za rečima )-> pesme Nothing else matters (doduše tiho), a nikako da im uđem )-> u trag. :) Javi se korisniku inferno na mail :) ili CIV.7:muzika poruka 8.362. Meni je ispunio istu tu muzičku želju. :)
hard.heavy.212 inferno,
Ů│ ˙ Aman ljudi pomagajte. ;) Vec duže vreme tragam za rečima pesme Nothing Ů│ ˙ else matters (doduše tiho), a nikako da im uđem u trag. :) A nekoliko Ů│ ˙ stihova BAŠ nikako ne mogu da razumem. :) Šaljite. Pa što ne kažeš, majstore?! :) NOTHING ELSE MATTERS So close no matter how far couldn't be much more from the heart forever trusting who we are and nothing else matters never opened myself this way life is ours, we live it our way all these words I don't just say and nothing else matters trust I seek and I find in you every day for us something new open mind for a different view and nothing else matters never cared for what they do never cared for what they know but I know so close no matter how far couldn't be much more from the heart forever trusting who we are and nothing else matters never cared for what they do never cared for what they know but I know never opened myself this way life is ours, we live it our way all these words I don't just say trust I seek and I find in you every day for us something new open mind for a different view and nothing else matters never cared for what they say never cared for games they play never cared for what they do never cared for what they know and I know so close no matter how far couldn't be much more from the heart forever trusting who we are no nothing else matters
hard.heavy.213 marshall,
=> > kazi mi koji su albumi bili ovde.. => Od onih koje sam ja nasao : => 7th Son of the 7th Son => Iron Maiden => A Real Live One => Powerslave => Number of the Beast => i vecina pesama sa Fear of the dark E, pa evo ga i ceo FOTD, onda... fotd.lha
hard.heavy.214 marshall,
A cini mi se da ni ovo nije bilo (Piece of Mind).. Eve ga onda.. pom.lha
hard.heavy.215 marshall,
E, imam jos i killers-e.. To je to.. kill.zip
hard.heavy.216 inferno,
Ů│ ˙ Javi se korisniku inferno na mail :) ili Ů│ ˙ CIV.7:muzika poruka 8.362. Meni je ispunio istu tu muzičku Ů│ ˙ želju. :) :)) Ux, ja već posalo čoveku. Mnogo sam zaboravan... ;)
hard.heavy.217 vlador,
> Pa što ne kažeš, majstore?! :) To care! :) --- ■ VLADOR ■ Real programmers use "copy con FILENAME.EXE"
hard.heavy.218 aleck,
>> )-> pesme Nothing else matters (doduše tiho), a nikako da im uđem Kad smo kod Metallice... Imam u posedu tekstove pesama sa albuma:Kill'em All,Ride the Lightning, And Justice for All...,Master of Puppets.Jel da šaljem? Acika p.s.Imaću za koji dan i Metallica 1and2 i Cover Songs.Takođe i sve albume Guns 'n Roses.
hard.heavy.219 alexr,
Da ne bi sada kopao po starim porukama evo ga sve zajedno. Daklem uz poruku su sledeći albumi : Iron Maiden Killers Number Of The Beast Piece Of Mind Powerslave Seventh Son Of The Seventh Son Fear Of The Dark A Real Live One Fale nam još : Somewhere In Time No Prayer For Dying (?????) Ako neko ima ovo da priloži, da upotpunimo kolekciju AlexR maiden.zip
hard.heavy.220 vlador,
> And Justice for All...,Master of Puppets.Jel da šaljem? žu, je l' da šalje... ŠALJI! :) --- ■ VLADOR ■ Nema svako govno sansu da postane djubrivo!
hard.heavy.221 aleck,
>> žu, je l' da šalje... ŠALJI! :) Ok,evo stiže Metallica... p.s.Samo 4 kom.;ostali(Metallica 1and2...) verovatno u utorak. metalica.zip
hard.heavy.222 aleck,
A evo i Use Your Illusion 1and2... usemasta.zip
hard.heavy.223 aleck,
Eh...šta da vam kažem...najbolji i ...malo slabiji... Pozdrav. gnrprva2.zip
hard.heavy.224 inferno,
Ů│ ˙ Imam u posedu tekstove pesama sa albuma:Kill'em All,Ride the Lightning, Ů│ ˙ And Justice for All...,Master of Puppets.Jel da šaljem? Ovo je kaceno na Sezam.. :) Ů│ ˙ p.s.Imaću za koji dan i Metallica 1and2 i Cover Songs.Takođe i sve Ů│ ˙ albume Guns 'n Roses. E ovo moze! :))
hard.heavy.225 inferno,
Ů│ ˙ Da ne bi sada kopao po starim porukama evo ga sve zajedno. Ů│ ˙ Daklem uz poruku su sledeći albumi : A singlovi? :) Ů│ ˙ Fale nam još : Ů│ ˙ Somewhere In Time Ů│ ˙ No Prayer For Dying Ů│ ˙ (?????) Ů│ ˙ Ako neko ima ovo da priloži, da upotpunimo kolekciju ajd videćemo da prekucam....
hard.heavy.226 vitez.koja,
#=> ajd videćemo da prekucam.... Ne trudi se... sve već postoji u elektronski čitljivoj formi, na sezamu...
hard.heavy.227 marshall,
=> Daklem uz poruku su sledeci albumi : => Iron Maiden => Killers => Number Of The Beast => Piece Of Mind => Powerslave => Seventh Son Of The Seventh Son => Fear Of The Dark => A Real Live One => Fale nam jos : => Somewhere In Time Vidi, vidi.. I to imam, a nisam primetio da nije u listi.. Sramota :((((( Evo, da se iskupim O:) somewit.lha
hard.heavy.228 spale,
>> A singlovi? :) Imaš tri komada u temi tekstovi. Dva su od mene, jedan od viteza koje. Nikola
hard.heavy.229 inferno,
Ů│ ˙#=> ajd videćemo da prekucam.... Ů│ ˙ Ů│ ˙ Ne trudi se... sve već postoji u elektronski čitljivoj formi, na Ů│ ˙ sezamu... A pointer? ;) Ja ne videh Somewhere in time i No prayer.. :)
hard.heavy.230 aleck,
Kao što obećah,evo i ovih...Metallica 1and2 i Cover Songs.Enjoy. metal.zip
hard.heavy.231 inferno,
Ů│ ˙>> A singlovi? :) Ů│ ˙ Imaš tri komada u temi tekstovi. Dva su od mene, jedan od viteza koje. Da znam.. :) Skinuo sam ih, ali nam fale još neki textovi.. da krenemo redom.. :) 1. Women in uniform 2. Invasion 3. Total Eclipse 4. Rainbow's Gold 5. King Of Twilight 6. Reach out 7. Sheriff Of Huddersfield 8. That Girl 9. Huanita 10. Black Bart Blues 11. Massacre 12. All in your mind 13. Mill Me ce Coir ... i to je sve! ;)
hard.heavy.232 nkrgovic,
Kad smo vec lepo poceli sa textovima od MAIDEN ima li neko album Iron Maiden? tnx nk
hard.heavy.233 aleck,
>> Kad smo vec lepo poceli sa textovima od MAIDEN ima li neko album Iron Pa jel ti čitaš poštu:)?AlexR ti je replicirao porukom uz koju ti je fajl sa više albuma,a tu ti je i taj.Poruka je 8.219.
hard.heavy.234 vitez.koja,
#=> 8. That Girl #=> 9. Huanita #=> 10. Black Bart Blues #=> 13. Mill Me ce Coir Nikad čuo. Da nemaš možda audio zapis ? :)
hard.heavy.235 ssrdjans,
Ako nekoga interesuje RAGE AGAINST THE MACHINE i zeli reci pesama neka se javi ili umre!!! SRDJAN '95
hard.heavy.236 bpredic,
Ajd suni FREEDOM za pocetak!
hard.heavy.237 ssrdjans,
10. F R E E D O M Solo, I'm a soloist on a solo list all live, never on a floppy disk inka, inka bottle of ink paintings of rebellion drawn up by the thoughts I think It's set up like a deck of cards they're sending us to early graves for all the diamonds they'll use a pair of club to beat the spades with poetry I paint the pictures that hit more like the murals that fit don't turn away GET IN FRONT OF IT! Brotha did ya forget ya name Did ya lose it on the wall Playin' tic-tac-toe Yo, check the diagonal Three brothers gone Come on Doesn't that make it three in a row ANGER is a gift Brotha did ya forget ya name Did ya lose it on the wall Playin' tic-tac-toe Yo, check the diagonal Three MILLION gone Come on 'Cause ya know they're counting Backwards to zero Environment The environment exceeding on the level Of our unconsciousness For example What does the billboard say Come and play, come and play Forget about the movement ANGER is a gift FREEDOM , FREEDOM YEA RIGHT HHHHHHHKKKKKKKKKKKKKK HKKKKK H HHHHHHHHHHHHMMMMMMMMMMMMMM HHHH SRDJAN '95
hard.heavy.238 ddotlic,
Za sve one koji traže tekstove Metallic-e: pogledajte poruku broj 8.134, čovek skupio sve što se povlačilo po Sezamu uključujući tablature... Derek
hard.heavy.239 ssrdjans,
RADICALLY POETIC!!! Pesme od RAGE AGAINST THE MACHINE!!! SRDJAN rage.arj
hard.heavy.240 inferno,
Ů│ ˙ Pesma sa najnovijeg Maidenovog albuma "Standing in The Ů│ ˙ Front of Death". :) Ů│ ˙ Ů│ ˙ Inače, album se pojavio pre dve nedelje u UK i boli glava Ů│ ˙ koliko je dobar. Do krJaja! ux, ova poruka koju citiram pisana je 18.11.94 samo sam je ja sačuvao na disku za lepe dane.. ;)) So, koliko treba da album dođe do nas? :))
hard.heavy.241 janko,
Ima li neko ko zna koji tip peva sa Gans and Rouzes na krovu u spotu "Don't Cry"?
hard.heavy.242 jkpbvk,
||| Ima li neko ko zna koji tip peva sa Gans and Rouzes na krovu u ||| spotu "Don't Cry"? Meni lici na pevaca iz Faith No More
hard.heavy.243 aleck,
>> Ima li neko ko zna koji tip peva sa Gans and Rouzes na krovu u >> spotu "Don't Cry"? A jel ima neko ko je gledao Highlander III,pa da kaže kakva je muzika koju je napisala moja omiljena grupa?
hard.heavy.244 inesic,
> A jel ima neko ko je gledao Highlander III,pa da kaže kakva je > muzika koju je napisala moja omiljena grupa? Ja sam ga gledao, na žalost datih para. Do bola glup film. Muzika... ima par mesta gde ide uz film, ali je često naporna i nije u funkciji. Možda da je preslušaš van filma. U svakom slučaju, najpre preslušaj pa tek onda kupi soundtrack.
hard.heavy.245 dcolak,
│ ||| Ima li neko ko zna koji tip peva sa Gans and Rouzes na krovu u │ ||| spotu "Don't Cry"? │ │ Meni lici na pevaca iz Faith No More Sorry man ali ni blizu :) Sledge DAMMIR!
hard.heavy.246 dcolak,
│ A jel ima neko ko je gledao Highlander III,pa da kaže kakva je muzika │ koju je napisala moja omiljena grupa? Muzika? U Brđaninu 3? Nema toga u njega :> Sledge DAMMIR!
hard.heavy.247 inferno,
Ů│ ˙ A jel ima neko ko je gledao Highlander III,pa da kaže kakva je muzika Ů│ ˙ koju je napisala moja omiljena grupa? :)) muzika je u nekim scenama odlična, ali uopšteno gledano...
hard.heavy.248 jkpbvk,
||| Sorry man ali ni blizu :) Pa dobro, sad se tip sredio, ocesljao i umio, obrijao i umio :)) Ne, salim se, ali ko je taj tip ?
hard.heavy.249 crncic,
>> Ima li neko ko zna koji tip peva sa Gans and Rouzes na krovu u >> spotu "Don't Cry"? Tip se zove Shannon Hoon.
hard.heavy.250 dcolak,
│ Ja sam ga gledao, na žalost datih para. Do bola glup film. │ Muzika... ima par mesta gde ide uz film, ali je često naporna i │ nije u funkciji. Možda da je preslušaš van filma. U svakom │ slučaju, najpre preslušaj pa tek onda kupi soundtrack. Zaboravih, najbolja muzika je ona za vreme čvrste okrugle guze koja sepomeranasvestraneabaškakotreba :) Sledge DAMMIR!
hard.heavy.251 dcolak,
│ ||| Sorry man ali ni blizu :) │ │ Pa dobro, sad se tip sredio, ocesljao i umio, obrijao i umio :)) │ Ne, salim se, ali ko je taj tip ? Zaboravih mu ime, ali prema MTV to je pevač neke grupice te lični prijatelj AXL-a. Naravno još jedan za kojim devojčice seku venice ;) Sledge DAMMIR!
hard.heavy.252 ssrdjans,
RADICALLY POETIC!!! @SONG: Killing In The Name @GROUP: Rage Against The Machine "To make you do what the deciders had decided you must do, they use force to make you do what the deciders had decided you must do! " -- Zack De La Rocha / American Headlines Killing in the name of! Some of those that work forces are the same that burn crosses killing in the name of killing in the name of now you do what they told ya those that died justify for having a badge take your chosen right justify those that died for having a badge take your chosen right Some of those that work forces are the same that burn crosses killing in the name of killing in the name of [n'] now you do what they told ya [ {n'} now you're under control] those that died justify for having a badge take your chosen right justify those that died for having a badge take your chosen right fuck you, I won't do what you tell me mutha fucka'!! ****** A M E R I C A N I N D I A N M O V E M E N T ****** 1 9 9 5
hard.heavy.253 mikis,
+> ||| Ima li neko ko zna koji tip peva sa Gans and Rouzes na krovu u +> ||| spotu "Don't Cry"? +> +> Meni lici na pevaca iz Faith No More Au, gde ga nađe ;) K'o što neko reče, tip se zove Shannon Hoon, a peva u bendu "Blind Melon". Uzgred, par "ekskluzivnih" informacija o Faith No More. Novi album, pod nazivom "King For A Day... Fool For A Lifetime" izlazi 13. marta za firmu Slash/London. Originalnog gitaristu, Jima Martina (koji je nedavno otišao iz benda, čini mi se da je sad u Voodoo Cult-u) zamenio je Trey Spruance. Međutim, na turneji koja počinje u aprilu neće svirati on, već neki, još uvek nepoznati gitarista.
hard.heavy.254 crncic,
Ajde, ko će da ispriča kako je bilo na večeri Metallice u KSTu ?
hard.heavy.255 vitez.koja,
#=> Ajde, ko će da ispriča kako je bilo na večeri Metallice #=> u KSTu ? Evo, ja ću. Prva pozitivna stavka - nije bilo gužve. U hodniku je bilo jako malo ljudi, unutra taman koliko treba, možda malčice više u sred večeri. VD DJ je bio Bure, koji je osrednje obavio svoj posao (za njega - sjajno;). Muzika je, naravno, bila pretežno Metallica. Cenim da je svaka druga pesma bila njihova. Pored toga bilo je dosta i Sepulture, Motorhead, AC/DC, Black Sabbath, i naravno nezaobilazni Iron Maiden :) Ljudi koji su se okupili su uglavnom bili cool. Sezam je bio dostojno reprezentovan u liku (i delu) nas nekoliko... Prijatno me je iznenadilo je što je velika većina reagovala na Black Sabbath i Maidene :) Potvrdila se moja teza da za je za žestinu neke pesme važniji osećaj koji ta pesma nosi nego ritam i gitare - šutke na Maidene su bile ubedljivo najžešće, mada je njihova muzika, uz AC/DC, po nekoj prividnoj bučnosti i agresivnosti daleko ispod Metallice ili Sepulture. Eh, stari majstori :) Ozvučenje u KSTu funkcioniše sve slabije i slabije :( Oko 11:30, kada sam ja došao, ispred ulaza se okupila poveća grupa skinsa, koji verovatno nisu došli da se druže, ali da li zato što ih je mrzelo da čekaju ili zato što ih je rasterala murija, tek do bratimljenja nije došlo. Bure je, u svom tragikomičnom stilu, završio veče nekakvim pankom... :)
hard.heavy.256 sajo,
Blago metalcu koji ne voli pank i skinheadse.Pozdrav. s
hard.heavy.257 sajo,
Blago "metalcima" koji ne vole punk.Pozdrav.
hard.heavy.258 inferno,
Ů│ ˙ Muzika je, naravno, bila pretežno Metallica. Cenim da je svaka Ů│ ˙ druga pesma bila njihova. Pored toga bilo je dosta i Sepulture, Ů│ ˙ Motorhead, AC/DC, Black Sabbath, i naravno nezaobilazni Ů│ ˙ Iron Maiden :) ----------- Ex, da sam znao da će njih puštati sigurno bih se pojavio... Šteta, šteta... Koje su pesme puštali? :) Ů│ ˙ Potvrdila se moja teza da za je za žestinu neke pesme važniji Ů│ ˙ osećaj koji ta pesma nosi nego ritam i gitare - šutke na Maidene Ů│ ˙ su bile ubedljivo najžešće, mada je njihova muzika, uz AC/DC, Ů│ ˙ po nekoj prividnoj bučnosti i agresivnosti daleko ispod Metallice Ů│ ˙ ili Sepulture. Eh, stari majstori :) :( Šta mi bi pa ne odoh... Ex... Nikad nisam bio u šutki na Maidene... :(( Kad će opet neki sličan događaj???? :(((((
hard.heavy.259 mizor,
Subject: Re: KST && Metlica :: večeri. VD DJ je bio Bure, koji je osrednje obavio svoj posao (za :: njega - sjajno;). Dj. Bure je napravio ludilo pustivši 'Children of the Damned', al' ajde ;-) :: Muzika je, naravno, bila pretežno Metallica. Cenim da je svaka :: druga pesma bila njihova. Pored toga bilo je dosta i Sepulture, :: Motorhead, AC/DC, Black Sabbath, i naravno nezaobilazni Iron :: Maiden :) Po meni je Metlice bilo isuviše mnogo. Da je bilo 10-ak pesama manje i da je pustio Whiplash bilo bi mnogo bolje, ovako, nije bilo loše, al' može i bolje ;-) :: me je iznenadilo je što je velika većina reagovala na Black :: Sabbath i Maidene :) Kojo, seti se šutke na The No. of the Beast... Izvini ;-> :: po nekoj prividnoj bučnosti i agresivnosti daleko ispod Metallice :: ili Sepulture. Eh, stari majstori :) Kad reče Sljputura... Totalno me je razočarala ova nova, a i ona stara generacija Metalaca... Pustio čovek Refuse/Resist i svi kuliraju i gledaju nas tri mentola kako se šutiramo, užas :-(((((( Naravno, ova teza je opovrgnuta kad je VD DJ-a pustio 'Got the Time'... Još uvek me bole neki delovi tela, a i glava (pri padu sam zveknuo u stub) :-(( :: Bure je, u svom tragikomičnom stilu, završio veče nekakvim :: pankom... :) Sex Pistols, ali ubij me ako znam koja je pesma :-( markom
hard.heavy.260 mizor,
Subject: Re: Maiden kickass :: Ex, da sam znao da će njih puštati sigurno bih se pojavio... :: Šteta, šteta... Koje su pesme puštali? :) 1. Children of the Damned 2. Run to the Hills 3. The Number of the Beast 4. Fear of the Dark markom
hard.heavy.261 dcolak,
│ 4. Fear of the Dark Jesi li primetio Hor Uduvanih Metalaca (skraćeno HUM)? :))) FeAr Of tHe DaRK! :)) Iron Maiden RuleZ :) Sledge DAMMIR!
hard.heavy.262 vitez.koja,
#=> Blago "metalcima" koji ne vole punk. ...jer njihovo je carstvo nebesko! ps. nastavak diskusije u CIVILIZACIJA:film.
hard.heavy.263 sajo,
A isto tako blago "punksima" koji ne vole metal.Sve u svemu tragikomicno.
hard.heavy.264 inferno,
Ů│ ˙ Dj. Bure je napravio ludilo pustivši 'Children of the Ů│ ˙ Damned', al' ajde ;-) Ů│ ˙ markom zašto me mučite, krvnici...? ;( --- ...znaš kad ćeš videti o'brajana.. ;->
hard.heavy.265 inferno,
Ů│ ˙ :: Šteta, šteta... Koje su pesme puštali? :) Ů│ ˙ Ů│ ˙ 1. Children of the Damned Ů│ ˙ 2. Run to the Hills Ů│ ˙ 3. The Number of the Beast Ů│ ˙ 4. Fear of the Dark hm.... počinjem ozbiljno da razmišljam o samoubistvu... ;) kad će opet neki sličan događaj, imate li informacije..? :))
hard.heavy.266 vitez.koja,
Skeletons Of Society Minutes seems like days Since the fire ruled the sky The rich became the beggar And the fool became the wise Memories linger in my brain Of burning from the acid rain A pain I never have won Nothing here remains No future and no past No one could foresee The end that came so fast Hear the prophet make his guess That paradise lies in the west So join his quest for the sun Shades of death are all I see Fragments of what used to be The world slowly decays Destruction fills my eyes Harboring the image Of a spiraling demise Burning winds release their fury Simulating judge and jury Drifting flurries of pain Deafening silence reigns As twilight fills the sky Eventual supremacy As Daylight waits to die Darkness always calls my name A pawn in this recurring game Humanity going insane Shades of death are all I see Fragments of what used to be Fragments of what used to be Skeletons of society Minutes seem like days Corrosion fills the sky Morbid dreams of anarchy Brought judgment in disguise Memories linger in my brain Life with nothing more to gain Perpetual madness remains Shades of death are all I see Skeletons of society Shades of death are all I see Fragments of what used to be Fragments of what used to be Skeletons of society (SLAYER, Seasons in Abyss)
hard.heavy.267 crncic,
>> Ljudi koji su se okupili su uglavnom bili cool. Sezam je bio >> dostojno reprezentovan u liku (i delu) nas nekoliko... Prijatno Hm :) Svaka čast. Tnx na opisu večeri...
hard.heavy.268 mizor,
Subject: Re: HUM on FOD :: Jesi li primetio Hor Uduvanih Metalaca (skraćeno HUM)? :))) žu' video ;-) Pa Koja i ja bili međ' njima ... ;-) Doduše, nismo bili uduvani, al' mislim da je V.K već bio ispraznio svoju flašicu-spasicu ;-) tako da nije bio baš pri čistoj svesti ;->>> markom
hard.heavy.269 vitez.koja,
#=> Doduše, nismo bili uduvani, al' mislim da je V.K već #=> bio ispraznio svoju flašicu-spasicu ;-) tako da nije bio #=> baš pri čistoj svesti ;->>> Crni Markome, je'l znaš ti da se zbog ovakvih insinuacija na zapadu robija ? ;)))
hard.heavy.270 mdave,
Subject: Iron Maiden I N T R O D U C T I O N In June 1977, when all around them were embracing punk and new wave pop, Iron Maiden struck out to mine the metal ores. Faced with indifferent club owners, deaf record executives and changing line-ups, bassist Steve Harris led Iron Maiden onward. As Harris told 'Guitar For The Practicing Musician', "The basic rules still apply. You've got to be dedicated and stick to your guns." Spending $400 to make the legendary Soundhouse Tapes, Maiden got their first taste of success when deejay Neal Kay put the song Prowler at number one, as compiled by requests! Maiden was off and running. But it wasn't the strength of the Soundhouse Tapes that got them major label attention. It was the ever growing size of their folowing. In the winter of '79 Maiden, having gone through a number of guitarists (Dave Murray was the only constant) and at least one drummer, signed with EMI Capitol Records. Finally on April 14, 1980 IRON MAIDEN was released while the group opened for Judas Priest in England and Kiss in Europe. It was toward the end of that year, when the band and producer Martin Birch got together to start a heavy metal dynasty on vinyl. On through KILLERS, THE NUMBER OF THE BEAST and PEACE OF MIND, "Martin was able to get the best performance out of us without even realizing it", says Harris. It is to this explosion of rock energy and its precision of execution captured on record, that this book is dedicated to sharing. ("IRON MAIDEN", Copyright (c) 1987 Hal Leonard Publishing Corporation)
hard.heavy.271 mdave,
Subject: Re: Iron Maiden I N T E R V I E W - RECORDING EQUIPMENT with Steve Harris by John Stix John: When you started writing for Iron Maiden, did you have a style in mind you wanted to create ? Steve: It turns out that writing the songs was a natural thing. There were a lot of different bands that i tried to keep away from sounding like. In the early days we used to do covers of Wishborne Ash and Free. As soon we got our own things together we got rid of them. The first song I ever wrote that we recorded was called Burnin'Ambition. It was the B side of the Running Free single in England. John: Right from the start you've had a very clean, clear bass sound in the studio. Steve: I've always liked that sort of sound. Because of the way I write songs I think the bass should be heard as clearly as the guitars in the mix. It's not just there for bottom and feel. The bass and drums should be there to keep the beat. But there are times when can go out and do different things as well. I'll do harmony or unison on te bass to the guitars. In Phantom of the Opera I play a unison with one guitar while the other is playing a harmony. We do that quite a lot. John: Do you have any favorite harmony passages ? Steve: There's one in particular I enjoy on Another Life. John: There also seems to be a bit of classical touch to your scales ? Steve: That's a natural thing. I don't read music and when I practice i don't play scales. I don't know the scales to begin with. John: You've gotten a better sound with each album. But the step from NUMBER OF THE BEAST to PEACE OF MIND is a quantum leap. Steve: We think so too. The only thing I can put down to is that it's our third album with Martin Birch producing. The more we work with him, the better our working relationship gets. He knows what we want. We're also more experienced in the studio and that means we know more about how to get what we want. I think the new drummer, Nicko McBrain, also makes a big difference with the songs climaxing in the right places. John: Do you record the rhytm tracks first ? Steve: We do bass, drums and two rhythm guitars parts pretty much as the would done live, but without the harmony guitars parts on the top. Sometimes we use a guide vocal and sometimes we don't. The rhythm tracks are done pretty much live. John: On PIECE OF MIND every song has a different focus. Steve: There's more diversity to the writing on this album. Bruce and Adrian contributes more and that gives a different feel. John: Whein it comes to solo, I'd say that Dave is the T-bar lead man and Adrian is more thoughtful. Steve: Dave generally does them off the top of his head. Adrian will work something out eight out of ten times. Sometimes his solos stick in your mind because they have more melody to them. John: My headphones tell me you use a Fender bass. Steve: A Fender Precision bass. For amps I have Hi Watt preamps with graphic EQ built in and recording studio designed slave amps. John: Do you record with stage setup ? Steve: Yes, I do. I have an RSD slave amp and Marshall 4x12" cabinet with Ev speakers. Dave and Adrian both use 50 watt Marshall heads with the original Celestions in their 4x12" bottoms. John: Do you know their guitar preferences ? Steve: Adrian plays an Ibanez Destroyer and a Gipson SG. Dave still uses a Stratocaster. John: You mentioned Chris Squire as an influence. What other bass players do you listen to ? Steve: I like the ones I've listened to for years. They include Mike Rutheford, Geddy Lee, Andy Fraser and John Erwistle. There are loads of them really. John: Do you feel an pressure with success ? Steve: There is more presure. Each album you do, each tour you do, you have to try and make them better than the last one. There's more pressure, but the more experience you have the more prepared you are to deal with it. John: Is it unique that the bass player is the leader and main composer of a metal band ? Steve: I don't think so. There are quite a few bass players who do a lot a writing. Look at Geddy Lee and Phil Lynott. I don't know if they write on bass. I would like to find that out. Most of the songs would have turned out differently if them had been written on the guitar because it's a different approuch. I don't think this is something that gives us part of our sound. Generally when people write on the guitar they tend to write with chords. You can usually tell when a song been written based on chords. John: What song would you recomended people start with in this book ? Steve: On a beginners level, Running Free is quite easy as Flight of Icarus. For the more difficult pieces I suggest Phantom of the Opera and To Tame A Land. John: Do yu have any overall advice about how to approuch the songs ? Steve: When approaching any song try and recreate the same sort of feel. Learn to play it slowly then gradually build up the speed until you've got it where it belongs. I'm very flattered that people want to learn our songs. I hope they have an easier time learning then than I did writing them. (John Stix is editor of GUITAR for the Practicing Musician Magazine) ("IRON MAIDEN", Copyright (c) 1987 Hal Leonard Publising Corporation)
hard.heavy.272 ssrdjans,
YO! Mooooooooooooooooooooooolim vas, ako neko ima reci od RATM za pesmu: HADN'T BEEN PLAYING ON THE JUKE BOX neka OMA posalje!
hard.heavy.273 mrajko,
Da li bi neko mogao da mi posalje tekstove pesama grupe Pantera??? ('cowboys from hell','j'm broken', 'walk','this love' i td...)
hard.heavy.274 rcolic,
a>ako neko ima reci od RATM za pesmu: > HADN'T BEEN PLAYING ON THE JUKE BOX BTW pesma se zove : " Hadda be playing on the Juke-box" Sto se reci tive skoro sve sam provalio, pa cu jedan dan sesti i napisati...
hard.heavy.275 rcolic,
Evo reci sa Vulgar display of power By Pantera Ima li neko reci sa novog albuma ? vulgar.txt
hard.heavy.276 ssrdjans,
Ehej, Na kaseti pise da se pesma zove : HADN'T BEEN PLAYING ON THE JUKE BOX !!! Ako si provalio reci kao i naslov pesme, onda ih bolje ne salji!
hard.heavy.277 vitez.koja,
#=> Na kaseti pise da se pesma zove : HADN'T BEEN PLAYING ON #=> THE JUKE BOX !!! Ako si kasetu nabavio ispred SKCa, nemoj mnogo da se obazireš na to što piše. Video sam jednu na kojoj piše PanterA - Vulgar Power of Display :))))) ("Vulgar Display of Power", prim. moja).
hard.heavy.278 mizor,
:: PanterA - Vulgar Power of Display PantherA -- Vulgar Power of Displey Tako je pisalo na jednoj što sam ja imao :-) markom
hard.heavy.279 mizor,
:: Ima li neko reci sa novog albuma ? Ima toga još, al' tamo odakle je ovo stiglo... Ko zna zna ;-) markom beyond.zip
hard.heavy.280 vitez.koja,
Možda ovo ne pripada ovde, ali boljeg mesta nema... Jesus Built My Hotrod soon i discovered that this rock thing was true jerry lee lewis was the devil jesus was an architect previous to his career as a prophet all of a sudden, i found myself in love with the world so there was only one thing that i could do was ding a ding dang my dang a long ling long ding dang a dong bong bing bong ticky ticky thought of a gun everytime i try to do it all now baby am i on the run why why why why why baby if it's so evil then? give me my time, with all my power give it to me all again (wow) ding a ding a dang a dong dong ding dong every where i go everytime you tell me baby when i settle down got to get me a trailer park and hold my world around why why why why? ding ding donga dong dong ding dong dingy dingy son of a gun half my time i tell you baby never am I all for sure why why why why why baby sicky sicky from within everytime I stick my finger on in ya you're a wild wild little town bitch now how 'bout ding a dang dong dong dong ling long dingy a dingy dong a down everytime you tell me baby when i settle down got to get me a trailer park and hold my world around why why why why? in my dang a ding a ding a ding dong a sticky sticky son of a gun ding a danga danga dong dong ding dong why why never know why why wack a dong a dang ding dong then you take it on the bill ding dang dong don't dong whoa! i wanna love ya! why why why, why why darling do you do you tell me to play? half the time I talk about it all now baby you know what I'm talkin' about I said why why why it'll ticky ticky ticky ticky son of a gun ding ding dong a bong bong bing bong ticky ticky thought of a gun bing bing bang a bang a bang bing bong bing a bing bang a bong binga bing a bang a bong bong bing bong bing banga bong bing bing bang a bong bong bing bing binga binga banga bong bing bing bang a bang bang bing bong aarrrhhhh... ding dang a dang bong bing bong ticky ticky thought of a gun everytime I try to do it all now baby am I on the run why why why it'll ticky ticky ticky ticky ticky ticky dawn of a gun bing bing bang a bong a bong bing bang a ticky ticky thought of a gun bing bip bip a bop bop boom bam ticky ticky through the day if you got a doubt 'bout baby the memory is on the bed why why why why why darlin' uh it don't know when my time is on might tell me never do it on his own if my time was all as is yours make me burn a wish when my time with you is brutish no I'll never not ever why why why why why why baby heavy hell alone and it's here it's this thunder the thunder oh thunder oh! jesus built my car it's a love affair mainly jesus and my hot rod yeah, fuck it! (Ministry)
hard.heavy.281 dcolak,
│ PanterA - Vulgar Power of Display │ │ :))))) ("Vulgar Display of Power", prim. moja). UNTIL THE AND OF THE WORLD :>>> Da ne prepisujem ostalo :> Sledge DAMMIR!
hard.heavy.282 mdave,
Subject: SOD 10x to trancer Vitez.Koya :) @SONG: SYMPHONY OF DESTRUCTION (Mustaine) You take a mortal man, And put him in control Watch him become a god, Watch peoples heads a'roll A'roll... /Chorus/ Just like the Pied Piper Led rats through the streets We dance like marionettes, Swaying to the Symphony... Of Destruction Acting like a robot, Its metal brain corrodes. You try to take its pulse, Before the head explodes. Explodes... /Chorus/ /Solo - Marty/ The earth starts to rumble World powers fall A'warring for the heavens, A peaceful man stands tall Tall... /Chorus/
hard.heavy.283 paki,
­> PantherA -- Vulgar Power of Displey A šta kažete na "Sex Of Madness" Iron Maidena? :)
hard.heavy.284 eburanj,
>> A sta kazete na "Sex Of Madness" Iron Maidena? pa, to nije "sex" vec "sea of madness"
hard.heavy.285 mizor,
:: A šta kažete na "Sex Of Madness" Iron Maidena? :) To je beše Sea of Madness? Kol'ko se sećam, ima nešto slično na Somewhere ;-) markom
hard.heavy.286 paki,
­> To je beše Sea of Madness? Kol'ko se sećam, ima nešto slično ­> na Somewhere ;-) Da :) A tek "Bicycle Rade" grupe Queen... :)
hard.heavy.287 mizor,
:: A tek "Bicycle Rade" grupe Queen... :) Bicycle Race sa Jazz ;-) Vidi ti mene, pa čak i ovo znam :-))) markom
hard.heavy.288 alien,
[] :: A tek "Bicycle Rade" grupe Queen... :) [] [] Bicycle Race sa Jazz ;-) Jazz je fantastičan album, po meni - najbolji njihov album.
hard.heavy.289 crncic,
>> :: Šteta, šteta... Koje su pesme puštali? :) >> 2. Run to the Hills >> 3. The Number of the Beast >> 4. Fear of the Dark Ima li neko akordaciju (ili još bolje tabl.) za ovo ?
hard.heavy.290 mdave,
Subject: Re: Bež' u brda! > >> 2. Run to the Hills > > Ima li neko akordaciju (ili još bolje tabl.) za ovo ? Run to the Hills (The Number Of The Beast) (Harris) (prve dve strofe ide gutar lick - EED DDE CCD GGA) White man came across the sea Brought us pain and misery Killed our tribes killed our creed Took our game for his own need (onda kreće faster) Riding through dustclouds and barren wastes D Galloping hard on the plains C C B C B Chasing the redskins back to their holes D Fighting them at their own game C C B C B Murder for freedom a stab in the back Am C Women and children and cowards attack F D Run to the hills run for your lives G F C G E F# G PS. Nešto ne mogu da se setim "The Number Of The Beast". :)
hard.heavy.291 eburanj,
Re ű: SYMPHONY OF DESTRUCTION Sto ne kazete da nemate... MKOSANOVIC ceoalb.txt
hard.heavy.292 inferno,
Ů│ ˙ A šta kažete na "Sex Of Madness" Iron Maidena? :) gde to ima da se slatko smejemo??? :)))))))) --- ...Bugari ponovo jašu... ;)
hard.heavy.293 crncic,
>> PS. Nešto ne mogu da se setim "The Number Of The Beast". :) Tnx, daj šta daš, dosta je i ovo. Ako ime neko drugi neka pošalje.
hard.heavy.294 mdave,
Subject: Re: The Number Of The Beast > >> PS. Nešto ne mogu da se setim "The Number Of The Beast". :) > > Tnx, daj šta daš, dosta je i ovo. Ako ime neko drugi neka pošalje. Ma da se ne brukam više, mrzelo me je da pišem. :) The Number of the Beast (Harris) I left alone my mind was blank D I needed time to get the memories from my mind C D What did I see can I belaeve that what I saw C that night was real and not just fantasy D 6 6 6 the Number of the Beast C G C D Hell and fire was spawned to be released C G C D
hard.heavy.295 mdave,
Subject: Hallowed Be Thy Name A evo i poklon. :) Hallowed Be Thy Name (Harris) I'm waiting in my cold cell when the bell begins to chime Em Reflecting on my past life and it doesn't have much time Cos at 5 o'clock they take me to the Gallows Pole C D Em (Yeeeeeah!!!) The sands of time for me are running low C D Em (ooooooooooooooooooooooo..ooow) (sad idu dve gitare, pratnja je Em, C, D, Em pa prelaz C,D) When the priest comes to read me the last rites Em Em C I take a look through the bars at the last sights A D Of a world that has gone very wrong for me B Em B C Somebody please tell me that I'm dreaming Em It's not so easy to stop from screaming C But words escape me when I try to speak D Em B C ...i tako dalje. :)
hard.heavy.296 paki,
­> gde to ima da se slatko smejemo??? :)))))))) SKC - Iron Maiden, "The Best Of", compilation by izvesni Kressimir (zaboravih mu prezime :).
hard.heavy.297 senna,
Jel treba nekome Youthansia album od Megadetha? Stoji otkucano pa ako treba...
hard.heavy.298 crncic,
>> 6 6 6 the Number of the Beast >> C G C D >> Hell and fire was spawned to be released >> C G C D Prvo sam mislio da je neka greška, tako sam zaključio iz prošle poruke sa Run to... Sad vidim da akorde pišeš ISPOD stihova, zašto ovo radiš ? :)) Tnx anyway, samo ti šalji, sad se razumemo :)
hard.heavy.299 mdave,
Subject: Re: Youthanasia > Jel treba nekome Youthansia album od Megadetha? Stoji otkucano pa > ako treba... Šilji ! :)
hard.heavy.300 mdave,
Subject: Re: Children Of The Damned Subject: Children of the Damned Children of the Damned (Harris) Em Cmaj7 D6 D(add9)-I D(add9) e|-------| e|-------| e|---x---| e|---x---| e|-------| B|-------| B|-------| B|-------| B|---x---| B|---1---| G|-------| G|-------| G|---2---| G|---x---| G|---2---| D|---2---| D|---2---| D|-------| D|---2---| D|-------| A|---2---| A|---3---| A|-------| A|-------| A|-------| E|-------| E|---x---| E|---x---| E|---x---| E|---x---| He's walking like a small child Em Cmaj7 D6 But watch his eyes burn you away Em Cmaj7 D6 Black holes in his golden stare Em Cmaj7 D6 God knows he wants to go home Em Cmaj7 D6 Children of The Damned D Em Bm C Children of The Damned D Em Bm C D A G F#m D (ovo je prelaz) Em D C D Now it burns his hand he's turning to laugh Em D(add9)-I Smiles as the flame sears his flesh Cmaj7 C D6 Em (posle sola ide od D pa nastavlja : ) You're Children of The Damned Em Your back's against the wall D(add9) You turn into the light C You're burning in the night D(add9) You're Children of The Damned Em D G A Em
hard.heavy.301 inferno,
Ů│ ˙ Run to the Hills (The Number Of The Beast) Ů│ ˙ (prve dve strofe ide gutar lick - EED DDE CCD GGA) Ux, kad se sad nisam šlogirao... :) Svaka čast. Ů│ ˙ PS. Nešto ne mogu da se setim "The Number Of The Beast". :) ajd molim te, vidi za ovo.. Treba mi k'o leba! :)
hard.heavy.302 inferno,
Ů│ ˙ Subject: Hallowed Be Thy Name Ů│ ˙ A evo i poklon. :) CARE!
hard.heavy.303 senna,
Ide Youthanasia...strasno dobar album,toplo preporucujem :) youthana.sia
hard.heavy.304 msavkovic,
Trazio mi jedan or˘Ętak tekstove Antrax-a Ako neko ima a ne mrzi ga da shalje nek baci vam űš#
hard.heavy.305 senna,
re: FNM gitarista Neko je vec spomenuo da je Trey Spruence sutnut posle snimanja novog albuma,ispao je iz benda zato sto nije imao nameru da ide na turneju od dve godine (! valjda ce ipak doci u BGD :) ),pa su onda ljudi iz grupe odlucili da novi gitarista bude Dean Menta koji im je ranije bio roadie. Prvi singl sa novog albuma izlazi sad u ponedeljak,a album krajem meseca...
hard.heavy.306 maksa,
>> Subject: Children of the Damned E, super, nemam pojma šta je ovo, al' i nije bitno. ;) Nego vuche, da l' bi ti mogao da pošalješ akorde, oliti note za ono što vazda sviraš po žurkama pred fajront, ako se kojom nesrećom ;) zadesi da se na žurci nalazi i klavir ? Nemoj samo da se praviš blesav, ozbiljno sam zainteresovan. :)
hard.heavy.307 mdave,
Subject: Re: I'm Easy > Nego vuche, da l' bi ti mogao da pošalješ akorde, oliti note > za ono što vazda sviraš po žurkama pred fajront, ako se kojom > nesrećom ;) zadesi da se na žurci nalazi i klavir ? HEH BOND... :) Može ali sam to skidao onako šacometrijski-odokativno pa se ograđujem. :) BTW, slao sam akorde svojevremeno u SeX conf. :) Pošto ne znam original reči, evo onih iz SeX conf. :) JA SAM LAK MUŠKARAC (I'M EASY) (uvod dva puta Ad, Cism, Dd, Ed, drugi put naglasak na Ed) Dojadi mi više ovo forum:devojke, -Ad Cism Dd Ed Ad k'o da traje već godinu dana, Cism Dd Ed Ad al' nemojte prestati da pišete poruke, Cism Dd Ed Ad upornost nam je jača strana. Cism Dd Ed Ja osećam da smeši nam se uspeh taj, ja osećam da dobili smo rat, da mukama našim došao je kraj, dobićemo SEX 200 NA SAT. CHORUS: 'cos I'm Easy, (aa-aaaa-aaa-aaa) Ad Cism Dd i mnogo volim da mi klizi, (aa-aaaa-aaa-aaa) Ed Ad Cism Dd Ed da mi klizi Šarac, (aa-aaaa-aaa-aaa) Ad Cism Dd jer lak sam ja muškarac. Ed Cd Gd Ad Sex conf hoću sad, Dd baš sad, Hd jer hocu da uživam svoj život dok sam mlad, Dd Hd pa hajdemo svi, Dd baš mi Hd uujeeeeiii Cd Gd Cd Ad ... (solo) ...
hard.heavy.308 aleck,
Ljudi,jesu li Gunsi izdali nešto novo?žuh pre neki dan na radiju neku pesmu u kojoj skroz peva Axl,a nemam pojma šta je...ili je bio gost nekom...
hard.heavy.309 mikis,
+> godine (! valjda ce ipak doci u BGD :) ),pa su onda ljudi iz grupe odlucili +> da novi gitarista bude Dean Menta koji im je ranije bio roadie. Prvi singl +> sa novog albuma izlazi sad u ponedeljak,a album krajem meseca... Na žalost, bojim se da od dolaska kod nas nema ništa ;) U jednom nemačkom časpoisu (valjda Rock Hard, ili tako nešto) sam video datume koncerata u Nemačkoj - krajem marta, a ostale zemlje se ne spominju. E sad, u Mađarskoj niko ništa ne pominje u vezi koncerta, tako da ga tamo verovatno neće ni biti (bar ne u sledećih 2-3 meseca). Inače, pomenuti Trey Spruance je gitarista benda Mr. Bungle, u kome je Mike Patton pevao pre nego što je došao u FNM, a zatim i objavio jedan album/projekat, pre godinu-dve dana. p.s. Kome se baš ide na koncerte - 24. marta u Budimpešti gostuju Helloween i Bruce Dickinson :) A 5. aprila sviraju Megadeth i Corrosion Of Conformity (predgrupa) - ali u žeškoj :(
hard.heavy.310 senna,
re: koncerti Ma kakav prag,idemo u Rock Am Ring u Berlinu: FNM,Megadeth,Bon Jovi,... Jednim udarcem 27 muva :).Usput sam cuo novi singl od FNM-a mnoogo tvrdje nego inache.. :)
hard.heavy.311 dcolak,
│ Jednim udarcem 27 muva :).Usput sam cuo novi singl od FNM-a mnoogo tvrdje │ nego inache.. :) Na žalost prilično su se udaljili od prvog albuma :( Sledge DAMMIR!
hard.heavy.312 mikis,
+> Ljudi,jesu li Gunsi izdali nešto novo?žuh pre neki dan na radiju neku Jok, ali je Slash izdao slolo album. Bend mu se zove Slash's Snakepit, a naziv albuma sam zaboravio.
hard.heavy.313 mikis,
+> Ljudi,jesu li Gunsi izdali nešto novo?žuh pre neki dan na radiju neku Jok, ali je Slash izdao solo album. Bend mu se zove Slash's Snakepit, a naziv albuma sam zaboravio.
hard.heavy.314 mikis,
+> │ Jednim udarcem 27 muva :).Usput sam cuo novi singl od FNM-a mnoogo tvrdje +> +> Na žalost prilično su se udaljili od prvog albuma :( Prvog albuma? Na žalost?! ;) Od "We Care A Lot"?!? Što neko reče, taj album samo oni i članovi njihovih porodica mogu da vole ;)) Šalu na stranu, album "We Care A Lot" nije baš toliko loš, ali ne može ni da se pomeri sa "Real Thing" (pretpostavljam da si na njega mislio - ali to je treći album :) drugi je "Introduce Yourself", na oba je pevao stari pevač - Chuck Mosley).
hard.heavy.315 senna,
re: novi singl fnm-a Meni se ovako na prva tri slusanja nije nesto svideo.... :( Sada vidim da je zbog odlaska Jim Martina Patton postao glavni i ono sto je uradio za sada mi ne izgleda ni blizu albuma "Real Thing" i "Angel Dust".
hard.heavy.316 crncic,
Ko ne prati 'devojke' evo ovde, tnx to modesty. ------ HARD'N'HEAVY prati i uredjuje Jadranka Janković (ja se držim filma). Specijalno za tebe: TOP LISTA 1. Disident - Live in Atlanta PEARL JAM 2. Balance VAN HALEN 3. Cross Road - The Best Of BON JOVI 4. Divine Intervention SLAYER 5. Youthanasia MAGADETH 6. Big Ones AEROSMITH 7. Superunknown SOUNDGARDEN 8. Far Beyond Driven PANTERA 9. Born Dead BODY COUNT 10. Chaos A.D. SEPULTURA ------ Samo jedno mi bode oči, a to je Pearl Jam, i to još na prvom mestu. Pa gde njih u Hard & Heavy, mora da se nešto desilo s' Jadrankom...
hard.heavy.317 mikis,
+> Meni se ovako na prva tri slusanja nije nesto svideo.... :( Ne bih se složio. Jes' da sam video samo (drugu) polovinu spota, ali i za to malo imam samo dve reči - j*be kevu :)
hard.heavy.318 senna,
>-> Ne bih se slozio. Jes' da sam video samo (drugu) polovinu >-> spota, ali i za to malo imam samo dve reci - j*be kevu :) Posle jos tri puta pesma mi se svidela malo vise :),al opet, nije to vise FNM,pesma je na foru Greenday-a (samo bolja,naravno :) ).Trebace mi stvarno vremena da se priviknem ako nastave sa ovakvim stilom.U svakom slucaju odox ja u Madjarsku cim izadje album (27. marta) pa cemo da cujemo ostale pesme (:) p.s. U spotu sam pored stare trojke primetio da nema klavijaturiste, a tu su jos dvojica gitarista (Spruence,Menta ?!?!).
hard.heavy.319 pyc.guy,
~~~ U spotu sam pored stare trojke primetio da nema klavijaturiste, ~~~ a tu su jos dvojica gitarista (Spruence,Menta ?!?!). Nema klavijature - nazaduju...:( Steta... Pyc
hard.heavy.320 armitage,
> Prvog albuma? Na žalost?! ;) Od "We Care A Lot"?!? Što neko reče, > taj album samo oni i članovi njihovih porodica mogu da vole ;)) Molim?! O:) Ja obožavam ovaj album, a nisam niti član neke od njihovih porodica, niti sam član samog benda (baš šteta!) :) Šalu na stranu, sviđa mi se kako je crnja pevao i (pošto mi je kaseta kod ortaka u vojsci) mogao bih ga ponovo presnimiti (WCAL i Introduce) ... ... BTW, ako se tebi (neki) od ova dva albuma ne sviđa, ... O;) -*- Armitage -*-
hard.heavy.321 msasa,
Da li neko moze da mi posalje text pesme "KILLING IN THE NAME" R.A.T.M -a i textove grupe BAD RELIGION Molim vas!!!!
hard.heavy.322 vitez.koja,
#=> "KILLING IN THE NAME" R.A.T.M -a Pregledaj, za početak, temu "tekstovi", ako tu nema onda pregledaj ovu temu, ako nema ni tu pređi na CIVILIZACIJU. Naravno, ne mislim da lično pregledaš. Koristi naredbu find (traži "in the name", na primer). Ta pesma je poslata više puta, a najmanje jednom sam je poslao ja.
hard.heavy.323 senna,
Dakle da rascistimo oko FNM-a. Plavokosi brkajlija nije niko drugi do Bottum (klavijaturista),a drugi gitarista je Spruence..
hard.heavy.324 mdave,
Subject: Black Hole Sun Black Hole Sun by Soundgarden Intro: e-----------------|-----------------|-----------------|-----------------| B-----------------|-----------------|-----------------|-----------------| G-------5---------|-------5---------|-------5---------|-------4---------| D-----5-----5-----|-----5-----------|-----3-----3-----|-----2-----------| A---5---------5---|---5-------------|---3---------3---|---2-------------| D-5-------------5-|-8---------------|-3-------------0-|-2-------------0-| e-----------------|-----------------| B-----------------|-----------------| G-------1---------|-------2---------| D-----1-----1-----|-----0-----------| A---1---------1---|---3-------------| D-1-------------1-|-0---------------| First verse: In my eyes, indisposed in disguise as no one knows hides the face, lies the snake the sun in my disgrace boiling heat, summer stench 'neath the black the sky looks dead call my name through the cream and I'll hear you, scream again e-------12--------|-------10--------|-------13--------|-------12--------| B-----12----12--12|-----11----------|-----13----13--13|-----12----------| G---12--------12--|---12------------|---10--------10--|---12------------| D-----------------|-----------------|-----------------|-----------------| A-----------------|-----------------|-----------------|-----------------| D-----------------|-----------------|-----------------|-----------------| e-------11--------|-------10--------|-----12-------10--|-----11----------| B-----11----11--11|-----10----10--10|---12-------12----|---13------------| G---12--------12--|---12--------12--|-12----12-10----10|-13--------------| D-----------------|-----------------|------------------|-----------------| A-----------------|-----------------|------------------|-----------------| D-----------------|-----------------|------------------|-----------------| Black hole sun, won't you come And wash away the rain Black hole sun, won't you come Won't you come Won't you come First Chorus: e-----------------|-----------------|-----------------|-----------------| B-----------------|-----------------|-----------------|-------3---------| G-------1---------|-------2---------|-----------------|-----3-----3---3-| D-----1-----1-----|-----0-----0-----|-----5-------5---|---3---------3---| A---1---------1---|---3---------3---|---5---5---5---5-|-1---------------| D-1-------------1-|-0-------------0-|-5-------3-------|-----------------| e-----------------|-----------------|-----------------|-----------------| B-----------------|-----------------|-5------5^7^5----|-----------------| G-------1---------|-------2---------|-5------5----5---|-7---------------| D-----1-----1-----|-----0-----0-----|-5------5------5-|-7---------------| A---1---------1---|---3---------3---|-3------3--------|-5---------------| D-1-------------1-|-0-------------0-|-----------------|-0---------------| Second verse as the first: stuttering, cold and damp steal the warm wind tired friend times are gone for honest men and sometimes far too long for snakes in my shoes a walking sleep and my youth I pray to keep heaven send hell away no one sings like you anymore Second and third chorus: e-----------------|-----------------|-----------------|-----------------| B-----------------|-----------------|-----------------|-----------------| G-------1---------|-------2---------|-----------------|-------7---------| D-----1-----1-----|-----0-----0-----|-----5-------5---|-----8-----8---8-| A---1---------1---|---3---------3---|---5---5---5---5-|---8---------8---| D-1-------------1-|-0-------------0-|-5-------3-------|-8---------------| ___________________________________ |1. | e-----------------|-----------------|-----------------|-----------------| B-----------------|-----------------|-5------5^7^5----|-3------3^4^3----| G-------1---------|-------2---------|-5------5----5---|-3------3-----3--| D-----1-----1-----|-----0-----0-----|-5-------------5-|-3---------------| A---1---------1---|---3---------3---|-3---------------|-1---------------| D-1-------------1-|-0-------------0-|-----------------|-0-------------0-| _____________________________________________________ |2. repeat 3 times | e-----------------|-----------------|-----------------| B-5------5^7^5----|-3------3^4^3----|-7------7^8^7----| G-5------5----5---|-3------3----3---|-7------7----7---| D-5-------------5-|-3-------------3-|-7-------------7-| A-3---------------|-1---------------|-5---------------| D-----------------|-----------------|-0---------------| Third verse as first (as far as it goes, that is !): Hang my head, drown my fear till you all just disappear
hard.heavy.325 mdave,
Subject: Come Out and Play Come Out And Play (Keep 'em Seperated) by The Offspring Powerchords. Distortion. guitar 1 E ----------------------------------| B ----------------------------------| This is used in the chorus and verse, G --4----7-----------4----7---------| in the verse play some chords a few D --4----7---4-7-----4----7---4-7---| times more with some palm-muting. A --2----5---4-7-----2----5---4-7---| E -----------2-5--------------2-5---| guitar 2 E ----------------------------------| B ----------------------------------| G -9-9-9---12/s\7---9-9-9--12/s\7---| Play this a few times with guitar 1 D -7-7-7---10/s\5---7-7-7--10/s\5---| before the singing starts. A ----------------------------------| E ----------------------------------| that egyptian guitar riff (guitar 2) E ----------------------------------| B ----------------------------------| G ----------------------------------| This is played with the guitar 1 D -------1-2-4-2-1------------------| verse part in the background A -2/h\3-----------3-2---3-2--------| E ----------------------------------| guitar 1 E ----------------------------------| B ----------------------------------| G -4-4--7-7--6-6-6-------2----------| "It goes down the same as the D -2-2--5-5--4-4-4--4-4--0----------| thousand before..." A ------------------2-2-------------| E ----------------------------------| From: 94418290@hector.unil.ch (Laurent Haug) I bought the OffSpring's CD a week ago, and I maybe have the tabs of their hit. Please tell me if something's wrong. Intro : Drums then: ------------ ------------ ------------ ---5-5-5--- play the harmonics here ---5-5-5--- ---5-5-5--- then: Drums then: <<You got to keep...>> then: B-D-F#-A four times then: ---------------------------------- -----7-7-7-10------------------- (REM:if you play with 2 guitars, the first one ----------------8----------------- play B-D-F#-A 4 times again.) ---------------------------------- ---------------------------------- ---------------------------------- then ("oriental melody") with a crunch sound: ----------------------------------------------------------------- ----------------------------------------------------------------- ----------------------------------------------------------------- -----------------slide------------------------------------------ (four times) -----------6-7-(8)-9-7-6-------------------------------------- ------7-8------------------8-7-7-8-7----------------------- then: ("It's like the latest fashion") ----/ B-F#-A ) four times /-------verses B-D-F#-A ) \ ---\ then: (bridge) E-G-F#-D Two times B-F#-A B-D-F#-A F# (he said to tie your own rope...) then: (chorus) B-D-F#-A (4.25 times) (hey man your talking back to me ?) B-D-F#-A (4.25 times) (hey man you're disrespecting me ?) B-D-F#-A (2 times) E-C B-D-F#-A-F# B-D-F#-A-B then: oriental melody until the end of the chorus then: oriental melody until end of chorus without "verses" I hope there are not too much mistakes. But I can not bring my guitar in the computers room of the university. So I don't remember exactly. But I think everything is good exept the ----7-7-7-10 ---- ----------------8-- I'll check this.
hard.heavy.326 mdave,
Subject: Self Esteem TAB:Offspring's "Self-Esteem" Standard tuning (at least for me) and her we go: La la, la la la, la la, la la la RHYTHM FIG. 1 RHYTHM FIG. 1A |====================================>| |=======================>| (Repeat once here) e-----------------------------------------|------------------------ B-----------------------------------------|------------------------ G----------------10101010-----5-5--------|------------------------- D---7--7------7--10101010----5-5---5555-|--------------55-55--7--- A---7--7------7---8-8-8-8----3-3---5555--|-3-----------55-55--7---- E---5--5------5---------------------3333--|-1(10X)------33-33--5---- (Bass part until :25 in then) |RHYTHM FILL 1 | e----------------------------------------------------------------- B----------------------------------------------------------------- G----------------------------------------------------------------- D---1212--121210------------------------------------------------- A--1212--121210-------------------------------------------------- E--1010--1010-8---------------------------------------------------- Bass only: I wrote her off for the 10th time today I practiced hard all the things I would say When she came over, I lost my nerve I took her back and made her desssert (Rhythm Fig 2)|===================================>| e---------------------------------------------------------------------- B----------------------------------------------------------------------- G----------------------------------------------------------------------- D-10101010--1010---77777----55555--1010101010--55555--77777------- A-10101010--1010---77777----55555--1010101010--55555--77777------- E--8-8-8-8----8-8---55555----33333---8-8-8-8-8---33333--55555------- (Heavy palm mute)^ I know I'm being used CONTINUE SAME PATERN FOR THREE MORE LINES OF PRE-CHORUS: But that's okay because I like the abuse... I know she's playing with me But that's okay 'cause I got no self-esteem........... RHYTHM FIGURE 2 4X Ohyeah........Yeah.........Oh........Yeah.......etc. (Bass only here) We make plans go out at night Wait till 2 then I Turn out the light (START RHYTHm FIG. 1 here, play 2X) This rejection's got me so low.... She keeps it up I just might tell here so... (START RHTYM FIG. 2 HERE PLAY 4X) Oh...yeah....oh....yeah....yeah... RHYTHM PART 3 |=====================================>| e-------------------------------------------------------------------- B---------------------------------------------------------------------- G-7-7--------33333-------------55555------------------------------- D-7-7--------33333----33-------55555-------------------------------- A-5-5--------11111----33-------33333-------------------------------- E----------------------11-------------------------------------------- When she's saying.......ah that she wants only me. CONTINUE RHYTYM PART 3 6X Well I wonder why she sleeps with my friends When she's saying..ah... that I'm like a diease well I wonder how much more I can stand Well I guess I should stand up for myself But I really think it's better this way The more you suffer...the more it shows you really care... PLAY RHYTHM FIG. 1A one time Right?.....Yeah,yeah... BASS PART AGAIN, FOLLOWED BY RHYTHM FILL 1 THEN I'll relate this little bit It happens more than I'd like to admit Latye at night, she knocks on my door She's drunk again and lookin' to score PLAY RTHYM FILL 1 THEN RHYTHM FIG. 2 4X I know I should say no.. But's it's kinda hard when she's ready to go I may be dumb, but I'm not a dweeb I'm just a sucker with no self-esteem THEN PLAY RTHYM FIG.1 4X yeah...oh,......yeah....oh...yeahyeah Play Rhtym Figure 3 7X When she's saying that she wants only me Well I wonder why she sleeps with my firends When she's saying Ah, that I'm like a diesase Well I wonder how much more I can stand Well I guess I should stick up for myself But I really think It's better this way the more you suffer, the more you really care... PLAY RYHTYM Fig. 1 1X Right? Yeah, yeah OFFSPRING: Ron Welty: Drums Dexter Holland (love that hair and voice!): Vocals, guitar Greg K: Bass Noodles: Guitar Written by OFFSPRING, 1994 epitaph records, the coolest damn label in the U.S.
hard.heavy.327 inferno,
Ů│ ˙ Da li neko moze da mi posalje text pesme Ů│ ˙ "KILLING IN THE NAME" R.A.T.M -a imaš ovde u konferenciji okačeno sve što te zanima.
hard.heavy.328 msasa,
Hvala ti na savetu (uspeo sam da ga nadjem).
hard.heavy.329 simeun,
Traže se tekstovi i tekstići: Whitesnake, Guns 'N' Roses, Metallica, Iron Maiden, Bon Jovi. Mnogo izvoljevam. Ne?
hard.heavy.330 inferno,
Ů│ ˙ Traže se tekstovi i tekstići: Ů│ ˙ Ů│ ˙ Whitesnake, Guns 'N' Roses, Metallica, Iron Maiden, Bon Jovi. Ů│ ˙ Mnogo izvoljevam. Ne? Iron Maiden - Ima okačeno u konf-u, ali nije kompletna kolekcija, čini mi se da nešto fali. Uz poruku su svi njihovi albumi, plus nekoliko singlova (sve poskidano sa Sezama i Exodusa) Metallica - Ima sve okačeno u konfu, ako ne nađeš, udri po mailu. White Snake - Slip of the Tongue (stize za dan-dva) GnR - Ima u konf-u svih albuma.. p.s. Ako neko ima nešto od White Snake (a da nije album Slip of the Tongue), bio bih mu zahvalan da se javi na mail. maiden.zip
hard.heavy.331 mdave,
Subject: Re: Whitesnake > p.s. Ako neko ima nešto od White Snake (a da nije album > Slip of the Tongue), bio bih mu zahvalan da se javi na mail. Here I go again WhiteSnake Intro : G D C G D C G D C D 1) I don't know where I'm going, G D C D but I sure know where I've been. G D C G Am Hanging on the promises in songs of yesterday. D And I've made up my mind. Am D I ain't wasting no more time, Em here I go again. Am G Em Am C D Here I go again. G D C D 2) Though I keep searching for an answer, G D C D I never seem to find what I'm looking for. G D C G Am Oh Lord I pray you give me strength to carry on, D 'cause I know what it means, Am D C D to walk along, the lonely streets of dreams. G C D C D CHORUS : And here I go again on my own, G C D C D going down the only road I've ever known. G C D C Like a drifter I was born to walk alone. Am7 D And I've made up my mind, Am7 D C D I ain't wasting no more time. G D C D 3) I'm just another heart in need of rescue, G D C D waiting on love's sweet charity. G D C G Am7 And I'm gonna hold on for the rest of my days, D 'cause I know what it means, Am7 D C D to walk alone, the lonely street of dreams. G C D C D CHORUS : And here I go again on my own, G C D C D going down the only road I've ever known. G C D C Like a drifter I was born to walk alone. Am7 D And I've made up my mind, Am7 D I ain't wasting no more time. C D Em Am Em but here I go again, here I go again. Am Em Am Em Am C D Here I go again, her I go. REPEAT AND FADE: G C D C D CHORUS : And here I go again on my own, G C D C D going down the only road I've ever known. G C D C Like a drifter I was born to walk alone. Am7 D And I've made up my mind, Am7 D I ain't wasting no more time.
hard.heavy.332 mdave,
Subject: Megadeth - Symphony Of Destruction From: mhollima@ux4.cso.uiuc.edu (Holliman Matthew J) I havent played this in a long while, I know the main rhythm is right, but dont really remember the chorus parts or solo. e-------------------------------- B-------------------------------- G-------------------------------- D-------------------------------- A-3-2--2----3-2--2--------3-2--2- E-1-0--0----1-0--0-1-3-1--1-0--0- the low E with A5 G#5 G5 for the prechorus (finger these as x77xxx etc. I think), the chorus is also really easy but I dont remember offhand. e----- B----- G----- D---9-8---7---5 A---7-7---7-----7 E-0-----0---0-----7~~~ something like that. It should be easy to figure out, this has to be the simplest song Megadeth has ever recorded.
hard.heavy.333 mdave,
Subject: Steve Vai - For The Love Of God "For The Love Of God" as recorded by Steve Vai Tab: as heard by Bj"orn Winkler Play this part 3 times, then play: e:-------------------------------------------------------------------------| B:--------------------------15b(17)rb(15)p12---------------15--------------| G:---------14--14b(16)~~~~--------------------12--14b(16)~~~~~~rb(14)~~~~--| D:-----12------------------------------------------------------------------| A:/14----------------------------------------------------------------------| E:-------------------------------------------------------------------------| Bend it up here, then pause, then || re-bend it here: \/ \/ e:---------------------------------------------------------------------------| B:-15b(17)rb(15)p12----------------------------------------------------------| G:-------------------12--12b(14)---14rb(12)--12~~~~--/12--11--9------/9~~~~--| D:---------------------------------------------------------------12----------| A:---------------------------------------------------------------------------| E:---------------------------------------------------------------------------|
hard.heavy.334 mdave,
Subject: Eugene's Trick Bag Interesuje li nekoga ovo ? :) The series I have been posting on the sweep picking technique is coming along, and I will have another addition to it shortly. But I thought you all might enjoy this too. This is from the movie "Crossroads" and is the sequence that Eugene uses at the end of the film to defeat Stevie Vie. It's entitled "Eugenes trick bag" and if you give it some patient effort, you'll see that there are some really good arppegio ideas here, though Steve plays this with finger picking, I have adapted it for my sweep style in as many places as posible.
hard.heavy.335 mdave,
Subject: Steve Vai - Liberty LIBERTY by STEVE VAI. TAKEN FROM THE ALBUM PASSION AND WARFARE from Chris Wilkinson. Sheffield, England This is the first piece of tab I have sent and I hope that the format used corresponds to the norm. The piece is relatively easy to play apart from the last section which does tend to go rather quickly. Good luck with this brilliant piece of guitar music. I dont know how many people access these tab sites so if you do happen to download this please could you e-mail me to let me know. If I get a reasonable response then I will post some more. If when you e-mail you let me know of any songs you are after ( I mainly play Steve Vai, Joe satriani etc), I will look at the list and try to post some. Please get in touch as I will try to help anyone in the search for getting that song played correctly. CHEERS!!!!! and enjoy it love and peace!! Chris liberty.tab
hard.heavy.336 inferno,
Zna li neko sta su do sad izdali MOTORHEAD? imaju mnogo singlova (30!), tako da sam mislio samo na albume...
hard.heavy.337 z.velj,
" Subject: Eugene's Trick Bag " " Interesuje li nekoga ovo ? :) Naravno :)
hard.heavy.338 mdave,
Subject: Re: Eugene's Trick Bag > " Interesuje li nekoga ovo ? :) > > Naravno :) Verovatno ti neće odgovarati zato što je u pitanju tablatura, ali.. resume read mdave. :)
hard.heavy.339 inferno,
┌──────────────────────────┐ │ MOTORHEAD: Ace of Spades │ └──────────────────────────┘ If you like to gamble, I tell you I'm your man You win some, lose some, it's all the same to me The pleasure is to play it akes no difference what you say I don't share your greed The only card I need is The Ace of Spades The Ace of Spades Playing for the high one, dicing with the Devil Going with the flow, it's all a game to me Seven or eleven, snake eyes watchin' you Double up or quit, double stakes or split The Ace of Spades The Ace of Spades You know I'm born to lose, and gambling's for fools But that's the way I like it baby, I don't wanna live forever And don't forget the Joker Pushing up the ante, I know you wanna see me Read'em and weep, the dead man's hand again I see it in your eyes, take one look and die The only thing you see, you know it's gonna be The Ace of Spades The Ace of Spades Words and music by: I.Kilmister, E. Clarke and P. Taylor (1980) --- ...Uaargh! What a song!.. :)...
hard.heavy.340 z.velj,
> Verovatno ti neće odgovarati zato što je u pitanju tablatura, > ali.. resume read mdave. :) Cenim da imaš najbolji resume na Sezamu ;)). Hvala :).
hard.heavy.341 inferno,
┌──────────────────────────┐ │ MOTORHEAD: Ace of Spades │ └──────────────────────────┘ If you like to gamble, I tell you I'm your man You win some, lose some, it's all the same to me The pleasure is to play it akes no difference what you say I don't share your greed The only card I need is The Ace of Spades The Ace of Spades Playing for the high one, dicing with the Devil Going with the flow, it's all a game to me Seven or eleven, snake eyes watchin' you Double up or quit, double stakes or split The Ace of Spades The Ace of Spades You know I'm born to lose, and gambling's for fools But that's the way I like it baby, I don't wanna live forever And don't forget the Joker Pushing up the ante, I know you wanna see me Read'em and weep, the dead man's hand again I see it in your eyes, take one look and die The only thing you see, you know it's gonna be The Ace of Spades The Ace of Spades Words and music by: I.Kilmister, E. Clarke and P. Taylor (1980) --- ...Uaargh! What a song!.. :)...
hard.heavy.342 mrajko,
Ako neko ima takstove grupe Body Count ili zna da li su i gde okaceni na SEZAM-u neka se obavezno javi!!!!
hard.heavy.343 mikis,
Par svežih (koncertnih) informacija iz Budimpešte: Faith No More sviraju 13. juna u Petofi Csarnoku!! Koncert Helloweena i Bruce Dickinsona, koji je trebao da bude 23. marta, odložen je za 25. april (zbog bolesti Dikinsona).
hard.heavy.344 senna,
re: FNM u Budimpesti C00l :),verovatno vec imam puna kola za doticni koncert :). Usput,plavokosi gitarista u spotu "Digging the Grave" nije niko drugi vec Bottum (klavijaturista) :).Onaj drugi koji se jedva vidi je Spruence. p.s. Jel neko ima snimljen "Midlife Crisis" sa MTV Most Wanted,pustali su par puta na pingvinu,a treba mi i Megadeth "Paranoid" isto sa Most Wanted-a,okasnio sam u snimanju pa nemam prvih minut i po :(.
hard.heavy.345 pyc.guy,
~~~ C00l :),verovatno vec imam puna kola za doticni koncert :). Count me in...:) Al, zamalo...:( There's Brankica...:) Pyc
hard.heavy.346 mdave,
Subject: Queensryche - Anybody Listening? Anybody Listening? -Queensryche --------------------------------------- You and I Long to live like wind upon the water If we close our eyes We'll maybe realize There's more to life than we have known And I can't believe I've spent so long Living lies I knew were wrong inside I'v just begun to see the light Long ago there was a dream Had to make a choice or two Leaving all I loved behind For what nobody knew Stepped out on the stage, a life Under lights and judging eyes Now the applause has died and I Can dream again.... Is there anybody listening? Is there anyone who sees what's going on? Read between the lines Criticize the words their selling Think for yourself and feel the walls Become sand beneath your feet Feel the breeze? Time's so near you can almost taste the freedom There's a warm wind from the south Hoist the sail and we'll be gone By morning this will all seem like a dream And if I don't return to sing the song Maybe just as well I've seen the news And there's not much we can do.... Alone Is there anybody listening? Is there anyone who smiles without a mask? What's behind the words-images They know will please us? I'll take what's real. Bring up the lights Is there anybody listening? Is there anyone who sees whats going on? Read between the lines Criticize the words their selling Think for yourself, and feel the walls Become sand beneath your feet.
hard.heavy.347 mikis,
+> C00l :),verovatno vec imam puna kola za doticni koncert :). Kola?!? Mi računamo na 2-3 autobusa :))
hard.heavy.348 mdave,
Subject: Faith No More - Midlife Crisis From: Paul D <S3BZ@MUSIC.TRANSY.EDU> Subject: TAB: "Midlife Crisis" by Faith No More Here's for all you die-hard FNM fans who want to be able to play a FNM song whether or not it has guitar in it, DAMMIT! It's really not a difficult song. It's mostly keyboard-based, so the majority of what I have here is the keyboard parts arranged for guitar. Here's the fingering for the keyboard chords that are played under the verses. If you've got a guitar synth or some nifty FX processor that'll produce a cool "stringy" sound for these chords, it might sound pretty close to the record... E-|----|-----|-----|-----|-----| B-|----|-----|-----|-10--|-12--| G-|-9--|-12--|-11--|-9---|-11--| D-|-9--|-12--|-9---|-7---|-9---| A-|-7--|-10--|-9---|-----|-----| E-|----|-----|-----|-----|-----| E G B/F# A B Here's the lyrics to the verse and when to play the above chords: E Go on and ring my neck G Like when a rag gets wet B/F# A little discipline A For my pet genius E My head is like lettuce G Go on, dig your thumbs in. B I cannot stop giving (B) I'm thirtysomething. E Sense of security G Like pockets jingling B/F# A Midlife crisis E Suck ingenuity G Down through the family B (B) Tree... Here's the rest of the verse lyrics: What an inheritance The salt and the kleenex Morbid self-attention Bending my pinky back A little discipline A donor by habit A little discipline Rent an opinion. Sense of security Holding blunt instrument Midlife crisis. I'm a perfectionist And perfect is a skinned knee. Okay, here's what I guess you'd call the "chorus", just use any old form of the chords shown (whatever suits ya'): E5 D5 You're perfect yes it's true A5 E5 D5 A5 But without me you're only you (you're only you) E5 D5 Your menstruating heart A5 E (palm mute) It ain't bleeding enough for two. Then, for the part that goes "It's a midlife...crisis____" just play the progression from the verse (way above). Then after that weird, descending synth effects part (there's really no way to tab that out OR play it on a guitar...so skip it), play the following (this is also keyboard arranged for guitar) and sing the "It's a midlife...crisis_____" three times. E-|----------------|--------------|-----------------|-----|----|| B-|----------------|--------------|-----------------|-----|-16-|| G-|-14-13-17-16-14-|-16--16-14-16-|-16-14-17--16-14-|-16--|-16-|| D-|----------------|--------------|-----------------|-----|-16-|| A-|----------------|--------------|-----------------|-----|----|| E-|----------------|--------------|-----------------|-----|----|| After that, it's back to the chorus (with the first verse sung in the background) until the fade-out. I'm pretty sure about all this stuff. I'm trying to do it as best as I can from memory. I may have flubbed a little as far as "sequence of events", so if there seems to be some part missing, email me. But like I said above, if you're looking for a cool "guitar-y" song, this ain't it...(it still manages to be a kickass song, though!) Good luck! Paul D. s3bz@music.transy.edu
hard.heavy.349 mdave,
Subject: Malmsteen - Biografija Yngwie Malmsteen Born: Sockholm, Sweeden 6/30/63 Current Residence: Miami, Florida Main Influences: J.S. Bach, Niccolo Paganini, Jimi Hendrix Ritchie Blackmore Main Guitars: Fender Stratocasters with scalloped fingerboards, DiMarzio HS3 pickups malmsteen
hard.heavy.350 msasa,
Hi ! Treba mi tekst pesme "Orgazmatron" - SEPULTURA .Znam da stvar u originalu izvodi MOTORHEAD.
hard.heavy.351 mdave,
Subject: Yngwie Malmsteen - Trilogy Op. 5 (tab) This is the part of the classical guitar break in Trilogy Suite Op:5 from Malmsteen's Trilogy album. ^ = hammer/pull Trilogy Suite ------------- E----------0-------------0---------------0---1-------------------4- B--------------1-------1---0^1---------3-------3-------3-------3--- G--------2---2-------2---------------2-----------2---4-------4----- D------2---------2-3-----------3-2-0-------0----------------------- A--0--------------------------------------------------------------- E--------------------------------------------------0-------4------- | | | | | | | | E--------0---------------0---------------0---1-----------5-------4- B------------1^2-------1---0^1---------3-------3-------3-------3--- G------2---2---------2---------------2-----------2---4-------4----- D----2-----------2-3-----------3-2-0-------0----------------------- A--0--------------------------------------------------------------- E--------------------------------------------------0-------4------- | | | | | | | | E----------5-3^5^3^1-0-------0-1^0-------------3-1^3^1^0---------0--------- B--------2-----------------3-------3---------0-----------3---------1------- G------2-----------------2-----------------0-------------------0-----0----- D----2-----------------0-----------------0-------------------2------------- A--4---------------------------------3-2-------------------3-----------3-2- E-------------------------------------------------------------------------- | | | | | | | | E--------0---------------7---------------0------------------------- B----------3-----------6---6---------------0-1--------------------- G------3-----3-------7-------7---------2-------2-1-2--------------- D----0-------------6-----------6-----2---------------2------------- A--1-----------1-0-----------------0-------------------3-2-0------- E------------------------------------------------------------------ | | | | | | | | E----------5-3^5^3^1-0-------0-1-0-------------3-1^3^1^0---------0--------- B--------2-----------------3-------3---------0-----------3---------1------- G------2-----------------2-----------------0-------------------0-----0----- D----2-----------------0-----------------0-------------------2------------- A--4---------------------------------3-2-------------------3-----------3-2- E-------------------------------------------------------------------------- | | | | | | | | E--------0---------------5-4-------------3-------------2-------2----------- B----------3-----------5-----5---------5---5---5---------4-------1--------- G------3-----3-------4---------4-----4-------4---4---2-------2------------- D----0-----------------------------------------------------1--------------- A--1-----------1-0--------------------------------------------------------- E------------------4-------------4-3---------------2----------------------- | | | | | | | | | E--------------0---3------- B----------0-----4-5------- G------0-----0------------- D--------4----------------- A----2--------------------- E--0----------------------- | | |
hard.heavy.352 mdave,
Subject: Yngwie Malmsteen - lyrics Yngwie Malmsteen "Rising Force" lyrics Yngwie Malmsteen "Marching Out" lyrics Yngwie Malmsteen "Trilogy" lyrics Yngwie Malmsteen "Odyssey" lyrics Yngwie Malmsteen "Eclipse" lyrics Yngwie Malmsteen "Fire and Ice" lyrics Yngwie Malmsteen "The Seventh Sign" lyrics malm.zip
hard.heavy.353 mdave,
Subject: Sepultura - Refuse-Resist (tab) Keywords: From: mdave@hobbiton.co.yu REFUSE/RESIST as recorded by Sepultura From the Epic/Roadrunner Records release CHAOS A.D. Words by Max Cavalera/Music by Sepultura Transcribed by Highwayman refuse
hard.heavy.354 inferno,
Ů│ ˙ Subject: Yngwie Malmsteen - lyrics Ů│ ˙ Ů│ ˙ Yngwie Malmsteen "Rising Force" lyrics Ů│ ˙ Yngwie Malmsteen "Marching Out" lyrics Ů│ ˙ Yngwie Malmsteen "Trilogy" lyrics Ů│ ˙ Yngwie Malmsteen "Eclipse" lyrics Ů│ ˙ Yngwie Malmsteen "Fire and Ice" lyrics Ů│ ˙ Yngwie Malmsteen "The Seventh Sign" lyrics zna li neko ima li nešto od ovoga kod SKC-a (ili negde drugde)? btw, kako se čita ono Yngwie?
hard.heavy.355 mdave,
Subject: Re: Yngwie Malmsteen > zna li neko ima li nešto od ovoga kod SKC-a (ili negde drugde)? Ovi "noviji" su bili sigurno, video sam pre nekog vremena. > btw, kako se čita ono Yngwie? Nemam pojma. :) Ja ga zovem "Mićo". :) Mislim da se čita "Ingvi", mada Jet kaže "Jangvi".
hard.heavy.356 dikla,
> J.S. Bach, Niccolo Paganini, Jimi Hendrix Ritchie Blackmore Kakav bi to band biJo.... Još samo basistu i buMbnjara da nadjemo... ;)
hard.heavy.357 mdave,
Subject: Re: Motorhead - Orgasmatron (lyr) Keywords: From: mdave@hobbiton.co.yu > Treba mi tekst pesme "Orgazmatron" - SEPULTURA .Znam da stvar > u originalu izvodi MOTORHEAD. ALBUM; Orgasmatron by Motorhead SONG: Orgasmatron =========== I am the one, Orgasmatron, the outstretched grasping hand My image is of agony, my servants rape the land Obsequious and arrogant, clandestine and vain Two thousand years of misery, of torture in my name Hypocrisy made paramount, paranoia the law My name is called religion, sadistic, sacred whore. I twist the truth, I rule the world, my crown is called deceit I am the emperor of lies, you grovel at my feet I rob you and I slaughter you, your downfall is my gain And still you play the sycophant and revel in you pain And all my promises are lies, all my love is hate I am the politician, and I decide your fate I march before a martyred world, an army for the fight I speak of great heroic days, of victory and might I hold a banner drenched in blood, I urge you to be brave I lead you to your destiny, I lead you to your grave Your bones will build my palaces, your eyes will stud my crown For I am Mars, the god of war, and I will cut you down.
hard.heavy.358 mdave,
Subject: Re: Yngwie Malmsteen > > J.S. Bach, Niccolo Paganini, Jimi Hendrix Ritchie Blackmore > > Kakav bi to band biJo.... > > Još samo basistu i buMbnjara da nadjemo... ^^^^^^^ Misliš BASADčIJU ? :)
hard.heavy.359 mdave,
Subject: Rasprodaja :) Je l' treba neka tablatura od Maiden-a/Metallica-e ? :)
hard.heavy.360 mdave,
Subject: Metallica - Discography Keywords: mdave@hobbiton.co.yu METALLICA DISCOGRAPHY """"""""""""""""""""" Total release 569 (?) including the titles at the end. metallic.zip
hard.heavy.361 mrajko,
pgup @SONG: COP KILLER COP KILLER! YEAH! I got my black shirt on. I got my black gloves on. I got my ski mask on. This shit's been too long. I got my twelve gauge sawed off. I got my headlights turned off. I'm 'bout to bust some shots off. I'm 'bout to dust some cops off. I'm a COP KILLER, better you than me. COP KILLER, fuck police brutality! COP KILLER, I know your family's grieving, (FUCK 'EM!) COP KILLER, but tonight we get even, ha ha. I got my brain on hype. Tonight'll be your night. I got this long-assed knife. and your neck looks just right. My adrenaline's pumpin'.stereo bumpin'm 'bout to kill me somethin'. A pig stopped me for nuthin'! COP KILLER, better you than me. COP KILLER, fuck police brutality! COP KILLER, I know your momma's grieving, (FUCK HER!) COP KILLER, but tonight we get even, yeah! DIE, DIE, DIE PIG, DIE! FUCK THE POLICE! FUCK THE POLICE! FUCK THE POLICE! FUCK THE POLICE! FUCK THE POLICE! FUCK THE POLICE! FUCK THE POLICE! FUCK THE POLICE! Yeah! COP KILLER, better you than me. I'm a COP KILLER, fuck police brutality!I know your family's grieving, (FUCK 'EM!) COP KILLER, but tonight we get even, ha ha ha ha, yeah! FUCK THE POLICE! FUCK THE POLICE! FUCK THE POLICE! FUCK THE POLICE! Break it down. yeah! FUCK THE POLICE, for Darryl Gates. FUCK THE POLICE, for Rodney King. FUCK THE POLICE, for my dead homies. FUCK THE POLICE, for your freedom. FUCK THE POLICE, don't be a pussy. FUCK THE POLICE, have some muthafuckin' courage. FUCK THE POLICE, sing along. COP KILLER! COP KILLER! COP KILLER! COP KILLER! COP KILLER! Whaddyou wanna be when you grow up? COP KILLER! Good choice. COP KILLER! I'm a muthafuckin' COP KILLER! COP KILLER, better you than me. COP KILLER, fuck police brutality! COP KILLER, I know your momma's grieving, (FUCK HER!) COP KILLER, but tonight we get even! BODY COUNT written by Ice-T/Ernie C.
hard.heavy.362 crncic,
>> Je l' treba neka tablatura od Maiden-a/Metallica-e ? :) Jel' su kopije i originali ? Vozno stanje ili rashodovane...
hard.heavy.363 mdave,
Subject: Iron Maiden - The Trooper (tab) Keywords: mdave@hobbiton.co.yu The Trooper by Iron Maiden(Steve Harris) Transcribed by Eddie Breslin(caladan@maths.tcd.ie) (Solo's copied and edited) trooper
hard.heavy.364 mdave,
Subject: Rage against the Machine - Killing in the Name (tab) Keywords: mdave@hobbiton.co.yu "Killing in the name" - Rage against the Machine Tabbed by Mark van 't Zet (tmvtzet@cs.vu.nl) OK, I bought Guitar School yesterday and played the tab from it.. I haven't got it now but I pretty much know all of it and I can't WAIT to share it with y'all.. Here are the most important parts, stick them together yourself. The vertical lines between the tabs mean: repeat it, or use it somewhere. (Forget about the solo; it's a bitch without a 'Whammy Pedal'!!) killing
hard.heavy.365 mdave,
Subject: Iron Maiden - Iron Maiden (tab) Keywords: mdave@hobbiton.co.yu IRON MAIDEN - IRON MAIDEN Tab taken from the song book "Iron Maiden Recorded versions" Originally published by Cherry Lane Music Co., Inc. ISBN : 0-89524-190-0 iron
hard.heavy.366 mdave,
Subject: Metallica - And Justice For All.. (tab) Keywords: mdave@hobbiton.co.yu Here's Metallica's ...And Justice For All. I've tabbed it from memory, so if anyone could fix up the mistakes and the parts I can't remember, please do so. and
hard.heavy.367 inferno,
Ů│ ˙ Subject: Iron Maiden - Iron Maiden (tab) Ů│ ˙ Keywords: mdave@hobbiton.co.yu Ů│ ˙ Ů│ ˙ IRON MAIDEN - IRON MAIDEN majstore!
hard.heavy.368 mdave,
Subject: Iron Maiden - Losfer Words (tab) Keywords: mdave@hobbiton.co.yu Losfer Words by Iron Maiden transcribed by Rob Schenk losfer
hard.heavy.369 mdave,
Subject: Metallica - Harvester of Sorrow (tab) Keywords: mdave@hobbiton.co.yu Harvester of Sorrow -Metallica ~~~~~~~~~~~~~~~~~~~ Since there's been alot of Metallica posts, here's my version of Harvester of Sorrow from AJFA. It should be pretty close. You'll need to figure out how many times each part should be played, and where they should be repeated. The middle part and solo aren't included. If I have time to figure them out, I'll post them later. harvest
hard.heavy.370 mrajko,
pgup @SONG: THE WINNER LOSES My friend's addicted to cocaine smokes day and night drives mom and pop insane. Living his life in the dark light every dollar he gets goes into the pipe. He wants to borrow some money from me do you think I'm blind don't know the score can't see? You wanna get high as the sky (You're kissin' your life goodbye) You're kissin' your life goodbye (You think it's a game) You think it's a game that you play (But the winners lose) But the winners lose it all someday. Ya don't know who you are are you losin' your mind? Things get a little tight he committed a crime. Give me your money or give me your life! You better empty your pockets because ya, ya don't live twice. You wanna get high as the sky (You're kissin' your life goodbye) You're kissin' your life goodbye (You think it's a game) You think it's a game that you play (But the winners lose) But the winners lose it all someday. He took the money to the dope man and he said he had the best next thing ya knew, cardiac arrest! It was a rollercoaster, he couldn't get off next thing I knew my friends' life was lost. Nooooooooo. You think it's a game, you think it's a game, You think it's a game, you think it's a game, You think it's a game, you think it's a game, You think it's a game, you think it's a game, You think it's a game, you think it's a game, You think it's a game, you think it's a game, You think it's a game, you think it's a game, You think it's a game, you think it's a game, You think it's a game, you think it's a game, You think it's a game, you think it's a game, You think it's a game, you think it's a game, You think it's a game, you think it's a game, You wanna get high as the sky (You're kissin' your life goodbye) You're kissin' your life goodbye (You think it's a game) You think it's a game that you play (But the winners lose) But the winners lose it all someday. You wanna get high as the sky (You're kissin' your life goodbye) You're kissin' your life goodbye (You think it's a game) You think it's a game that you play (But the winners lose) But the winners lose it all someday. You wanna get high as the sky (You're kissin' your life goodbye) You're kissin' your life goodbye (You think it's a game) You think it's a game that you play (But the winners lose) But the winners lose it all someday. You wanna get high as the sky. BODY COUNT
hard.heavy.371 mrajko,
pgup @SONG: SMOKED PORK Yo Moose, stop the car right here. Alright, give it here, give it here. No man let me do it, cool ice. Stay in the car man, stay in the car. Stay in the car. Uh, hi officers, um, we had a flat tire back there. Do you think you guys could help us out? "Naw, that's not my job. My job's not to help your fuckin' ass out." I mean, um, you know I don't have any other way to get home. "That's not my job, asshole." Well uh, could you tell me what your job is? "Right now my job is eatin' these doughnuts, or maybe... hey, wait a minute. Aren't you--" Yup. BODY COUNT
hard.heavy.372 eburanj,
Hvala  űza one tablature! ű Ima li neko tekstove grupe KREATOR (pogotovo sa RENEWAL albuma)! Zna li neko bro├' j poruke u kojoj sam slao onu "kompilaciju" u vezi METALLICE, ili da li neko ima te fajlove? MK
hard.heavy.373 mdave,
Subject: Metallica - Interview Keywords: mdave@hobbiton.co.yu From the August 22 _Rolling Stone_: THRASH KINGS RETURN (Metallica teams up with Bob Rock for its "biggest" album yet) By David Fricke intervie
hard.heavy.374 mrajko,
pgup POISON Your cruel device Your blud, like ice One look could kill My pain, your thrill I want to love you but I better not touch(Don't touch) I want to hold you but my senses tell me to stop I want to kiss you but I want it too much(Too much) I want to taste you but your lips are venomous poison You're poison runnin'thru my viens You,re poison, I don't want to break these chains Yout mouth, so hot Your web, I'm caught Your skin, so wet Black lace on sweat I hear you calling and it's needles and pins(And pins) I want to hurt you just to hear you | Moj omljeni | screaming my name | deo | Don't want to tuch you but you're under my skin(Deep in) I want to kiss you but your lips are venomous poison You're poison runnin'thru my viens You're poison, I don't wanna break these chains Poison One look could kill My pain, your thrill I want to love you but I better not touch(Don't touch) I want to hold you but my senses tell me to stop I want to kiss you but I want it too much(too much) I want to taste you but your lips are venomous poison You're poison runnin'thru my viens You.re poison, I don't wanna break these chains Poison Alice Cooper Trash 1989.
hard.heavy.375 mdave,
Subject: Re: Kreator > Ima li neko tekstove grupe KREATOR IMA ! :) Tu su diskografija, "Renewal" i "Terrible Certainty". :) PS. Kad ovo slušas unazad, liči na MC Hammer-a !
hard.heavy.376 mdave,
Subject: Kreator - discography Keywords: mdave@hobbiton.co.yu __ / \ __________ ___ _____________ ___ / \ : : / / /\ : ________ : \ \___ ___/ / : / /\ \ : : / / / /\ \ \ \ : : \ \ : : / / : : / / \ \ : :/ / / / \ \ \ \ : : \ \ : : / / : : / / / / : : / : \ / / / / ____: :____: : : : : : : : : \ / / /: : : :\ \/ / / / ______: :____: : : : : : : : : :\ \/ / \: : : : \ \ \ \ : : : : : : : : : : : : \ \ : : \ : : \ \ \ \ : : : : : : : : : : : : \ \ : :\ \ \: \ \ \ \____ : : : : : : : :____: : : : \ \ : : \ \ \ \ \____ : : : : : : :________: :__: \ / : : \ \ ______________________ : : __________________________/\ :__: \__\ \____________________ :/ _____________________________/ D I S C O G R A P H Y kreator
hard.heavy.377 mdave,
Subject: Kreator - Renewal (lyr) Keywords: mdave@hobbiton.co.yu @ALBUM: Renewal Kreator All lyrics by Mille Petrozza Typed in by Ky MacPherson /pokey@uiuc.edu/ renew
hard.heavy.378 mdave,
Subject: Kreator - Terrible Certainty (lyr) Keywords: mdave@hobbiton.co.yu @ALBUM: Terrible Certainty - 1987 KREATOR Mille vocals/guitars Tritze guitars Rob bass Ventor drums Things within []'s not printed on the lyric sheet. I hope I got them right. - The one who fought and bled terrib
hard.heavy.379 mdave,
Subject: Beastie Boys - Fight for Your Right (tab) Keywords: mdave@hobbiton.co.yu Fight for Your Right - Beastie Boys From the album Licensed to Ill Here it is: an all-time classic. I tried to tab it the best I could. First I give the chords of the different parts (the pm stuff means palm muted). Then I give the lyrics and some indications of the different parts. Last but not least is the solo. fight
hard.heavy.380 mdave,
Subject: Therapy? - Nowhere (tab) Keywords: mdave@hobbiton.co.yu Nowhere by THERAPY? from the album 'TROUBLEGUM' Transcribed by Wayne Ellis e-mail address ellis_w_wayne@bt-web.bt.co.uk nowhere
hard.heavy.381 mvanja,
Pitanjce za mdave-a : Koliko megabajta imas u textovima ???? :)))))
hard.heavy.382 mdave,
Subject: Faith No More - Digging The Grave (tab+lyr) Keywords: mdave@hobbiton.co.yu -------------------------------------------------------------------------- Group: Faith No More Song : Digging The Grave Album: King For A Day, Fool For A Lifetime Transcribed by: Martin van Aert (email: mvaert@iaehv.IAEhv.nl) I may have messed up the Interlude-part, but the rest is pretty accurate. Just use loads of distortion and a slight delay (aprox. 100 ms). Enjoy it! Any suggestions and/or comments on this piece are welkom. I'm also still looking for a good version of the Smashing Pumpkins version of Landslide. -------------------------------------------------------------------------- digging
hard.heavy.383 eburanj,
HEY STOOPID - Alice Cooper -------------------------- Hey bro, take it slow You ain't livin' in a video You're flying low with a high velocity No doubt, you're stresin' out That ain't what Rock'N'Roll's about Get off that one way trimdown Lonely street Now I know you'we been ticked around You ain't alone in this ugly town You stick a needle in your arm You bite the dust, you buy the farm HEY, HEY, HEY, HEY, HEY STOOPID WHAT YA TRYIN' TO DO HEY, HEY, HEY, HEY, HEY STOOPID THEY WIN YOU LOSE HEY, HEY, HEY, HEY, HEY STOOPID C'mon girl, it's a better day Get your foot out of that grave Don't let that one love tear your World apart C'mon babe, kick that stuff Show the street it ain't so tough Quit lyin' around with a crippled, Broken heart Now I know you've been seeing red Don't put a pistol to your head Sometimes your answers heaven sent Your way is so damn permanent Refren ... This ain't your daddy talkin' You know, I know Your story ain't so shockin' You know, I know Blow some steam C'mon and scream Refren ...
hard.heavy.384 eburanj,
Sluša li neko BOHSE O űNKELZ  ű(o sa tačkicama)? Slušao sa 6 albumaŠ*, odlični su (pogotovo noviji ű -raniji su pankˇŚ)
hard.heavy.385 eburanj,
Ima li negde neki intervju ili info. o NOVOM albumu ű, koji treba da izadje 95/96 godine? MKosanović
hard.heavy.386 mdave,
Subject: Re: Metallica - aktuelnosti > Ima li negde neki intervju ili info. o NOVOM albumu ű, koji treba da > izadje 95/96 godine? Misliš, šta se čuje kad se sluša "naopako" ? :))
hard.heavy.387 eburanj,
Moram priznati da n razumem...
hard.heavy.388 mdave,
Subject: Re: Metallica - aktuelnosti > Moram priznati da n razumem... Ma kad slušaš naopako dobiješ satanističku pesmu (666 The Number Of The Beast).
hard.heavy.389 ilija,
Ima li neko textove BIOHAZARDa (bilo koji album), Youth of Today (isto bilo koji album), ProPaina (The truth hurts). nemanja.
hard.heavy.390 vitez.koja,
#=> Nowhere by THERAPY? from the album 'TROUBLEGUM' Još! Još! Još! :) btw. vidim da je počelo sa grubostima ovde... kreator i tako to :) Moj mali doprinos: B L E S S E D A R E T H E S I C K Havahej another me born to serve To plague and moan So many years my seed condemned No free to soar!!! Will is yours? So, creator No intend could shadow My disease... Ever lusting pain World of sickness Blessed are we to taste This life of sin My touch is inhumane Nocturnal beast inside Is void of light And empty shall remain (Morbid Angel)
hard.heavy.391 mdave,
Subject: Therapy - Stop It (tab) Keywords: mdave@hobbiton.co.yu Stop It, You're Killing Me by Therapy? Intro. Guitar 2. E E E E harm E G D X4 -----12------| low E Verse. played throughout intro and chorus. E G D E G D --3-2-----| a |_ X4 ------3-2-| e | Chorus. E G D -0-4-5-4-0-| d X3 E G D (Riff A) h h h h E C E D E C -0-4-5-4-5-4-4-5-4-5-|d Verse. Chorus. Bridge. C G D E X3 C G D Riff A X2 E G D E G D -3-2-----|a |_ X2 -----3-2-|e | Outro. E --0---| e |_ X 16 ----0-| b |
hard.heavy.392 mdave,
Subject: Therapy - Trigger Inside (tab) Keywords: mdave@hobbiton.co.yu Trigger Inside by THERAPY? Intro. mm mm mmmmmmm EEE EEE FFFFFFF X3 mm mm EEE EEE AA#BC Riff A End Riff A --------------------------------| --------------------------------| --------------------------------| _ X3 -2-2---2-2---2-2---2-2----------| -2-2---2-2---2-2---2-2---5-5-0--| -0-0-3-0-0-3-0-0-3-0-0-3--------| --------------------------------| --------------------------------| --------------------------------| -2-2---2-2---2-2---2-2----------| -2-2---2-2---2-2---2-2---5-----5| -0-0-3-0-0-3-0-0-3-0-0-3---0-3--| Verse. --5-5-5-x-5-5-5-x-5-5-5-x--4----|d (lonely) (lonely) B\A B\A Repeat once from Riff A onwards G\A G\A G\A G A A# B C -| Riff A | | Riff B End of Riff B | --------------------------------| | --------------------------------| | --------------------------------| |- X2 -2-2---2-2---2-2---2-2----------| | -2-2---2-2---2-2---2-2---3-3-3-3| | -0-0-3-0-0-3-0-0-3-0-0-3--------| | | A | -| harmonics E --------12-- -----12----- A ---2-3-2-3-2-3-2-3-2-3-| -0---------------------| - X2 -----------------------| ---2-3-2-3--| -0----------| A A# B C ------------| -| mm mm mm | EEE EEE EEE CD | mm mm mm | EEE EEE EEE GF# | mm mm mm |_ X2 EEE EEE EEE CD | | Harmonic Bit (I think its harmonics about the 5th fret | but I'm not to sure exactly what it is) | -| Riff A Riff B Riff A AC -------10-----| ----10----10--| --9-----------| --------------| X16 --------------| --------------|
hard.heavy.393 mdave,
Subject: Slayer - Spill the Blood (tab) Keywords: mdave@hobbiton.co.yu Spill the Blood From Slayer's South of Heaven Tabbed by Jason Graci, 3/2/95 Words and Music by Jeff Hanneman spill
hard.heavy.394 mdave,
Subject: Yngwie Malmsteen - Save Our Love (tab) Keywords: mdave@hobbiton.co.yu Yngwie Malmsteen "Save Our Love" from Eclipse letostak@netcom.com Judy Letostak save
hard.heavy.395 inferno,
Ů│ ˙> Ima li negde neki intervju ili info. o NOVOM albumu ű, koji treba da Ů│ ˙> izadje 95/96 godine? Ů│ ˙ Ů│ ˙ Misliš, šta se čuje kad se sluša "naopako" ? :)) Carmina Burana.
hard.heavy.396 armitage,
Pod jedan, dugujem vam izvinjenje zbog neposlatih tekstova od Bad Religion, sorry! O:) Pod dva i to: mdave ... je li, vidim da imaš jako malo muzičkog materijala ;) Hajde mejk maj dej, pa pošalji "The evil that a man can do" sa sedmog sina, ako imaš. Pod tri: kojim redom su izlazili albumi grupe Primus? Da li su oni osim 3 studijska albuma i jednog koncertnog ("Suck on this") izdali još nešto? Gde se tu uklapa projekat "Sausage"? Može li neko da mi podari _dobre_ snimke svih ovih albuma? Pod četiri: Da li neko ima onaj drugi (ili prvi :) ) album grupe Crash Test Dummies. (ne "God shuffled his feet) Voleo bih i posedovati tekstove sa God-a. (ja budala, zaboravio da ih fotokopiram :( ) -*- Armitage -*-
hard.heavy.397 deimos,
XĆŤ Evo malog doprinosa i od mene - Carcass i 'telesna slagalica'. Koga mrzi da sada da cita, fajl sa pesmom je uz poruku. CORPOREAL JIGSORE QUANDARY -<CARCASS>- (Album: Necroticism - Descanting the Insalubrious) Excised and anatomized, deviscerated disarray The thorso diverged with pride Deftly amputated, evulsed limbs now defunct The trunk imbrued, tatty stumps used as lugs For a chondrin puzzle so quiant Head and body decollate A heaving mass so quiescent Scattered and scrambled, your testament grows A bloody caricature to make whole A squirmung grisly jigsaw, detrital fragment fit so snug That missing piece will leave you stumped Totaly disassembled nicely sliced and diced A human being this once resembled Real carnium teaser, carved from flesh and bone - So Mystiflying Battered and diffused with placanting blows A human jigsaw to make whole A sequaciuos pattern which once fitted so snug Joining together each dubious lump Ravaged disassembly neathly cubed and diced A cold mannequin once resembled Astute brain teaser, incorporate flesh and bone - So Mortiflying An incessant game - methodically made With each cummulative piecing - of commensted meat Bi-manual reconstruction, eldritch problem complete A convened effigy A pathological toy, each chunk rigorously Inter mortis locking, as you pathogenicaly rot Such a perplexing task To fit the remains in the casket Unligious mess so quiescent An incessant game - methodically made With each cummulative piece - of commensted meat dEiMoS PS. Jel ima neko sve tekstove sa ovog albuma? cjq.txt
hard.heavy.398 eburanj,
KREATOR ponekad bolje zvuči unazad (samo muzika)! MKosanović
hard.heavy.399 vitez.koja,
#=> Hajde mejk maj dej, pa pošalji "The evil that a man can #=> do" sa sedmog sina, ako imaš. Kuku :(( Pa ti potpuno promeni značenje naslova pesme. Valjda si mislio na ovo: @SONG: THE EVIL THAT MEN DO (Smith/Dickinson/Harris) Love is a razor and I walked the line on that silver blade Slept in the dust with his daughter, her eyes red with The slaughter of innocence But I will pray for her I will call her name out loud I would bleed for her If only I could see her now Living on a razors edge Balancing on a ledge Living on a razors edge The evil that men do lives on and on..... The evil that men do lives on and on..... The evil that men do lives on and on..... The evil that men do lives on and on..... Circle of fire my baptism of joy at an end it seems The seventh lamb slain, the book of life opens before me But I will pray for you And some day I may return Don't you cry for me Beyond is where I learn
hard.heavy.400 armitage,
> Kuku :(( Pa ti potpuno promeni značenje naslova pesme. Valjda si > mislio na ovo: Kuku, omaklo se .. :) BTW, molio bih _tablature_ za ovu pesmicu, ako neko ima. -*- Armitage -*-
hard.heavy.401 eburanj,
Imam samo txt pesme koja se zove MMMM MMMMM MMMM MMMM (tako nešto ;-))) < cut here > ********************** * CRASH TEST DUMMIES * ********************** MMMM MMMM MMMM MMMM Once there was a kid who Got into an accident and couldn't come to school But when he finally got back His hair has turned from black into bright white He said that it was from when The cars had smashed so hard Mmmm Mmmm Mmmm Mmmm Mmmm Mmmm Mmmm Mmmm Once there was this girl who Wouldn't go and change with the girls in the change room But when they finally made her They saw birthmarks all over her body She couldn't quite explain it They'd always just been there Mmmm Mmmm Mmmm Mmmm Mmmm Mmmm Mmmm Mmmm But both girl and boy were glad 'Cause one kid had it worse than that 'Cause then there was this boy whose Parents made him come directly home right after school and when they went to their church They shook and lurched all over the church floor He couldn't quite explain it They'd just always gone there Mmmm Mmmm Mmmm Mmmm Mmmm Mmmm Mmmm Mmmm < cut here >
hard.heavy.402 marshall,
Hi ! Ima li iko textove sa albuma "Balls to Picasso" od Bruce Dickinson-a ?
hard.heavy.403 eburanj,
Tekstove sa BALLS TO  PICASO je prekucavao Aki°ä k. Ostavice ih ovde ako kad zavrsi. MK
hard.heavy.404 eburanj,
PANTERA "I AM BÚ]ROKEN ÖĆş" Prekucano iz casopisa "GUITAR" broken.tab
hard.heavy.405 eburanj,
Shta li cna űchi X u tablaturi?
hard.heavy.406 eburanj,
Sta li je X u tab laturi? 
hard.heavy.407 eburanj,
Kukuu, ala je  mukotrpnoo pisati ove tablature ű. Ako neko bć Ako neko bude JAKO vikao završiću ovaj "EYE OF THE BEHOLDER ű ű" of Metlice. eye.tab
hard.heavy.408 mdave,
Subject: Re: The Evil :) Keywords: mdave@hobbiton.co.yu > > Kuku :(( Pa ti potpuno promeni značenje naslova pesme. Valjda si > > mislio na ovo: > > Kuku, omaklo se .. :) > BTW, molio bih _tablature_ za ovu pesmicu, ako neko ima. Ja stig'o. :) From: jfbertuc@ing.puc.cl (Bertucci Juan Francisco) TAB THE EVIL THAT MEN DO- FROM "SEVENTH SON OF A SEVENTH SON" I R O N M A I D E N. the_evil
hard.heavy.409 mdave,
Subject: Re: Balls of Picasso :) Keywords: mdave@hobbiton.co.yu > Hi ! > > Ima li iko textove sa albuma "Balls to Picasso" od Bruce Dickinson-a > ? Tablatura ima nešto malo, samo za "Tears..", ali videću za textove čim uzmognem. :)
hard.heavy.410 mdave,
Subject: Re: X u tablaturi > Sta li je X u tab laturi?  Ako je to u opisu akorda, onda to znači "ovu ovde žicu ne diraj". :) Ako je u tab-u, onda znači da prste leve ruke staviš preko žice i onda okineš, tako da se čuje samo ... hmm... šum. :) Odnosno, Hal i Leonard kažu : "Lay left hand across strings for "percussive" strums", a ponekad i "Lay left hand palm across strings for "muffled" sound". žini mi se da sam video neko uputstvo za tablature, ako se setim okačiću jednom prilikom. :)
hard.heavy.411 eburanj,
Može li se naći još neka tablatura od Metalike: FADE TO VBLACK. MK
hard.heavy.412 mdave,
Subject: Re: Fade to Black > Može li se naći još neka tablatura od Metalike: > FADE TO VBLACK. Poslao sam, odavno.
hard.heavy.413 paki,
­> žini mi se da sam video neko uputstvo za tablature, ako se setim ­> okačiću jednom prilikom. :) Evo ga, po 2Ř-ti put :) tabinfo.zip
hard.heavy.414 eburanj,
>> Balls to Picasso evo, ovo jos ti dugujem... BRUCE DICKINSON: BALLS TO PICASSO P.S. Šteta što već drugi put nije održan koncert u Budimpešti (Bruce - Helloween). Kažu da pevač Helloweena Andi Deris (ex Pink Cream 69) ima ozbiljne probleme sa grlom.. balls_t2.txt
hard.heavy.415 inferno,
Ů│ ˙ Ima li iko textove sa albuma "Balls to Picasso" od Bruce Dickinson-a ? kakvi su utisci o albumu?
hard.heavy.416 mdave,
Subject: Re: Balls of Picasso > Ů│ ˙ Ima li iko textove sa albuma "Balls to Picasso" od Bruce > Dickinson-a ? > kakvi su utisci o albumu? Po mom mišljenju; da nije Dickinson u pitanju, nikad ga ne bih kupio. Međutim, ovako je sasvim ok.
hard.heavy.417 marshall,
=> Tekstove sa BALLS TO  PICASO je prekucavao Aki°ä k. => Ostavice ih ovde ako kad zavrsi. => MK Cool :) cekam
hard.heavy.418 marshall,
=> Subject: Re: Balls of Picasso :) => Keywords: mdave@hobbiton.co.yu => > Hi ! > > Ima li iko textove sa albuma "Balls to Picasso" od Bruce Dickinson-a > ? => => Tablatura ima nesto malo, samo za "Tears..", ali videcu za textove => cim uzmognem. :) Xajde, xajde.. sto pre.. Inace, to za tabulature.. Xmm.. Pa nema bas svako gitaru... Meni bi licno vise nznacile 'prave note' od tabulatura.. Ima li sanse da se i to dobije ? (nadam se da ovo ne spada u glupa pitanja :))
hard.heavy.419 eburanj,
>>Xajde, Xajde... Pa aj' molim te pogledaj nekoliko poruka unazad... možda ćeš naći nešto zanimljivo :)
hard.heavy.420 mdave,
Subject: Re: Opet tablature :) > Inace, to za tabulature.. Xmm.. Pa nema bas svako gitaru... > Meni bi licno vise nznacile 'prave note' od tabulatura.. > Ima li sanse da se i to dobije ? > (nadam se da ovo ne spada u glupa pitanja :)) Možda bi bilo najbolje da umesto tablatura uz poruke kačim po jednog živog gitaristu ? ;) ---------------------------------------------- 8.420 ----------- Datoteka uz poruku: "Symantec Steve Vai Ibanez 7-strings model" Prenos(dnps)?
hard.heavy.421 crncic,
>> žini mi se da sam video neko uputstvo za tablature, ako se setim >> okačiću jednom prilikom. :) Ima na svakim Metallikinim tablaturama, videću da skeniram i pošaljem, nije ono za prekucavanje :(
hard.heavy.422 pyc.guy,
~~~ da nije Dickinson u pitanju, nikad ga ne bih ~~~ kupio. Medutim, ovako je sasvim ok. Ize'm ti logiku...;) Pyc
hard.heavy.423 mdave,
Subject: Re: Balls of Picasso :) > ~~~ da nije Dickinson u pitanju, nikad ga ne bih > ~~~ kupio. Medutim, ovako je sasvim ok. > > Ize'm ti logiku...;) Ni ovako ga nisam kupio. ;) Da prevedem: muzika je osrednja, ništa novo. Pevanje je odlično.
hard.heavy.424 pyc.guy,
~~~ Da prevedem: muzika je osrednja, nista novo. Pevanje je odlicno. Voleo sam Iron Maiden, ali najvise sto mi je smetalo je to krestanje Dickinsona. Sve mi lici na neko naricanje... To jeste sve visoko i lepo, ali meni to ide na nerve :) Ona pesma, valjda se zove Dragon + ne_znam_sta me jako nervira zbog stila Dickinsonovog pevanja. Uopste, ne volim da slusam muziku sa pevanjem previse... Valjda zato slusam techno...:) Pyc
hard.heavy.425 marshall,
>> Balls to Picasso => evo, ovo jos ti dugujem... => BRUCE DICKINSON: BALLS TO PICASSO 20x ;))))
hard.heavy.426 marshall,
Ů│ ˙ Ima li iko textove sa albuma "Balls to Picasso" od Bruce Dickinson-a ? => kakvi su utisci o albumu? Utisci ? Dickinson ko Dickinson, jos uvek peva kako treba.. No, stil muzike se pomalo (malo vise) razlikuje od stila Iron Maiden.. Sve jedno, ima dobrih pesama, pa ga vredi imati..
hard.heavy.427 marshall,
=> Subject: Re: Balls of Picasso > Ů│ ˙ Ima li iko textove sa albuma "Balls to Picasso" od Bruce > Dickinson-a ? > kakvi su utisci o albumu? => Po mom misljenju; da nije Dickinson u pitanju, nikad ga ne bih => kupio. Medutim, ovako je sasvim ok. Xmm.. Pa da.. Da nije on u pitanju, ko zna na sta bi to licilo ? Ovako, kad se covek navikne na njegov glas, prosto bi mi bilo cudno da nemam album..
hard.heavy.428 inferno,
Ů│ ˙ Voleo sam Iron Maiden, ali najvise sto mi je smetalo je to krestanje Ů│ ˙ Dickinsona. Sve mi lici na neko naricanje... To jeste sve visoko i Ů│ ˙ lepo, ali meni to ide na nerve :) Au, pa Dickinson ima odličan glas. :) U svakom slučaju bolje od Diannoa koji ispušta neke homo-zvuke. ;) Ů│ ˙ Ona pesma, valjda se zove Dragon + ne_znam_sta me jako nervira Ů│ ˙ zbog stila Dickinsonovog pevanja. Uopste, ne volim da slusam Ů│ ˙ muziku sa pevanjem previse... Valjda zato slusam techno...:) Dragon?? Nikad čuo... žudno, bio sam ubeđen da imam sve albume od Maidena.
hard.heavy.429 paki,
­> Au, pa Dickinson ima odličan glas. :) U svakom slučaju bolje od ­> Diannoa koji ispušta neke homo-zvuke. ;) Meni se i Dianno mnogo sviđa - većina pesama sa albuma "Killers" bi po meni ladno mogla da uđe u The Best of IM. (naslovna, Murders In The Rue Morgue, Prodigal Son, Wrathchild, The Ides Of March, Genghis Khan). ­> Dragon?? Nikad čuo... ­> žudno, bio sam ubeđen da imam sve albume od Maidena. :)) Koliko ja vidim, reč je o Dickinsonovoj "Tears Of A Dragon" (ili beše The umesto A?).
hard.heavy.430 inferno,
Ů│ ˙ Meni se i Dianno mnogo sviđa - većina pesama sa albuma "Killers" Ů│ ˙ bi po meni ladno mogla da uđe u The Best of IM. (naslovna, Ů│ ˙ Murders In The Rue Morgue, Prodigal Son, Wrathchild, The Ides Of Ů│ ˙ March, Genghis Khan). Pesme su odlične, to nikako ne sporim (Prodigal Son je jedna od najboljih maidenovih stvari), ali mi se Diannov glas čini neprikladan za tu vrstu muzike. Pogledaj studijisku verziju Phantom of the Opera za 1 albuma i koncertnu verziju (za Live after death) na kojoj peva Dickinson. Razlika je drastična. :)
hard.heavy.431 ice.t,
Da li neko zna da li je Slash, koji je skoro osnovao grupu Slash's snakepit, izdao album te grupe. Ako jeste recitemi gde :)))
hard.heavy.432 marshall,
>>Xajde, Xajde... => Pa aj' molim te pogledaj nekoliko poruka unazad... mozda ces naci => nesto zanimljivo :) Xmm.. 'ajde, gimme a hint (bolje broj poruke).. Ovako mogu da trazim do sjutar..
hard.heavy.433 marshall,
=> Subject: Re: Opet tablature :) > Inace, to za tabulature.. Xmm.. Pa nema bas svako gitaru... > Meni bi licno vise nznacile 'prave note' od tabulatura.. > Ima li sanse da se i to dobije ? > (nadam se da ovo ne spada u glupa pitanja :)) => Mozda bi bilo najbolje da umesto tablatura uz poruke kacim po => jednog zivog gitaristu ? ;) :))))))) A, jes.. Ni to ne bi bilo lose.. Mada bi gitaristkinja bolje legla ;) Samo da jos kupim i gitaru..
hard.heavy.434 paki,
­> Razlika je drastična. :) To stoji :)
hard.heavy.435 pyc.guy,
~~~ Dragon?? Nikad cuo... ~~~ Cudno, bio sam ubeden da imam sve albume od Maidena. Pa nije Iron Maiden nego je Bruce solo album (Balls to Picasso) Pyc
hard.heavy.436 marshall,
Ů│ ˙ Voleo sam Iron Maiden, ali najvise sto mi je smetalo je to krestanje Ů│ ˙ Dickinsona. Sve mi lici na neko naricanje... To jeste sve visoko i Ů│ ˙ lepo, ali meni to ide na nerve :) => Au, pa Dickinson ima odlican glas. :) U svakom slucaju bolje od => Diannoa koji ispusta neke homo-zvuke. ;) Xmm.. Nek pusta sta xoce, vazno je da valja ;) Ů│ ˙ Ona pesma, valjda se zove Dragon + ne_znam_sta me jako nervira Tears of the Dragon ? Ů│ ˙ zbog stila Dickinsonovog pevanja. Uopste, ne volim da slusam Ů│ ˙ muziku sa pevanjem previse... Valjda zato slusam techno...:) => Dragon?? Nikad cuo... => Cudno, bio sam ubeden da imam sve albume od Maidena. Ako je mislio na TOFD, onda je to sa Dickinsonovog solo albuma.. Ne od Maiden..
hard.heavy.437 mikis,
+> Da li neko zna da li je Slash, koji je skoro osnovao grupu Slash's +> snakepit, izdao album te grupe. Jeste. Zove se (valjda) "It's Five O'clock Somewhere". +> Ako jeste recitemi gde :))) Prvo u Americi, onda i u ostatku (civilizovznog) sveta ;) Imaš i kod nas, kod SKC-a.
hard.heavy.438 inferno,
Ů│ ˙=> Au, pa Dickinson ima odlican glas. :) U svakom slucaju bolje od Ů│ ˙=> Diannoa koji ispusta neke homo-zvuke. ;) Ů│ ˙ Ů│ ˙ Xmm.. Nek pusta sta xoce, vazno je da valja ;) nisam sporio da muzika ne valja, samo sam tvrdio da je Bruce bolji. :) Ů│ ˙ Ako je mislio na TOFD, onda je to sa Dickinsonovog solo albuma.. Ne od Ů│ ˙ Maiden.. dobro, ukapirao sam.. :)
hard.heavy.439 eburanj,
Ima li neko tekstove sa Operation Mindcrime-a? (od Queensryche-a, naravno) P.S. -> Super album!
hard.heavy.440 mdave,
Subject: Re: Queensryche - Operation: Mindcrime (lyr) Keywords: mdave@hobbiton.co.u > Ima li neko tekstove sa Operation Mindcrime-a? > (od Queensryche-a, naravno) Naravno. :) PS. Bolji je "Empire". :) @ALBUM: Operation: Mindcrime Artist: Queensryche 1988 EMI Manhattan Records ------------------------------------- operatio
hard.heavy.441 eburanj,
>> P.S. Bolji je "Empire". :) pa ne bih rekao. Mislinm da je Empire mnogo slabiji od Mindcrime-a, a i od Promised Land-a. Nego cujem da jedva su prodali 300 hiljada od Promised Land-a... nasuprot Empire, od cega su prodali vise od 1,500,000 ... >> Uz poruku "operatio" Hvala! Aki
hard.heavy.442 mdave,
Subject: Steve Vai - recenzija najnovijeg izdanja Mišljenje istaknutog kritičara, preuzeto sa akademske mreže. ================================ YuForum/Muzika:1 From: alkos@hobbiton 17-05-95 21:01 43 line(s) Subject: Steve Vai strikes again!!! -------------------------------- From: alkos@hobbiton.CO.YU (Aleksandar Kostic) Date: Wed, 17 May 1995 21:01:12 GMT Organization: Hobbiton headquarters, 076 588 263 YU-Code: Custom2 * * * Jedan od najboljih gitarista današnjice Steve Vai, ako ne i najbolji, koga ste nedavno mogli da gledate i slušate u ostvarenju kultnog režisera Walter Hill-a, "Crossroad's", izdao je novi album pod nazivom "Alien love secrets". Numere na ovom izdanju su: 1. Bad horsie ( Improvizacija teme sa početka "dvoboja" izmedju Steve Vai-a i onog malog iz gore pomenutog filma...) 2. Juice ( Kako Steve Vai zamišlja blues? ) 3. Die to live 4. The boy from Seattle ( Ne, nemojte da pomislite da je ovo prilog zvuku Nirvane&Co) 5. Ya-Yo Gakk ( Kakav otac, takav i sin... Naslednik guguče, a tata svira) 6. Kill the guy with ball B Sve u svemu i dalje neprevazidjen gitarista koji je na ovom albumu ostao dosledan svom starom stilu, ali za razliku od prethodnog albuma "Sex and Religion" bez suvišnih sympho i synth efekata, dakle prečišćeno prženje... Može se primetiti da je većinu numera snimao u jednom dahu, verovatno da bi pokazao da je ipak najbolji gitarista i bez pomoći elektronike. U svakom slučaju, album koji zvredjuje vašu pažnju i slušanje u ogromnim količinama... Ako neko poželi da se okuša u pokušaju da odsvira nešto iz njegovog repertoara, može se slobodno obratiti gospodinu Milošu Dragićeviću (mdave@hobbiton.co.yu) koji će drage volje poslati u ovu konferenciju neku od Steve-ovih tablatura. --------------------------------
hard.heavy.443 eburanj,
> njegovog repertoara, može se slobodno obratiti gospodinu > Milošu Dragićeviću (mdave@hobbiton.co.yu) koji će drage > volje poslati u ovu konferenciju neku od Steve-ovih tablatura. cekam... :-)))
hard.heavy.444 aleck,
Za sve poklonike dobre muzike,ludake i manijake,zbirno mesto : KST-Gitar Needle-METALLICA pon. 22.5.'95. p.s.Inferno,nemoj posle da se žališ da nisi na vreme obavešten.
hard.heavy.445 vitez.koja,
Ponedeljak, 22. 05. 1995. - Metallica Night u KSTu
hard.heavy.446 inferno,
Ů│ ˙ Za sve poklonike dobre muzike,ludake i manijake,zbirno mesto : Ů│ ˙ KST-Gitar Needle-METALLICA pon. 22.5.'95. Ů│ ˙ p.s.Inferno,nemoj posle da se žališ da nisi na vreme obavešten. ZAŠTO UVEK RADNIM DANOM!? :( Dabogda im nestalo struje do petka! snif...
hard.heavy.447 mikis,
+> Ako neko poželi da se okuša u pokušaju da odsvira nešto iz +> njegovog repertoara, može se slobodno obratiti gospodinu +> Milošu Dragićeviću (mdave@hobbiton.co.yu) koji će drage +> volje poslati u ovu konferenciju neku od Steve-ovih tablatura. Gos'n Dragićeviću, uzimam sebi slobodu da Vam se obratim ovim putem ;) Uzgred, šta bi sa onim Eugen's Trick Bag-om? Pre neki dan sam opet (po dvestoti put) gledao "Crossroads", i opet sam odlepio na Stevin "headcutting" :))
hard.heavy.448 mdave,
Subject: Re: Steve Vai > Uzgred, šta bi sa onim Eugen's Trick Bag-om? Pre neki dan sam opet > (po dvestoti put) gledao "Crossroads", i opet sam odlepio na Stevin > "headcutting" Bio mi je duuugo u res-u. :) The series I have been posting on the sweep picking technique is coming along, and I will have another addition to it shortly. But I thought you all might enjoy this too. This is from the movie "Crossroads" and is the sequence that Eugene uses at the end of the film to defeat Stevie Vie. It's entitled "Eugenes trick bag" and if you give it some patient effort, you'll see that there are some really good arppegio ideas here, though Steve plays this with finger picking, I have adapted it for my sweep style in as many places as posible. You should try the same, it's great practice O'k, lets do it! cross
hard.heavy.449 eburanj,
Sta je sa Jet-om? Zasto ga ne cujem u hitu 202? Aki
hard.heavy.450 mdave,
Subject: Re: JET > Sta je sa Jet-om? Zasto ga ne cujem u hitu 202? Pojačaj.
hard.heavy.451 alkos,
Subject: Re: X-JET ­­ Sta je sa Jet-om? Zasto ga ne cujem u hitu 202? Zato što ga nema... ;)
hard.heavy.452 eburanj,
>> Polačaj. >> Zato što ga nema... ;) Hvala lepo na iscrpnim odgovorima :) Aki
hard.heavy.453 mrajko,
Ima li neko tekstove sa albuma WEIGHT od ROLLINS BAND-a??? Ako ima neka ih kaci ovde ili meni na mail...
hard.heavy.454 ddotlic,
Pitanje kratko ali jasno: ima li neko tekstove sa albuma "Vitalogy" od Pearl Jam? Unapred hvala, Derek
hard.heavy.455 dejja,
Na raspolaganju višak compact disc ORIGINAL Engleski: Motorhead - Ace Of Spades (CD) ********* ************* **** Legendarni album legendarne grupe, poslastica za stare fanove, tekstovi na engleskom i japanskom, u savršenom stanju... Cena: 15 DM ili 30 dinara Telefon: 021/335-541 čikica (čile)
hard.heavy.456 mikis,
+> Pitanje kratko ali jasno: ima li neko tekstove sa albuma "Vitalogy" od +> Pearl Jam? Unapred hvala, Kratko i jasno: ima. Pogledaj malo po konferenciji, .
hard.heavy.457 mikis,
> Pitanje kratko ali jasno: ima li neko tekstove sa albuma "Vitalogy" od +> Pearl Jam? Unapred hvala, Kratko i jasno: ima. Pogledaj malo po konferenciji. Jedno obicno find /a/t Trazi: vitalogy kaze: +> =============================== +> 10.447 MUZIKA:alter +> mdave, 13.04.žet 01:53, 100 chr +> --------------------------------------------------------- +> Subject: Pearl Jam - Vitalogy (lyr) +> Keywords: mdave@hobbiton.co.yu +> +> +> Vitalogy - Pearl Jam. +> -----------------------------------------------10.447 --- +> ** Uz poruku 'vitalogy' (4339 bytes)
hard.heavy.458 eburanj,
 űUmrtvila na se tema: Evo kratk űih biografija  űgrupa DRI HELLOWEEN MEGADETH METALLICA QUEENSR ű. SLAYER SODOM i TESTAMENT p.s. Treb a nekom tablatura od grype PARADISE LOST? MK music.zip
hard.heavy.459 deimos,
>> p.s Treba nekom tabulatura ogrype PARADISE LOST? Da, da ,da , .. K... Salji to sto pre!!! BTW. Imas li i tekstove pesama? .dEiMos.
hard.heavy.460 alkos,
Subject: Blue Oyster Cult - Lyrics&Tablatures U fajlu koji ide uz ovu poruku se nalaze sledeće tablature kao i reči sa albuma E.T.I. (Extra Terrestrial Inteligence) jedne od legendarnih heavy metal grupa - Blue Oyster Cult... astronom.tab Astronomy burning_.tab Burning For You cities_i.tab Cities on Flame cities_o.tab dont_fea.tab Don't Fear The Reaper e_t_i.tab Extra Terrestrial Inteligence e_t_i_al.lyr >E.T.I. Album - Lyrics< godzilla.tab Godzilla last_day.tab The Last Days in May perfect_.tab Perfect Water various_.tab MOST GREATEST RIFFS blue_o_c.zip
hard.heavy.461 deimos,
Evo tekstova od grupe MY DYING BRIDE sa albuma TURN LOOSE THE SWANS! ps. Iskljucite QEMM. mdb.arj
hard.heavy.462 fancy,
ŮŢ> Subject: Blue Oyster Cult - Lyrics&Tablatures PHANX :) To je bio pravi potez..;) the reaper
hard.heavy.463 eburanj,
U ovoj arhivi se nalaze svi tekstovi Queensryche-a od prvog do Operation albuma. Tekstovi su nazalost u WWW-HTML formatu, ali to ne predstavlja velik problem pri citanju. (ima nekih dodatnih sim- bola, ali ne bode oci). Tekstovi sa Operation Mindcrime-a (*.DES) su jako interesantni, jer su komentarisani. Aki P.S. Ako neko skine ovaj fajl (sem mdave-a :) ) nek se javi! (Cini mi se da nema QR fanova ovde) :( BTW za mdave: Sad vec znam odakle su one pesme sa Eyes of a Stranger maxi-ja. qr.zip
hard.heavy.464 eburanj,
Ovde se nalazi Bruce Dickinson: Balls to Picasso i Tatooed Millionaire (takodje u WWW-HTML formatu) Aki bruce.zip
hard.heavy.465 alkos,
Subject: Re: QR Fan ­­ (Cini mi se da nema QR fanova ovde) :( Grešiš...:)
hard.heavy.466 eburanj,
>> ­­ (Cini mi se da nema QR fanova ovde) :( >> Grešiš...:) Eh, hvala bogu! :)) Aki
hard.heavy.467 eburanj,
>> My Dying Bride Molim te prebaci tekst u ASCII format, da bi mogli i oni procitati, koji nemaju PC. Thanx! Aki
hard.heavy.468 eburanj,
PARADISE LOST - ű tablature sa txt ű. MK paradajz.zip
hard.heavy.469 alkos,
Subject: More of that Blue Oyster Cult Keywords: Orpehus Khmm, dakle opet o Blue Oyster Cult-u, samo sada malo opširnije. Ovog puta samo reči sa ovih albuma. Zamolio bih bolje poznavaoce ovog band-a da dopune podatke o godinama izdavanja albuma. Ovom spisku nedostaje album FIRE OF UNKNOWN ORIGIN, koji sam greškom izgubio, ali u zamenu dobijate lepu .jpg sličicu ovog albuma :). Nisam siguran da li je ovo kompletna diskografija, ali potrudiću se da je dobavim... AGENTS OF FORTUNE BAD CHANNELS CLUB NINJA (1986) CULTOSAURUS ERECTUS (1980) REVOLUTION BY NIGHT (1983) SECRET TREATIES SPECTRES (1977) TYRANNY AND MUTATION BLUE OYSTER CULT fire$u$o.jpg
hard.heavy.470 alkos,
Subject: Blue Oyster Cult - "Agents of Fortune" @ALBUM: AGENTS OF FORTUNE Blue Oyster Cult @SONGS: THIS AIN'T THE SUMMER OF LOVE TRUE CONFESSIONS THE REAPER E.T.I. REVENGE OF THE VERA GEMINI SINFUL LOVE TATTOO VAMPIRE MORNING FINAL TENDERLOIN DEBBIE DENISE agents.zip
hard.heavy.471 alkos,
Subject: Blue Oyster Cult - "Bad Channels" @ALBUM: BAD CHANNELS (From the soundtrack to "Bad Channels", music composed and performed by Blue Oyster Cult) @SONGS: DEMON'S KISS THE HORSEMEN ARRIVE THAT'S HOW IT JANE JANE (THE HURRICANE) SOMEWHERE IN THE NIGHT BLIND FAITH MANIC DEPRESSO MR. COOL MYTH OF FREEDOM TOUCHING MYSELF AGAIN LITTLE OLD LADY POLKA THE REST OF THE SCORE bad_cha.zip
hard.heavy.472 alkos,
Subject: Blue Oyster Cult - "Club Ninja" @ALBUM: CLUB NINJA (1986) Blue Oyster Cult Produced by Sandy Pearlman -------------------------- @SONGS: WHITE FLAGS DANCIN' IN THE RUINS MAKE ROCK NOT WAR PERFECT WATER SPY IN THE HOUSE OF THE NIGHT BEAT 'EM UP WHEN THE WAR COMES SHADOW WARRIOR MADNESS TO THE METHOD club_nin.zip
hard.heavy.473 alkos,
Subject: Blue Oyster Cult - "Cultosaurus erectus" @ALBUM: CULTOSAURUS ERECTUS (1980) Produced by Martin Birch ------------------------ @SONGS: BLACK BLADE MONSTERS DIVINE WIND DEADLINE THE MARSHALL PLAN HUNGRY BOYS FALLEN ANGEL LIPS IN THE HILLS UNKNOWN TONGUE cultosau.zip
hard.heavy.474 alkos,
Subject: Blue Oyster Cult - "Revolution by night" @ALBUM: REVOLUTION BY NIGHT (1983) Produced by Bruce Fairbairn --------------------------- @SONGS: TAKE ME AWAY EYES ON FIRE SHOOTING SHARK VEINS SHADOW OF CALIFORNIA FEEL THE THUNDER LET GO DRAGON LADY LIGHT YEARS OF LOVE rev_by_n.zip
hard.heavy.475 alkos,
Subject: Blue Oyster Cult - "Secret Treaties" @ALBUM: SECRET TREATIES Blue Oyster Cult @SONGS: CAREER OF EVIL SUBHUMAN DOMINANCE AND SUBMISSION ME262 CAGEY CRETINS HARVESTER OF EYES FLAMING TELEPATHS ASTRONOMY secret.zip
hard.heavy.476 alkos,
Subject: Blue Oyster Cult - "Tyrany and Mutation" @ALBUM: TYRANNY AND MUTATION @SONGS: THE RED AND THE BLACK OD'D ON LIFE ITSELF HOT RAILS TO HELL SEVEN SCREAMING DIZ-BUSTERS BABY ICE DOG SEVEN SCREAMING DIZ-BUSTERS WINGS WETTED DOWN TEEN ARCHER MISTRESS OF THE SALMON SALT tyranny.zip
hard.heavy.477 alkos,
Subject: Blue Oyster Cult - "Blue Oyster Cult" @ALBUM: BLUE OYSTER CULT Blue Oyster Cult (untitled) @SONGS: TRANSMANIACON MC I'M ON THE LAMB BUT I AIN'T NO SHEEP LAST DAYS OF MAY STAIRWAY TO THE STARS BEFORE THE KISS SCREAMS SHE'S AS BEAUTIFUL AS A FOOT CITIES ON FLAME WORKSHOP OF TELESCOPES REDEEMED (SIR RASTUS BEAR) bl_oy_cu.zip
hard.heavy.478 fancy,
ŮŢ> izdavanja albuma. Ovom spisku nedostaje album FIRE OF UNKNOWN ŮŢ> ORIGIN, koji sam greškom izgubio, ali u zamenu dobijate lepu Hajde nađi ga, taj je jedan od najžešćih :) Naravno, pogledaj ima li negde i "Some enchanted evening" (jes' da je LIVE, ali nek se nađe radi potpunosti :)
hard.heavy.479 deimos,
 űToooooo! Gde si ovo krio do sada! Svaka cast! file >> After I made the Carcass tabs and got a fantastic reaction I've file >> decsided to make more death tabs. Icon has sold nearly a million Tip koji je ovo skinuo rece da je skinuo i TABove od CARCASS-a !!! Da nemas slucajno i to ? Ili, uopste, ako neko ima jos nek TABove (ili reci pesama) od death metal (ili grind) bendova neka ih posalje, bio bih mu vecno zahvalan. U znak popuarisanja deatha, posle MDB saljem i tekstove od ENTOMBED-a sa albuma CANDLESTINE (odlicni su). .dEiMoS. entombed.arj
hard.heavy.480 eburanj,
Pitanje vezano za tablaturu pesme ENTER SANDMAN Pise da se koristi E5 i F5 Da li je to ovo ---- ---- ---- ---- --3- --5- --1- --3- A---- ---- E---- ---- jer mi nesto lose zvuci. Nesto sam se zagrejao da pocnem malo da ucim da sviram gitaru :-). Odakle da pocnem? (znam akorde i ponekui pesmicu). Cuo sam da postoje neke lestvice (skale?) kao npr. rock skala itd. Da li neko moze da posalje neku? MK
hard.heavy.481 inferno,
..conf join FORUM.14 ..conf reply 9.156 Ů│ ˙ Znači da muškarci (uglavnom) traže slabe ličnosti da bi mogli da Ů│ ˙ izigravaju autoritet nad njima i da se time hvale. Smatram da ono tvoje "uglavnom" ne stoji i da to zavisi od same ličnosti, a po tvome ispade da svi muškarci imaju kompleks niže vrednosti. Ne znam zašto imaš takvo mišljenje o suprotnom polu, ali uglavnom grešiš.
hard.heavy.482 dikla,
> Nesto sam se zagrejao da pocnem malo da ucim > da sviram gitaru :-). Odakle da pocnem? > (znam akorde i ponekui pesmicu). Cuo sam da Od "Lutku imam jaaaa, koja kaže ne, ne, ne..."
hard.heavy.483 mikis,
+> Pitanje vezano za tablaturu pesme +> ENTER SANDMAN +> +> Pise da se koristi E5 i F5 +> Da li je to ovo +> ---- ---- +> ---- ---- +> --3- --5- +> --1- --3- +> A---- ---- +> E---- ---- Nije :) To je ovo: E---------- H---------- G---------- D---------- A--2--3---- E--0--1---- "Opciono" možeš na D žici pritiskati isto što i na A, mada ovo gore zvuči čvršće :)
hard.heavy.484 mdave,
Subject: Re: Sviranje gitare > Nesto sam se zagrejao da pocnem malo da ucim > da sviram gitaru :-). Odakle da pocnem? Odsvuda. :) Slušaj, gledaj, pitaj..itd.. Možda ti pomognu lekcije u blues temi. Poslao sam 4-5, nikako da stignem da pošaljem ostale.
hard.heavy.485 eburanj,
U temi 10 sam poslao po űnešto tablatura (SOUNDGARDEN, THERAPY....) MK
hard.heavy.486 eburanj,
>> Tip koji je ovo skinuo rece da je skinuo i TABove od >> CARCASS-a !!! Da nemas slucajno i to ? Fajl je direktno skinut sa InterNet-a. Ako te interesuje, pogledaću za one Carcass tab-ture. Inače imaš tamo InterNet adresu, pa piši čoveku. Pozdrav, Aki.
hard.heavy.487 deimos,
┌──────────────────────────────────────────────────────────┐ Kad smo vec kod Carcassa, ko voli nek izvoli: CARCASS - HEARTWORK (Tekstovi pesama) 1. Buried Dreams 2. Carnal Forge 3. No Love Lost 4. Heartwork 5. Embodiment 6. This Mortal Coil 7. Arbeit Macht Fleisch 8. Blind Bleeding The Blind 9. Doctrinal Expletives 10. Death Certificate └───────────────────────°■DeimoS■°─────────────────────────┘ car_hear.txt
hard.heavy.488 eburanj,
>> Kad smo vec kod Carcassa, ko voli nek izvoli: >> CARCASS - HEARTWORK (Tekstovi pesama) To majstore! Thanx! Aki
hard.heavy.489 deimos,
┌──────────────────────────────────────────────────────────┐ INCARNATED SOLVENT ABUSE ------------------------ (-*CARCASS*-) (Necroticism-Descanting The Insalubrious) (Intro) This visible identification is not possible. The pathologyst may not be able to take fingerprints from the body, since decained satten things becomes more complicated. Internatious, Intersected Reaving fats from corporeal griskin Culled. For sodden gelatine brayed Skeletal groats triturated, desinently Exicated. Sere glutanite browed For the frivolous solvent abuse Diverged corpse remains As glue to dry Dispoiled marrow raised A trunculent shrambles So neat .. Excavated bone As adhesive incarnate Particulate wideness Noxiously I create Corporeal glue Breath-in the fumes Mucilated vapours Toxic fumes or say Corporeal griss remain As glue to dry A listen get so glassed A trunculent shrambles So neat .. The exanguines breed Snorred as stuff Pellucid quiems forever Bound together as gum Corporeal glue Breath in the fumes Noxious vapours Strongest remain Greske su moguce, za koje ne snosim nikakvu odgovornost, mada su ispravke dobrodosle. Ni originalnu verziju ne biste razumeli (preveli) - u 90% slucajeva :) └───────────────────────°■DeimoS■°─────────────────────────┘
hard.heavy.490 deimos,
┌──────────────────────────────────────────────────────────┐ Uz poruku idu sledeci tekstovi: MORBID ANGEL ============ 1. Fall From Grace ...... (Blessed Are the Sick) 2. Brainstorm ........... (Blessed Are The Sick) 3. Blessed Are The Sick . (Blessed Are The Sick) (Leading The Rats) 4. Chapell Of Ghouls .... (Altars Of Madness / Abominations Of Desolation) Have fun. └───────────────────────°■DeimoS■°─────────────────────────┘ morbid.arj
hard.heavy.491 deimos,
Info: PARADISE LOST ima nov album: DRACONIAN TIMES Imaju i nov spot ( ne znam kako se zove ). Cini mi se da su malo smeksali? .dEiMoS. p.s.: sorry ako je info star, ja sam tek danas saznao.
hard.heavy.492 eburanj,
>> Info: >> >> PARADISE LOST ima nov album: DRACONIAN TIMES >> >> Imaju i nov spot ( ne znam kako se zove ). Tačno! A spot se zove The Last Time. Album je izašao 12. juna. Pozdrav, Aki
hard.heavy.493 eburanj,
Re: Akordi u ENTER SANDMAN Tek sada mi nije jasno.... Šta je riff? Koliko sam do sada shvatio ta reč ima dva značenja... Šta znači ono add (npr. Cadd9)? Ima li neko u fajlu neka objašnjenja o akordima, rifovima uopšte o sviranju na gitari? (BTW Hvala na na BLUES lekcijama) MK
hard.heavy.494 eburanj,
Re: Akordi u ENTER SANDMAN Tek sada mi nije jasno.... Šta je riff? Koliko sam do sada shvatio ta reč ima dva značenja... Šta znači ono add (npr. Cadd9)?
hard.heavy.495 eburanj,
Traže se tablature: od grupe METALLICA FADE TO BLACK i JUMP IN THE FIRE --LED ZEPELLIN-- STAIRWAY TO HEAVEN (kompletna)
hard.heavy.496 kile,
>> Šta znači ono add (npr. Cadd9)? To znači da na osnovni kvintakord treba da dodaš deveti stepen lestvice. Razlikuje se od C9 po tome što nema sniženi sedmi stepen, dakle nije - C E G Hb D, nego samo - C E G D.
hard.heavy.497 bmisic,
TREBAJU MI TEKSTOVI PESAMA IZ SLEDEĆIH ALBUMA: BURN MY EYES (MACHINE HEAD) ARISE (SEPULTURA) CHAOS A.D. (SEPULTURA)
hard.heavy.498 deimos,
│Π ű Evo trazenih tekstova: SEPULTURA - 'ARISE' .dEiMoS. sep_aris.arj
hard.heavy.499 eburanj,
> Evo trazenih tekstova: > > SEPULTURA - 'ARISE' > > .dEiMoS Nešto si zaboravio ;) CHAOS A.D. chaos.txt
hard.heavy.500 zdravko,
Zdravo ! El ima neko tekstove sa Twighlight of the gods od Bathory? Pozdrav svim HMetalcima Zdravko.
hard.heavy.501 imangovski,
DDa li bi se nasao neko tako dobar da mi posalje reci za 'UNFORGIVEN' od mettallice sto pre mango
hard.heavy.502 eburanj,
MET█ALLICA - tekst metal.alb